Book contents
- Frontmatter
- Contents
- Edelgard Else Renate Conradt DuBruck
- Preface I
- Preface II
- Essays
- Wellness Guides for Seniors in the Middle Ages
- Sources and Meaning of the Marian Hemicycle Windows at Évreux: Mosaics, Sculpture, and Royal Patronage in Fifteenth-Century France
- Re-Writing Lucretia: Christine de Pizan's Response to Boccaccio's De Mulieribus Claris
- Vernacular Translation and the Sins of the Tongue: From Brant's Stultifera Navis (1494) to Droyn's La Nef des folles (c.1498)
- La Celestina: ¿Philocaptio o apetito carnal?
- “As Olde Stories Tellen Us”: Chivalry, Violence, and Geoffrey Chaucer's Critical Perspective in The Knight's Tale
- Portrait d'une carrière extraordinaire: Bertrand Du Guesclin, chef de guerre modèle, dans la Chronique anonyme dite des Cordeliers (c.1432)
- Humanismo en la Corona de Aragón: el Manuscrito 229 de la Biblioteca Nacional de Francia
- False Starts and Ambiguous Clues in François Villon's Testament (1461)
- Reassessing Chaucer's Cosmological Discourse at the End of Troilus and Criseyde (c.1385)
- Down to Earth and Up to Heaven: The Nine Muses in Martin Le Franc's Le Champion des Dames
- Guillaume Hugonet's Farewell Letter to His Wife on April 3, 1477: “My Fortune Is Such that I Expect to Die Today and to Depart this World”
- Fifteenth-Century Medicine and Magic at the University of Heidelberg
Re-Writing Lucretia: Christine de Pizan's Response to Boccaccio's De Mulieribus Claris
from Essays
Published online by Cambridge University Press: 12 September 2012
- Frontmatter
- Contents
- Edelgard Else Renate Conradt DuBruck
- Preface I
- Preface II
- Essays
- Wellness Guides for Seniors in the Middle Ages
- Sources and Meaning of the Marian Hemicycle Windows at Évreux: Mosaics, Sculpture, and Royal Patronage in Fifteenth-Century France
- Re-Writing Lucretia: Christine de Pizan's Response to Boccaccio's De Mulieribus Claris
- Vernacular Translation and the Sins of the Tongue: From Brant's Stultifera Navis (1494) to Droyn's La Nef des folles (c.1498)
- La Celestina: ¿Philocaptio o apetito carnal?
- “As Olde Stories Tellen Us”: Chivalry, Violence, and Geoffrey Chaucer's Critical Perspective in The Knight's Tale
- Portrait d'une carrière extraordinaire: Bertrand Du Guesclin, chef de guerre modèle, dans la Chronique anonyme dite des Cordeliers (c.1432)
- Humanismo en la Corona de Aragón: el Manuscrito 229 de la Biblioteca Nacional de Francia
- False Starts and Ambiguous Clues in François Villon's Testament (1461)
- Reassessing Chaucer's Cosmological Discourse at the End of Troilus and Criseyde (c.1385)
- Down to Earth and Up to Heaven: The Nine Muses in Martin Le Franc's Le Champion des Dames
- Guillaume Hugonet's Farewell Letter to His Wife on April 3, 1477: “My Fortune Is Such that I Expect to Die Today and to Depart this World”
- Fifteenth-Century Medicine and Magic at the University of Heidelberg
Summary
In writing Le Livre de la Cité des Dames (1404–1407), Christine de Pizan does not present herself to the reader as an auctor, but rather as a compilator. Given that the medieval definition of inventio relies largely on an author's reworking of previously written material, one might legitimately wonder whether the distinction between these two technical terms is of any great importance to a reader; however, the auctor, as the author of new and original works, is both an authority on his subject matter and one morally responsible for the contents of the literary creation. In fact, the auctor gains the status of authenticity only when “later writers used extracts from his works as sententious statements or auctoritates … or employed them as literary models.” In contrast, the compilator is accountable only for the manner in which he or she arranges the statements of other writers, and is not morally answerable for repeating the opinions or revising the stories of the auctor. Thus the compilator enjoys a certain freedom of expression — and release from criticism — that the auctor does not have.
Since the Cité des Dames (1404–1407 — henceforth: Cité) is an anthology of stories about the lives of notable pagan and Christian women framed by an allegorical débat which argues that women are naturally virtuous and intellectually equal to men, Christine's claim to be a simple compilator does not strain credulity.
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- Fifteenth-Century Studies , pp. 35 - 52Publisher: Boydell & BrewerPrint publication year: 2007