Book contents
- Don DeLillo In Context
- Don DeLillo In Context
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Abbreviations
- Introduction: Context, Content, Conflict
- Part I Places
- Part II History and Politics
- Part III Media and Pop Culture
- Part IV Literary Contexts
- Part V Material Contexts
- Part VI Social and Cultural Constructions
- Part VII Writing and Writers
- Further Reading
- Index
- References
Part IV - Literary Contexts
Published online by Cambridge University Press: 19 May 2022
Edited by
Book contents
- Don DeLillo In Context
- Don DeLillo In Context
- Copyright page
- Contents
- Contributors
- Acknowledgments
- Abbreviations
- Introduction: Context, Content, Conflict
- Part I Places
- Part II History and Politics
- Part III Media and Pop Culture
- Part IV Literary Contexts
- Part V Material Contexts
- Part VI Social and Cultural Constructions
- Part VII Writing and Writers
- Further Reading
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Don DeLillo In Context , pp. 153 - 186Publisher: Cambridge University PressPrint publication year: 2022
References
Works Cited
Cowart, David. Don DeLillo: The Physics of Language. University of Georgia Press, 2002.Google Scholar
DeLillo, Don. “American Blood: A Journey through the Labyrinth of Dallas and JFK.” Rolling Stone, Dec. 8, 1983: 21–2, 24, 27–8, 74.Google Scholar
Frow, John. “Intertextuality and Ontology.” In Intertextuality: Theories and Practice. Edited by Worton, Michael and Still, Judith. Manchester University Press, 1990: 45–55.Google Scholar
Kavadlo, Jesse. “Recycling Authority: Don DeLillo’s Waste Management.” Critique, 42.4 2001: 384–401.Google Scholar
LeClair, Thomas. “An Interview with Don DeLillo.” Contemporary Literature, 23.1 1982: 19–31.CrossRefGoogle Scholar
Morley, Catherine. “Don DeLillo’s Transatlantic Dialogue with Sergei Eisenstein.” Journal of American Studies, 40.1 2006: 17–34.Google Scholar
Osteen, Mark. “Extraordinary Renditions: DeLillo’s Point Omega and Hitchcock’s Psycho.” In Hitchcock and Adaptation: On the Page and Screen. Edited by Osteen, Mark. Rowman & Littlefield Publishers, 2014: 261–78.Google Scholar
Passaro, Vince. “Dangerous Don DeLillo.” Conversations with Don DeLillo. Edited by DePietro, Thomas. University Press of Mississippi, 2005: 75–85.Google Scholar
Works Cited
Coughlan, David. Ghost Writing in Contemporary American Fiction. Palgrave Macmillan UK, 2016.Google Scholar
Cowart, David. Don DeLillo: The Physics of Language. University of Georgia Press, 2002.Google Scholar
DePietro, Thomas, ed. Conversations With Don DeLillo. University of Mississippi Press, 2005.Google Scholar
LoBrutto, Vincent, to Don DeLillo, June 22, 1997. Container 107.1, Don DeLillo Papers, Harry Ransom Center, University of Texas, Austin.Google Scholar
Works Cited
Alkhateeb, Katya. The Passage from Modernism to Post Modernism: Problematizing Don DeLillo. Lap Lambert Academic Publishing, 2012.Google Scholar
Barad, Karen. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning. Duke University Press, 2007: ix.CrossRefGoogle Scholar
Giaimo, Paul. Appreciating Don DeLillo: The Moral Force of a Writer’s Work. Praeger, 2011.Google Scholar
Moss, Maria, “‘Writing as a Deeper Form of Concentration’: An Interview with Don DeLillo,” In Conversations with Don DeLillo. Edited by DePietro, Thomas. University Press of Mississippi, 2005.Google Scholar
Works Cited
Baudrillard, Jean. Simulacra and Simulation. Translated by Glaser, Sheila Faria. University of Michigan Press, 1994.Google Scholar
DeLillo, Don. “Baseball and the Cold War,” by Echlin, Kim. Conversations with Don DeLillo. Edited by DePietro, Thomas. University of Mississippi Press, 2005, 145–51.Google Scholar
DeLillo, Don. “Exile on Main Street: Don DeLillo’s Undisclosed Underworld,” by Remnick, David. Conversations with Don DeLillo. Edited by DePietro, Thomas. University of Mississippi Press, 2005, 131–44.Google Scholar
DeLillo, Don. “An Interview with Don DeLillo,” by Nadotti, Maria. Conversations with Don DeLillo. Edited by DePietro, Thomas. University of Mississippi Press, 2005: 109–18.Google Scholar
DeLillo, Don. Letter to Lino Belleggia, May 2002. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 109, folder 3.Google Scholar
DeLillo, Don. Letter to Ioanna Kleftoyianni, Sept. 2002. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 109, folder 3.Google Scholar
DeLillo, Don. Letter to Gordon Lish, Aug. 18, 1995. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 98, folder 7.Google Scholar
DeLillo, Don. Letter to David Foster Wallace, Feb. 5, 1997. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 101, folder 10.Google Scholar
DeLillo, Don. “Q&A: A Rare Interview with Don DeLillo, One of the Titans of American Fiction,” by Kellogg, Carolyn. Los Angeles Times, April 29, 2016.Google Scholar
Jameson, Fredric. Postmodernism, Or, The Cultural Logic of Late Capitalism. Duke University Press, 1991.Google Scholar
Kittler, Friedrich A. Grammophone, Film, Typewriter. Translated by Winthrop-Young, Geoffrey and Wutz, Michael. Stanford University Press, 1999.Google Scholar
Knight, Peter. “DeLillo, Postmodernism, and Postmodernity.” The Cambridge Companion to Don DeLillo. Edited by Duvall, John N.. Cambridge University Press, 2008.Google Scholar
Lentricchia, Frank. “Libra as Postmodern Critique.” Introducing Don DeLillo. Edited by Lentricchia, Frank. Duke University Press, 1991.Google Scholar
Lentricchia, Frank. “Tales of the Electronic Tribe.” New Essays on White Noise. Edited by Lentricchia, Frank. Cambridge University Press, 1991.Google Scholar
Lish, Gordon. Letter to Don DeLillo, Mar. 13, 1979. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 98, folder 1.Google Scholar
Lish, Gordon. Letter to Don DeLillo, Mar. 28, 1979. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 98, folder 1.Google Scholar
Lish, Gordon. Letter to Don DeLillo, Nov. 23, 1983. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 98, folder 1.Google Scholar
Lish, Gordon. Letter to Don DeLillo, May 21, 1995. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 98, folder 7.Google Scholar
Lish, Gordon. Letter to Don DeLillo, Nov. 7, 1995. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 98, folder 8.Google Scholar
Lish, Gordon. Letter to Don DeLillo, Feb. 13, 1996. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 99, folder 1.Google Scholar
Tabbi, Joseph. Postmodern Sublime: Technology and American Writing from Mailer to Cyberpunk. Cornell University Press, 1995.Google Scholar
Wallace, David Foster. “A Conversation with David Wallace,” by McCaffery, Larry. Review of Contemporary Fiction, 13, Summer, 1993: 127–50.Google Scholar
Wallace, David Foster. “E Unibus Pluram: Television and U.S. Fiction.” Review of Contemporary Fiction, 13.2, Summer, 1993: 151–94.Google Scholar
Wallace, David Foster. Letter to Don DeLillo. June 11, 1992. Don DeLillo Papers, Harry Ransom Center, The University of Texas at Austin, box 110, folder 10.Google Scholar
Yeats, William Butler. Letter to Dorothy Wellesley. Sept. 8, [1935]. Letters on Poetry from W. B. Yeats to Dorothy Wellesley. Oxford University Press, 1940.Google Scholar