Book contents
- Frontmatter
- Contents
- Acknowledgements
- 1 A feminist view on the 1990s
- 2 Telling feminist tales: Caryl Churchill
- 3 Saying no to Daddy: child sexual abuse, the ‘big hysteria’
- 4 Girl power, the new feminism?
- 5 Sarah Kane: the ‘bad girl of our stage’?
- 6 Performing identities
- 7 Feminist connections to a multicultural ‘scene’
- 8 Feminism past, and future? Timberlake Wertenbaker
- 9 Tales for the twenty-first century: final reflections
- Notes
- Bibliography
- Index
Notes
Published online by Cambridge University Press: 22 September 2009
Book contents
- Frontmatter
- Contents
- Acknowledgements
- 1 A feminist view on the 1990s
- 2 Telling feminist tales: Caryl Churchill
- 3 Saying no to Daddy: child sexual abuse, the ‘big hysteria’
- 4 Girl power, the new feminism?
- 5 Sarah Kane: the ‘bad girl of our stage’?
- 6 Performing identities
- 7 Feminist connections to a multicultural ‘scene’
- 8 Feminism past, and future? Timberlake Wertenbaker
- 9 Tales for the twenty-first century: final reflections
- Notes
- Bibliography
- Index
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- Feminist Views on the English StageWomen Playwrights, 1990–2000, pp. 174 - 214Publisher: Cambridge University PressPrint publication year: 2003