Book contents
- Gerard Manley Hopkins in Context
- Gerard Manley Hopkins in Context
- Copyright page
- Contents
- Illustrations
- Notes on Contributors
- Note on Editions and Abbreviations
- Chronology
- Introduction
- Part I Places
- Part II Aesthetic and Cultural Contexts
- Chapter 6 Visual Culture
- Chapter 7 Classics
- Chapter 8 Anglo-Saxonism
- Chapter 9 Music
- Part III Religious, Theological, and Philosophical Contexts
- Part IV Nature, Science, and the Environment
- Part V Gender, Sexuality, and the Body
- Part VI Form, Genre, and Poetics
- Part VII Reception and Influence
- Further Reading
- Index
Chapter 8 - Anglo-Saxonism
from Part II - Aesthetic and Cultural Contexts
Published online by Cambridge University Press: 16 January 2025
- Gerard Manley Hopkins in Context
- Gerard Manley Hopkins in Context
- Copyright page
- Contents
- Illustrations
- Notes on Contributors
- Note on Editions and Abbreviations
- Chronology
- Introduction
- Part I Places
- Part II Aesthetic and Cultural Contexts
- Chapter 6 Visual Culture
- Chapter 7 Classics
- Chapter 8 Anglo-Saxonism
- Chapter 9 Music
- Part III Religious, Theological, and Philosophical Contexts
- Part IV Nature, Science, and the Environment
- Part V Gender, Sexuality, and the Body
- Part VI Form, Genre, and Poetics
- Part VII Reception and Influence
- Further Reading
- Index
Summary
This chapter examines the extent to which Hopkins’s poetry was shaped by his knowledge of and engagement with nineteenth-century ‘Anglo-Saxonism’ – that is, the idea that the Anglo-Saxon period played a uniquely important part in the intellectual, cultural, and political formation of the English people. This resulted, amongst other things, in a reassessment of the value of Anglo-Saxon poetry, a sustained attempt to understand its distinctive linguistic devices and alliterative verse forms, and a desire to impart something of its native energy and vigour to contemporary verse. Hopkins appears to have seen some of the idiosyncratic formal and linguistic features of his own poetry as part of this revival; the chapter traces some of the affinities and asymmetries between his work and the contemporary understanding of Anglo-Saxon verse, and concludes by suggesting areas for future research on this topic.
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- Gerard Manley Hopkins in Context , pp. 69 - 77Publisher: Cambridge University PressPrint publication year: 2025