Book contents
- Globalizing Europe
- Globalizing Europe
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- 1 Global Europe
- 2 Global Conjunctures and the Remaking of European Political History
- 3 Making Europe’s Economy
- 4 European Intellectual History after the Global Turn
- 5 Religion and the Global History of Europe
- 6 European Social History and the Global Turn
- 7 Europe’s Place in Global Environmental History
- 8 Global Turns in European History and the History of Consumption
- 9 Global Material Culture in Early Modern and Modern Europe
- 10 Migration and European History’s Global Turn
- 11 Race in the Global History of Europe
- 12 Globalizing European Gender History
- 13 Globalizing Europe’s Musical Past
- 14 Global Histories of European Art
- 15 Globalizing European Military History
- 16 Deglobalizing the Global History of Europe
- Afterword: Global Histories of Modern Europe
- Index
14 - Global Histories of European Art
Published online by Cambridge University Press: 06 March 2025
- Globalizing Europe
- Globalizing Europe
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- 1 Global Europe
- 2 Global Conjunctures and the Remaking of European Political History
- 3 Making Europe’s Economy
- 4 European Intellectual History after the Global Turn
- 5 Religion and the Global History of Europe
- 6 European Social History and the Global Turn
- 7 Europe’s Place in Global Environmental History
- 8 Global Turns in European History and the History of Consumption
- 9 Global Material Culture in Early Modern and Modern Europe
- 10 Migration and European History’s Global Turn
- 11 Race in the Global History of Europe
- 12 Globalizing European Gender History
- 13 Globalizing Europe’s Musical Past
- 14 Global Histories of European Art
- 15 Globalizing European Military History
- 16 Deglobalizing the Global History of Europe
- Afterword: Global Histories of Modern Europe
- Index
Summary
Global art histories predate the emergence of art history as an academic discipline in the early nineteenth century. This chapter considers their emergence in the seventeenth century against the background of religious and political controversy, Enlightenment quests for the origins of human culture, expanding trade empires, and colonialism. Three varieties of world art histories written in Europe can be distinguished, which succeed in chronological order but do not entirely replace each other: those driven by religious considerations; global concept-based projects inspired by nineteenth-century developments in psychology, anthropology, or the life sciences; and globalization studies. All three varieties start from a Western perspective, but the emerging field of global rococo is one of the most promising attempts to develop a history of the global entanglement of European art.
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- Globalizing EuropeA History, pp. 220 - 238Publisher: Cambridge University PressPrint publication year: 2025