Book contents
- Europe in British Literature and Culture
- Cambridge Themes in British Literature and Culture
- Europe in British Literature and Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- General Editor’s Preface
- Acknowledgements
- Introduction
- Part I Zones of Influence
- Part II Pan-European Moods and Movements
- Chapter 7 Renaissance
- Chapter 8 The Enlightenment
- Chapter 9 Romanticism
- Chapter 10 The Gothic
- Chapter 11 Modernism
- Part III Cultural Transfers
- Part IV Anxious Neighbourhoods, Uncertain Futures
- Index
Chapter 9 - Romanticism
from Part II - Pan-European Moods and Movements
Published online by Cambridge University Press: 06 June 2024
- Europe in British Literature and Culture
- Cambridge Themes in British Literature and Culture
- Europe in British Literature and Culture
- Copyright page
- Contents
- Illustrations
- Contributors
- General Editor’s Preface
- Acknowledgements
- Introduction
- Part I Zones of Influence
- Part II Pan-European Moods and Movements
- Chapter 7 Renaissance
- Chapter 8 The Enlightenment
- Chapter 9 Romanticism
- Chapter 10 The Gothic
- Chapter 11 Modernism
- Part III Cultural Transfers
- Part IV Anxious Neighbourhoods, Uncertain Futures
- Index
Summary
For the British, ‘Europe’ in general and continental Romanticism in particular approached an enigma. This chapter examines how British intellectuals and artists perceived and engaged with continental aspects of the literature, music, and visual arts in this period. It focuses on lesser-known examples, which includes the specificity of German Gothicism and De Quincey’s fictitious biographical essay The Last Days of Immanuel Kant, but also Thomas L. Peacock’s critiquing of this English preoccupation with German thought. This chapter asks whether, in aesthetic terms, British engagements with ‘Europe’ cannot but ‘romanticize’ the continent, thus maintaining a paradoxical attitude of ‘remote proximity’, which might also apply to subsequent eras.
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- Information
- Europe in British Literature and Culture , pp. 149 - 164Publisher: Cambridge University PressPrint publication year: 2024