Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-mkpzs Total loading time: 0 Render date: 2024-12-26T18:28:05.902Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  29 September 2022

Sarah M. Guérin
Affiliation:
University of Pennsylvania
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
French Gothic Ivories
Material Theologies and the Sculptor’s Craft
, pp. 278 - 307
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Secondary Sources

Abu-Lughod, Janet L. Before European Hegemony: The World System AD 1250–1350. New York, 1989.Google Scholar
Abulafia, David. A Mediterranean Emporium: The Catalan Kingdom of Majorca. Cambridge, 2005.Google Scholar
of Perseigne, Adam. “Eructavit”: An Old French Metrical Paraphrase of Psalm XLIV. Published from All the Known Manuscripts and Attributed to Adam de Perseigne, edited by Atkinson Jenkins, T.. Dresden, 1909.Google Scholar
Aguirre, Javier Martínez de. “Los Relicarios góticos del Santo Sepulcro (siglo XIII) y de la Santa Espina (siglo XV) de la catedral de Pamplona.” Institución Príncipe de Viana (Pamplona) 63 (2002): 295326.Google Scholar
Aguirre, Javier Martínez deLe reliquaire du Saint-Sépulcre de la cathédrale de Pampelune.” In Actes du colloque autour de Hugo d’Oignies, edited by Didier, Robert and Toussaint, Jacques, 215–28. Namur, 2004.Google Scholar
Alessandri, Leto. Inventari della sacristia del Sacro Convento di Assisi compilati nel 1338 contenuti nel codice 337 della Comunale di Assisi. Florence, 1920.Google Scholar
Alessandri, Leto, and Pennacchi, Francesco. “I più antichi inventari della sacristia del sacro convento di Assisi (1338–1473): Bibl. com. di Assisi, cod. 337.” Archivum Franciscanum Historicum 7 (1914): 66107 and 294340.Google Scholar
Alexander, Jonathan J. G., and Binski, Paul, eds. Age of Chivalry: Art in Plantagenet England 1200–1400. London, 1987.Google Scholar
Allirot, Anne-Hélène. “Longchamp et Lourcine, deux abbayes féminines et royales dans la construction de la mémoire capétienne.” Revue d’histoire de l’Église de France 94 (2008): 2338.Google Scholar
Anderson, Christy, Dunlop, Anne, and Smith, Pamela H., eds. The Matter of Art: Materials, Practices, Cultural Logics, c. 1250–1750. Manchester, 2014.Google Scholar
Andrews, Frances. “The Influence of Joachim in the 13th Century.” In A Companion to Joachim of Fiore, ed. Riedl, Matthias, 190266. Leiden, 2017.Google Scholar
de Sainte-Marie, Anselme, and de Sainte-Rosalie, Ange. Histoire généalogique et chronologique de la maison royale de France … . 3rd ed., 9 vols. Paris, 1726–33.Google Scholar
Antoine-König, Élisabeth. “New Dating of the Limoges Reliquaries of the Stigmatization of St Francis.” In Matter of Faith: An Interdisciplinary Study of Relics and Relic Veneration in the Medieval Period, edited by Robinson, James and de Beer, Lloyd, 8491. London, 2014.Google Scholar
Antoine-König, Élisabeth, and Levy-Hinstin, Juliette. La Descente de Croix. Paris, 2013.Google Scholar
Antoine-König, Élisabeth, and Levy-Hinstin, JulietteA Flagellation Scene Reunited: A Reassessment of Early Fourteenth-Century Ivory Altarpieces and Tabernacula.” In Gothic Ivory Sculpture: Content and Context, edited by Yvard, Catherine, 1729. London, 2017.Google Scholar
Antoniewicz, Johann von. “Ikonographisches zu Chrestien de Troyes.” In Festschrift Konrad Hofmann zum 70sten Geburtstag, Romanische Forschungen 5 (1890): 241–68.Google Scholar
Appadurai, Arjun. “Introduction: Commodities and the Politics of Value.” In The Social Life of Things: Commodities in Cultural Perspective, edited by Appadurai, Arjun, 463. New York, 1986.Google Scholar
d’Arbois de Jubainville, Henri. “Trésor de Clairvaux.” Revue des sociétés savantes des départements, 5th ser., 5 (1873): 490508.Google Scholar
Archer, Janice. “Working Women in Thirteenth-Century Paris.” PhD diss., University of Arizona, 1995.Google Scholar
Armando, Silvia. “Caskets Inside Out: Revisiting the Classification of ‘Siculo-Arabic’ Ivories.” Journal of Transcultural Medieval Studies 4 (2017): 51145.Google Scholar
Arnaldus of Villanova. “Translatio libri Albuzale de medicinis Simplicibus,” edited by Gázquez, José Martínez and McVaugh, Michael R.. In Arnaldi de Villanova Opera Medica Omnia, XVII, edited by Gázquez, José Martínez et al., 45446. Barcelona, 2004.Google Scholar
Aruz, Joan, Benzel, Kim, and Evans, Jean M., eds. Beyond Babylon: Art, Trade and Diplomacy in the Second Millennium B.C. New York, 2008.Google Scholar
Astell, Ann W.Retooling the Instruments of Christ’s Passion: Memorial Technai, St. Thomas the Twin, and British Library Additional MS 22029.” In The “Arma Christi” in Medieval and Early Modern Material Culture: With a Critical Edition of “O Vernicle,” edited by Cooper, Lisa H and Denny-Brown, Andrea, 171202. Farnham, UK, 2014.Google Scholar
Augustine, . The City of God, Book X, edited and translated by Walsh, Patrick Gerard. Liverpool, 2014.Google Scholar
Augustine, Enarrationes in Psalmos I–L. Turnhout, 1956.Google Scholar
Augustine, Exposition of the Psalms, 33–50, translated by Maria Boulding. Hyde Park, NY, 2000.Google Scholar
Avicenna, . Avicennae Liber canonis; De medicinis cordialibus; et, Cantica, translated by Gerard of Cremona. Venice, 1555.Google Scholar
Avril, François. “Jean Fouquet et ses fils.” In Jean Fouquet: Peintre et enlumineur du XVe siècle, edited by Avril, François, 1828. Paris, 2003.Google Scholar
Avril, François, Baron, Françoise, and Gaborit-Chopin, Danielle, eds. Les Fastes du gothique: Le siècle de Charles V: Galeries nationales du Grand Palais, 9 octobre 1981–1er février 1982. Paris, 1981.Google Scholar
Bacci, Michele. “‘Ad ipsius Cristi effigem’: Il Volto Santo come ritratto autentico del Salvatore.” In Il Volto Santo: Storia, tradizioni, immagini, edited by Zingoni, Marzia, 115–30. Florence, 2003.Google Scholar
Bacci, Pèleo. La ricostruzione del pergamo di Giovanni Pisano nel Duomo di Pisa. Milan, 1926.Google Scholar
Bagnoli, Martina, Klein, Holger A., Mann, C. Griffith, and Robinson, James, eds. Treasures of Heaven: Saints, Relics and Devotion in Medieval Europe. New Haven, CT, 2010.Google Scholar
Bailey, Douglass. “Figurines, Corporeality and the Origin of the Gendered Body.” In A Companion to Gender Prehistory, edited by Bolger, Diane, 244–64. Oxford, 2013.Google Scholar
Baker, Craig, ed. Le Bestiaire, version longue attribuée à Pierre de Beauvais. Paris, 2010.Google Scholar
Baker, Katherine Eve. “‘La chambre aux dentz d’yvoire’: An Introduction to the Inventory of Chicart Bailly.” In Gothic Ivory Sculpture: Content and Context, edited by Yvard, Catherine, 6875. London, 2017.Google Scholar
Balazy, Alice. “La collection d’objets d’art médiévale et Renaissance léguée par Lancelot-Théodore Turpin de Crissé (1782–1859) à Angers.” MA diss., École du Louvre, 2017.Google Scholar
Balouzat-Loubet, Christelle. “Mahaut d’Artois: Une femme de pouvoir.” Paris, 2015.Google Scholar
Balouzat-Loubet, Christelle, ed. Itinéraire de Mahaut d’Artois: Les lieux de séjour de la comtesse d’après les comptes de son hôtel (1309–1328). Cour de France.fr, 2017. https://cour-de-france.fr/article4881.htmlGoogle Scholar
Baltzer, Rebecca A.The Little Office of the Virgin and Mary’s Role at Paris.” In The Divine Office in the Latin Middle Ages: Methodology and Source Studies, Regional Developments, Hagiography, edited by Baltzer, Rebecca A and Fassler, Margot, 463–84. Oxford, 2000.CrossRefGoogle Scholar
Bandmann, Günther. “Bemerkungen zu einer Ikonologie des Materials.” Städel-Jahrbuch, n.s., 2 (1969): 75100.Google Scholar
Bapst, Germain, ed. Testament du roi Jean le Bon et inventaire de ses joyaux à Londres. Paris, 1884.Google Scholar
Bar-Adon, Pesaḥ. The Cave of the Treasure: The Finds from the Caves in Nahal Mishmar. Jerusalem, 1980.Google Scholar
Barber, Charles. Figure and Likeness: On the Limits of Representation in Byzantine Iconoclasm. Princeton, NJ, 2002.Google Scholar
Barbier de Montault, Xavier. “Trésor d’une cathédrale: Inventaire de Boniface VIII.Annales archéologiques 18 (1858): 1832.Google Scholar
Bardiès-Fronty, Isabelle, and Dunn-Vaturi, Anne-Elizabeth, eds. Art du jeu, jeu dans l’art: De Babylone à l’Occident médiéval: Musée de Cluny–Musée national du Moyen Âge, 28 novembre 2012–4 mars 2013. Paris, 2012.Google Scholar
Barnet, Peter, ed. Images in Ivory: Precious Objects of the Gothic Age. Princeton, NJ, 1997.Google Scholar
Barnett, Richard D. Ancient Ivories in the Middle East. Jerusalem, 1982.Google Scholar
Barocchi, Paola, Bertelà, Giovanna Gaeta, and Spallanzani, Marco, eds. Arti del Medioevo e del Rinascimento: Omaggio a Louis Carrand, 1889–1989. Florence, 1989.Google Scholar
Baron, Françoise. “Les arts précieux à Paris aux XIVe et XVe siècles d’après les archives de l’Hôpital Saint-Jacques-aux-Pèlerins: Répertoire des artistes et des travaux.” Bulletin archéologique du Comité des travaux historiques et scientifiques, n.s., 201 (1988): 59141.Google Scholar
Baron, Françoise et al., eds. L’Enfant oublié: Le gisant de Jean de Bourgogne et le mécénat de Mahaut d’Artois en Franche-Comté au XIVe siècle; Musée des beaux-arts et d’archéologie de Besançon, 5 décembre 1997–24 février 1998. Besançon, 1997.Google Scholar
Baron, FrançoiseEnlumineurs, peintres et sculpteurs parisiens des XIIIe et XIVe siècles d’après les rôles de la taille.” Bulletin archéologique du Comité des travaux historiques et scientifiques 4 (1968): 37121.Google Scholar
Baron, FrançoiseFrançois Debret à Saint-Denis (1813–1846): La mise en scène de la sculpture.” Bulletin archéologique du Comité des travaux historiques et scientifiques: Moyen Âge, Renaissance, Temps modernes 29 (2002): 105–39.Google Scholar
Barrow, Robyn. “Gunhild’s Cross and the North Atlantic Trade Sphere.” In “The Global North,” edited by Symes, Carol, special issue, Medieval Globe 7 (2021): 5375.Google Scholar
Barsotti, Riccardo. “Gli antichi inventari della Cattedrale di Pisa.” Critica d’Arte, n.s., 3 (1956): 501–25; 4 (1957): 73–88, 161–76, 249–64, 513–28.Google Scholar
Barsotti, RiccardoNuovi studi sulla Madonna eburnea di Giovanni Pisano.” Critica d’Arte, n.s., 4 (1957): 4756.Google Scholar
Barthes, Roland. Le plaisir du texte. Paris, 1973.Google Scholar
di Civitavecchia, Bartholomeo. In Antidotarium Ioannis Filii Mesuae Censura. Lyon, 1546.Google Scholar
Basilewsky, Alexander, and Darcel, Alfred. Collection Basilewsky: Catalogue raisonné, précédé d’un essai sur les arts industriels du Ier au XVIe siècle. Paris, 1874.Google Scholar
Bassani, Ezio, and Fagg, William B.. Africa and the Renaissance: Art in Ivory, ed. Vogel, Susan with Thompson, Carol. New York, 1988.Google Scholar
Baumstark, Reinhold, ed. Das goldene Rössl: Ein Meisterwerk der Pariser Hofkunst um 1400. Munich, 1995.Google Scholar
Baxandall, Michael. The Limewood Sculptors of Renaissance Germany. New Haven, CT, 1980.Google Scholar
Baxandall, Michael Painting and Experience in Fifteenth-Century Italy: A Primer in the Social History of Pictorial Style. Oxford, 1972.Google Scholar
Baxandall, Michael Patterns of Intention: On the Historical Explanation of Pictures. New Haven, CT, 1985.Google Scholar
Bayless, Martha. Parody in the Middle Ages: The Latin Tradition. Ann Arbor, MI, 1996.Google Scholar
Beer, Ellen. “Liller Bibelcodices: Tournai und die Scriptorien der Stadt Arras.” Aachener Kunstblätter 43 (1972): 190226.Google Scholar
Behrman, David. “Volumina Vilissima: A Sermon of Eudes de Châteauroux on the Jews and Their Talmud.” In Le brûlement du Talmud à Paris: 1242–1244, edited by Dahan, Gilbert and Nicolas, Elie, 191209. Paris, 1999.Google Scholar
Bell, Susan Groag. “Medieval Women Book Owners: Arbiters of Lay Piety and Ambassadors of Culture.” Signs: Journal of Women in Culture and Society 7 (1982): 742–68.Google Scholar
Belting, Hans. The Image and Its Public in the Middle Ages: Form and Function of Early Paintings of the Passion. Translated by Mark Bartusis and Raymond Meyer. New Rochelle, NY, 1990.Google Scholar
Belting, Hans Likeness and Presence: A History of the Image before the Era of Art. Translated by Edmund Jephcott. Chicago, 1994.Google Scholar
Berger, Élie. “Annales de Saint-Denis, généralement connue sous le titre de Chronicon Sancti Dionysii ad cyclos paschales.” Bibliothèque de l’École des chartes 11 (1879): 261–95.Google Scholar
Berliner, Rudolph. “Arma Christi.” Münchner Jahrbuch der bildenden Kunst, 3rd ser., 6 (1955): 35152.Google Scholar
Berliner, RudolphThe Freedom of Medieval Art.” Gazette des Beaux-Arts, ser. 6, 23 (1945): 263–88.Google Scholar
Berné, Damien, and Plagnieux, Philippe, eds. Naissance de la sculpture gothique: Saint-Denis, Paris, Chartres: 1135–1150. Paris, 2018.Google Scholar
Berzock, Kathleen Bickford, ed. Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa. Princeton, NJ, 2019.Google Scholar
Bestul, Thomas H. Texts of the Passion: Latin Devotional Literature and Medieval Society. Philadelphia, 1996.Google Scholar
Beyer, Heinrich, Eltester, Leopold, and Goerz, Adam, eds. Urkundenbuch zur Geschichte der jetzt die preussischen Regierungsbezirke Coblenz und Trier bildenden mittelrheinischen Territorien. 4 vols. Koblenz, 1860–74.Google Scholar
Bigwood, J. M.Aristotle and the Elephant Again.” American Journal of Philology 114 (1993): 537–55.Google Scholar
Binski, Paul. “The Cosmati at Westminster and the English Court Style.” Art Bulletin 72 (1990): 634.Google Scholar
Binski, PaulCourt Patronage and International Gothic.” In The New Cambridge Medieval History, edited by Jones, Michael, 222–33. Cambridge, 2000.Google Scholar
Binski, Paul Gothic Sculpture. London, 2019.Google Scholar
Binski, PaulThe Rhetorical Occasions of Gothic Sculpture.” Collegium Medievale 30 (2017): 731.Google Scholar
Binski, PaulVillard de Honnecourt and Invention.” In Inventing a Path: Studies in Medieval Rhetoric in Honour of Mary Carruthers, edited by De Filippis, Laura Iseppi, 6379. Turnhout, 2012.Google Scholar
Bird, Jessalynn. “The Historia Orientalis of Jacques de Vitry: Visual and Written Commentaries As Evidence of a Text’s Audience, Reception, and Utilization.” Essays in Medieval Studies 20 (2003): 5674.Google Scholar
Blaise, Albert. Lexicon Latinitatis Medii Aevi: Praesertim ad res ecclesiasticas investigandas pertinens. Turnhout, 1975.Google Scholar
Blanchard, Claudius. Histoire de l’abbaye d’Hautecombe en Savoie: Avec pièces justificatives inédites. Chambéry, 1875.Google Scholar
Bloch, Marc. La France sous les derniers Capétiens, 1223–1328. Paris, 1958.Google Scholar
Bloch, MarcLe problème de l’or au Moyen Âge.” Annales d’histoire économique et sociale 5 (1933): 134.Google Scholar
Blumenkranz, Bernhard. “La représentation de Synagoga dans les Bibles moralisées françaises du XIIIe au XVe siècle.” Proceedings of the Israel Academy of Sciences and Humanities 5 (1970): 7091.Google Scholar
Boccaccio, Giovanni. Il Decameron. Edited by Masséra, Aldo Francesco. Bari, 1927.Google Scholar
Boehm, Barbara Drake. “Le mécenat de Jeanne d’Évreux.” In 1300: L’art au temps de Philippe le Bel: Actes du colloque international, Galeries nationales du Grand Palais, 24 et 25 juin 1998, edited by Gaborit-Chopin, Danielle and Avril, François, 1531. Paris, 2001.Google Scholar
Boer, Cornelis de, ed. “Ovide moralisé”: Poème du commencement du quatorzième siècle publié d’après tous les manuscrits connus. Vol. 4, Livres X–XIII. Amsterdam, 1936.Google Scholar
Boileau, Étienne. Réglemens sur les arts et métiers de Paris. Edited by Depping, G.-B.. Paris, 1837.Google Scholar
Bonito Fanelli, Rosalia, Ulrich Middeldorf and Maria Grazia Ciardi Duprè, eds. Il tesoro della basilica di San Francesco ad Assisi: Saggi e catalogo. Florence, 1980.Google Scholar
Booms, Dirk, and Higgs, Peter. Sicily: Culture and Conquest. London, 2016.Google Scholar
Borchgrave d’Altena, Joseph de. À propos des Vierges en majesté conservées en Belgique. Liège, 1937.Google Scholar
Borchgrave d’Altena, Joseph deLa statuette d’ivoire de Notre-Dame de Groeninghe.” Congrès archéologique de France 120 (1962): 172–4.Google Scholar
Bourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste. Translated by Richard Nice. Cambridge, MA, 1984.Google Scholar
Bourquelot, Félix. L’office de la fête des fous, publié d’après le manuscrit de la Bibliothèque de Sens. Extract from Bulletin de la Société archéologique de Sens, année 1854. Sens, 1856.Google Scholar
Bove, Boris. Dominer la ville: Prévôts des marchands et échevins parisiens de 1260 à 1350. Paris, 2004.Google Scholar
Bowes, Kimberly. “Ivory Lists: Consular Diptychs, Christian Appropriation and Polemics of Time in Late Antiquity.” Art History 24 (2001): 338–57.Google Scholar
Brancone, Valentina. Il tesoro dei cardinali del Duecento: Inventari di libri e beni mobili. Florence, 2009.Google Scholar
Branner, Robert. Manuscript Painting in Paris during the Reign of Saint Louis. Berkeley, CA, 1977.Google Scholar
Branner, Robert Saint Louis and the Court Style in Gothic Architecture. London, 1965.Google Scholar
Braund, Susanna Morton, ed. and trans. Juvenal and Persius. Cambridge, MA, 2004.Google Scholar
Braunfels, Wolfgang, and Moraw, Peter, eds. Der Hedwigs-Codex von 1353: Sammlung Ludwig. 2 vols. Berlin, 1972.Google Scholar
Brenk, Beat. “The Sainte-Chapelle As a Capetian Political Program.” In Artistic Integration in Gothic Buildings, edited by Raguin, Virginia Chieffo, Bush, Kathryn, and Draper, Peter, 195213. Toronto, 1995.Google Scholar
Brethé, Émile. Benjamin Fillon et l’art de terre. Fontenay-le-Comte, 1958.Google Scholar
Brocard, Henry. “L’Annonciation du musée de Langres (XIVe siècle).” Bulletin de la Société historique et archéologique de Langres 4 (1900): 359–68.Google Scholar
Brown, Elizabeth A. R. “Unctus ad executionem justitie: Philippe le Bel, Boniface VIII et la grande ordonnance pour la réforme du royaume (du 18 mars 1303).” In Le roi fontaine de justice: Pouvoir justicier et pouvoir royal au Moyen Âge et à la Renaissance, edited by Menegaldo, Silvère and Ribémont, Bernard, 145–68. Paris, 2012.Google Scholar
Brown, Michelle P. The Luttrell Psalter: A Facsimile. London, 2006.Google Scholar
Brown, Michelle P.The Role of the Wax Tablet in Medieval Literacy: A Reconsideration in Light of a Recent Find from York.” British Library Journal 20 (1994): 116.Google Scholar
Bruguier-Roure, Louis. “Découvertes et travaux archéologiques dans le Gard: Rapport de l’inspecteur,” Bulletin monumental 56 (1890): 153–63.Google Scholar
Brut, Catherine, Clavel, Benoît, and Goret, Jean-François. “Vie quotidienne et artisanat au milieu du XIVe siècle: La cave du 34 rue Greneta, 11 impasse Saint-Denis à Paris (2e arrondissement).” Revue archéologique d’Île-de-France 7–8 (2014–15): 351–95.Google Scholar
Bruzelius, Caroline A. The 13th-Century Church at St-Denis. New Haven, CT, 1985.Google Scholar
Bruzelius, Caroline A.Cistercian High Gothic: The Abbey Church of Longpont and the Architecture of the Cistercians in the Early Thirteenth Century.” Analecta Cisterciensia 35 (1979): 1156.Google Scholar
Buberl, Paul et al. Die Kunstdenkmäler der Zisterzienserklosters Zwettl. Baden bei Wien, 1940.Google Scholar
Buchon, Jean Alexandre, ed. Chronique métrique de Godefroy de Paris, suivie de la taille de Paris, en 1313. Paris, 1827.Google Scholar
Buckton, David, ed. Byzantium: Treasures of Byzantine Art and Culture from British Collections. London, 1994.Google Scholar
Buettner, Brigitte. “From Bones to Stones: Reflections on Jeweled Reliquaries.” In Reliquiare im Mittelalter, edited by Reudenbach, Bruno and Toussaint, Gia, 4359. Berlin, 2005.Google Scholar
Buettner, BrigitteLe système des objets dans le testament de Blanche de Navarre.” Clio: Femmes, Genre, Histoire 19 (2004): 3762.Google Scholar
Buisson, Dominique. “Les flûtes paléolithiques d’Isturitz (Pyrénées-Atlantiques).” Bulletin de la Société préhistorique française 87 (1990): 420–33.Google Scholar
Buridant, Claude, ed. and trans. La traduction de l’“Historia Orientalis” de Jacques de Vitry. Paris, 1986.Google Scholar
Burns, E. Jane. Sea of Silk: A Textile Geography of Women’s Work in Medieval French Literature. Philadelphia, 2009.Google Scholar
Buzelin, Jean. Gallo-Flandria, sacra et profana … Douai, 1625.Google Scholar
Bynum, Caroline Walker. Christian Materiality: An Essay on Religion in Late Medieval Europe. Cambridge, MA, 2011.Google Scholar
Bynum, Caroline Walker Wonderful Blood: Theology and Practice in Late Medieval Northern Germany and Beyond. Philadelphia, 2007.Google Scholar
Byrne, Eugene H. Genoese Shipping in the Twelfth and Thirteenth Centuries. Cambridge, MA, 1930.Google Scholar
Caesarius of Heisterbach. The Dialogue on Miracles. Translated by H. von E. Scott and C. Swinton Bland. London, 1929.Google Scholar
Calendar of the Liberate Rolls Preserved in the Public Record Office: Henry III. 6 vols. London, 1916–64.Google Scholar
Calò Mariani, Maria Stella. “Una nota sull’altarolo eburneo del Museo Diocesano di Trani (La fonte tradita).” Archivio Storico Pugliese 71 (2018): 291–8.Google Scholar
Cameron, Alan. “The Origin, Context and Function of Consular Diptychs.” Journal of Roman Studies 103 (2013): 174207.Google Scholar
Camille, Michael. The Gothic Idol: Ideology and Image-Making in Medieval Art. Cambridge, 1989.Google Scholar
Camille, MichaelThe Gregorian Definition Revisited: Writing and the Medieval Image.” In L’image: Fonctions et usages des images dans l’occident médiéval, edited by Baschet, Jérôme and Schmitt, Jean-Claude, 89107. Paris, 1996.Google Scholar
Camille, MichaelImages in Ivory: Gothic Toys and Devotional Dolls.” Sculpture Journal 2 (1998): 123–7.Google Scholar
Camille, Michael The Medieval Art of Love: Objects and Subjects of Desire. New York, 1998.Google Scholar
Campbell, Bruce M. S. The Great Transition: Climate, Disease and Society in the Late-Medieval World. Cambridge, 2016.Google Scholar
Campbell, C. Jean. “Courting, Harlotry and the Art of Gothic Ivory Carving.” Gesta 34 (1995): 1119.Google Scholar
Campbell, Tony. “Portolan Charts from the Late Thirteenth Century to 1500.” In The History of Cartography. Vol. 1, Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean, edited by Harley, J. B. and Woodward, David, 371463. Chicago, 1987.Google Scholar
Cant, Geneviève de. Jeanne et Marguerite de Constantinople, Comtesses de Flandre et de Hainaut au XIIIe siècle. Brussels, 1995.Google Scholar
Capelli, Piero. “Nicolas Donin, the Talmud Trial of 1240, and the Struggles between Church and State in Medieval Europe.” In Entangled Histories: Knowledge, Authority, and Jewish Culture in the Thirteenth Century, edited by Baumgarten, Elisheva, Karras, Ruth Mazo, and Mesler, Katelyn, 159–78. Philadelphia, 2016.Google Scholar
Carlvant, Kerstin. Manuscript Painting in Thirteenth-Century Flanders: Bruges, Ghent and the Circle of the Counts. Turnhout, 2012.Google Scholar
Carns, Paula Mae.Compilatio in Ivory: The Composite Casket in the Metropolitan Museum.” Gesta 44 (2005): 6988.CrossRefGoogle Scholar
Carruthers, Mary. “The Concept of ‘Ductus,’ or Journeying through a Work of Art.” In Rhetoric beyond Words: Delight and Persuasion in the Arts of the Middle Ages, edited by Carruthers, Mary, 190213. Cambridge, 2010.Google Scholar
Carruthers, Mary The Craft of Thought: Meditation, Rhetoric, and the Making of Images, 400–1200. Cambridge, 1998.Google Scholar
Carruthers, Mary The Experience of Beauty in the Middle Ages. Oxford, 2013.Google Scholar
Cassiodorus: Explanation of the Psalms. Vol. 1. Edited and translated by Walsh, P. G.. New York, 1991.Google Scholar
Castronovo, Simonetta, Crivello, Fabrizio, and Tomasi, Michele, eds. Collezioni del Museo Civico d’Arte Antica di Torino: Avori medievali. Turin, 2016.Google Scholar
Catalogue de la riche collection d’objets d’art, ivoires, émaux … de M. van der Helle de Perdekerchof. Lille, 1868.Google Scholar
Catalogue de la précieuse collection d’objets d’art et de curiosité … composant le cabinet de M. S[ommeson] … lundi 24, mardi 25, et mercredi 26 janvier 1848. Paris, 1848.Google Scholar
Caubet, Annie, ed. Khorsabad: Le palais de Sargon II, roi d’Assyrie: Actes du colloque organisé au musée du Louvre par le Services culturel les 21 et 22 janvier 1994. Paris, 1995.Google Scholar
Cenci, Cesare. “Fra Guglielmo de Falgar o Fr. Guglielmo Farinier?Archivum Franciscanum Historicum 78 (1985): 481–9.Google Scholar
Cense, Adrie, and Werner, Saskia. De Schatkamer van de Sint-Servaaskerk te Maastricht: Een keuze van de voorwerpen uit de schatkamer en hun functie. Utrecht, 1984.Google Scholar
Chaganti, Seeta. The Medieval Poetics of the Reliquary: Enshrinement, Inscription, Performance. New York, 2008.Google Scholar
Chapotin, Marie-Dominique. Histoire des Dominicains de la Province de France: Le siècle des fondations. Rouen, 1898.Google Scholar
Charansonnet, Alexis. “Du Berry en Curie: La carrière du cardinal Eudes de Châteauroux (1190?–1273) et son reflet dans sa prédication.” Revue d’histoire de l’Église de France 86 (2000): 537.Google Scholar
Chartraire, Eugène. Inventaire du trésor de l’église primatiale et métropolitaine de Sens. Sens, 1897.Google Scholar
Chatelain, Claude, and Baud, Georges. Habundantia: La vie au val d’Abondance à travers le temps. Thonon-les-Bains, 1983.Google Scholar
Chatterjee, Paroma. The Living Icon in Byzantium and Italy: The Vita Image, Eleventh to Thirteenth Centuries. Cambridge, 2014.Google Scholar
Chazaud, A.-M.Inventaire et comptes de la succession d’Eudes, Comte de Nevers (Acre, 1266).” Mémoires de la Société nationale des antiquaires de France 32 (1871): 164206.Google Scholar
Chazelle, Celia. The Crucified God in the Carolingian Era: Theology and Art of Christ’s Passion. Cambridge, 2001.Google Scholar
Chazottes, M.-A., Hartmann-Virnich, A., and Thuaudet, O.. “Plaquettes décoratives de coffrets et architecture gothique miniaturisée: Quelques exemples avignonnais en os (XIVe s.).” Instrumentum 47 (2018): 3842.Google Scholar
Chiesi, Benedetta. “Imitazione, prelievo, citazione: Riflessioni su alcuni manufatti eburnei e sulla circolazione di modelli artistici attraverso le Alpi tra XIV e XV secolo.” In Le vie della comunicazione nel Medioevo: Livelli, soggetti e spazi d’intervento nei cambiamenti sociali e politici: Progetto Atelier jeunes chercheurs, 2, giornate di studio, Roma, 20–21 ottobre 2016, edited by Bottazzi, Marialuisa, Buffo, Paolo, and Ciccopiedi, Caterina, 199220. Trieste, 2019.Google Scholar
Christine, de Pizan. “Le livre des fais et bonnes meurs du sage roy Charles V.” In Nouvelle collection des mémoires pour servir à l’histoire de France. Vol. 1. Edited by Michaud, MM and Poujoulat, , 581637. Paris, 1836.Google Scholar
Church, Stephen D.The Exchequer Cloth, c. 1176–1832: The Calculator, the Game of Chess and the Process of Photozincography.” In The English and Their Legacy, 900–1200: Essays in Honour of Ann Williams, edited by Roffe, David, 245–55. Woodbridge, UK, 2012.Google Scholar
Ciseri, Ilaria, ed. Gli avori del Museo nazionale del Bargello. Milan, 2018.Google Scholar
Claussen, Peter Cornelius. “Das Reliquiar von Montier-en-Der: Ein spätantikes Diptychon und seine mittelalterliche Fassung.” Pantheon 36 (1978): 308–19.Google Scholar
Clippele, Stephanus de. Onze Lieve Vrouw van Groeninghe. Tielt, 1962.Google Scholar
Coatsworth, Elizabeth, and Owen-Crocker, Gale R.. Clothing the Past: Surviving Garments from Early Medieval to Early Modern Western Europe. Leiden, 2018.Google Scholar
Cohen, Jeremy. “Scholarship and Intolerance in the Medieval Academy: The Study and Evaluation of Judaism in European Christendom.” American Historical Review 91 (1986): 592613.Google Scholar
Cohen, Meredith. “Restoration As Re-creation at the Sainte-Chapelle.” Res: Anthropology and Aesthetics 48 (2005): 135–54.Google Scholar
Cohen, Meredith, and Dectot, Xavier. Paris, ville rayonnante: Musée de Cluny–Musée National du Moyen Âge, 10 février–24 mai 2010. Paris, 2010.Google Scholar
Cole, Michael. “The Cult of Materials.” In Revival and Invention: Sculpture through Its Material Histories, edited by Clerbois, Sébastien and Droth, Martina, 115. Oxford, 2010.Google Scholar
Collareta, Marco. “La fama degli artisti.” In Storia delle arti in Toscana: Il Trecento, edited by Seidel, Max, 7588. Florence, 2004.Google Scholar
Collet, Olivier. “‘Textes de circonstance’ et ‘raccords’ dans les manuscrits vernaculaires: Les enseignements de quelques recueils des XIIIe–XIVe siècles.” In Quant l’ung amy pour l’autre veille: Mélanges de moyen français offerts à Claude Thiry, edited by Tania, Van Hemelryck and Timelli, Maria Colombo, 299311. Turnhout, 2008.Google Scholar
Conard, Nicholas J.A Female Figurine from the Basal Aurignacian of Hohle Fels Cave in Southwestern Germany.” Nature 459 (2009): 248–52.Google Scholar
Conard, Nicholas J., Malina, Maria, and Münzel, Susanne C. “New Flutes Document the Earliest Musical Tradition in Southwestern Germany.” Nature 460 (2009): 737–40.Google Scholar
Conbrouse, G. [Combrouse, Guillaume] Monuments de la maison de France: Collection de médailles, estampes et portraits. Paris, 1856.Google Scholar
Constable, Olivia Remie. “Chess and Courtly Culture in Medieval Castile: The Libro de ajedrez of Alfonso X, el Sabio.” Speculum 82 (2007): 301–47.Google Scholar
Contadini, Anna. “Islamic Ivory Chess Pieces, Draughtsmen and Dice.” In Islamic Art in the Ashmolean Museum, Part I, edited by Allen, James, 111–54. Oxford, 1995.Google Scholar
Coo, Jozef de. Catalogus Museum Mayer van den Bergh. Vol. 2, Beeldhouwkunst, Plaketten, Antiek. Antwerp, 1969.Google Scholar
Cook, Jill, ed. Ice Age Art: Arrival of the Modern Mind. London, 2013.Google Scholar
Cordier, Henri. “Annales de l’Hôtel de Nesle (Collège des Quatre-Nations – Institut de France).” Mémoires de l’Institut national de France 41 (1920): 19158.Google Scholar
Cothren, Michael W.The Infancy of Christ Window from the Abbey of St.-Denis: A Reconsideration of Its Design and Iconography.” Art Bulletin 68 (1986): 398420.Google Scholar
Couderc, Camille, and Rigal, Jean-Louis, eds. Cartulaire et documents de l’abbaye de Nonenque. Rodez, 1950.Google Scholar
Coulson, Frank. “Ovid’s Metamorphosis in the School Tradition of France, 1180–1400: Texts, Manuscripts, Traditions, and Manuscript Setting.” In Ovid in the Middle Ages, edited by Clark, James G, Coulson, Frank T, and McKinley, Kathryn L, 4882. Cambridge, 2011.Google Scholar
Courcelles, Jean-Baptiste-Pierre. Histoire généalogique et héraldique des pairs de France … . Vol. 10. Paris, 1829.Google Scholar
Coutant, Nicolas. “Objets médiévaux et Renaissance: Pistes sur la ‘culture visuelle’ de Turpin de Crissé.” In Lancelot-Théodore Turpin de Crissé: Peinture et collectionneur, Paris, 1782–1859, edited by Le Nouëne, Patrick and Chaine, Caroline, 166–81. Angers, 2006.Google Scholar
Cox, Eugene L. The Eagles of Savoy. Princeton, NJ, 1974.Google Scholar
Cozzo, Paolo. “De Chambéry à Turin: Le transfert de la capitale du duché de Savoie au XVIe siècle.” In Les capitales de la Renaissance, edited by Jean-Marie, Le Gall, 165–77. Rennes, 2011.Google Scholar
Crapelet, Georges-Adrien, ed. Proverbes et dictons populaires, avec les dits du mercier et des marchands, et les crieries de Paris aux XIIIe et XIVe siècles. Paris, 1831.Google Scholar
Crenshaw, James L. The Psalms: An Introduction. Grand Rapids, MI, 2001.Google Scholar
Crosby, Sumner McKnight. The Royal Abbey of Saint-Denis: From Its Beginnings to the Death of Suger, 475–1151. Edited by Blum, Pamela Z.. New Haven, CT, 1987.Google Scholar
Crossley, Paul. “Ductus and memoria: Chartres Cathedral and the Workings of Rhetoric.” In Rhetoric beyond Words: Delight and Persuasion in the Arts of the Middle Ages, edited by Carruthers, Mary, 214–49. Cambridge, 2010.Google Scholar
Crowley, Patrick R.Crystalline Aesthetics and the Classical Concept of the Medium.” West 86th 23 (2016): 220–51.Google Scholar
Cutler, Anthony. The Craft of Ivory: Sources, Techniques, and Uses in the Mediterranean World, A.D. 200–1400. Washington, DC, 1985.Google Scholar
Cutler, AnthonyFrom Loot to Scholarship: Changing Modes in the Italian Response to Byzantine Artifacts, ca. 1200–1750.” Dumbarton Oaks Papers 49 (1995): 237–67.Google Scholar
Cutler, Anthony The Hand of the Master: Craftsmanship, Ivory, and Society in Byzantium (9th–11th Centuries). Princeton, NJ, 1994.Google Scholar
Cutler, AnthonyHow and for Whom They Made the Boxes.” In Siculo-Arabic Ivories and Islamic Painting, 1100–1300, edited by Knipp, David, 1537. Munich, 2011.Google Scholar
Cutler, AnthonyThe Making of the Justinian Diptychs.” Byzantion 54 (1984): 75115.Google Scholar
Cutler, AnthonyOf First Principles and Second Thoughts.” In Cutler, , Late Antique and Byzantine Ivory Carving, 18. Aldershot, 1998.Google Scholar
Cutler, AnthonyReuse or Use? Theoretical and Practical Attitudes towards Objects in the Early Middle Ages.” Settimane di studi del Centro italiano di studi sull’Alto Medioevo 46 (1999): 1055–79.Google Scholar
Cutler, Anthony, and Götherström, Anders. “African or Asian? DNA Analysis of Byzantine and Western Medieval Ivories.” Elfenbein und Artenschutz: Ivory and Species Conservation; Proceedings of INCENTIVS – Meetings (2004–2007), =BfN–Skripten 228 (2008): 7380.Google Scholar
Dahan, Gilbert, and Nicolas, Elie, eds. Le brûlement du Talmud à Paris: 1242–1244. Paris, 1999.Google Scholar
Danton, J. Beaux-arts, exposition rétrospective d’Orléans. Orléans, 1876.Google Scholar
Darcel, Alfred. “Le Moyen Âge et la Renaissance au Trocadéro: Les ivoires.” Gazette des Beaux-Arts, ser. 2, 18 (1878): 274–91.Google Scholar
Davidson, Basil. West Africa before the Colonial Era: A History to 1850. London, 2014.Google Scholar
Davies, Glyn, and Guérin, Sarah M.. “Introduction.” In “New Work on Old Bones: Recent Studies on Gothic Ivories; Papers from the Conference ‘Gothic Ivory Sculpture: Old Questions, New Directions’ at the Courtauld Institute of Art and Victoria and Albert Museum, London, 23–24 March 2012,” special issue, Sculpture Journal 23 (2014): 712.Google Scholar
Davis, Whitney. “Style and History in Art History.” In The Uses of Style in Archaeology, edited by Conkey, Margaret W and Hastorf, Christine A, 1834. New York, 1990.Google Scholar
Dawson, Warren R., and Uphill, Eric P.. Who Was Who in Egyptology, 2nd rev. ed. London, 1972.Google Scholar
Dehaisnes, Chrétien. Documents et extraits divers concernant l’histoire de l’art dans la Flandre, l’Artois, & le Hainaut avant le XVe siècle: Première partie, 627–1373. Lille, 1886.Google Scholar
Dehaisnes, ChrétienInventaires du trésor de la collégiale Saint-Amé de Douai, 1382 à 1627.” Souvenirs de la Flandre wallone 5 (1865): 26–49, 146–83.Google Scholar
Dehaisnes, Chrétien Le Nord monumental et artistique. Lille, 1897.Google Scholar
Dehaisnes, Chrétien, and Finot, Jules. Inventaire sommaire des archives départementales antérieures à 1790: Nord: Archives civiles, série B. Vol. 1, pt. 2, Nos. 653–1560. Lille, 1906.Google Scholar
Delaborde, H.-François. Layettes du trésor des chartes. Vol. 5, Ancienne série des Sacs dite aujourd’hui Supplément. Paris, 1909.Google Scholar
Delamare, R., ed. Le “De officiis ecclesiasticis” de Jean d’Avranches, archevêque de Rouen (1067–1079). Paris, 1923.Google Scholar
DeLanda, Manuel. Intensive Science and Virtual Philosophy. London, 2002.Google Scholar
DeLanda, ManuelThe New Materiality.” In “Material Synthesis: Fusing the Physical and the Computational,” special issue, Architectural Design 85 (2015): 1621.Google Scholar
Delbrueck, Richard. Die Consulardiptychen und verwandte Denkmäler. Berlin, 1929.Google Scholar
Deleuze, Gilles, and Guattari, Félix. Mille plateaux: Capitalisme et schizophrénie. Paris, 1980.Google Scholar
Delisle, Léopold. Recherches sur la librairie de Charles V. 2 vols. Paris, 1907.Google Scholar
Delisle, Léopold, ed. Testament de Blanche de Navarre, reine de France: Publié d’après les documents des archives des Basses-Pyrénées. Paris, 1885.Google Scholar
Delmaire, Bernard. “Un nouveau mode de vie consacrée: Les ordres mendiants, leur diffusion en Flandre et en Hainaut au XIIIe siècle.” In Jeanne de Constantinople, Comtesse de Flandre et de Hainaut, edited by Dessaux, Nicolas, 95104. Paris, 2009.Google Scholar
Denery, Dallas G. Seeing and Being Seen in the Later Medieval World: Optics, Theology and Religious Life. Cambridge, 2005.Google Scholar
Denifle, Heinrich. “Handschriften der Bibel-Correctorien des 13. Jahrhunderts.” Archiv für Literatur- und Kirchengeschichte des Mittelalters 4 (1888): 263–311, 471–601.Google Scholar
Denifle, Heinrich, and Châtelain, Émile, eds. Chartularium Universitatis Parisiensis. Vol. 2, Ab anno MCCLXXXVI usque ad annum MCCCL. Paris, 1891.Google Scholar
Depoin, J.La Vierge ouvrante de Maubuisson: Notice historique.” Mémoires de la Société historique et archéologique de Pointoise et du Vexin 4 (1882): 1223.Google Scholar
Derbes, Anne, and Sandona, Mark. The Usurer’s Heart: Giotto, Enrico Scrovegni, and the Arena Chapel in Padua. University Park, PA, 2008.Google Scholar
Deremble, Jean-Paul. “Penser l’articulation des contraires avec Plotin, une clé de l’Église médiévale entre terre et ciel.” In Matérialité et immatérialité dans l’Église au Moyen Âge: Actes du colloque tenu à Bucarest les 22 et 23 octobre 2010, edited by Daussy, Stéphanie Diane, Gârbea, Cătălina, and Grigoroiu, Brînduşa, 419–30. Bucharest, 2012.Google Scholar
Descatoire, Christine, and Gil, Marc, eds. Une renaissance: L’art entre Flandre et Champagne, 1150–1250. Paris, 2013.Google Scholar
Desnoyers, [François-Edmond]. Notice biographique sur M. l’abbé Bouloy. Orléans, 1877.Google Scholar
Despy, Georges. Les tarifs de Tonlieux. Turnhout, 1976.Google Scholar
Dessaux, Nicolas, ed. Jeanne de Constantinople, Comtesse de Flandre et de Hainaut. Paris, 2009.Google Scholar
Didi-Huberman, Georges. La peinture incarnée. Paris, 1985.Google Scholar
Didier, Robert. “Les Christophores de la cathédrale de Reims: Hantise d’un ‘West I’ ou Transept Nord I? Annexe II: À propos de sculptures françaises en bois du XIIIe siècle.” Revue des archéologues et historiens d’art de Louvain 12 (1979): 28103.Google Scholar
Didier, Robert, and Toussaint, Jacques, eds. Autour de Hugo d’Oignies. Namur, 2003.Google Scholar
Digard, Georges. Philippe le Bel et le Saint-Siège de 1285 à 1304. 2 vols. Paris, 1936.Google Scholar
Digard, Georges, ed. Les registres de Boniface VIII: Recueil des bulles de ce pape publiées ou analysées d’après les manuscrits originaux des archives du Vatican. Vol. 3. Paris, 1921.Google Scholar
Dillon, Emma. The Sense of Sound: Musical Meaning in France, 1260–1330. Oxford, 2012.Google Scholar
Diversche nieuw liedekens tot eere ende lof van de H. Maghedt en moeder Gods Maria ende haer H. miraculeuse beelde tot Groeninghe, in de stadt van Cortryck in ‘t bisdom van Doornyck, ghemaeckt door verscheiden godvruchtige persoonen. Ghent, 1645.Google Scholar
Dodwell, Charles Reginald, ed. and trans. Theophilus: The Various Arts: De Diversis Artibus. Oxford, 1961.Google Scholar
Dorveaux, Paul, ed. L’Antidotaire Nicolas: Deux traductions françaises de l’Antidotarium Nicolai, l’une du XIVe siècle … . Paris, 1896.Google Scholar
Doublet, Jacques. Histoire de l’abbaye de S. Denys en France … . Paris, 1625.Google Scholar
Doüet-d’Arcq, Louis. Comptes de l’argenterie des rois de France au XIVe siècle. Paris, 1851.Google Scholar
Doüet-d’Arcq, LouisInventaire des meubles de la reine Jeanne de Boulogne, seconde femme du roi Jean (1360).” Bibliothèque de l’École des chartes 40 (1879): 545–62.Google Scholar
Doüet-d’Arcq, Louis Nouveau recueil de comptes de l’argenterie des rois de France. Paris, 1874.Google Scholar
Drinkwater, Hollie. “Material in Context: The Amber Head of Christ of the Wallace Collection Pax.” Journal of the British Archaeological Association 169 (2016): 95121.CrossRefGoogle Scholar
Drival, Eugène van, ed., Catalogue de l’Exposition d’objets d’art religieux de Lille. Lille, 1874.Google Scholar
Drpić, Ivan. Epigram, Art, and Devotion in Later Byzantium. Cambridge, 2016.Google Scholar
Dubois, Jean et al. Grand dictionnaire étymologique & historique du français. Paris, 2005.Google Scholar
Du Bourg, Antoine. “Saint-Sulpice-de-la-Pointe: San Somplisi, Castrum Sancti Sulpitii.” Mémoires de la Société archéologique du Midi de la France 9 (1866–71): 2742.Google Scholar
Du Chesne, André. Histoire de la maison de Chastillon sur Marne, avec les généalogies et armes des illustres familles de France et des Pays-Bas … . Nivelles, 1621.Google Scholar
Duchesne, Gaston, ed. Histoire de l’abbaye royale de Longchamp (1255 à 1789). 2nd ed. Paris, 1906.Google Scholar
Dufourcq, Charles-Emmanuel. L’Espagne catalane et le Maghrib aux XIIIe et XIVe siècles. Paris, 1966.Google Scholar
Du Molinet, Claude. Le cabinet de la bibliothèque de Sainte Geneviève, divisé en deux parties … . Paris, 1692.Google Scholar
Dumortier, Claire, ed. La Salle aux Trésors: Chefs-d’oeuvre de l’art roman et mosan. Turnhout, 1999.Google Scholar
Dumuÿs, LéonSéance du 24 février.” Bulletin de la Société nationale des antiquaires de France 177 (1904): 142–8.Google Scholar
Dunbabin, Jean. The French in the Kingdom of Sicily 1266–1305. Cambridge, 2011.Google Scholar
Dupuy, Pierre. Histoire du differend d’entre le pape Boniface VIII et Philippes le Bel, roy de France … . Paris, 1655.Google Scholar
Dura, Raphael. Catalogue d’objets d’art et de curiosité formant la collection de feu M. le Comte Girolamo Possenti de Fabriano. Rome, 1880.Google Scholar
Durand, Jannic, ed. Byzance: L’art byzantin dans les collections publiques françaises. Paris, 1994.Google Scholar
Dureuil, Jean-François, ed. La tabletterie gallo-romaine et médiévale: Une histoire d’os. Paris, 1996.Google Scholar
Du Sommerard, Edmond. Catalogue et description des objets d’art de l’Antiquité, du Moyen-Âge et de la Renaissance exposés au musée. Paris, 1851.Google Scholar
Duverger, Jozef, ed. Nationaal biografisch woordenboek. Brussels, 1964–.Google Scholar
Edwards, Robert R.Galatea’s Pulse: Objects, Ethics, and Jean de Meun’s Conclusion.” In Medieval Women and Their Objects, edited by Adams, Jenny and Bradbury, Nancy Mason, 229–47. Ann Arbor, MI, 2017.Google Scholar
Egbert, Virginia Wylie. “Pygmalion As Sculptor.” Princeton University Library Chronicle 28 (1966): 20–3.Google Scholar
Eggert, Lori S., Rasner, Caylor A., and Woodruff, David S.. “The Evolution and Phylogeography of the African Elephant Inferred from Mitochondrial DNA Sequence and Nuclear Microsatellite Markers.” Proceedings of the Royal Society of Biological Sciences 269 (2002): 19932006.Google Scholar
Eikelmann, Renate, Hojer, Annette, and Weniger, Matthias, eds. Mittelalterliche Elfenbeinarbeiten: Ausgewählte Werke aus den Beständen des Bayerischen Nationalmuseums. Munich, 2010.Google Scholar
Elkins, James. “On Some Limits of Materiality in Art History.” 31: Das Magazin des Instituts für Theorie 12 (2008): 2530.Google Scholar
Elsner, Jaś. Roman Eyes: Visuality & Subjectivity in Art & Text. Princeton, NJ, 2007.Google Scholar
Elsner, Jaś. “Style.” In Critical Terms for Art History, 2nd ed., edited by Nelson, Robert S and Shiff, Richard, 98109. Chicago, 2003.Google Scholar
Elvin, Mark. The Retreat of the Elephants: An Environmental History of China. New Haven, CT, 2004.Google Scholar
Emler, Josef, ed. Regesta diplomatica nec non epistolaria Bohemiae et Moraviae. Vol. 2, 1253–1310. Prague, 1882.Google Scholar
Enlart, Camille. “L’émaillerie cloisonnée à Paris sous Philippe le Bel et le maître Guillaume Julien.” Monuments et mémoires de la Fondation Eugène Piot 29 (1927): 198.Google Scholar
Erlande-Brandenburg, Alain. “La priorale Saint-Louis de Poissy.” Bulletin monumental 129 (1971): 85112.Google Scholar
Espinas, Georges, and Pirenne, Henri. Recueil de documents relatifs à l’histoire de l’industrie drapière en Flandre: Des origines à l’époque bourguignonne. 4 vols. Brussels, 1906–24.Google Scholar
Estella [Marcos], Margarita M. La escultura de marfil en España: Románica y gótica. Madrid, 1984.Google Scholar
Evans, Joan. Magical Jewels of the Middle Ages and the Renaissance, Particularly in England. Oxford, 1922.Google Scholar
Evans, Sandy. “‘To Stanch Bleeding’: Longinus in Raoul de Cambrai and the Rebel Geste.” Speculum 85 (2010): 271301.Google Scholar
Exposition de 1865, Palais de l’Industrie: Musée rétrospectif. Paris, 1867.Google Scholar
Exposition départementale de peinture, d’objets d’arts et d’antiquités: Ouverte à Albi le 10 juin 1863, à l’occasion de la tenue dans cette ville, de la 30e session du Congrès archéologique de France. Albi, 1863.Google Scholar
Exposition rétrospective de l’art français au Trocadéro. Lille, 1889.Google Scholar
Exposition universelle de 1867 à Paris: Catalogue général publié par la Commission impériale: Histoire du travail et monuments historiques. Paris, 1867.Google Scholar
Eydoux, Henri-Paul. “Vaucluse: Avignon, découvertes au Palais des Papes.” Bulletin monumental 143 (1985): 350–1.Google Scholar
Eynde, Damien van den. Les définitions des sacrements pendant la première période de la théologie scolastique (1050–1240). Rome, 1950.Google Scholar
Fagniez, Gustave. Documents relatifs à l’histoire de l’industrie et du commerce en France. Vol. 1, Depuis le Ier siècle avant J.-C. jusqu’à la fin du XIIIe siècle. Paris, 1898.Google Scholar
Fagniez, GustaveInventaires du trésor de Notre-Dame de Paris de 1343 et de 1416: Publiés et annotés.” Revue archéologique, n.s., 27 (1874): 157–65, 249–59.Google Scholar
Falke, [Otto von]. “Kunstgewerbemuseum: Ein frühgotischer Marienaltar aus Tournai.” Amtliche Berichte aus den Königlichen Kunstsammlungen 39 (1918): cols. 157–68.Google Scholar
Farmer, Sharon. “Global and Gendered Perspectives on the Production of a Parisian Alms Purse, c. 1340.” Journal of Medieval Worlds 1 (2019): 4584.Google Scholar
Farmer, SharonMerchant Women and the Administrative Glass Ceiling in Thirteenth-Century Paris.” In Women and Wealth in Late Medieval Europe, edited by Earenfight, Theresa, 89108. New York, 2010.Google Scholar
Farmer, Sharon The Silk Industries of Medieval Paris: Artisanal Migration, Technological Innovation, and Gendered Experience. Philadelphia, 2017.Google Scholar
Farrer, William, and Brownbill, J., eds. A History of the County of Lancaster: Volume 3. London, 1907.Google Scholar
Fassler, Margot. “Mary’s Nativity, Fulbert of Chartres, and the Stirps Jesse: Liturgical Innovation circa 1000 and Its Afterlife.” Speculum 75 (2000): 389434.Google Scholar
Fassler, Margot The Virgin of Chartres: Making History through Liturgy and the Arts. New Haven, CT, 2012.Google Scholar
Favier, Jean. Philippe le Bel. Paris, 1978.Google Scholar
Fawtier, Robert, and Maillard, François, eds. Comptes royaux (1285–1314). 3 vols. Paris, 1953–6.Google Scholar
Fawtier, Robert, and Maillard, François Comptes royaux (1314–1328). 2 vols. Paris, 1961.Google Scholar
Feldman, Marian H. Communities of Style: Portable Luxury Arts, Identity, and Collective Memory in the Iron Age Levant. Chicago, 2014.Google Scholar
Félibien, Michel. Histoire de l’abbaye royale de Saint-Denys en France … . Paris, 1706.Google Scholar
Ferber, Stanley. “Crucifixion Iconography in a Group of Carolingian Ivory Plaques.” Art Bulletin 48 (1966): 323–34.Google Scholar
Fernández-Armesto, Felipe. Before Columbus: Exploration and Colonization from the Mediterranean to the Atlantic, 1229–1492. Philadelphia, 1987.Google Scholar
Field, Sean L.The Abbesses of Longchamp up to the Black Death.” Archivum Franciscanum Historicum 96 (2003): 237–44.Google Scholar
Field, Sean L.Franciscan Ideals and the Royal Family of France (1226–1328).” In The Cambridge Companion to Francis of Assisi, edited by Robson, Michael J. P, 208–23. Cambridge, 2011.Google Scholar
Field, Sean L. Isabelle of France: Capetian Sanctity and Franciscan Identity in the Thirteenth Century. Notre Dame, IN, 2006.Google Scholar
Field, Sean L., ed. and trans. The Writings of Agnes of Harcourt: The “Life of Isabelle of France” and the “Letter on Louis IX and Longchamp.” Notre Dame, IN, 2003.Google Scholar
Finot, Jules. “Étude historique sur les relations commerciales entre la France et la Flandre au Moyen Âge.” Annales du comité Flamand de France 21 (1893): 1568.Google Scholar
Flamingh, Alida de, et al. “Sourcing Elephant Ivory from a Sixteenth-Century Portuguese Shipwreck.” Current Biology 31 (2021): 621–8.Google Scholar
Fleury, Charles Rohault de. La Sainte-Vierge: Études archéologiques et iconographiques. Paris, 1878.Google Scholar
Fliegel, Stephen N., Jugie, Sophie, and Barthélémy, Virginie, eds. Art from the Court of Burgundy: The Patronage of Philip the Bold and John the Fearless 1364–1419: Musée de Beaux-Arts de Dijon, May 28–September 15, 2004, The Cleveland Museum of Art, October 24, 2004–January 9, 2005. Cleveland, OH, and Paris, 2004.Google Scholar
Flood, Finbarr B. Objects of Translation: Material Culture and Medieval “Hindu–Muslim” Encounter. Princeton, NJ, 2009.Google Scholar
Flora, Holly. “New Light on Cimabue’s Lead White at Assisi.” I Tatti Studies in the Italian Renaissance 21 (2018): 351–88.Google Scholar
Foley, Edward B. The First Ordinary of the Royal Abbey of St.-Denis in France. Fribourg, 1990.Google Scholar
Foley, Edward B.The Treasury of St. Denis according to the Inventory of 1234 (Paris, Bibliothèque Mazarine 526).” Revue Bénédictine 105 (1995): 167–99.Google Scholar
Forbes, Thomas R.Chalcedony and Childbirth: Precious and Semi-precious Stones As Obstetrical Amulets.” Yale Journal of Biology and Medicine 35 (1963): 390401.Google Scholar
Ford, Alvin E. L’Évangile de Nicodème: Les versions courtes en ancien français et en prose. Geneva, 1973.Google Scholar
Forgeard, Laurence. L’Âge d’Or de la Vierge et l’Enfant: Le XIVe siècle en Seine-et-Marne. Paris, 1995.Google Scholar
Forgeais, Arthur. Catalogue de la bibliothèque de M. le Comte Charles de l’Escalopier. Vol. 3, Notice des objets antiques et du moyen âge. Paris, 1867.Google Scholar
Formigé, Jules. L’abbaye royale de Saint-Denis: Recherches nouvelles. Paris, 1960.Google Scholar
Formigoni, Edoardo. “Jacques de Vitry et le prieuré d’Oignies.” In Autour de Hugo d’Oignies, edited by Didier, Robert and Toussaint, Jacques, 3743. Namur, 2003.Google Scholar
Forsyth, Ilene H. The Throne of Wisdom: Wood Sculptures of the Madonna in Romanesque France. Princeton, NJ, 1972.Google Scholar
Foucart-Borville, Jacques. “Les tabernacles eucharistiques dans la France du Moyen Âge.” Bulletin monumental 148 (1990): 349–81.Google Scholar
Franchi, Antonino. Nicolaus Papa IV: 1288–1292: Girolamo d’Ascoli. Assisi, 1990.Google Scholar
Franklin, Alfred. Dictionnaire historique des arts, métiers et professions exercés dans Paris depuis le treizième siècle. Paris, 1906.Google Scholar
Freedberg, David. The Power of Images: Studies in the History and Theory of Response. Chicago, 1989.Google Scholar
Freedman, Paul. Out of the East: Spices and the Medieval Imagination. New Haven, CT, 2008.Google Scholar
Frénaud, Georges. “Le culte de Notre-Dame dans l’ancienne liturgie latine.” In Maria: Études sur la Sainte Vierge. Vol. 6. Edited by du Manoir de Juaye, Hubert, 157211. Paris, 1961.Google Scholar
Fricke, Beate. Fallen Idols, Risen Saints: Sainte Foy of Conques and the Revival of Monumental Sculpture in Medieval Art. Turnhout, 2015. Originally published as Ecce fides: Die Statue von Conques, Götzendienst und Bildkultur im Westen. Munich, 2007.Google Scholar
Fricke, BeateMatter and Meaning of Mother-of-Pearl: The Origins of Allegory in the Spheres of Things.” Gesta 51 (2012): 3553.Google Scholar
Friedman, John, Hoff, Jean Connell, and Chazan, Robert, The Trial of the Talmud: Paris, 1240. Toronto, 2012.Google Scholar
Friedman, John Block et al., eds. Trade, Travel, and Exploration in the Middle Ages: An Encyclopedia. New York, 2000.Google Scholar
Frings, Jutta, and Gerchow, Jan, eds. Krone und Schleier: Kunst aus mittelalterlichen Frauenklöstern … . Munich, 2005.Google Scholar
Frugoni, Chiara. Medioevo sul naso: Occhiali, bottoni e altre invenzioni medievali. Rome, 2014.Google Scholar
Fuchs, Adalbert Franz, ed. Monumenta Germaniae historica: Necrologia Germaniae. Vol. 5, Diocesis Pataviensis (Austria inferior). Berlin, 1913.Google Scholar
Fuchs, Johan Wilhelmus. Lexicon Latinitatis Nederlandicae Medii Aevi. 8 vols. Leiden, 1977–2005.Google Scholar
Fulton, Rachel. From Judgment to Passion: Devotion to Christ and the Virgin Mary, 800–1200. New York, 2002.Google Scholar
Fulton, RachelPraying with Anselm at Admont: A Meditation on Practice.” Speculum 81 (2006): 700–33.Google Scholar
Fulton, Rachel “‘Quae est ista quae ascendit sicut aurora consurgens?’ The Song of Songs As the Historia for the Office of the Assumption.” Mediaeval Studies 60 (1998): 55122.Google Scholar
Gaborit, Jean-René. “Une tête perdue et retrouvée: La ‘Vierge d’Abbeville’ du Louvre retrouve son intégrité.” Revue du Louvre 51.5 (2001): 1315.Google Scholar
Gaborit-Chopin, Danielle. “Le bâton cantoral de la Sainte-Chapelle.” Bulletin monumental 132 (1974): 6781.Google Scholar
Gaborit-Chopin, DanielleLes collections d’orfèvrerie des princes français au milieu du XIVe siècle d’après les comptes et inventaires.” In Hommage à Hubert Landais: Arts, objets d’art, collections: Études sur l’art du Moyen Âge et de la Renaissance, sur l’histoire du goût et des collections, 4652. Paris, 1987.Google Scholar
Gaborit-Chopin, DanielleDocuments et oeuvres d’art: Remarques sur quelques ivoires gothiques français.” Cahiers archéologiques 55 (2013–14): 119–30.Google Scholar
Gaborit-Chopin, Danielle “Essai de regroupement de quelques ivoires médiévaux.” Bulletin de la Société nationale des antiquaires de France (1976): 99102.Google Scholar
Gaborit-Chopin, DanielleGothic Ivories: Realities and Prospects.” In Gothic Art and Thought in the Later Medieval Period: Essays in Honor of Willibald Sauerländer, edited by Hourihane, Colum, 156–75. Princeton, NJ, 2011.Google Scholar
Gaborit-Chopin, Danielle Ivoires du Moyen Âge. Fribourg, 1978.Google Scholar
Gaborit-Chopin, DanielleLes ivoires gothiques: À propos d’un article récent.” Bulletin monumental 128 (1970): 127–33.Google Scholar
Gaborit-Chopin, Danielle Ivoires médiévaux: Ve–XVe siècle. Paris, 2003.Google Scholar
Gaborit-Chopin, DanielleNicodème travesti: La Descente de Croix d’ivoire du Louvre.” Revue de l’art 81 (1988): 3146.Google Scholar
Gaborit-Chopin, DanielleParis ou Amiens? Le groupe de la Vierge Davillier.” In Études d’histoire de l’art offertes à Jacques Thirion: Des premiers temps chrétiens au XXe siècle, edited by Erlande-Brandenburg, Alain and Leniaud, Jean-Michel, with Dectot, Xavier, 8598. Paris, 2001.Google Scholar
Gaborit-Chopin, DanielleLa Vierge à l’Enfant d’ivoire de la Sainte-Chapelle.” Bulletin monumental 130 (1972): 213–24.Google Scholar
Gaborit-Chopin, DanielleLa Vierge à l’Enfant et les anges d’ivoire du Trésor de Saint-Denis.” Revue du Louvre 41.4 (1991): 26–7.Google Scholar
Gaborit-Chopin, DanielleUne Vierge d’ivoire du XIIIe siècle.” Revue du Louvre 33.4 (1983): 270–9.Google Scholar
Gaborit-Chopin, Danielle, ed. La France romane: Au temps des premiers Capétiens (987–1152): Paris, Musée du Louvre, 10 mars–6 juin 2005. Paris, 2005.Google Scholar
Gaborit-Chopin, Danielle L’inventaire du trésor du dauphin, futur Charles V, 1363: Les débuts d’un grand collectionneur. Nogent-le-Roi, 1996.Google Scholar
Gaborit-Chopin, Danielle Le trésor de Saint-Denis. Paris, 1991.Google Scholar
Gaborit-Chopin, Danielle, and Gaborit, Jean-René, eds. L’art au temps des rois maudits: Philippe le Bel et ses fils, 1285–1328: Paris, Galeries nationales du Grand Palais, 17 mars–29 juin 1998. Paris, 1998.Google Scholar
Gaborit-Chopin, Danielle, and Levy-Hinston, Juliette. “La Vierge à l’Enfant d’ivoire, de l’ancienne collection Martin Le Roy.” Coré: Conservation et restauration du patrimoine culturel 30 (2014): 3754.Google Scholar
Gachet, Émile. “Un cartulaire de Guillaume Ier, comte de Hainaut, de Hollande, etc.” Compte-rendu des séances de la commission royale d’histoire, 2nd ser., 4 (1852): 9118.Google Scholar
Gallagher, Edward Joseph. A Critical Edition of “La Passion Nostre Seigneur”: From Manuscript 1131 from the Bibliothèque Sainte-Geneviève, Paris. Chapel Hill, NC, 1976.Google Scholar
Ganz, David, and Rimmele, Marius, eds. Klappeffekte: Faltbare Bildträger in der Vormoderne. Berlin, 2016.Google Scholar
Gaposchkin, M. Cecilia. The Making of Saint Louis: Kingship, Sanctity, and Crusade in the Later Middle Ages. Ithaca, NY, 2008.Google Scholar
García Morencos, Pilar, ed. Libros de ajedrez, dados y tablas de Alfonso X el Sabio. Madrid, 1987.Google Scholar
Gardner, Julian. “The Artistic Patronage of Boniface VIII: The Perugian Inventory of the Papal Treasure of 1311.” Römisches Jahrbuch der Bibliotheca Hertziana 34 (2001–2): 6986.Google Scholar
Gardner, JulianThe French Connection: Thoughts about French Patrons and Italian Art, c. 1250–1300.” In Art and Politics in Late Medieval and Early Renaissance Italy: 1250–1500, edited by Rosenberg, Charles M., 81102. Notre Dame, IN, 1990.Google Scholar
Gastout, Marguerite. Béatrix de Brabant: Landgravine de Thuringe, reine des romains, comtesse de Flandre, dame de Courtrai (1225?–1288). Louvain, 1943.Google Scholar
Gaudin, Léon. “Épîtres farcies inédites de la Saint-Étienne en langue romane.” Revue des langues romanes 2 (1871): 133–42.Google Scholar
Gauthier, Marie-Madeleine. “Du tabernacle au retable: Une innovation limousine vers 1230.” Revue de l’art 40/1 (1978): 2342.Google Scholar
Gauthier, Marie-MadeleineLe tableau de la Crucifixion sur les évangiles ottoniens donnés par Charles V à la Sainte-Chapelle et l’orfèvrerie parisienne du temps de saint Louis.” Monuments et mémoires de la Fondation Eugène Piot 59 (1974): 171208.Google Scholar
Gauthier, Marie-MadeleineIl tesoro di Bonifacio VIII.” In Roma Anno 1300: Atti della IV settimana di studi di storia dell’arte medievale dell’Università di Roma “La Sapienza” (19–24 maggio 1980), edited by Romanini, Angiola Maria, 529–35. Rome, 1983.Google Scholar
de Coinci, Gautier. Les miracles de Nostre Dame. 4 vols. Edited by Koenig, V. Frédéric. Geneva, 1953–70.Google Scholar
Gay, Victor, and Stein, Henri. Glossaire archéologique du moyen âge et de la renaissance. 2 vols. Paris, 1928.Google Scholar
Gearhardt, Heidi C. Theophilus and the Theory and Practice of Medieval Art. University Park, PA, 2017.Google Scholar
Gell, Alfred. Art and Agency: An Anthropological Theory. Oxford, 1998.Google Scholar
Gell, AlfredThe Technology of Enchantment and the Enchantment of Technology.” In Anthropology, Art, and Aesthetics, edited by Coote, Jeremy and Shelton, Anthony, 4063. Oxford, 1992.Google Scholar
George, Philippe, Maquet, Julien, and Pirenne, Françoise. Nostre-Dame: Les plus belles statues de la Vierge en pays de Liège (XIe–XVIIIe siècles). Liège, 2008.Google Scholar
Géraud, Hercule. Paris sous Philippe-le-Bel, d’après des documents originaux, et notamment d’après un manuscrit contenant le role de la taille imposée sur les habitants de Paris en 1292. Paris, 1837.Google Scholar
Gerevini, Stefania. “Christus crystallus: Rock Crystal, Theology and Materiality in the Medieval West.” In Matter of Faith: An Interdisciplinary Study of Relics and Relic Veneration in the Medieval Period, edited by Robinson, James and de Beer, Lloyd with Harnden, Anna, 92–9. London, 2014.Google Scholar
Gertsman, Elina. Worlds Within: Opening the Medieval Shrine Madonna. University Park, PA, 2015.Google Scholar
Gibson, Margaret. The Liverpool Ivories: Late Antique and Medieval Ivory and Bone Carving in Liverpool Museum and the Walker Art Gallery. London, 1994.Google Scholar
Gibson, Thomas Ellison. Lydiate Hall & Its Associations, in Two Parts, Antiquarian and Religious. London, 1876.Google Scholar
Gilbert, Antoine-Pierre-Marie. Description historique de la basilique métropolitaine de Paris. Paris, 1811.Google Scholar
Gilbert, Antoine-Pierre-Marie Description historique de la basilique métropolitaine de Paris. 2nd rev. ed. Paris, 1821.Google Scholar
Gillerman, Dorothy, ed. Transformations of the Court Style: Gothic Art in Europe 1270–1330: An Exhibition by the Department of Art, Brown University at the Museum of Art, Rhode Island School of Design, Providence, Rhode Island, February 2 through February 27, 1977. Providence, RI, 1977.Google Scholar
Gillingham, S. E. The Poems and Psalms of the Hebrew Bible. Oxford, 1994.Google Scholar
Gillingham, S. E.Postexilic Poetic Traditions in the Writings.” In The Oxford Handbook of the Writings of the Hebrew Bible, edited by Morgan, Donn F., 132–48. Oxford, 2018.Google Scholar
Girard, Alain. L’aventure gothique entre Pont-Saint-Esprit et Avignon du XIIIe au XVe siècle: Genèse des formes et du sens de l’art gothique dans la basse vallée du Rhône. Aix-en-Provence, 1996.Google Scholar
Giusti, Annamaria, and Samarelli, Cristina. “Il pulpito marmoreo di Fra Guglielmo in San Giovanni Fuorcivitas a Pistoia.” In Il restauro dei materiali lapidei, edited by Improta, Maria Cristina, 3154. Florence, 2012.Google Scholar
Giusti, Paola. “Una Madonna in avorio nel Museo Duca di Martina: Plastica minore e scultura monumentale nella Francia del XIII secolo.” Bollettino d’arte 14 (1982): 7786.Google Scholar
Glick, Thomas F., Livesey, Steven John, and Wallis, Faith, eds. Medieval Science, Technology, and Medicine: An Encyclopedia. New York, 2005.Google Scholar
Godefroy, Frédéric. Dictionnaire de l’ancienne langue française, et de tous ses dialectes du IXe au XVe siècle, composé d’après le dépouillement de tous les plus importants documents, manuscrits ou imprimés. 10 vols. Paris, 1881–1902.Google Scholar
Goldschmidt, Adolph. Die Elfenbeinskulpturen aus der Zeit der karolingischen und sächsischen Kaiser. 4 vols. Berlin, 1914–26.Google Scholar
Goodall, John. The English Castle, 1066–1650. London, 2011.Google Scholar
Gori, Antonio Francisco. Thesaurus Veterum Diptychorum Consularium et Ecclesiasticorum … . 3 vols. Florence, 1759.Google Scholar
Goulder, Michael D. The Psalms of the Sons of Korah. Sheffield, 1982.Google Scholar
Goulder, Michael D., and Sanderson, M. L. “St. Luke’s Genesis.” Journal of Theological Studies 8 (1957): 1230.Google Scholar
Gounelle, Rémi, and Izydorczyk, Zbigniew, eds. and trans. L’Évangile de Nicodème, ou, Les actes faits sous Ponce Pilate (recension latine A): Suivi de La lettre de Pilate à l’empereur Claude. Turnhout, 1997.Google Scholar
Gower, John. Confessio Amantis, edited by Peck, Russell A, translation by Andrew Galloway. 3 vols. Kalamazoo, MI, 2000.Google Scholar
Grabar, André. “Plotin et les origines de l’esthétique médiévale.” Cahiers archéologiques 1 (1945): 1534.Google Scholar
Gråberg, Giacomo. Annali di geografia, e di statistica, composti, e pubblicati. 2 vols. Genoa, 1802.Google Scholar
Grant, Lindy. Blanche of Castile, Queen of France. New Haven, CT, 2017.Google Scholar
Gravestock, Pamela. “Did Imaginary Animals Exist?” In The Mark of the Beast: The Medieval Bestiary in Art, Life and Literature, edited by Hassig, Debra, 119–40. New York, 1999.Google Scholar
Grayzel, Solomon. The Church and the Jews in the XIIIth Century: A Study of Their Relations during the Years 1198–1254, Based on the Papal Letters and the Conciliar Decrees of the Period. Rev. ed. New York, 1966.Google Scholar
Green, Louis. Castruccio Castracani: A Study on the Origins and Character of a Fourteenth-Century Italian Despotism. Oxford, 1986.Google Scholar
Green, Monica. The Trotula: A Medieval Compendium of Women’s Medicine. Philadelphia, 2001.Google Scholar
Greenfield, Ingrid. “A Movable Continent: Collecting Africa in Renaissance Italy.” PhD diss., University of Chicago, 2015.Google Scholar
Grimme, Ernst Günther. Der Aachener Domschatz. Düsseldorf, 1972.Google Scholar
Grodecki, Louis. Études sur les vitraux de Suger à Saint-Denis (XIIe siècle). Edited by Grodecki, Catherine with Bouchon, Chantal and Załuska, Yolanta. Paris, 1995.Google Scholar
Grodecki, Louis Ivoires français. Paris, 1947.Google Scholar
Grodecki, LouisLes vitraux allégoriques de Saint-Denis.” In Études sur les vitraux de Suger à Saint-Denis (XIIe siècle), edited by Grodecki, Catherine with Bouchon, Chantal and Załuska, Yolanta, 5183. Paris, 1995.Google Scholar
Grosjean, Georges, ed. and commentary. Mapamundi, the Catalan Atlas of the Year 1375. Dietikon-Zurich, 1978.Google Scholar
Großmann, G. Ulrich, and Kruitsch, Petra, eds. The Challenge of the Object: 33rd Congress of the International Committee of the History of Art, Nuremberg, 15th–20th July 2012 = Die Herausforderung des Objekts. Nuremberg, 2013.Google Scholar
Grubb, Peter, Groves, Colin P., Dudley, Joseph P., and Shoshani, Jeheskel. “Living African Elephants Belong to Two Species: Loxodonta africana (Blumenbach, 1797) and Loxodonta cyclotis (Matschie, 1900).” Elephant 2 (2000): 14.Google Scholar
Gsell, Benedict. “Verzeichniss der Handschriften in der Bibliothek des Stiftes Heiligenkreuz.” In Die Handschriften-Verzeichnisse der Cistercienser-Stifte … . 2 vols. 1:115272. Vienna, 1891.Google Scholar
Guérard, Benjamin Charles, Edmé, ed. Cartulaire de l’église Notre-Dame de Paris. 4 vols. Paris, 1850.Google Scholar
Guérin, Sarah M.Avorio d’ogni ragione: The Supply of Elephant Ivory to Northern Europe in the Gothic Era.” Journal of Medieval History 36 (2010): 156–74.CrossRefGoogle Scholar
Guérin, Sarah M.Exchange of Sacrifices: West Africa in the Medieval World of Goods, c. 1300.” Medieval Globe 3 (2017): 97124.Google Scholar
Guérin, Sarah M.Forgotten Routes? Italy, Ifrīqiya and the Trans-Saharan Ivory Trade.” Al-Masaq 25 (2013): 7091.Google Scholar
Guérin, Sarah M. Gothic Ivories: Calouste Gulbenkian Collection. London, 2015.Google Scholar
Guérin, Sarah M.Ivory and the Ties that Bind.” In Whose Middle Ages? Teachable Moments for an Ill-Used Past, edited by Albin, Andrew, Erler, Mary C., O’Donnell, Thomas, et al., 140–53. New York, 2019.Google Scholar
Guérin, Sarah M.Ivory Booklets, Devotion in Cologne.” In Illuminating the Middle Ages: Tributes to John Lowden from His Students, Friends and Colleagues, edited by Cleaver, Laura, Bovey, Alixe, and Donkin, Lucy, 309–25. Leiden, 2020.Google Scholar
Guérin, Sarah M. “An Ivory Virgin and Child in Tournai.” forthcoming.Google Scholar
Guérin, Sarah M.An Ivory Virgin at the Metropolitan Museum, New York, in a Gothic Sculptor’s Oeuvre.” Burlington Magazine 154 (2012): 394402.Google Scholar
Guérin, Sarah M.Meaningful Spectacles: Gothic Ivories Staging the Divine.” Art Bulletin 95 (2013): 5377.Google Scholar
Guérin, Sarah M.Review of Paul Williamson and Glyn Davies, Medieval Ivory Carvings, 1200–1550.” Burlington Magazine 156 (2014): 757–8.Google Scholar
Guérin, Sarah M.Saisir le sens: Les ivoires gothiques et le toucher.” In Les cinq sens au Moyen Âge, edited by Palazzo, Éric, 589622. Paris, 2016.Google Scholar
Guérin, Sarah M.Synergy across across Media: Gothic Sculptors of Wood and Ivory.” In A Reservoir of Ideas: Essays in Honour of Paul Williamson, edited by Davies, Glyn and Townsend, Eleanor, 194206. London, 2017.Google Scholar
Guérin, Sarah M. “‘Tears of Compunction’: French Gothic Ivories in Devotional Practice.” PhD diss., University of Toronto, 2009.Google Scholar
Guerout, Jean. “Les études sur la fiscalité, la démographie et la topographie à Paris: Bilan et problèmes.” Bibliothèque de l’École des chartes 130 (1972): 383465.Google Scholar
Guerric of Igny. Liturgical Sermons. Translated by the Monks of Mount St. Bernard Abbey. 2 vols. Spencer, MA, 1970–1.Google Scholar
Guerric of Igny Sermons. Edited by Morson, John and Costello, Hilary. Translated by Placide Deseille. 2 vols. Paris, 1973.Google Scholar
Guest, Gerald B., trans. and commentary. Bible moralisée: Codex Vindobonensis 2554, Vienna, Österreichische Nationalbibliothek. London, 1995.Google Scholar
Guiffrey, Jules. Inventaires de Jean Duc de Berry (1401–1416). 2 vols. Paris, 1894.Google Scholar
Guignard, Philippe, ed. Les monuments primitifs de la règle cistercienne publiés d’après les manuscrits de Cîteaux. Dijon, 1878.Google Scholar
Guillaume, de Lorris and Jean, de Meung. Le Roman de la rose. Edited by Poirion, Daniel. Paris, 1974.Google Scholar
Guillebert, de Metz. “La description de la ville de Paris et de l’excellence du royaume de France.” In Paris et ses historiens aux 14e et 15e siècles: Documents et écrits originaux recueillis et commentés, edited by de Lincy, Le Roux and Tisserand, L. M, 131237. Paris, 1867.Google Scholar
Guillot, de Paris. Le dit des rues de Paris. Edited and translated by Catherine Nicolas. Paris, 2012.Google Scholar
Guineau, Bernard. “Étude des couleurs dans la polychromie des ivoires médiévaux.” Bulletin de la Société nationale des antiquaires de France, 1996 (1999): 188210.Google Scholar
Gümbel, Albert. Das Mesnerpflichtbuch von St. Lorenz in Nürnberg vom Jahre 1493. Munich, 1928.Google Scholar
Hahn, Cynthia. Strange Beauty: Issues in the Making and Meaning of Medieval Reliquaries, 400–circa 1204. University Park, PA, 2012.Google Scholar
Haibach-Reinisch, Monika. Ein neuer “Transitus Mariae” des Pseudo-Melito: Textkritische Ausgabe und Darlegung der Bedeutung dieser ursprünglicheren Fassung für Apokryphenforschung und lateinische und deutsche Dichtung des Mittelalters. Rome, 1962.Google Scholar
Halbekann, Joachim J. Die älteren Grafen von Sayn: Personen-, Verfassungs und Besitzgeschichte eines rheinischen Grafengeschlechts 1139–1246/47. Wiesbaden, 1997.Google Scholar
Hamburger, Jeffrey F. The Rothschild Canticles: Art and Mysticism in Flanders and the Rhineland circa 1300. New Haven, CT, 1990.Google Scholar
Hamburger, Jeffrey F. The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany. New York, 1998.Google Scholar
Hamilton, Tracy Chapman. Pleasure and Politics at the Court of France: The Artistic Patronage of Queen Marie of Brabant (1260–1321). Turnhout, 2019.Google Scholar
Hartnell, Jack. “The Body Inside‐Out: Anatomical Memory at Maubuisson Abbey.” Art History 42 (2019): 242–73.Google Scholar
Hartnell, JackTools of the Puncture: Skin, Knife, Bone, Hand.” In Flaying in the Pre-modern World: Practice and Representation, edited by Tracy, Larissa, 2050. Cambridge, 2017.Google Scholar
Hassig, Debra. Medieval Bestiaries: Text, Image, Ideology. Woodbridge, UK, 1995.Google Scholar
Haussherr, Reiner. “Templum Salomonis und Ecclesia Christi: Zu einem Bildvergleich der Bible moralisée.” Zeitschrift für Kunstgeschichte 31 (1968): 101–21.Google Scholar
Hautcoeur, Édouard. Cartulaire de l’abbaye de Flines. 2 vols. Lille, 1873–4.Google Scholar
Hautcoeur, Édouard. Histoire de l’abbaye de Flines. Paris, 1874.Google Scholar
Hedeman, Anne D. The Royal Image: Illustrations of the Grandes Chroniques de France, 1274–1422. Berkeley, CA, 1991.Google Scholar
Hélary, Xavier. “Robert d’Artois et les angevins (1274–1302), d’après le chartrier des comtes d’Artois.” In Les Comtes d’Artois et leurs archives: Histoire, mémoire et pouvoir au Moyen Âge, edited by Provost, Alain, 119–32. Arras, 2012.Google Scholar
Heng, Geraldine. Empire of Magic: Medieval Romance and the Politics of Cultural Fantasy. New York, 2003.Google Scholar
Herlihy, David. “Opera muliebria”: Women and Work in Medieval Europe. Philadelphia, 1990.Google Scholar
Hilliger, Benno. Rheinische Urbare: Sammlung von Urbaren und anderen Quellen zur rheinischen Wirtschaftsgeschichte. Vol. 1, Die Urbare von S. Pantaleon in Köln. Bonn, 1902.Google Scholar
Hoberg, Hermann, ed. Die Inventare des päpstlichen Schatzes in Avignon, 1314–1376. Vatican City, 1944.Google Scholar
Hodenberg, Wilhelm von, ed. Urkundenbuch des Klosters St. Michaelis zu Lüneburg. 3 vols. Celle, 1860–70.Google Scholar
Hofmann, Josef, and Thurn, Hans. Die Handschriften der Hofbibliothek Aschaffenburg. Aschaffenburg, 1978.Google Scholar
Hofmann, Konrad, ed., The Year 1200. Vol. 1, A Centennial Exhibition at the Metropolitan Museum of Art, February 12 through May 10, 1070: Catalogue. New York, 1970.Google Scholar
Höhlbaum, Konstantin, ed. Hansisches Urkundenbuch. Vol. 3, 1343–1360. Halle, 1882–6.Google Scholar
Holcomb, Melanie Elaine. “The Function and Status of Carved Ivory in Carolingian Culture.” PhD diss., University of Michigan, 1999.Google Scholar
Holdsworth, Christopher. “The Chronology and Character of Early Cistercian Legislation on Art and Architecture.” In Cistercian Art and Architecture in the British Isles, edited by Norton, Christopher and Park, David, 4055. Cambridge, 1986.Google Scholar
Holladay, Joan. “Consciousness of Style in Gothic Art.” In Opus Tessellatum: Modi und Grenzgänge der Kunstwissenschaft: Festschrift für Peter Cornelius Claussen, edited by Corsepius, Katharina et al., 303–14. Hildesheim, 2004.Google Scholar
Horton, Mark. “The Swahili Corridor.” Scientific American 257 (1987): 8693.Google Scholar
Hosmann, Sigismund. Fürtreffliches Denck-Mahl der Göttlichen Regierung: Bewiesen an der uhralten höchst-berühmten Antiquität des Klosters S. Michaelis in Lüneberg … Braunschweig, 1700.Google Scholar
Howell, Margaret. Eleanor of Provence: Queenship in Thirteenth-Century England. Malden, MA, 1998.Google Scholar
Hugh of Saint-Cher. Hugonis de Sancto Charo: Opera Omnia in Universum Vetus, & Novum Testamentum. Vol. 2. Edited by Nicolò, Pezzana. Venice, 1703.Google Scholar
Hülsen-Esch, Andrea von. “Paris-Köln und zurück: Gedanken zur Madonna von Ochtrup-Langenhorst und der Elfenbeinproduktion im Rheinland.” In “Luft unter die Flügel … ”: Beiträge zur mitterlalterlichen Kunst; Festschrift für Hiltrud Westermann-Angerhausen, edited by Hülsen-Esch, Andrea von et al., 173–85. Hildesheim, 2010.Google Scholar
Huot, Sylvia. Allegorical Play in the Old French Motet: The Sacred and the Profane in Thirteenth-Century Polyphony. Stanford, CA, 1997.Google Scholar
Hutterer, Maile. “Broken Outlines and Structural Exhibitionism: The Flying Buttress As Aesthetic Choice in Medieval France.” PhD diss., Institute of Fine Arts, New York University, 2011.Google Scholar
Ingold, Timothy. “Bringing Things to Life: Material Flux and Creative Entanglements.” In State of Flux: Aesthetics of Fluid Materials, edited by Finke, Marcel and Weltzien, Friedrich, 2137. Berlin, 2017.Google Scholar
Ingold, Timothy Making: Anthropology, Archaeology, Art and Architecture. London, 2013.Google Scholar
Ingold, TimothyMaterials against Materiality.” Archaeological Dialogues 14 (2007): 116.Google Scholar
Ingold, TimothyOn Weaving a Basket.” In The Perception of the Environment: Essays on Livelihood, Dwelling and Skill, 340–8. London, 2000.Google Scholar
Izydorczyk, Zbigniew. Manuscripts of the “Evangelium Nicodemi”: A Census. Toronto, 1993.Google Scholar
Jacobs, Lynn F. Opening Doors: The Early Netherlandish Triptych Reinterpreted. University Park, PA, 2012.Google Scholar
Jacquart, Danielle. “Médecine et pharmacie à Paris au XIIIe siècle.” Comptes rendus des séances de l’Académie des inscriptions et belles-lettres 150 (2006): 9991029.Google Scholar
Jacquart, Danielle La médecine médiévale dans le cadre parisien (XIVe–XVe siècle). Paris, 1998.Google Scholar
Jacquart, Danielle, and Micheau, Françoise. La médecine arabe et l’Occident médiéval. Paris, 1990.Google Scholar
Jacques, de Vitry. Historia orientalis. Edited and translated by Jean Donnadieu. Turnhout, 2008.Google Scholar
Jacobus, de Voragine. The Golden Legend: Readings on the Saints. Translated by William Granger Ryan. 2 vols. Princeton, NJ, 1993.Google Scholar
Jacobus, de Voragine Legenda Aurea–Goldene Legende. Edited and translated by Häuptli, Bruno W.. 2 vols. Freiburg i. Br., 2014.Google Scholar
Jaffé, Philipp, ed. Monumenta Corbeiensia. Berlin, 1864.Google Scholar
Jászai, Géza. “Nordfranzösisch oder mittelrheinisch? Zur Elfenbein-Madonna der Kirche des ehemaligen Augustinerinnenklosters in Langenhorst.” Westfalen 57 (1979): 1623.Google Scholar
Jean, sire de Joinville. Histoire de Saint Louis, Credo, et lettre à Louis X. Edited and translated by Natalis, de Wailly. Paris, 1874.Google Scholar
Jordan, Erin L. Women, Power, and Religious Patronage in the Middle Ages. New York, 2006.Google Scholar
Jordan, William Chester. The French Monarchy and the Jews: From Philip Augustus to the Last Capetians. Philadelphia, 1989.Google Scholar
Jordan, William Chester Louis IX and the Challenge of Crusade: A Study in Rulership. Princeton, NJ, 1979.Google Scholar
Jordan, William Chester A Tale of Two Monasteries: Westminster and Saint-Denis in the Thirteenth Century. Princeton, NJ, 2009.Google Scholar
Joubert, Fabienne. “Alexandre du Sommerard et les origines du musée de Cluny.” In Le “Gothique” retrouvé avant Viollet-le-Duc: Hôtel de Sully, 31 octobre 1979–17 février 1980, 99104. Paris, 1979.Google Scholar
Joubert, FabienneUn recours aux retables sculptés en pierre, à l’abbatiale de Saint-Denis (XIIIe siècle).” In The Altar and Its Environment, 1150–1400, edited by Kroesen, Justin E. A and Schmidt, Victor M, 109–23. Turnhout, 2009.Google Scholar
Joubert, FabienneLes retables du milieu du XIIIe siècle à l’abbatiale de Saint-Denis.” Bulletin monumental 131 (1973): 1727.Google Scholar
Joubert, Fabienne La sculpture gothique en France, XIIe–XIIIe siècles. Paris, 2008.Google Scholar
Jülich, Theo. Die mittelalterlichen Elfenbeinarbeiten des Hessischen Landesmuseums Darmstadt. Regensburg, 2007.Google Scholar
Jung, Jacqueline E.Crystalline Wombs and Pregnant Hearts: The Exuberant Bodies of the Katharinenthal Visitation Group.” In History in the Comic Mode, edited by Fulton, Rachel and Holsinger, Bruce W., 223–37. New York, 2007.Google Scholar
Jung, Jacqueline E.The Tactile and the Visionary: Notes on the Place of Sculpture in the Medieval Religious Imagination.” In Looking Beyond: Visions, Dreams, and Insights in Medieval Art & History, edited by Hourihane, Colum, 203–40. University Park, PA, 2010.Google Scholar
Katzenellenbogen, Adolf. The Sculptural Programs of Chartres Cathedral: Christ, Mary, Ecclesia. Baltimore, 1959.Google Scholar
Keane, Marguerite. Material Culture and Queenship in 14th-Century France: The Testament of Blanche of Navarre (1331–1398). Leiden, 2016.Google Scholar
McIntosh, Susan Keech, and McIntosh, Roderick J. “From Stone to Metal: New Perspectives on the Later Prehistory of West Africa.” Journal of World Prehistory 2 (1988): 89133.Google Scholar
Kervyn de Lettenhove, Joseph. “Béatrice de Courtray, II.Bulletin de l’Académie royale des sciences, des lettres et des beaux-arts de Belgique 22 (1855): 382400.Google Scholar
Kessler, Herbert L.Gregory the Great and Image Theory in Northern Europe during the Twelfth and Thirteenth Centuries.” In A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, edited by Rudolph, Conrad, 151–72. Malden, MA, 2006.Google Scholar
Kessler, Herbert L.Medieval Art As Argument.” In Iconography at the Crossroads, edited by Cassidy, Brendan, 5973. Princeton, NJ, 1993.Google Scholar
Kessler, Herbert L. Seeing Medieval Art. Peterborough, ON, 2004.Google Scholar
Kessler, Herbert L. Spiritual Seeing: Picturing God’s Invisibility in Medieval Art. Philadelphia, 2000.Google Scholar
Kessler, Herbert L.Turning a Blind Eye: Medieval Art and the Dynamics of Contemplation.” In The Mind’s Eye: Art and Theological Argument in the Middle Ages, edited by Hamburger, Jeffrey F and Bouché, Anne-Marie, 413–39. Princeton, NJ, 2006.Google Scholar
Kieckhefer, Richard. “Major Currents in Late Medieval Devotion.” In Christian Spirituality: High Middle Ages and Reformation, edited by Raitt, Jill with McGin, Bernardn and Meyendorff, John, 75108. New York, 1987.Google Scholar
King, Rachel. “Rethinking ‘the Oldest Surviving Amber in the West.’” Burlington Magazine 155 (2013): 756–62.Google Scholar
King, Ronald F.The Origin and Evolution of a Sacramental Formula: Sacramentum Tantum, Res et Sacramentum, Res Tantum.” Thomist: A Speculative Quarterly Review 31 (1967): 2182.Google Scholar
Kinney, Dale. “First-Generation Diptychs in the Discourse of Visual Culture.” In Spätantike und byzantinische Elfenbeinbildwerke im Diskurs, edited by Bühl, Gudrun, Cutler, Anthony, and Effenberger, Arne, 149–66. Wiesbaden, 2008.Google Scholar
Kiourtzian, Georges. “Krinon laskaraton ou retour sur un diptyque en ivoire.” Cahiers archéologiques 53 (2009–10): 111–28.Google Scholar
Kirchweger, Franz. “Gothic and Late Medieval Ivories from the Collection of Clemens Wenceslaus Count of Renesse-Breidbach.” In Gothic Ivory Sculpture: Content and Context, edited by Yvard, Catherine, 94110. London, 2017.Google Scholar
Kitzinger, Beatrice E. The Cross, the Gospels, and the Work of Art in the Carolingian Age. Cambridge, 2019.Google Scholar
Knappett, Carl. “The Affordances of Things: A Post-Gibsonian Perspective on the Relationality of Mind and Matter.” In Rethinking Materiality: The Engagement of Mind with the Material World, edited by DeMarrais, Elizabeth, Gosden, Chris, and Renfrew, Colin, 4351. Cambridge, 2004.Google Scholar
Koechlin, Raymond. “Un atelier d’ivoirier au XIVe siècle.” Bulletin de l’art français (1910): 1619.Google Scholar
Koechlin, Raymond Catalogue raisonné de la collection Martin Le Roy. Vol. 2, Ivoires et sculptures. Paris, 1906.Google Scholar
Koechlin, Raymond Les ivoires gothiques français. 3 vols. Paris, 1924.Google Scholar
Koechlin, RaymondQuelques ateliers d’ivoiriers français aux XIIIe et XIVe siècles, I: L’atelier du diptyque du trésor de Soissons.” Gazette des Beaux-Arts, ser. 3, 34 (1905): 361–79.Google Scholar
Koechlin, RaymondLes retables français en ivoire du commencement du XIVe siècle.” Monuments et mémoires de la Fondation Eugène Piot 13 (1906): 6776.Google Scholar
Kogman-Appel, Katrin. Catalan Maps and Jewish Books: The Intellectual Profile of Elisha ben Abraham Cresques (1325–1387). Turnhout, 2020.Google Scholar
Köhler, Christa Elise. “Die Museumsbibliothek an der Spree: Zur Geschichte der Bibliothek der Staatlichen Museen zu Berlin von 1830 bis 1949.” Forschungen und Berichte 20 (1980): 451–72.Google Scholar
Koll, Malachias. Chronicon breve monasteriorum Ord: Cisterc. ad Sanctam Crucem in Austria et ad St Gotthardum in Ungaria … . Vienna, 1834.Google Scholar
Kraus, Henry. Gold Was the Mortar: The Economics of Cathedral Building. Boston, 1979.Google Scholar
Kris, Ernst, and Kurz, Otto. Legend, Myth and Magic in the Image of the Artist: A Historical Experiment. New Haven, CT, 1979.Google Scholar
Kristeller, Paul Oskar. “The School of Salerno: Its Development and Its Contribution to the History of Learning.” Bulletin of the History of Medicine 17 (1945): 138–94.Google Scholar
Kroesen, Justin E. A., and Schmidt, Victor M., eds. The Altar and Its Environment, 1150–1400. Turnhout, 2009.Google Scholar
Krohm, Hartmut, and Effenberger, Arne, eds. Meisterwerke aus Elfenbein der Staatlichen Museen zu Berlin: Katalog zur Ausstellung Hessisches Landesmuseum Darmstadt 1999/2000. Berlin, 1999.Google Scholar
Kryzanovskaya, Marta. “Alexander Petrovich Basilevsky: A Great Collector of Medieval and Renaissance Works of Art.” Journal of the History of Collections 2 (1990): 143–55.Google Scholar
Kryzanovskaya, Marta Western European Medieval Ivories: Catalogue of the Collection (Зaпaднoeврoпeйскaя рeзнaя кoстъ Срeдних вeкoв: Кataлoг кoллeкции). St. Petersburg, 2014.Google Scholar
Kühnel, Bianca. From the Earthly to the Heavenly Jerusalem: Representations of the Holy City in Christian Art of the First Millennium. Rome, 1987.Google Scholar
Kühnel, BiancaJewish Symbolism of the Temple and Tabernacle and Christian Symbolism of the Holy Sepulchre and the Heavenly Tabernacle.” Jewish Art 12–13 (1986–7): 147–68.Google Scholar
Kumler, Aden. “Materials, Materia, ‘Materiality.’” In A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, edited by Rudolph, Conrad, 95117. 2nd ed. Hoboken, NJ, 2019.Google Scholar
Kumler, Aden Translating Truth: Ambitious Images and Religious Knowledge in Late Medieval France and England. New Haven, CT, 2011.Google Scholar
Kumler, Aden, and Lakey, Christopher R. “Res et significatio: The Material Sense of Things in the Middle Ages.” Gesta 51 (2012): 117.Google Scholar
Kurmann, Peter. “Un colosse aux pieds d’argile: La chronologie de la sculpture française du XIIIe siècle, repose-t-elle sur des dates assurées?” In Épigraphie et iconographie: Actes du colloque tenu à Poitiers les 5–8 octobre 1995, edited by Favreau, Robert, 143–52. Poitiers, 1996.Google Scholar
Labarte, Jules. Description des objets d’art qui composent la collection Debruge Dumenil. Paris, 1847.Google Scholar
Labarte, Jules Inventaire du mobilier de Charles V, roi de France. Paris, 1879.Google Scholar
Laborde, Léon, marquis de. Les ducs de Bourgogne: Études sur les lettres, les arts et l’industrie pendant le XVe siècle: Seconde partie, tome 3, Preuves. Paris, 1852.Google Scholar
Laborde, Léon Notice des émaux, bijoux et objets divers exposés dans les galeries du Musée du Louvre: IIe partie: Documents et glossaire. Paris, 1853.Google Scholar
Lafontaine-Dosogne, Jacqueline. “L’art byzantin en Belgique en relation avec les Croisades.” Revue belge d’archéologie et d’histoire de l’art 56 (1987): 1347.Google Scholar
Lagabrielle, Sophie, ed. Le verre: Un Moyen Âge inventif. Paris, 2017.Google Scholar
Lam, Lylan. “Les valves de miroir gothiques: Sources littéraires et iconographie.” Zeitschrift für Kunstgeschichte 74 (2011): 297310.Google Scholar
Lambacher, Lothar, ed. Schätze des Glaubens: Meisterwerke aus dem Dom-Museum Hildesheim und dem Kunstgewerbemuseum Berlin. Berlin, 2010.Google Scholar
Lamia, Stephen. “Souvenir, Synaesthesia, and the Sepulcrum Domini: Sensory Stimuli As Memory Stratagems.” In Memory and the Medieval Tomb, edited by Valdez del Alamo, Elizabeth and Pendergast, Carol Stamatis, 1941. Aldershot, 2000.Google Scholar
Lane, Barbara G. The Altar and the Altarpiece: Sacramental Themes in Early Netherlandish Painting. New York, 1984.Google Scholar
Lange, Dierk. “L’alun du Kawar: Une exportation africaine vers l’Europe.” In Ancient Kingdoms of West Africa: African-Centred and Canaanite-Israelite Perspectives; A Collection of Published and Unpublished Studies in English and French, 3541. Dettelbach, 2004.Google Scholar
Lapatin, Kenneth D. S. “Pheidias ἐλεφαντουργός.” American Journal of Archaeology 101 (1997): 663–82.Google Scholar
La Selle, Xavier de. Le service des âmes à la cour: Confesseurs et aumôniers des rois de France du XIIIe au XVe siècle. Paris, 1995.Google Scholar
Laureati, Laura, and Onori, Lorenza Mochi, eds. Gentile da Fabriano and the Other Renaissance. Milan, 2013.Google Scholar
LaVere, Suzanne. “Out of the Cloister: Scholastic Exegesis of the Song of Songs, 1100–1340.” PhD diss., Northwestern University, 2009.Google Scholar
Lawrence, Marion. “Maria Regina.” Art Bulletin 7 (1925): 150–61.Google Scholar
Leber, C.1372: Le compte de l’exécution du testament.” In Collection des meilleures dissertations, notices, et traités particuliers relatifs à l’histoire de France … 19. 120–69. Paris, 1838.Google Scholar
Lebeuf, [Jean]. “Longchamps.” In Histoire de la ville et de tout le diocèse de Paris. 5 vols. Updated edition by Hippolyte Cocheris, 4:252–83.Paris, 1870.Google Scholar
Lebrocquy, Guillaume. Histoire de l’Abbaye d’Aulne: Ses prospérités, ses défaillances et ses revers … . Paris, 1862.Google Scholar
Lebrun, Guy. La tumultueuse histoire de l’abbaye d’Aulne (1794–1994). Montigny-le-Tilleul, 1994.Google Scholar
Leclercq, Jean. L’amour des lettres et le désir de Dieu: Initiation aux auteurs monastiques du Moyen Âge. Paris, 1957.Google Scholar
Leclercq, JeanLa collection des sermons de Guerric d’Igny.” Recherches de théologie ancienne et médiévale 24 (1957): 1526.Google Scholar
Leclercq, JeanLe commentaire du Cantique des cantiques attribué à Anselme de Laon.” Recherches de théologie ancienne et médiévale 16 (1949): 2939.Google Scholar
Leclercq, JeanDévotion privée, piété populaire et liturgie au Moyen Âge.” In Études de pastorale liturgique: Vanves, 26–28 janvier 1944, 149–83. Paris, 1944.Google Scholar
Leeuwenberg, Jap. “Early Nineteenth-Century Gothic Ivories.” Aachener Kunstblätter 39 (1969): 111–48.Google Scholar
Lefrançois-Pillion, Louise. “Les statues de la Vierge à l’Enfant dans la sculpture française au XIVe siècle.” Gazette des Beaux-Arts, ser. 6, 14 (1935): 129–49.Google Scholar
Le Glay, Edward. Histoire de Jeanne de Constantinople, comtesse de Flandre et de Hainaut. Lille, 1841.Google Scholar
Le Goff, Jacques. Saint Louis. Paris, 1996.Google Scholar
Lehmann, Ann-Sophie. “The Matter of Medium: Some Tools for an Art-Theoretical Interpretation of Materials.” In The Matter of Art: Materials, Practices, Cultural Logics, c. 1250–1750, edited by Anderson, Christy, Dunlop, Ann, and Smith, Pamela, 2141. Manchester, 2014.Google Scholar
Lejeune, Théophile. “L’abbaye de la Thure (de l’Ordre de Saint-Augustin) en Hainaut.” Annales de l’Académie d’archéologie de Belgique, ser. 2, 1 (1865): 648–63.Google Scholar
Leniaud, Jean-Michel, and Perrot, Françoise. La Sainte-Chapelle. Paris, 2007.Google Scholar
Pierre-Yves, Le Pogam, ed. Saint Louis. Paris, 2014.Google Scholar
Pierre-Yves, Le Pogam, with Vivet-Peclet, Christine, eds. Les premiers retables (XIIe–début du XVe siècles): Une mise en scène du sacré. Paris, 2009.Google Scholar
Leroquais, Victor. Les bréviaires manuscrits des bibliothèques publiques de France. 3 vols. Paris, 1934.Google Scholar
Leroquais, Victor. Les pontificaux manuscrits des bibliothèques publiques de France. 2 vols. Paris, 1937.Google Scholar
Le Roux de Lincy, Antoine. “Inventaires des biens meubles et immeubles de la comtesse Mahaut d’Artois, pillés par l’armée de son neveu, en 1313.” Bibliothèque de l’École des chartes 13 (1852): 5379.Google Scholar
Leson, Richard A.The Psalter-Hours of Ghuiluys de Boisleux.” Arte medievale, n.s., 5 (2006): 115–30.Google Scholar
Lespinasse, René de. Les métiers et corporations de la ville de Paris, II: XIVe–XVIIIe siècle: Orfèvrerie, sculpture, mercerie, ouvriers en métaux, bâtiment et ameublement. Paris, 1892.Google Scholar
Levenson, Jay A., ed. Circa 1492: Art in the Age of Exploration. New Haven, CT, 1991.Google Scholar
Levine, Adam Harris. “Putting Together the Pieces: Composite Techniques in Gothic Ivories.” Sculpture Journal 23 (2014): 4150.Google Scholar
Levtzion, Nehemia. “The Jews of Sijilmasa and the Saharan Trade.” In Communautés juives des marges sahariennes du Maghreb, edited by Abitbol, Michel, 253–64. Jerusalem, 1982.Google Scholar
Levtzion, Nehemia, and Hopkins, J. F. P, eds. Corpus of Early Arabic Sources for West African History. Cambridge, 1981.Google Scholar
Levy, Juliette, and Cascio, Agnès. “La polychromie des statuettes en ivoire du XIIIe siècle et des premières décennies du XIVe siècle.” Coré 5 (1998): 620.Google Scholar
Lewis, Archibald. “Northern European Sea Power and the Straits of Gibraltar, 1031–1350 A.D.” In Lewis, , The Sea and Medieval Civilizations: Collected Studies, 139–64. London, 1978.Google Scholar
Lewis, Charlton T., and Short, Charles. A Latin Dictionary. Oxford, 1879.Google Scholar
Liagre, Léone. “Le commerce de l’alun en Flandre au Moyen-Âge.” Le Moyen Age: Revue d’histoire et de philologie 61 (1955): 177206.Google Scholar
Lipton, Sara. Dark Mirror: The Medieval Origins of Anti-Jewish Iconography. New York, 2014.Google Scholar
Lipton, Sara Images of Intolerance: The Representation of Jews and Judaism in the “Bible moralisée.” Berkeley, CA, 1999.Google Scholar
Lister, Adrian, and Bahn, Paul. Mammoths: Giants of the Ice Age. Revised edition. Berkeley, CA, 2007.Google Scholar
Little, Charles T.L’art de l’ivoire au temps de Philippe le Bel: Renouveau et tradition.” In 1300: L’art au temps de Philippe le Bel: Actes du colloque international, Galeries nationales du Grand Palais, 24 et 25 juin 1998, edited by Gaborit-Chopin, Danielle and Avril, François, 7588. Paris, 2001.Google Scholar
Little, Charles T.The Art of Gothic Ivories: Studies at the Crossroads.” Sculpture Journal 23 (2014): 1329.Google Scholar
Little, Charles T.Gothic Ivory Carving in Germany.” In Images in Ivory: Precious Objects of the Gothic Age, edited by Barnet, Peter, 8093. Detroit, MI, 1997.Google Scholar
Little, Charles T.Ivoires et art gothique.” Revue de l’art 46 (1979): 5867.Google Scholar
Little, Charles T.Kölner Elfenbeinschnitzereien der Gotik: Viele offene Fragen.” In Glanz und Größe des Mittelalters: Kölner Meisterwerk aus den großen Sammlungen der Welt, edited by Täube, Dagmar and Fleck, Miriam Verena, 83–9. Cologne, 2011.Google Scholar
Lobineau, Gui Alexis. Histoire de Bretagne: Composée sur les titres & les auteurs originaux. Vol. 2. Paris, 1707.Google Scholar
Loisne, Auguste de. “Itinéraire de Robert II, comte d’Artois (1267–1302).” Bulletin philologique et historique jusqu’à 1715 du Comité des travaux historiques et scientifiques (1913): 362–83.Google Scholar
Longnon, Jean. “Le Traité de Viterbe entre Charles Ier d’Anjou et Guillaume de Villehardouin, prince de Morée (24 mai 1267).” In Studi in onore di Riccardo Filangieri, vol. 1, 309–14. Naples, 1959.Google Scholar
Lopez, Robert Sabatino. “Back to Gold, 1252.” Economic History Review, n.s., 9 (1956): 219–40.Google Scholar
Lopez, Robert Sabatino The Commercial Revolution of the Middle Ages, 950–1350. Cambridge, 1976.Google Scholar
Lopez, Robert SabatinoMajorcans and Genoese on the North Sea Route in the Thirteenth Century.” Revue belge de philologie et d’histoire 29 (1951): 1163–79.Google Scholar
Lord, Carla. “Jeanne d’Évreux As a Founder of Chapels: Patronage and Public Piety.” In Women and Art in Early Modern Europe: Patrons, Collectors, and Connoisseurs, edited by Lawrence, Cynthia, 2136. University Park, PA, 1997.Google Scholar
Lord, CarlaMarks of Ownership in Medieval Manuscripts: The Case of the Rouen Ovide moralisé.” Source: Notes in the History of Art 18 (1998): 711.Google Scholar
Lorentz, Philippe, and Sandron, Dany. Atlas de Paris au Moyen Âge: Espace urbain, habitat, société, religion, lieux de pouvoir. Paris, 2006.Google Scholar
Loriquet, Henri. “Le trésor de Notre-Dame d’Arras.” Mémoires de la Commission départementale des monuments historiques de Pas-de-Calais 1.5 (1895): 123208.Google Scholar
Lowden, John. The Making of the “Bibles Moralisées. ” 2 vols. University Park, PA, 2000.Google Scholar
Lowden, John Medieval and Later Ivories in the Courtauld Gallery: Complete Catalogue. London, 2013.Google Scholar
Lowden, John, and Cherry, John. Medieval Ivories and Works of Art: The Thomson Collection at the Art Gallery of Ontario. Toronto, 2008.Google Scholar
Lower, Michael. The Tunis Crusade of 1270: A Mediterranean History. Oxford, 2018.Google Scholar
Luckenbill, Daniel David. Ancient Records of Assyria and Babylonia. Vol. 2, Historical Records of Assyria from Sargon to the End. Chicago, 1927.Google Scholar
Lutsch, Hans. Verzeichnis der Kunstdenkmäler der Provinz Schlesien. Vol. 3, Die Kunstdenkmäler des Reg.-Bezirks Liegnitz. Breslau, 1891.Google Scholar
Lysons, Samuel. “Copy of a Roll of Purchases Made for the Tournament in Windsor Park, in the Sixth Year of Edward the First, Preserved in the Record Office at the Tower.” Archaeologia 17 (1814): 297310.Google Scholar
MacGregor, Arthur. Bone, Antler, Ivory & Horn: The Technology of Skeletal Materials since the Roman Period. London, 1985.Google Scholar
Maguire, Henry. “The Depiction of Sorrow in Middle Byzantine Art,” Dumbarton Oaks Papers 31 (1977): 123–74.Google Scholar
Maguire, HenryIvories As Pilgrimage Art: A New Frame for the ‘Frame Group.’” Dumbarton Oaks Papers 63 (2009): 117–46.Google Scholar
Mahoux, Bernard. Saint-Sulpice-La-Pointe: Une bastide dans l’histoire. Toulouse, 1997.Google Scholar
Maillet, Laurent. “Un maître spirituel de l’Occident chrétien, Adam, abbé de Perseigne.” Revue historique et archéologique du Maine 9 (2009): 97120.Google Scholar
Maillet, [Nicolas-Grégoire]. “Une translation de reliques en l’année 1490.” Comité archéologique de Noyon: Comptes-rendus et mémoires lus aux séances 1 (1862): 231–9.Google Scholar
Mâle, Émile. Religious Art in France: The Thirteenth Century: A Study of Medieval Iconography and Its Sources. Edited by Bober, Harry, translated by Marthiel Mathews. Princeton, NJ, 1984.Google Scholar
Malfante, Bruno, ed. Le Canarien, ou la conquête des îles Canaries par Jean de Béthencourt. Rouen, 2009.Google Scholar
Mancel, Pierre-Bernard. “Extrait du testament de M. Mancel, Séance du 10 mai 1872.” Bulletin de la Société des beaux-arts de Caen (1872): 440–46.Google Scholar
Mann, J. G. Wallace Collection Catalogues: Sculptures; Marbles, Terracottas and Bronzes, Carvings in Ivory and Wood, Plaquettes, Medals, Coins and Wax-Reliefs. London, 1931.Google Scholar
Mann, Vivian, Glick, Thomas, and Dodds, Jerilynn, eds. Convivencia: Jews, Muslims, and Christians in Medieval Spain. New York, 1992.Google Scholar
Mannheim, Sigismond. Catalogue de la précieuse collection d’objets d’art et haute curiosité … composant le cabinet de feu monsieur Humann … février 1858. Paris, 1857.Google Scholar
Marcel, Louis. “Un bienfaiteur insigne du Musée de Langres: Pierre Guyot de Giey, sa vie, sa maison, ses collections (1771–1844).” Bulletin de la Société historique et archéologique de Langres 7 (1917): 221310.Google Scholar
Marcoaldi, Oreste. Guida e statistica della città e commune di Fabriano. Fabriano, 1873.Google Scholar
Marglin, Stephen A.What Do Bosses Do? The Origins and Functions of Hierarchy in Capitalist Production.” Review of Radical Political Economics 6 (1974): 3360.Google Scholar
Marguerite, Marie-Lys, and Dectot, Xavier, eds. D’or et d’ivoire: Paris, Pise, Florence, Sienne 1250–1320. Ghent, 2015.Google Scholar
Marseille, Jacques. “Le couvent des Dominicains de Lille de sa fondation au milieu du XVe siècle.” Archivum Fratrum Praedicatorum 40 (1970): 7395.Google Scholar
Martène, Edmond, and Durand, Ursin. Voyage littéraire de deux religieux bénédictins de la congrégation de Saint Maur … . 2 vols. Paris, 1717–24.Google Scholar
Martin, Henry. Le Psautier de Saint Louis et de Blanche de Castille: 50 planches reproduisant les miniatures, initiales, etc., du manuscrit 1186 de la Bibliothèque de l’Arsenal. Paris, 1909.Google Scholar
Martin, Robert. Dictionnaire du Moyen Français (1330–1500). Paris, 2012.Google Scholar
Martin, Therese. “Caskets of Silver and Ivory from Diverse Parts of the World: Strategic Collecting for an Iberian Treasury.” In “The Medieval Iberian Treasury in the Context of Cultural Interchange,” edited by Therese Martin, special issue, Medieval Encounters 25 (2019): 138.Google Scholar
Maskell, Alfred. Ivories. London, 1905.Google Scholar
Matter, E. Ann.The Church Fathers and the Glossa Ordinaria.” In The Reception of the Church Fathers in the West: From the Carolingians to the Maurists. Vol. 1. Edited by Backus, Irena, 83111. Leiden, 1997.Google Scholar
Matter, E. Ann. The Voice of My Beloved: The Song of Songs in Western Medieval Christianity. Philadelphia, 1990.Google Scholar
Mattingly, David J., ed. The Archaeology of Fazzān. 4 vols. London, 2003–13.Google Scholar
Maurice, Brigitte. “Quelques recherches sur les ivoires du musée des Beaux-Arts de Dijon.” MA diss., Université de Dijon, 1983.Google Scholar
Mayer-Thurman, Christa C., ed. Raiment for the Lord’s Service: A Thousand Years of Western Vestments. Chicago, 1975.Google Scholar
McGinn, Bernard. The Calabrian Abbot: Joachim of Fiore in the History of Western Thought. London, 1985.Google Scholar
McGinn, BernardVisio dei: Seeing God in Medieval Theology and Mysticism.” In Envisaging Heaven in the Middle Ages, edited by Muessig, Carolyn and Putter, Ad, 1533. London, 2006.Google Scholar
McHam, Sarah Blake. Pliny and the Artistic Culture of the Italian Renaissance: The Legacy of the “Natural History.” New Haven, CT, 2013.Google Scholar
McNamara, Martin, with Appendix by Sheehy, Maurice. “Psalter Text and Psalter Study in the Early Irish Church (A.D. 600–1200).” Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature 73C (1973): 201–98.Google Scholar
McWebb, Christine. “Le discours de l’alchimie et l’alchimie du discours dans Le Roman de la Rose de Jean de Meun.” In “Epistémocritique,” edited by Donald Bruce and Christine McWebb, special issue, Texte 43–4 (2008): 79106.Google Scholar
Meiss, Millard. The Painter’s Choice: Problems in the Interpretation of Renaissance Art. New York, 1976.Google Scholar
Mellinkoff, Ruth. “The Round-Topped Tablets of the Law: Sacred Symbol and Emblem of Evil.” Journal of Jewish Art 1 (1974): 2843.Google Scholar
Messier, Ronald A.The Christian Community of Tunis at the Time of St Louis’s Crusade, A.D. 1270.” In Latin Expansion in the Medieval Western Mediterranean, ed. Congdon, Eleanor A., 295310. London, 2013.Google Scholar
Meyer, Nicole, and Wyss, Michaël. “Un jeu de table du XIIe siècle provenant de Saint-Denis.” Archéologie médiévale 21 (1991): 103–13.Google Scholar
Meyer, Paul. Notice du ms. Bibl. nat. fr. 6447 (Traduction de divers livres de la Bible. – Légendes de saints). Paris, 1896.Google Scholar
Michaëlsson, Karl. Le livre de la taille de Paris, l’an 1296. Göteborg, 1958.Google Scholar
Michaëlsson, Karl Le livre de la taille de Paris l’an 1297. Göteborg, 1962.Google Scholar
Migne, J.-P., ed. Patrologiae cursus completus … series latina. 221 volumes. Paris, 1857–66.Google Scholar
Mignozzi, Marcello. “L’altarolo eburneo della cattedrale di Trani: Dalla tradizione alla realtà storica.” Arte medievale, 4th ser., 2 (2012): 271–96.Google Scholar
Milanesi, Gaetano, ed. Documenti per la storia dell’arte senese. Vol. 1, Secoli XIII e XIV. Siena, 1854–6.Google Scholar
Miller, Markus, ed., Kölner Schatzbaukasten: Die Grosse Kölner Beinschnitzwerkstatt des 12. Jahrhunderts. Mainz, 1997.Google Scholar
Millet, Germain. Le trésor sacré, ou inventaire des sainctes reliques et autres précieux joyaux qui se voyent en l’église, & au trésor de l’Abbaye Royale de S. Denis en France. 4th ed. Paris, 1645.Google Scholar
Millin, Aubin-Louis. Antiquités nationales, ou recueil de monumens. 5 vols. Paris, 1790–An VII [1799].Google Scholar
Minieri-Riccio, Camillo. “Il regno di Carlo I d’Angio dal 2 gennaio 1273 al 31 dicembre 1283. [Anno 1277. Indizione V].” Archivio Storico Italiano 26 (1877): 204–24.Google Scholar
Minois, Georges. Philippe le Bel. Paris, 2014.Google Scholar
Młynarczyk, Gertrude. Ein Franziskanerinnenkloster im 15. Jahrhundert: Edition und Analyse von Besitzinventaren aus der Abtei Longchamp. Bonn, 1987.Google Scholar
Molinier, Auguste. Obituaires de la province de Sens. 4 vols. Paris, 1902.Google Scholar
Molinier, Émile. Catalogue des objets d’art et de haute curiosité antiques, du Moyen-Âge & de la Renaissance: Composant l’importante et précieuse collection Spitzer … . 2 vols. Paris, 1893.Google Scholar
Molinier, ÉmileLa Descente de Croix, groupe en ivoire du XIIIe siècle conservé au Musée du Louvre.” Monuments et mémoires de la Fondation Eugène Piot 3 (1896): 121–36.Google Scholar
Molinier, ÉmileUn groupe en ivoire du musée du Louvre: Le Couronnement de la Vierge.” Gazette des Beaux-Arts, ser. 3, 14 (1895): 397400.Google Scholar
Molinier, Émile Inventaire du trésor du Saint Siège sous Boniface VIII (1295). Extract from Bibliothèque de l’École des chartes, 1882–88. Paris, 1888.Google Scholar
Molinier, Émile, and Spitzer, Frédéric. La Collection Spitzer: Antiquité, Moyen-Âge, Renaissance. Vol. 1, Antiques, ivoires, orfévrerie religieuse . Paris, 1890.Google Scholar
Monnet, Catherine, ed. L’évacuation des déchets en milieu urbain au bas moyen-âge: L’exemple des fosses à fond perdu de la Cour Napoléon du Louvre à Paris (XIII–XVe siècles) et mesures diverses pour assainir les villes. Louvain-la-Neuve, 1992.Google Scholar
Monroe, Elizabeth. “‘Fair and Friendly, Sweet and Beautiful’: Hopes for Jewish Conversion in Synagoga’s Song of Songs Imagery.” In Beyond the Yellow Badge: Anti-Judaism and Antisemitism in Medieval and Early Modern Visual Culture, edited by Merback, Mitchell, 3361. Leiden, 2008.Google Scholar
Monroe, William H.A French Gothic Ivory of the Virgin and Child.” Art Institute of Chicago Museum Studies 9 (1978): 629.Google Scholar
Montesquiou-Fezensac, Blaise de. “Le reliquaire de saint Romain.” Les monuments historiques de la France, n.s., 2 (1956): 137–41.Google Scholar
Montesquiou-Fezensac, Blaise de, and Gaborit-Chopin, Danielle. Le trésor de Saint-Denis. 3 vols. Paris, 1973–7.Google Scholar
Montfaucon, Bernard de. Les monumens de la monarchie françoise, qui comprennent l’histoire de France …. 5 vols. Paris, 1729–33.Google Scholar
Moorey, P. R. S.The Chalcolithic Hoard from Nahal Mishmar, Israel, in Context.” World Archaeology 20 (1988): 171–89.Google Scholar
Moranvillé, Henri. Inventaire de l’orfèvrerie et des joyaux du Louis 1er, duc d’Anjou. 4 vols. Paris, 1903–6.Google Scholar
Moreau-Rendu, Suzanne. Le prieuré royal de Saint-Louis de Poissy. Colmar, 1968.Google Scholar
Morelli, Giovanni. Italian Painters: Critical Studies of their Works. 2 vols. Translated by Constance Jocelyn Ffoulkes. London, 1892–3. Originally published as Ivan Lermolieff, Kunstkritische Studien über italienische Malerei. 3 vols. Leipzig, 1890–3.Google Scholar
Morenzoni, Franco. “Les sermons Contra haereticos du cardinal Eudes de Châteauroux (†1273).” Sacris Erudiri 54 (2015): 265408.Google Scholar
Morey, Charles Rufus.A Group of Gothic Ivories in the Walters Art Gallery.” Art Bulletin 18 (1936): 199213.Google Scholar
Morey, Charles Rufus. Gli oggetti di avorio e di osso del Museo Sacro Vaticano. Vatican City, 1936.Google Scholar
Morey, James H.Peter Comestor, Biblical Paraphrase, and the Medieval Popular Bible.” Speculum 68 (1993): 635.Google Scholar
Morrison, Elizabeth, with Grollemond, Larisa, eds. Book of Beasts: The Bestiary in the Medieval World. Los Angeles, 2019.Google Scholar
Moskowitz, Anita Fiderer. Nicola and Giovanni Pisano: The Pulpits; Pious Devotion, Pious Diversion. London, 2005.Google Scholar
Muir, Carolyn. “A Study in Iconography: St. Catherine of Alexandria.” In Religion, Literature and the Arts Project: Conference Proceedings of the Australian International Conference 1996, edited by Griffith, Michael and Tulip, James, 272–80. Sydney, 1996.Google Scholar
Munari, Franco. Catalogue of the MSS of Ovid’s Metamorphoses. London, 1957.Google Scholar
Munari, FrancoSecondo supplemento al catalogo dei manoscritti della Metamorfosi ovidiane.” In Studia Florentina Alexandro Ronconi sexagenario oblata, 275–80. Rome, 1970.Google Scholar
Munari, FrancoSupplemento al catalogo dei manoscritti delle Metamorfosi ovidiane.” Rivista di filologia e di istruzione classica 93 (1965): 288–97.Google Scholar
Murray, Stephen. Notre-Dame Cathedral of Amiens: The Power of Change in Gothic. Cambridge, 1996.Google Scholar
Nash, Susie. “No Equal in Any Land”: André Beauneveu, Artist to the Courts of France and Flanders. London, 2007.Google Scholar
Nash, Susie Northern Renaissance Art. Oxford, 2008.Google Scholar
Nash, SusieThe Two Tombs of Philip the Bold.” Journal of the Warburg and Courtauld Institutes 82 (2019): 1111.Google Scholar
Neff, Amy. “The Pain of Compassio: Mary’s Labor at the Foot of the Cross.” Art Bulletin 80 (1998): 254–73.Google Scholar
Neer, Richard. “Connoisseurship and the Stakes of Style.” Critical Inquiry 32 (2005): 126.Google Scholar
Salernitanus, Nicolaus. Incipit Antidotarium Nicolai. Venice, 1471.Google Scholar
Nieus, Jean-François. “Les archives des comtes de Flandre jusqu’au milieu du XIIIe siècle: Chronique d’une naissance difficile.” In Les archives princières, XIIe–XVe siècles, edited by Hélary, Xavier et al., 4365. Arras, 2016.Google Scholar
Nilgen, Ursula. “Maria Regina: Ein politischer Kultbildtypus?Römisches Jahrbuch für Kunstgeschichte 19 (1981): 133.Google Scholar
Noblesse-Rocher, Annie. L’expérience de Dieu dans les sermons de Guerric, abbé d’Igny (XIIe siècle). Paris, 2005.Google Scholar
Norris, Herbert. Medieval Costume and Fashion. London, 1927.Google Scholar
Norton, Christopher. “Les carreaux de pavage du Moyen Age de l’abbaye de Saint-Denis.” Bulletin monumental 139 (1981): 69100.Google Scholar
Norton, ChristopherTable of Cistercian Legislation on Art and Architecture.” In Cistercian Art and Architecture in the British Isles, edited by Norton, Christopher and Park, David, 317–94. Cambridge, 1986.Google Scholar
Nyborg, Ebbe. “The Beginnings of Gothic Ivory Sculpture: Recent Discoveries in a Group of Danish Ivories.” Sculpture Journal 23 (2014): 31–9.Google Scholar
O’Boyle, Cornelius. The Art of Medicine: Medical Teaching at the University of Paris, 1250–1400. Leiden, 1998.Google Scholar
Objets d’art sacrés du canton de Lavaur: Exposition, Albi, Moulins albigeois, 18 décembre 1991–19 janvier 1992, Lavaur, Musée du pays vaurais, 1er juin–30 septembre 1992. Albi, 1991.Google Scholar
Oeuvres médiévales provenant de la collection Marquet de Vasselot: Catalogue. Christie’s, 16 novembre 2011. Paris, 2011.Google Scholar
Ogden, Jack. Diamonds: An Early History of the King of Gems. New Haven, CT, 2018.Google Scholar
Oliver, George. Lives of the Bishops of Exeter and A History of the Cathedral: With an Illustrative Appendix. Exeter, 1861.Google Scholar
Oliver, Judith H. Gothic Manuscript Illumination in the Diocese of Liège (c. 1250–c. 1330). Leuven, 1988.Google Scholar
O’Neill, John P., ed. Enamels of Limoges, 1100–1350. New York, 1996.Google Scholar
Opitz, Christian Nicolaus. “Buying, Gifting, Storing: Ivory Virgins in Documentary Sources from Late Medieval Central Europe.” In Gothic Ivory Sculpture: Content and Context, edited by Yvard, Catherine, 4655. London, 2017.Google Scholar
Opsomer-Halleux, Carmélia. “The Medieval Garden and Its Role in Medicine.” In Medieval Gardens, edited by MacDougall, Elisabeth B., 95115. Washington, DC, 1986.Google Scholar
Origen. Edited and translated by Joseph W. Trigg. London, 1998.Google Scholar
Os, Henk van. The Art of Devotion in the Late Middle Ages in Europe, 1300–1500. London, 1994.Google Scholar
Osborne, John L.Early Medieval Painting in San Clemente, Rome: The Madonna and Child in the Niche.” Gesta 20 (1981): 299310.Google Scholar
Ostoia, Vera K.A Statue from Saint-Denis.” Metropolitan Museum of Art Bulletin, n.s., 13 (1955): 298304.Google Scholar
Ovid, . Metamorphoses: A New Translation, Contexts, Criticism. Edited and translated by Martin, Charles. New York, 2010.Google Scholar
Palazzo, Éric. L’invention chrétienne des cinq sens dans la liturgie et l’art au Moyen Âge. Paris, 2014.Google Scholar
Panayotova, Stella, ed. Colour: The Art & Science of Illuminated Manuscripts. Turnhout, 2016.Google Scholar
Pannier, Léopold. La noble-maison de Saint-Ouen, la villa Clippiacum et l’Ordre de l’Étoile, d’après les documents originaux. Paris, 1872.Google Scholar
Panofsky, Erwin, ed. and trans. Abbot Suger on the Abbey Church of St. Denis and Its Art Treasures. Princeton, NJ, 1948.Google Scholar
Parker, Grant. The Making of Roman India. Cambridge, 2008.Google Scholar
Paviot, Jacques. La politique navale des ducs de Bourgogne: 1384–1482. Villeneuve d’Ascq, 1995.Google Scholar
Peebles, Rose Jeffries. The Legend of Longinus in Ecclesiastical Tradition and in English Literature, and Its Connection with the Grail. Baltimore, 1911.Google Scholar
Peers, Glenn. Sacred Shock: Framing Visual Experience in Byzantium. University Park, PA, 2004.Google Scholar
Pegolotti, Francesco Balducci. La pratica della mercatura. Edited by Evans, Allen. Cambridge, MA, 1936.Google Scholar
Peigné-Delacourt, [Achille]. Cartulaire de l’abbaye de Notre-Dame d’Ourscamp, de l’ordre de Cîteaux, fondée en 1129 au diocèse de Noyon. Amiens, 1856.Google Scholar
Peigné-Delacourt, [Achille] Compte des dépenses de la chevalerie de Robert, comte d’Artois, à Compiègne, en juin 1237. Amiens, 1853.Google Scholar
Peigné-Delacourt, [Achille] Histoire de l’Abbaye de Notre-Dame d’Ourscamp. Amiens, 1876.Google Scholar
Perkinson, Stephen. “Portraits and Counterfeits: Villard de Honnecourt and Thirteenth-Century Theories of Representation.” In Excavating the Medieval Image: Manuscripts, Artists, Audiences; Essays in Honor of Sandra Hindman, edited by Areford, David S and Rowe, Nina A, 1335. Aldershot, 2004.Google Scholar
Perrin, André. “Le trésor de la chapelle du château des Échelles, commanderie de Saint-Jean de Jérusalem: Inventaires inédits du XVIe siècle.” Miscellanea di storia italiana, 3rd ser., 34 (1896): 100–2.Google Scholar
Perry, Anne Joubert Amari, ed. “La Passion des jongleurs”: Texte établi d’après la “Bible des sept estaz du monde” de Geufroi de Paris. Paris, 1981.Google Scholar
Petit-Dutaillis, Charles. Étude sur la vie et le règne de Louis VIII (1187–1226). Paris, 1894.Google Scholar
Peyrafort-Huin, Monique, with Stirnemann, Patricia and Benoit, Jean-Luc. La bibliothèque médiévale de l’abbaye de Pontigny (XIIe–XIXe): Histoire, inventaires anciens, manuscrits. Paris, 2001.Google Scholar
Pharr, Clyde, ed. and trans. The Theodosian Code and Novels, and the Sirmondian Constitutions. Princeton, NJ, 1952.Google Scholar
Phillipson, David W.Aksum: An African Civilisation in Its World Contexts.” Proceedings of the British Academy 111 (2001): 2359.Google Scholar
Phillipson, David W.Aksum, the Entrepot, and Highland Ethiopia, 3rd–12th Centuries.” In Byzantine Trade, 4th–12th Centuries: The Archaeology of Local, Regional and International Exchange: Papers of the Thirty-Eighth Spring Symposium of Byzantine Studies, St John’s College, University of Oxford, March 2004, edited by Mango, Marlia Mundell, 353–68. Burlington, VT, 2009.Google Scholar
Phillipson, David W.Foreign Contacts of the Aksumite State.” In Phillipson, , Foundations of an African Civilisation: Aksum and the Northern Horn, 1000 BC–AD 1300, 195208. Woodbridge, UK, 2012.Google Scholar
Pinchart, Alexandre, ed. Archives des arts, sciences et lettres: Documents inédits, publiés et annotés. Vol. 1. Ghent, 1860.Google Scholar
Pirenne, Henri. Economic and Social History of Medieval Europe. Translated by I. E. Glegg. New York, 1937.Google Scholar
Plato, . Euthyphro, Apology, Crito, Phaedo, Phaedrus. Translated by Harold North Fowler. Cambridge, MA, 1914.Google Scholar
Pleybert, Frédéric, ed. Paris et Charles V: Arts et architecture. Paris, 2001.Google Scholar
Pliny the Elder. Pliny: Natural History in Ten Volumes, with an English Translation. 10 vols. Translated by H. Rackham, W. H. S. Jones, and D. E. Eichholz. London, 1938–63.Google Scholar
Plotinus. Enneads. Vol. 1, Porphyry on the Life of Plotinus and the Order of His Books; Enneads I. Translated by A. H. Armstrong. Cambridge, MA, 1969.Google Scholar
Poirel, Dominique. Philippe le Bel. Paris, 1991.Google Scholar
Polkowski, Ignacy. Dawne relikwiarze Katedry Krakowskiej. Krakow, 1881.Google Scholar
Polo, Marco. The Travels of Marco Polo, the Venetian. Translated by William Marsden, edited by Harris, Peter. New York, 2008.Google Scholar
Pope-Hennessy, John. Italian Gothic Sculpture. London, 1955.Google Scholar
Porras, Stephanie. “St. Michael the Archangel: Spiritual, Visual and Material Translations from Antwerp to Lima.” In Prints in Translation, 1450–1750: Image, Materiality, Space, edited by Karr-Schmidt, Suzanne and Wouk, Edward H., 183202. Burlington, VT, 2017.Google Scholar
Possoz, [Alexis]. Notre-Dame de Groeninghe. Tournai, 1859.Google Scholar
Powell, Morgan. “Translating Scripture for Ma Dame de Champagne: The Old French ‘Paraphrase’ of Psalm 44 (Eructavit).” In The Vernacular Spirit: Essays on Medieval Religious Literature, edited by Blumenfeld-Kosinski, Renate, Robertson, Duncan, and Warren, Nancy Bradley, 83103. New York, 2002.Google Scholar
Pradel, Pierre, ed. L’Europe gothique, XIIe–XIVe siècle: Musée du Louvre, Pavillon de Flore, Paris, 2 avril–1er juillet 1968. Paris, 1968.Google Scholar
Predelli, Riccardo, ed. Il Liber Communis detto anche Plegiorum del R. Archivio di Venezia. Venice, 1872.Google Scholar
Procaccini Ricci, Vito. Memoria su la grotta di Frasassi nei contorni di Fabriano …. Senigallia, 1809.Google Scholar
Proctor-Tiffany, Mariah. Medieval Art in Motion: The Inventory and Gift Giving of Queen Clémence de Hongrie. University Park, PA, 2018.Google Scholar
Prost, Bernard, and Prost, Henri. Inventaires mobiliers et extraits des comptes des ducs de Bourgogne de la Maison de Valois. 2 vols. Paris, 1902–13.Google Scholar
Raff, Thomas. Die Sprache der Materialien: Anleitung zu einer Ikonologie der Werkstoffe. Munich, 1994.Google Scholar
Ramelli, Camillo. Sugli avorj Possenti prodromo: Visita al Museo di Avorj in Fabriano; Per le nozze Abbati Trinci Villa e Pettoni Possenti. Fabriano, 1840.Google Scholar
Randall, Lilian M. C. Medieval and Renaissance Manuscripts in the Walters Art Gallery. Vol. 1, France, 875–1420. Baltimore, 1989.Google Scholar
Randall, Richard H., Jr. The Golden Age of Ivory: Gothic Carvings in North American Collections. New York, 1993.Google Scholar
Randall, Richard H.An Ivory Diptych.” Minneapolis Institute of Arts Bulletin 66 (1983–6): 217.Google Scholar
Randall, Richard H.The Ivory Virgin of St Denis.” Apollo, n.s., 128 (1988): 394–8, 452.Google Scholar
Randall, Richard H. Masterpieces of Ivory from the Walters Art Gallery. New York, 1985.Google Scholar
Randall, Richard H.The Medieval Artist and Industrialized Art.” Apollo, n.s., 84 (1966): 434–41.Google Scholar
Randall, Richard H.Medieval Ivories in the Romance Tradition.” Gesta 28 (1989): 3040.Google Scholar
Randall, Richard H.A Monumental Ivory.” In Gatherings in Honor of Dorothy E. Miner, edited by McCracken, Ursula E, Randall, Lilian M. C, and Randall, Richard H, Jr., 283300. Baltimore, 1974.Google Scholar
Randall, Richard H.A Parisian Ivory Carver.” Journal of the Walters Art Gallery 38 (1980): 60–9.Google Scholar
Les raretez du thresor de la royale abbaye de sainct Denys en France. Saint-Denis, n.d. [ca. 1642–3].Google Scholar
Rau, Virginia. “The Settlement of Madeira and the Sugar Cane Plantations.” Afdeling Agrarische Geschiedenis 2 (1964): 312. Reprinted in Spain, Portugal and the Atlantic Frontier of Medieval Europe, edited by José-Juan López-Portillo, 343–52. Burlington, VT, 2013.Google Scholar
Réau, Louis. Iconographie de l’art chrétien. 3 vols. Paris, 1955–9.Google Scholar
Regestum Clementis papae V: Ex vaticanis archetypis sanctissimi domini nostri Leonis XIII pontificis maximi iussu et munificentia; Appendices. Vol. 1. Rome, 1892.Google Scholar
Reilly, Diane J.Art.” In The Cambridge Companion to the Cistercian Order, edited by Bruun, Mette Birkedal, 125–39. Cambridge, 2012.Google Scholar
Revel-Neher, Élisabeth. Le témoignage de l’absence: Les objets du sanctuaire à Byzance et dans l’art juif du XIe au XVe siècle. Paris, 1998.Google Scholar
Rice, Nicole R. Lay Piety and Religious Discipline in Middle English Literature. Cambridge, 2008.Google Scholar
Richard, Charles-Louis. Histoires du couvent des dominicains de Lille en Flandre, et de celui des dames dominicaines de la même ville, dites de Sainte Marie de l’Abbiette. Liège, 1782.Google Scholar
Richard, Jules-Marie. Une petite-nièce de saint Louis: Mahaut, comtesse d’Artois et de Bourgogne (1302–1329); Étude sur la vie privée, les arts et l’industrie, en Artois et à Paris, au commencement du XIVe siècle. Paris, 1887.Google Scholar
Richardson, Amanda. “Gender and Space in English Royal Palaces c. 1160–c. 1547: A Study in Access Analysis and Imagery.” Medieval Archaeology 47 (2003): 131–65.Google Scholar
Riddle, John M.Theory and Practice in Medieval Medicine.” Viator 5 (1974): 157–84.Google Scholar
Righetti Tosti-Croce, Marina, ed. Bonifacio VIII e il suo tempo: Anno 1300, il primo giubileo. Milan, 2000.Google Scholar
Rimmele, Marius. Das Triptychon als Metapher, Körper und Ort: Semantisierungen eines Bildträgers. Munich, 2010.Google Scholar
Ringbom, Sixten. “Devotional Images and Imaginative Devotions: Notes on the Place of Art in Late Medieval Private Piety.” Gazette des Beaux-Arts, ser. 6, 73 (1969): 159–70.Google Scholar
Ritzler, Remigius. “I cardinali e i papi dei frati minori conventuali.” Miscellanea francescana di storia, di lettere, di arti 71 (1971): 371.Google Scholar
Roach, William. The Continuations of the Old French “Perceval” of Chrétien de Troyes. Vol. 1, The First Continuation; Redaction of MSS T, V, D. Philadelphia, 1949.Google Scholar
Roberts, Alexander, and Donaldson, James, eds. The Ante-Nicene Fathers. Vol. 8, The Twelve Patriarchs, Excerpts and Epistle … . Revised by Cleveland Coxe, A. Buffalo, NY, 1886.Google Scholar
Robertson, Anne Walters. The Service-Books of the Royal Abbey of Saint-Denis: Images of Ritual and Music in the Middle Ages. Oxford, 1991.Google Scholar
Roca, Alfred L., Georgiadis, Nicholas, Pecon-Slattery, Jill, and O’Brien, Stephen J.. “Genetic Evidence for Two Species of Elephant in Africa.” Science 293 (2001): 1473–7.Google Scholar
Root, Jerry. The Theophilus Legend in Medieval Text and Image. Woodbridge, UK, 2017.Google Scholar
Rosenberg, Paul Lawrence. “When Was the Talmud Burnt at Paris? A Critical Examination of the Christian and Jewish Sources and a New Dating: June 1241.” Journal of Jewish Studies 62 (2011): 324–39.Google Scholar
Rosler, Martha, Bynum, Caroline Walker, and Eaton., NatashaNotes from the Field: Materiality.” Art Bulletin 95 (2013): 1037.Google Scholar
Rosser, Gervase. “Crafts, Guilds, and the Negotiation of Work in the Medieval Town.” Past & Present 154 (1997): 331.Google Scholar
Rossignol, Élie-Augustin. “Saint-Sulpice-la-Pointe.” Revue historique, scientific et littéraire du département du Tarn 1 (1877): 136–8, 155–8, 167–9, 180–3, 216–18, 231–4, 248–51, 266–70, 296–9.Google Scholar
Rouse, Richard H., and Rouse, Mary A.. Authentic Witnesses: Approaches to Medieval Texts and Manuscripts. Notre Dame, IN, 1991.Google Scholar
Rouse, Richard H., and Rouse, Mary A. Manuscripts and Their Makers: Commercial Book Producers in Medieval Paris, 1200–1500. 2 vols. Turnhout, 2000.Google Scholar
Rowan, Diana P.Reconsideration of an Unusual Ivory Diptych.” Artibus Asiae 46 (1985): 251304.Google Scholar
Rowe, Nina. The Jew, the Cathedral and the Medieval City: Synagoga and Ecclesia in the Thirteenth Century. Cambridge, 2011.Google Scholar
Rudy, Kathryn M.Dirty Books: Quantifying Patterns of Use in Medieval Manuscripts Using a Densitometer.” Journal of the Historians of Netherlandish Art 2 (2010). doi: 10.5092/jhna.2010.2.1.1Google Scholar
Russell, Malcolm. “The Woodworker and the Redemption: The Right Shutter of the Merode Triptych.’” Simiolus 39 (2017): 335–50.Google Scholar
Saffrey, Henri D.Florence, 1492: The Reappearance of Plotinus.” Renaissance Quarterly 49 (1996): 488508.Google Scholar
Saglio, Edmond. “Le triptyque de Saint-Sulpice (Tarn), Musée de l’hôtel de Cluny.” Monuments et mémoires de la Fondation Eugène Piot 2 (1895): 227–34.Google Scholar
Saglio, Edmond, Molinier, Émile, and Courajod, Louis, Catalogue de la collection Timbal. Paris, 1882.Google Scholar
Saint-Denis, Alain. “Le maître autel de la cathédrale Notre-Dame de Laon vers 1165.” In “Autour de l’autel chrétien médiéval,” special issue, Bulletin du centre d’études médiévales d’Auxerre, Hors-série 4 (2011): 210.Google Scholar
Sand, Alexa. “Materia Meditandi: Haptic Perception and Some Parisian Ivories of the Virgin and Child, ca. 1300.” Different Visions: A Journal of New Perspectives on Medieval Art 4 (2014): 128.Google Scholar
Sand, Alexa Vision, Devotion and Self-Representation in Late Medieval Art. Cambridge, 2014.Google Scholar
Saint-Genois, Jules de. “Séance du 7 mai 1838: Extrait d’un compte de dépenses, de 1276 à 1277, de Gui de Dampierre, comte de Flandre.” Compte-rendu des séances de la commission royale d’histoire 2 (1838): 145–50.Google Scholar
Salonius, Pippa, and Worm, Andrea, eds. The Tree: Symbol, Allegory, and Mnemonic Device in Medieval Art and Thought. Turnhout, 2014.Google Scholar
Sandron, Dany. Amiens: La cathédrale. Paris, 2004.Google Scholar
Sandron, DanyLa sculpture en ivoire au début du XIIIe siècle, d’un monde à l’autre.” Revue de l’art 102 (1993): 4859.Google Scholar
Sapir Abulafia, Anna. “Jewish–Christian Disputations and the Twelfth-Century Renaissance.” Journal of Medieval History 15 (1989): 105–25.Google Scholar
Saroni, Giovanna. “Avori tardoantichi e medievali nei territori dell’antico ducato di Savoia.” In Collezioni del Museo Civico d’Arte Antica di Torino: Avori medievali, edited by Castronovo, Simonetta, Crivello, Fabrizio, and Tomasi, Michele, 2358. Turin, 2016.Google Scholar
Sarti, Mauro, and Fattorini, Mauro. De claris Archigymnasii bononiensis professoribus a saeculo XI usque ad saeculum XIV. 2 vols. Bologna, 1888–96.Google Scholar
Sauerländer, Willibald. Gothic Sculpture in France, 1140–1270. Translated by Janet Sondheimer. New York, 1972.Google Scholar
Sauerländer, WillibaldStoricismo e classicismo nel gotico settentrionale intorno al 1300.” In Roma Anno 1300: Atti della IV settimana di studi di storia dell’arte medievale dell’Università di Roma “La Sapienza” (19–24 maggio 1980), edited by Romanini, Angiola Maria, 861–73. Rome, 1983.Google Scholar
Schalick, Walton Orvyl, III. “Add One Part Pharmacy to One Part Surgery and One Part Medicine: Jean de Saint-Amand and the Development of Medical Pharmacology in Thirteenth-Century Paris.” PhD diss., Johns Hopkins University, 1997.Google Scholar
Schapiro, Meyer. “‘Muscipula Diaboli,’ the Symbolism of the Mérode Altarpiece.” Art Bulletin 27 (1945): 182–7.Google Scholar
Schillebeeckx, Edward. L’économie sacramentelle du salut: Réflexion théologique sur la doctrine sacramentaire de saint Thomas, à la lumière de la tradition et de la problématique sacramentelle contemporaine. Translated by Yvon van der Have. Fribourg, 2004.Google Scholar
Schiller, Gertrude. Ikonographie der christlichen Kunst. 5 vols. Gütersloh, 1966–91.Google Scholar
Schipa, Michelangelo. “Filippo d’Angiò, principe di Acaia.” In Enciclopedia italiana di scienze, lettere ed arti. Vol. 15. Edited by Gentile, Giovanni, 301. Rome, 1932.Google Scholar
Schleif, Corine. “St. Hedwig’s Personal Ivory Madonna: Women’s Agency and the Powers of Possessing Portable Figures.” In The Four Modes of Seeing: Approaches to Medieval Imagery in Honor of Madeline Harrison Caviness, edited by Lane, Evelyn Staudinger, Paston, Elizabeth Carson, and Shortell, Ellen M., 382403. Burlington, VT, 2009.Google Scholar
Schmidt, Gary D. The Iconography of the Mouth of Hell: Eighth-Century Britain to the Fifteenth Century. Selinsgrove, PA, 1995.Google Scholar
Schmidt, Victor M. Painted Piety: Panel Paintings for Personal Devotion in Tuscany, 1250–1400. Florence, 2005.Google Scholar
Schmitt, Jean-Claude. “L’exception corporelle: À propos de l’Assomption de Marie.” In The Mind’s Eye: Art and Theological Argument in the Middle Ages, edited by Hamburger, Jeffrey F and Bouché, Anne-Marie, 151–85. Princeton, NJ, 2006.Google Scholar
Schmitt, Jean-ClaudeLes reliques et les images.” In Les reliques: Objets, cultes, symboles: Actes du Colloque international de l’Université du Littoral–Côte d’Opale (Boulogne-sur-Mer), 4–6 septembre 1997, edited by Bozóky, Edina and Helvétius, Anne-Marie, 145–67. Turnhout, 1999.Google Scholar
Schneider, Pierre. “The So-Called Confusion between India and Ethiopia: The Eastern and Southern Edges of the Inhabited World from the Greco-Roman Perspective.” In Brill’s Companion to Ancient Geography: The Inhabited World in Greek and Roman Tradition, edited by Bianchetti, Serena, Cataudella, Michele, and Gehrke, Hans-Joachim, 184202. Leiden, 2015.Google Scholar
Schnitzler, Hermann, Volbach, Fritz, and Bloch, Peter. Skulpturen: Elfenbein, Perlmutter, Stein, Holz: Europäisches Mittelalter, Luzern. Lucerne, 1964.Google Scholar
Schuler, Carol Monica. “The Sword of Compassion: Images of the Sorrowing Virgin in Late Medieval and Renaissance Art.” PhD diss., Columbia University, 1987.Google Scholar
Sears, Elizabeth. “Craft Ethics and the Critical Eye in Medieval Paris.” Gesta 45 (2006): 221–38.Google Scholar
Sears, ElizabethIvory and Ivory Workers in Medieval Paris.” In Images in Ivory: Precious Objects of the Gothic Age, edited by Barnet, Peter, 1937. Detroit, MI, 1997.Google Scholar
Seidel, Max. “Die Elfenbeinmadonna im Domschatz zu Pisa: Studien zur Herkunft und Umbildung französischer Formen im Werk Giovanni Pisanos in der Epoche der Pistoieser Kanzel.” Mitteilungen des Kunsthistorischen Institutes in Florenz 16 (1972): 150.Google Scholar
Seidel, Max. “The Ivory Madonna in the Treasury of Pisa Cathedral.” In Seidel, , Italian Art of the Middle Ages and Renaissance, 2: 345–88. Translated by Mark Roberts et al. Munich, 2005.Google Scholar
Seidel, Max. Nicola and Giovanni Pisano: Father and Son. 2 vols. Munich, 2012.Google Scholar
Seidel, Max. “‘Opus Heburneum’: The Discovery of an Ivory Sculpture by Giovanni Pisano.” In Seidel, , Italian Art of the Middle Ages and Renaissance, 2: 389406. Translated by Mark Roberts et al. Munich, 2005.Google Scholar
Seiferth, Wolfgang. Synagogue and Church in the Middle Ages: Two Symbols in Art and Literature. Translated by Lee Chadeayne and Paul Gottwald. New York, 1970.Google Scholar
Setton, Kenneth M. The Papacy and the Levant (1204–1571). Vol. 1, The Thirteenth and Fourteenth Centuries. Philadelphia, 1976.Google Scholar
Shalem, Avinoam. “Trade in and the Availability of Ivory: The Picture Given by the Medieval Sources.” In “The Ivories of Muslim Spain,” edited by Kjeld von Folsach and Joachim Meyer, special issue, Journal of the David Collection 2 (2005): 2536.Google Scholar
Shalev-Eyni, Sarit. “Receiving of the Law: Visual Language and Communal Identity in Medieval Ashkenaz.” Gesta 55 (2016): 239–55.Google Scholar
Shoemaker, Stephen J. Ancient Traditions of the Virgin Mary’s Dormition and Assumption. Oxford, 2002.Google Scholar
Silva Santa-Cruz, Noelia. “The Siculo-Arabic Ivories and Their Spreading to al-Andalus.” Journal of Transcultural Medieval Studies 4 (2017): 147–90.Google Scholar
Singer, Charles. The Earliest Chemical Industry: An Essay in the Historical Relations of Economics & Technology Illustrated from the Alum Trade. London, 1948.Google Scholar
Sivéry, Gérard. “Jeanne et Marguerite de Constantinople, comtesses de Flandre et de Hainaut au XIIIe siècle.” In Jeanne de Constantinople, Comtesse de Flandre et de Hainaut, edited by Dessaux, Nicolas, 1530. Paris, 2009.Google Scholar
Smalley, Beryl. The Study of the Bible in the Middle Ages. 3rd ed. Oxford, 1984.Google Scholar
Smit, Homme Jakob. De rekeningen der graven en gravinnen uit het Henegouwsche Huis. 2 vols. Amsterdam, 1924.Google Scholar
Smith, David M., and London, Vera C. M., eds. The Heads of Religious Houses: England and Wales, II: 1216–1377. Cambridge, 2001.Google Scholar
Smith, Susan L.The Gothic Mirror and the Female Gaze.” In Saints, Sinners, and Sisters: Gender and Northern Art in Medieval and Early Modern Europe, edited by Carroll, Jane L and Stewart, Alison G, 7393. Burlington, VT, 2003.Google Scholar
Smyttere, Philippe-Joseph Emmanuel de. Essai historique sur Iolande de Flandre, comtesse de Bar … XIVe siècle: 1326 à 1395. Lille, 1877.Google Scholar
Solinus, C. Julius. Collectanea rerum memorabilium. Edited by Mommsen, Theodor. Berlin, 1895.Google Scholar
Sournia, Bernard, and Vayssettes, Jean-Louis. Villeneuve-lès-Avignon: Histoire artistique et monumentale d’une villégiature pontificale. Paris, 2006.Google Scholar
Stace, Christopher, ed. and trans. Saint Clare of Assisi: Her Legend and Selected Writings. London, 2001.Google Scholar
Stahl, Ann B.Political Economic Mosaics: Archaeology of the Last Two Millennia in Tropical Sub-Saharan Africa.” Annual Review of Anthropology 33 (2004): 145–72.Google Scholar
Stahl, Harvey. “Narrative Structure and Content in Some Gothic Ivories of the Life of Christ.” In Images in Ivory: Precious Objects of the Gothic Age, edited by Barnet, Peter, 94114. Detroit, MI, 1997.Google Scholar
Star, Bastiaan, Barrett, James H., Gondek, Agata T., and Boessenkool, Sanne. “Ancient DNA Reveals the Chronology of Walrus Ivory Trade from Norse Greenland.” Proceedings of the Royal Society B: Biological Sciences 285 (2018): 19.Google Scholar
Starbuck, Scott R. A. Court Oracles in the Psalms: The So-Called Royal Psalms in Their Ancient Near Eastern Context. Atlanta, 1999.Google Scholar
Steinberg, Leo. The Sexuality of Christ in Renaissance Art and in Modern Oblivion. New York, 1983.Google Scholar
Steingräber, Erich. “Ein hochgotisches Elfenbein-Kruzifix.” In Festschrift Klaus Lankheit zum 20. Mai 1973, edited by Hartmann, Wolfgang, 126–9. Cologne, 1973.Google Scholar
Stirnemann, Patricia. “Some Champenois Vernacular Manuscripts and the Manerius Style of Illumination.” In Les manuscrits de Chrétien de Troyes / The Manuscripts of Chrétien de Troyes. Vol. 1. Edited by Busby, Keith et al., 195226. Amsterdam, 1993.Google Scholar
Stock, Brian. The Implications of Literacy: Written Language and Models of Interpretation in the Eleventh and Twelfth Centuries. Princeton, NJ, 1983.Google Scholar
Stoichita, Victor I. The Pygmalion Effect: From Ovid to Hitchcock. Translated by Alison Anderson. Chicago, 2008.Google Scholar
Stones, Alison. “The Full-Page Miniatures of the Psalter-Hours New York, PML, ms. M.729: Programme and Patron: With a Table for the Distribution of Full-Page Miniatures within Text in Some Thirteenth-Century Psalters.” In The Illuminated Psalter: Studies in the Content, Purpose and Placement of Its Images, edited by Büttner, F. O., 281307. Turnhout, 2004.Google Scholar
Stones, Alison Gothic Manuscripts, 1260–1320: Part One. 2 vols. London, 2013.Google Scholar
Stones, AlisonLes manuscrits du cardinal Jean Cholet et l’enluminure beauvaisienne vers la fin du XIIIe siècle.” In L’Art gothique dans l’Oise et ses environs (XIIème–XIVème siècle): Architecture civile et religieuse, peinture murale, sculpture et arts précieux, etc: Colloque international organisé à Beauvais les 10 et 11 octobre 1998 par le G.E.M.O.B …. , edited by Baron, Françoise and Erlande-Brandenburg, Alain, 239–68. Beauvais, 2001.Google Scholar
Stork, Hans-Walter. Die Wiener französische Bible moralisée: Codex 2554 der Österreichischen Nationalbibliothek. St. Ingbert, 1992.Google Scholar
Stratford, Neil. “Bishop Grandisson and the Visual Arts.” In Exeter Cathedral: A Celebration, edited by Swanton, Michael, 144–55. Exeter, 1991.Google Scholar
Stratford, NeilGothic Ivory Carving in England.” In Age of Chivalry: Art in Plantagenet England 1200–1400, edited by Alexander, Jonathan J. G and Binski, Paul, 107–13. London, 1987.Google Scholar
Strayer, Joseph R, ed., Dictionary of the Middle Ages. Vol. 6, Grosseteste, Robert–Italian Literature. New York, 1985.Google Scholar
Strayer, Joseph R The Reign of Philip the Fair. Princeton, NJ, 1980.Google Scholar
Stuttmann, Ferdinand. Der Reliquienschatz der Goldenen Tafel des St. Michaelisklosters in Lüneburg. Berlin, 1937.Google Scholar
Suckale, Robert. Auf den Spuren einer vergessenen Königin: Ein Hauptwerk der Pariser Hofkunst im Bode-Museum. Berlin, 2013.Google Scholar
Suckale, RobertRéflexions sur la sculpture parisienne à l’époque de Saint Louis et de Philippe le Bel.” Revue de l’art 128 (2000): 3348.Google Scholar
Suckale, Robert “Studien zu Stilbildung und Stilwandel der Madonnenstatuen der Ile-de-France zwischen 1230 und 1300.” PhD diss., Ludwig-Maximilians-Universität, Munich, 1970.Google Scholar
Suger, , Oeuvres. 2 vols. Edited and translated by Gasparri, Françoise. Paris, 1996.Google Scholar
Sullivan, Edward J., and Meyer, Ruth Krueger, eds. The Taft Museum: Its History and Collections. New York, 1995.Google Scholar
Swanson, R. N. Religion and Devotion in Europe, c. 1215–c. 1515. Cambridge, 1995.Google Scholar
Symes, Carol. A Common Stage: Theater and Public Life in Medieval Arras. Ithaca, NY, 2007.Google Scholar
Symes, CarolLiturgical Texts and Performance Practices.” In Understanding Medieval Liturgy: Essays in Interpretation, edited by Gittos, Helen and Hamilton, Sarah, 239–67. Aldershot, 2015.Google Scholar
Tachau, Katherine H.God’s Compass and Vana Curiositas: Scientific Study in the Old French Bible Moralisée.” Art Bulletin 80 (1998): 733.Google Scholar
Tagage, Sigismund. Kunstschatten uit de St.-Servaas: Heiligdomsvaart jaar 1976. Maastricht, 1976.Google Scholar
Tallon, Andrew. “Experiments in Early Gothic Structure: The Flying Buttress.” PhD diss., Columbia University, 2007.Google Scholar
Tanis, James R., ed. Leaves of Gold: Manuscript Illumination from Philadelphia Collections. Philadelphia, 2001.Google Scholar
Tappy, Ron E.The Archaeo-Historical Context of the Samaria Ivories: A Case Study in Theory, Method and Outcome.” In The Archaeology of Israelite Samaria. Vol. 2, The Eighth Century BCE, 443–95. Atlanta, 2001.Google Scholar
Tarbé, Prosper. Trésors des églises de Reims. Reims, 1843.Google Scholar
Ter Bruggen, Edward, ed. Catalogue d’une superbe collection d’antiquités du moyen-âge, objets d’art et curiosités, faisant partie du magnifique cabinet délaissé par feu M. le Comte Clemens Wenceslas de Renesse-Breidbach …. Antwerp, 1836.Google Scholar
Teviotdale, Elizabeth C.The Pictorial Program of the Stammheim Missal.” In Objects, Images, and the Word: Art in the Service of the Liturgy, edited by Hourihane, Colum, 7993. Princeton, NJ, 2003.Google Scholar
Texier, [Jacques]. Dictionnaire d’orfèvrerie, de gravure et de ciselure chrétiennes, ou de la mise en œuvre artistique des métaux, des émaux et des pierreries. Paris, 1857.Google Scholar
Themistius. “Orations 8, 10: Goths and Romans in the Fourth Century.” In The Goths in the Fourth Century. Edited and translated by Heather, Peter and Matthews, John, 1350. Liverpool, 1991.Google Scholar
Themistius Themistii Orationes ex codici mediolanensi. Edited by Dindorf, Wilhelm. Leipzig, 1832.Google Scholar
Theophilus. De diversis artibus, seu Diversarum artium schedula. Edited by Hendrie, R.. London, 1847.Google Scholar
Thérel, Marie-Louise. “L’origine du thème de la ‘Synagogue répudiée.’” Scriptorium 25 (1971): 285–90.Google Scholar
Thérel, Marie-Louise Le Triomphe de la Vierge-Église: À l’origine du décor du portail occidental de Notre-Dame de Senlis; Sources historiques, littéraires et iconographiques. Paris, 1984.Google Scholar
Thibodeau, Timothy M., trans. The Rationale divinorum officiorum of William Durand of Mende: A New Translation of the Prologue and Book One. New York, 2007.Google Scholar
Thorndike, Lynn. “John of St. Amand on the Magnet.” Isis 36 (1946): 156–7.Google Scholar
Thunø, Erik. Image and Relic: Mediating the Sacred in Early Medieval Rome. Rome, 2002.Google Scholar
Thunø, Erik “‘Living Stones’ of Jerusalem: The Triumphal Arch Mosaic of Santa Prassede in Rome.” In Visual Constructs of Jerusalem, edited by Kühnel, Bianca, Noga-Banai, Galit, and Vorholt, Hanna, 223–30. Turnhout, 2014.Google Scholar
Thurlby, Malcolm. “The Integration of Architecture, Imagery, and Ornament in English West Country Gothic Architecture, 1170–1250.” In Reading Gothic Architecture, edited by Reeve, Matthew M., 7592. Turnhout, 2008.Google Scholar
Thurlby, MalcolmThe North Transept Doorway of Lichfield Cathedral: Problems of Style.” RACAR: Revue d’Art Canadienne 13 (1986): 121–30.Google Scholar
Timmer, David E.Biblical Exegesis and the Jewish–Christian Controversy in the Early Twelfth Century.” Church History 58 (1989): 309–21.Google Scholar
Timmermann, Achim. Real Presence: Sacrament Houses and the Body of Christ, c. 1270–1600. Turnhout, 2009.Google Scholar
Tomasi, Michele. “Luxe et dévotion au XIVe siècle: Autour du tabernacle de Thomas Basin.” Comptes rendus des séances de l’Académie des inscriptions et belles-lettres 156 (2012): 9991026.Google Scholar
Tomasi, MicheleMade in Cologne: New Perspectives on the Kremsmünster Workshop.” In Gothic Ivory Sculpture: Content and Context, edited by Yvard, Catherine, 3045. London, 2017.Google Scholar
Tomasi, Michele Monumenti d’avorio: I dossali degli Embriachi e i loro committenti. Pisa, 2010.Google Scholar
Topham, John. Liber Quotidianus Contrarotulatoris Garderobae: Anno Regni Regis Edwardi Primi vicesimo octavo, A. D. MCCXCIX & MCCC. London, 1787.Google Scholar
Trachtenberg, Marvin. “Suger’s Miracles, Branner’s Bourges: Reflections on ‘Gothic Architecture’ As Medieval Modernism.” Gesta 39 (2000): 183205.Google Scholar
Trautmann, Thomas R. Elephants and Kings: An Environmental History. Chicago, 2015.Google Scholar
Les trésors des églises de France: Musée des arts décoratifs, Paris, 1965. Paris, 1965.Google Scholar
Tromp, S.De Nativitate Ecclesiae ex Corde Iesu in Cruce.” Gregorianum 13 (1932): 489527.Google Scholar
Turner, T. H.The Will of Humphrey de Bohun, Earl of Hereford and Essex, with Extracts from the Inventory of His Effects, 1319–1322.” Archaeological Journal 2 (1845): 339–49.Google Scholar
Ucko, Peter J.The Interpretation of Prehistoric Anthropomorphic Figurines.” Journal of the Royal Anthropological Institute of Great Britain and Ireland 92 (1962): 3854.Google Scholar
UNEP, CITES, IUCN, TRAFFIC. Elephants in the Dust: The African Elephant Crisis: A Rapid Response Assessment. Edited by Nellemann, Christian, Formo, Rannveig Knutsdatter, Blanc, Julian, Skinner, Diane, Milliken, Tom, and Meulenaer, Tom. Birkeland, Norway, 2013. https://portals.iucn.org/library/sites/library/files/documents/2013-002.pdfGoogle Scholar
Union centrale des beaux-arts appliqués à l’industrie. Musée rétrospectif: Exposition de 1865, Palais de l’Industrie. Paris, 1867.Google Scholar
Vagnon, Emmanuelle. Cartographie et représentations de l’Orient méditerranéen en Occident (du milieu du XIIIe à la fin du XVe siècle). Turnhout, 2013.Google Scholar
Vale, Malcolm. The Princely Court: Medieval Courts and Culture in North-West Europe, 1270–1380. New York, 2001.Google Scholar
Vandenberghe, Stéphane. Ivory in Bruges: Treasures from Museums, Churches and Monasteries. Bruges, 2010.Google Scholar
Van de Putte, Ferdinand. Speculum Beatae Mariae Virginis, ou chronique et cartulaire de l’abbaye de Groeninghe à Courtrai. Bruges, 1872.Google Scholar
Vauchez, André. La sainteté en Occident aux derniers siècles du Moyen Âge: Recherches sur les mentalités religieuses médiévales. Rome, 1981.Google Scholar
Verdier, Philippe. Le Couronnement de la Vierge: Les origines et les premiers développements d’un thème iconographique. Montreal, 1980.Google Scholar
Verdier, PhilippeLe triptyque d’ivoire à volets peints au Musée des Beaux-Arts de Lyon.” Bulletin des musées et monuments lyonnais 7 (1982): 1730.Google Scholar
Verdier, Philippe, Brieger, Peter, and Montpetit, Marie Farquhar, eds. Art and the Courts: France and England from 1259 to 1328. 2 vols. Ottawa, 1972.Google Scholar
Verger, Jacques. “Hugues de Saint-Cher dans le contexte universitaire parisien.” In Hugues de Saint-Cher (†1263): Bibliste et théologien, edited by Bataillon, Louis-Jacques, Dahan, Gilbert, and Pierre-Marie, Gy, 1322. Turnhout, 2004.Google Scholar
Verlinden, Charles. “À propos de l’inféodation des Îles Canaries par le pape Clément VI à l’Infant Don Luis de la Cerda (1344).Bulletin de l’Institut historique belge de Rome 55–6 (1985–6): 7584.Google Scholar
Verlinden, CharlesLa découverte des archipels de la ‘Méditerranée Atlantique’ (Canaries, Madères, Açores) et la navigation astronomique primitive.” Revista Portuguesa de História 16 (1978): 105–31.Google Scholar
Verlinden, CharlesMedieval Slavery in Europe and Colonial Slavery in America.” In Verlinden, , The Beginnings of Modern Colonization: Eleven Essays with an Introduction, translated by Yvonne Freccero, 3351. Ithaca, NY, 1970.Google Scholar
Viard, Francisque. Beatrice de Savoye: Propos vivants d’histoire. Lyon, 1942.Google Scholar
Viard, Jules. Les journaux du trésor de Philippe VI de Valois: Suivis de l’Ordinarium Thesauri de 1338–1339. Paris, 1899.Google Scholar
Viard, Jules Les journaux du trésor de Philippe IV le Bel. Paris, 1940.Google Scholar
Vidier, Alexandre. Le trésor de la Sainte-Chapelle: Inventaires et documents. Paris, 1911.Google Scholar
Vikan, Gary. “Early Byzantine Pilgrimage Devotionalia As Evidence of the Appearance of Pilgrimage Shrines.” In Sacred Images and Sacred Power in Byzantium, no. VI, 377–88. Aldershot, 2003.Google Scholar
Vikan, GaryRuminations on Edible Icons: Originals and Copies in the Art of Byzantium.” In Sacred Images and Sacred Power in Byzantium, no. III, 118. Aldershot, 2003.Google Scholar
Vincent, Nicholas. “An Inventory of Gifts to King Henry III, 1234–5.” In The Growth of Royal Government under Henry III, edited by Crook, David and Wilkinson, Louise J., 121–46. Woodbridge, UK, 2015.Google Scholar
Viollet-le-Duc, Eugène-Emmanuel. “Autel.” In Dictionnaire raisonné de l’architecture française du XIe au XVIe siècle. Vol 2. Paris, 1868, 1556.Google Scholar
Vandermoere, Joseph, and Van Hecke, Joseph, eds. Acta Sanctorum: Octobris, VII. Brussels, 1845.Google Scholar
Voisin, [Pierre-Florent]. “Depuis quand le mot ciboire est-il employé? Ciboire de Jollain.” Bulletin de la Société historique et littéraire de Tournai 6 (1860): 252–6.Google Scholar
Wackernagel, Martin. The World of the Florentine Renaissance Artist: Projects and Patrons, Workshop and Art Market. Princeton, NJ, 1981.Google Scholar
Wailly, Natalis de, and Guigniaut, Joseph-Daniel, eds. Recueil des historiens des Gaules et de la France. Vol. 1. Paris, 1855.Google Scholar
Wailly, Natalis de, and Delisle, Léopold, eds. Recueil des historiens des Gaules et de la France. Vol. 2. Paris, 1865.Google Scholar
Walker, Alicia. The Emperor and the World: Exotic Elements and the Imaging of Middle Byzantine Imperial Power, Ninth to Thirteenth Centuries C.E. Cambridge, 2012.Google Scholar
Walters, Anne. “The Reconstruction of the Abbey‑Church at St‑Denis (1231–81): The Interplay of Music and Ceremony with Architecture and Politics.” Early Music History 5 (1985): 187238.Google Scholar
Weinryb, Ittai. “Beyond Representation: Things – Human and Nonhuman.” In Cultural Histories of the Material World, edited by Miller, Peter N., 172–86. Ann Arbor, MI, 2013.Google Scholar
Weis, Johann Nepomuk. Urkunden des Cistercienser-Stiftes Heiligenkreuz im Wiener Walde. 2 vols. Vienna, 1856–9.Google Scholar
Weiss, Daniel H.Architectural Symbolism and the Decoration of the Ste.-Chapelle.” Art Bulletin 77 (1995): 308–20.Google Scholar
Weiss, Daniel H. Art and Crusade in the Age of Saint Louis. Cambridge, 1998.Google Scholar
Wentzel, Hans. Lübecker Plastik bis zur Mitte des 14. Jahrhunderts. Berlin, 1938.Google Scholar
White, Randall. “Beyond Art: Toward an Understanding of the Origins of Material Representation in Europe.” Annual Review of Anthropology 21 (1992): 537–64.Google Scholar
Wieck, Roger S. Time Sanctified: The Book of Hours in Medieval Art and Life. New York, 1988.Google Scholar
Wild, Benjamin Linley. “A Gift Inventory from the Reign of Henry III.” English Historical Review 125 (2010): 529–69.Google Scholar
Wilkinson, Louise J. Eleanor de Montfort: A Rebel Countess in Medieval England. London, 2012.Google Scholar
Durandus, William. Guillelmi Duranti: Rationale Divinorum Officiorum I–VIII. Edited by Davril, A. and Thibodeau, T. M.. Turnhout, 1995–2000.Google Scholar
William of Auvergne. Guilielmi Alverni, Opera omnia. 2 vols. Paris, 1674.Google Scholar
Williamson, Beth. “Altarpieces, Liturgy, and Devotion.” Speculum 79 (2004): 341406.Google Scholar
Williamson, Oliver E. The Economic Institutions of Capitalism: Firms, Markets, Relational Contracting. New York, 1985.Google Scholar
Williamson, Paul. “Avori italiani e avori francesi.” In Il gotico europeo in Italia, edited by Pace, Valentino and Bagnoli, Martina, 293–8. Naples, 1998.Google Scholar
Williamson, Paul Gothic Sculpture, 1140–1300. London, 1995.Google Scholar
Williamson, PaulIvory Carvings in English Treasuries before the Reformation.” In Studies in Medieval Art and Architecture presented to Peter Lasko, edited by Buckton, David and Heslop, T. A., 187202. Dover, NH, 1994.Google Scholar
Williamson, Paul Medieval Ivory Carvings: Early Christian to Romanesque. London, 2010.Google Scholar
Williamson, Paul Medieval Sculpture and Works of Art: The Thyssen-Bornemisza Collection. London, 1987.Google Scholar
Williamson, PaulSymbiosis across Scale: Gothic Ivories and Sculpture in Stone and Wood in the Thirteenth Century.” In Images in Ivory: Precious Objects of the Gothic Age, edited by Barnet, Peter, 3845. Detroit, MI, 1997.Google Scholar
Williamson, Paul The Wyvern Collection: Medieval and Later Ivory Carvings and Small Sculpture. London, 2019.Google Scholar
Williamson, Paul, and Davies, Glyn. Medieval Ivory Carvings, 1200–1550. 2 vols. London, 2014.Google Scholar
Wirth, Jean. La datation de la sculpture médiévale. Geneva, 2004.Google Scholar
Wirth, Jean L’image à l’époque gothique (1140–1280). Paris, 2008.Google Scholar
Wirth, Jean Villard de Honnecourt: Architecte du XIIIe siècle. Geneva, 2015.Google Scholar
Wolf, Gerhard. Schleier und Spiegel: Traditionen des Christusbildes und die Bildkonzepte der Renaissance. Munich, 2002.Google Scholar
Wolf, Gerhard, and Kessler, Herbert L., eds. The Holy Face and the Paradox of Representation: Papers from a Colloquium held at the Bibliotheca Hertziana, Rome, and the Villa Spelman, Florence, 1996. Bologna, 1998.Google Scholar
Wolfram, Herwig. Die Kuenringer: Das Werden des Landes Niederösterreich; Niederösterreichische Landesausstellung, Stift Zwettl, 16. Mai–26 Oktober 1981. Zwettl, 1981.Google Scholar
Wright, Craig. Music and Ceremony at Notre-Dame of Paris, 500–1500. Cambridge, 1989.Google Scholar
Wyss, Michaël, with Meyer-Rodrigues, Nicole, eds. Atlas historique de Saint-Denis: Des origines au XVIIIe siècle. Paris, 1996.Google Scholar
Wyss, Michaël, with Meyer-Rodrigues, NicoleNouvelles données archéologiques sur le cloître de l’abbaye de Saint-Denis.” In “Utilis est lapis in structura”: Mélanges offerts à Léon Pressouyre, 111–26. Paris, 2000.Google Scholar
Young, Spencer E. Scholarly Community at the Early University of Paris: Theologians, Education and Society, 1215–1248. Cambridge, 2014.Google Scholar
Yvard, Catherine. “Gothic Ivories and Their Owners: An Overview.” In A Reservoir of Ideas: Essays in Honour of Paul Williamson, edited by Davies, Glyn and Townsend, Eleanor, 187202. London, 2017.Google Scholar
Zander-Seidel, Jutta et al., eds. Mittelalter: Kunst und Kultur von der Spätantike bis zum 15. Jahrhundert. Nuremberg, 2007.Google Scholar
Zehnacker, Françoise. Le cabinet de curiosités de la Bibliothèque Sainte-Geneviève: Des origines à nos jours. Paris, 1989.Google Scholar
Zupko, Ronald Edward. French Weights and Measures before the Revolution: A Dictionary of Provincial and Local Units. Bloomington, IN, 1978.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Sarah M. Guérin, University of Pennsylvania
  • Book: French Gothic Ivories
  • Online publication: 29 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781009039987.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Sarah M. Guérin, University of Pennsylvania
  • Book: French Gothic Ivories
  • Online publication: 29 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781009039987.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Sarah M. Guérin, University of Pennsylvania
  • Book: French Gothic Ivories
  • Online publication: 29 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781009039987.009
Available formats
×