Book contents
- Early Shakespeare, 1588–1594
- Early Shakespeare, 1588–1594
- Copyright page
- Contents
- Tables
- Notes on Contributors
- Acknowledgements
- Abbreviations
- Introduction Beginning with Shakespeare
- Chapter 1 Shakespeare and the Idea of Early Authorship
- Chapter 2 Collaboration and Shakespeare’s Early Career
- Chapter 3 The Language and Style of Early Shakespeare
- Chapter 4 Shakespeare’s Early Verse Style
- Chapter 5 Early Shakespeare, Chaucer, and Narrative Theory:
- Chapter 6 Poetry, Counsel, and Coercion in Shakespeare’s Early History Plays
- Chapter 7 John Lyly and Shakespeare’s Early Career
- Chapter 8 Spenser and Shakespeare: Bards of a Feather?
- Chapter 9 Arden of Faversham, Richard Burbage, and the Early Shakespeare Canon
- Chapter 10 Boy Parts in Early Shakespeare
- Chapter 11 The Origins of Richard Duke of York
- Chapter 12 Early Shakespeare and the Authorship of The Taming of the Shrew
- Chapter 13 Who Read What When?
- Book part
- Select Bibliography
- Index
Chapter 11 - The Origins of Richard Duke of York
Published online by Cambridge University Press: 17 April 2020
- Early Shakespeare, 1588–1594
- Early Shakespeare, 1588–1594
- Copyright page
- Contents
- Tables
- Notes on Contributors
- Acknowledgements
- Abbreviations
- Introduction Beginning with Shakespeare
- Chapter 1 Shakespeare and the Idea of Early Authorship
- Chapter 2 Collaboration and Shakespeare’s Early Career
- Chapter 3 The Language and Style of Early Shakespeare
- Chapter 4 Shakespeare’s Early Verse Style
- Chapter 5 Early Shakespeare, Chaucer, and Narrative Theory:
- Chapter 6 Poetry, Counsel, and Coercion in Shakespeare’s Early History Plays
- Chapter 7 John Lyly and Shakespeare’s Early Career
- Chapter 8 Spenser and Shakespeare: Bards of a Feather?
- Chapter 9 Arden of Faversham, Richard Burbage, and the Early Shakespeare Canon
- Chapter 10 Boy Parts in Early Shakespeare
- Chapter 11 The Origins of Richard Duke of York
- Chapter 12 Early Shakespeare and the Authorship of The Taming of the Shrew
- Chapter 13 Who Read What When?
- Book part
- Select Bibliography
- Index
Summary
Randall Martin and others have argued that Shakespeare revised 3 Henry VI after his composition of Richard III to consolidate the early history plays as a sequence. Meanwhile, recent attribution studies argue that Shakespeare originally wrote 3 Henry VI in collaboration with one or more other dramatists, making little or no contribution to Acts 1 and 4. If these arguments are correct, the older hypothesis that the first edition issued in 1595 as The True Tragedy of Richard Duke of York is a memorial reconstruction begins to look vulnerable. If it is shorter and less Shakespearean, some possible reasons for these characteristics other than derivative reconstruction are now evident. This chapter will agree with the arguments for collaboration in both versions, and for revision in one. But it will reassert the necessity of regarding Richard Duke of York as a derivative text with a tenuous line of transmission from an authorial script.
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- Early Shakespeare, 1588–1594 , pp. 235 - 260Publisher: Cambridge University PressPrint publication year: 2020