Book contents
- A History of Argentine Literature
- A History of Argentine Literature
- Copyright page
- Contents
- Figures
- Contributors
- Editors’ Acknowledgments
- Introduction
- Part I Literary Dates
- Part II Critical Inroads
- Chapter 11 Print Culture in the Nineteenth Century
- Chapter 12 Criollismo: Gauchos in Literature and Film
- Chapter 13 Race and Nation
- Chapter 14 Science in Argentine Literature
- Chapter 15 Essay and Territory: The Geography of National Identity
- Chapter 16 Music as Sonic Literature
- Chapter 17 The Jewish Presence in Argentine Literature
- Chapter 18 Emancipation: Twentieth-Century Female Writers, Journalists, and Activists
- Chapter 19 Forsaking Tradition: Dislocating the Sovereignty of Argentine Literature
- Chapter 20 Mujeres raras: Patriarchal Nightmares, Dissident Imagination
- Part III Literary Names
- Index
- References
Chapter 20 - Mujeres raras: Patriarchal Nightmares, Dissident Imagination
from Part II - Critical Inroads
Published online by Cambridge University Press: 09 May 2024
- A History of Argentine Literature
- A History of Argentine Literature
- Copyright page
- Contents
- Figures
- Contributors
- Editors’ Acknowledgments
- Introduction
- Part I Literary Dates
- Part II Critical Inroads
- Chapter 11 Print Culture in the Nineteenth Century
- Chapter 12 Criollismo: Gauchos in Literature and Film
- Chapter 13 Race and Nation
- Chapter 14 Science in Argentine Literature
- Chapter 15 Essay and Territory: The Geography of National Identity
- Chapter 16 Music as Sonic Literature
- Chapter 17 The Jewish Presence in Argentine Literature
- Chapter 18 Emancipation: Twentieth-Century Female Writers, Journalists, and Activists
- Chapter 19 Forsaking Tradition: Dislocating the Sovereignty of Argentine Literature
- Chapter 20 Mujeres raras: Patriarchal Nightmares, Dissident Imagination
- Part III Literary Names
- Index
- References
Summary
In contraposition to notions such as “transgression” or “marginality”, the idea of “dissidence” points towards the dismantling of binary figures and concepts that shape canonical readings of Argentinean literature. Literary writings on gender and sexual dissidence—especially after the second half of the 20th century and the first decades of 21st century—not only decenter heteronormative models (masculine/feminine; hetero/homosexual; transgender/cisgender) but also drag with them a number of constitutive configurations of Argentinean cultural imagination, such as nationalism/cosmopolitanism, Peronism/antiperonism, lettered/non—lettered, etc. This essay analyzes a series of literary texts (from Manuel Puig´s El beso de la mujer araña to Gabriela Cabezón Cámara’s Las aventuras de la China Iron) in which sexual and gender opacity interrupts and displaces normative binarisms—at the same time bodily and cultural—showing the way in which the languages of dissidence set the ground for other cultural, as well as political, imaginaries.
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- A History of Argentine Literature , pp. 308 - 324Publisher: Cambridge University PressPrint publication year: 2024