Skip to main content Accessibility help
×
Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-29T03:52:40.508Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  08 September 2022

Trevor Herbert
Affiliation:
Royal College of Music, London
Martin V. Clarke
Affiliation:
The Open University, Milton Keynes
Helen Barlow
Affiliation:
The Open University, Milton Keynes
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Secondary Sources

Abbott, John. The Story of Francis, Day & Hunter (London: Francis, Day & Hunter, 1952).Google Scholar
Allchin, A. M. Ann Griffiths: The Furnace and the Fountain (Cardiff: University of Wales Press, 1976).Google Scholar
Allsobrook, David. ‘Music Education in Wales: The Case for Biography/Addysg Cerddoriaeth yng Nghymru: Yr Achos o Blaid Bywgraffiad’. Welsh Music History/Hanes Cerddoriaeth Cymru, 4 (2000), 120.Google Scholar
Allsobrook, David Music for Wales (Cardiff: University of Wales Press, 1992).Google Scholar
Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism (London and New York: Verso, 1983).Google Scholar
Andrews, C. Bruyn, ed. The Torrington Diaries: Containing the Tours through England and Wales of the Hon. John Byng. Vol. 1 (London: Eyre and Spottiswoode, 1934).Google Scholar
Andrews, Joyce. ‘Composer Rhian Samuel: The Female Viewpoint and Welsh Influences in Her Vocal Music’. Women and Music, 8 (2004), 6172.Google Scholar
Andrews, Rhian M., ed. Welsh Court Poems (Cardiff: University of Wales Press, 2007).Google Scholar
ap Gwilym, Dafydd. ‘Y Gainc’. In Gwaith Dafydd ap Gwilym, no. 91, ed. by Johnston, Dafydd (www.dafyddapgwilym.net, accessed 25 June 2021).Google Scholar
ap Gwilym, Ifor. ‘Argraffu cerddoriaeth yn Llanidloes’. In ap Gwilym, Gwynn and Lewis, Richard H. (goln), Maldwyn a’i Chyffiniau (Abertawe: Christopher Davies, 1981), tt. 169186.Google Scholar
ap Huw, Robert. Musica: Llawysgrif Robert ap Huw/Musica: The Robert ap Huw Manuscript, facsimile ed. (Godstone: Scolar Press, 1982).Google Scholar
ap Huw, Robert Musica neu Beroriaeth: B. M. Additional Ms 14905, facsimile ed. (Cardiff: University of Wales Press, 1936).Google Scholar
ap Siôn, Pwyll. ‘Cenedligrwydd a’r Cyfansoddwr Cymreig/Nationhood and the Welsh Composer’. Welsh Music History/Hanes Cerddoriaeth Cymru, 7 (2007), 265303.Google Scholar
ap Siôn, Pwyll“Yn y Fro”: Mudiad Adfer a’r Canu Pop Cymraeg yn ystod y 1970au/“Yn y Fro”: Mudiad Adfer and Welsh Popular Song During the 1970s’. Welsh Music History/Hanes Cerddoriaeth Cymru, 5 (2002), 162216.Google Scholar
ap Siôn, Pwyll, a Thomas, Wyn, goln. Cydymaith i Gerddoriaeth Cymru (Talybont: Y Lolfa, 2018).Google Scholar
Arts Council of Great Britain. Housing the Arts in Britain (London: Arts Council of Great Britain, 1959).Google Scholar
Awstin’ and Western Mail Special Correspondents. The Religious Revival in Wales: Contemporaneous Newspapers Accounts of the Welsh Revival of 1904–05 Published by the Western Mail (Oswestry: Quinta Press, 2004).Google Scholar
Baker, Geoffrey. El Sistema: Orchestrating Venezuela’s Youth (Oxford: Oxford University Press, 2014).Google Scholar
Balfour, Henry. ‘The Old British “Pibcorn” or “Hornpipe” and Its Affinities’. Journal of the Anthropological Institute of Great Britain and Ireland, 20 (1891), 142154.CrossRefGoogle Scholar
Ballinger, John, ed. Calendar of Wynn (of Gwydir) Papers, 1515–1690, in the National Library of Wales and Elsewhere (Aberystwyth: National Library of Wales, 1926).Google Scholar
Barlow, Helen, ‘“Praise the Lord! We Are a Musical Nation”: The Welsh Working Classes and Religious Singing’. Nineteenth-Century Music Review, 17/3 (2020), 445472.CrossRefGoogle Scholar
Barlow, HelenProgress and Tradition: Listening to the Singing of the Welsh c. 1870 to c. 1920’, in The Experience of Listening to Music: Methodologies, Identities, Histories, ed. by Barlow, Helen and Rowland, David (Milton Keynes: The Open University, 2019) https://ledbooks.org/proceedings2019/ (accessed 27 May 2022).Google Scholar
Barlow, Rachelle, ‘“Land of Song”: Gender and Identity in Welsh Choral Music, 1872–1918’ (Ph.D. thesis, Cardiff University, 2015).Google Scholar
Barrington, Daines. ‘Some Account of Two Musical Instruments Used in Wales’. Archaeologia, III (1775), 3034.CrossRefGoogle Scholar
Bashford, Christina, and Langley, Leanne, eds. Music and British Culture, 1785–1914: Essays in Honour of Cyril Ehrlich (Oxford: Oxford University Press, 2000).CrossRefGoogle Scholar
Bassett, Thomas. Braslun o Hanes Hughes a’i Fab, Cyhoeddwyr, Wrecsam (Croesoswallt: dros Gymdeithas Lyfryddol Cymru, 1946).Google Scholar
Belcham, Elizabeth F. About Aberpergwm: The Home of the Williams Family in the Vale of Neath, Glamorgan (Glynneath: Heritage Ventures, 1992).Google Scholar
Beresford, Maurice. The New Towns of the Middle Ages: Town Plantation in England, Wales and Gascony (London: Phillimore, 1966).Google Scholar
Biezen, Ingrid van, Mair, Peter and Poguntke, Thomas, ‘Going, Going, … Gone? The Decline of Party Membership in Contemporary Europe’. European Journal of Political Research, 51/1 (2012), 2456.CrossRefGoogle Scholar
Boden, Anthony, ed. Thomas Tomkins, the Last Elizabethan (Aldershot: Ashgate, 2005).Google Scholar
Bohana, Roy. ‘Music’, in The Arts in Wales 1950–75, ed. by Stephens, Meic (Cardiff: Welsh Arts Council, 1979), pp. 526.Google Scholar
Bohana, RoyRoy Bohana’, in Artists in Wales 2, ed. by Stephens, Meic (Llandysul: Gomer, 1973), pp. 145154.Google Scholar
Boorde, Andrew. The Fyrst Bok of the Introduction of Knowledge, ed. by Furnivall, Frederick James (London: Published for the Early English Text Society, Extra Series, 10, by N.T. Trübner & Co, 1870).Google Scholar
Borsay, Peter.Welsh Seaside Resorts: Historiography, Sources and Themes’. Welsh History Review, 24/2 (2008), 92119.Google Scholar
Bowen, E. G. Seaways and Settlements in the Celtic Lands (Cardiff: University of Wales Press, 1969).Google Scholar
Bowen, E. G The Settlements of the Celtic Saints in Wales, 2nd ed. (Cardiff: University of Wales Press, 1956).Google Scholar
Bowen, E. GYr Eglwys Geltaidd – Oes y Seintiau’, in Atlas Môn, gol. Richards, Meville (Llangefni: Cyngor Gwlad Môn, 1972), tt. 2427.Google Scholar
Bowen, E. G., and Carter, H.. ‘Preliminary Observations on the Distribution of the Welsh Language at the 1971 Census’. The Geographical Journal, 140/3 (1974), 432440.CrossRefGoogle Scholar
Bowen, Lloyd, ed. Family and Society in Early Stuart Glamorgan: The Household Accounts of Sir Thomas Aubrey of Llantrithyd, c.1565–1641 (Cardiff: South Wales Record Society, 2006).Google Scholar
Bowett, Adam, ‘The Cotehele Cupboard Revisited: One Cupboard or Two?’Journal of the Regional Furniture Society, 28 (2014), https://regionalfurnituresociety.files.wordpress.com/2013/02/02-bowett-cotehele.pdf (accessed 22 September 2021).Google Scholar
Boyd, Malcolm. Grace Williams (Cardiff: University of Wales Press, 1980).Google Scholar
Boyd, Malcolm William Mathias (Cardiff: University of Wales Press, 1978).Google Scholar
Bramley, Kathleen Anne and Owen, Morfydd E., goln. Gwaith Llywelyn Fardd I ac Eraill o Feirdd y Ddeuddegfed Ganrif (Caerdydd: Gwasg Prifysgol Cymru, 1994).Google Scholar
Bromwich, Rachel and Simon Evans, D., eds. Culhwch ac Olwen: An Edition and Study of the Oldest Arthurian Tale. (Cardiff: University of Wales Press, 1992).Google Scholar
Brown, Carleton, ed. Poems by Sir John Salusbury and Robert Chester, EETS, Extra Series, 113 (London: Kegan Paul Trench Truebner, 1914).Google Scholar
Brown, Cedric. ‘The Chirk Castle Entertainment of 1634’. Milton Quarterly, 11 (1977), 7686.Google Scholar
Brown, Michelle P.The Lichfield/Llandeilo Gospels Reinterpreted’, in Authority and Subjugation in Writing of Medieval Wales, ed. by Kennedy, Ruth and Meecham-Jones, Simon, New Middle Ages Series, ed. Wheeler, Bonnie (New York: Palgrave Macmillan, 2008), pp. 5770.CrossRefGoogle Scholar
Brown, Roger L.The Age of Saints to the Victorian Church’, in A New History of the Church in Wales: Governance and Ministry, Theology and Society, ed. by Doe, Norman (Cambridge: Cambridge University Press, 2020), pp. 926.CrossRefGoogle Scholar
Buckley, A.What Was the Timpán? A Problem in Ethnohistorical Organology: Evidence in Irish Literature’, Jahrbuch für musikalische Volks- und Volkerkunde, 9 (1978), 5388.Google Scholar
Buisman, Frans. ‘A Parallel between Scottish Pibroch and Early Welsh Harp Music/Cyffelybiaeth rhwng Cerddoriaeth Pibroch Albanaidd a Cherddoriaeth Gynnar Gymreig i’r Delyn’. Welsh Music History/Hanes Cerddoriaeth Cymru, 6 (2004), 146.Google Scholar
Bullard, Beth, ed. Musica Getutscht: A Treatise on Musical Instruments by Sebastian Virdung (Cambridge: Cambridge University Press, 1993).Google Scholar
Caldwell, John, ed. Early Tudor Organ Music I: Music for the Office. Vol. 6, Early English Church Music (London: Stainer and Bell for The British Academy, 1966).Google Scholar
Cale, John, and Bockris, Victor. What’s Welsh for Zen? The Autobiography of John Cale (London: Bloomsbury, 1999).Google Scholar
Valor Ecclesiasticus Temp. Henr. VIII, ed. by John Caley and Joseph Hunter, 6 vols (London: Record Commission, 1810–34).Google Scholar
Carr, Glenda. William Owen Pughe (Caerdydd: Gwasg Prifysgol Cymru, 1983).Google Scholar
Carr, GlendaWilliam Owen Pughe and the London Societies’, in A Guide to Welsh Literature c. 1700–1800, ed. by Jarvis, Branwen (Cardiff: University of Wales Press, 2000), pp. 168186.Google Scholar
Chadwick, Owen, ‘The Evidence of Welsh Dedications in the Early History of the Welsh Church’, in Studies in Early British History, ed. by Chadwick, Nora K. (Cambridge: Cambridge University Press, 1959), pp. 173188.Google Scholar
Chambers, Paul. ‘Sacred Landscapes, Redundant Chapels and Carpet Warehouses: The Religious Heritage of South West Wales’, in Materialising Religion: Expression, Performance and Ritual, ed. by Arweck, Elisabeth and Keenan, William (Aldershot: Ashgate, 2006), pp. 2131.Google Scholar
Charles-Edwards, T. M. The Welsh Laws (Cardiff: University of Wales Press, 1989).Google Scholar
Charnell-White, Cathryn. Welsh Poetry of the French Revolution, 1789–1805 (Cardiff: University of Wales Press, 2012).Google Scholar
Clancy, Joseph P. Medieval Welsh Poems (Dublin: Four Courts Press, 2003).Google Scholar
Cockman, Irwen. ‘Robert Peilin (c.1575–c.1638) a “Josseffüs”, Ei Draethawd ar Gerddoriaeth/Robert Peilin (c.1575–c.1638) and His Essay on Music, “Josseffüs”’. Welsh Music History/Hanes Cerddoriaeth Cymru, 4 (2000), 3987.Google Scholar
Cockman, Irwen ‘Traethawd ar Gerddoriaeth gan y Telynor Robert Peilin (c.1613)’ (MPhil thesis, University of Wales, Aberystwyth, 1999).Google Scholar
Collier, J. P., ed. Memoirs of Edward Alleyn, Founder of Dulwich College (London: Shakespeare Society, 1841).Google Scholar
Connerton, David. How Societies Remember (Cambridge: Cambridge University Press, 1989).Google Scholar
Conran, Tony. Welsh Verse (Bridgend: Seren, 1992).Google Scholar
Cooke, James Francis. ‘A Momentous Musical Meeting: Thomas A. Edison and Lt. Comm. John Philip Sousa Meet for the First Time and Talk Upon Music’. The Etude, 41/10 (1923), 663664.Google Scholar
Cooper, Barry. ‘The Welsh Folk-Song Melodies Set by Beethoven: A Preliminary Investigation/Yr Alawon Gwerin Cymreig a Osodwyd gan Beethoven: Ymchwiliad Rhagarweiniol’. Welsh Music History/Hanes Cerddoriaeth Cymru, 1 (1996), 541.Google Scholar
Cotterill, Graeme. ‘Music in the Blood and Poetry in the Soul? National Identity in the Life and Music of Grace Williams’ (PhD thesis, Bangor University, 2012).Google Scholar
The Council for Wales and Monmouthshire. Report on the Arts in Wales (London: HMSO, 1965).Google Scholar
Cox, Gordon. The Origins and Foundations of Music Education: Cross-Cultural Historical Studies of Music in Compulsory Schooling (London: Continuum, 2010).Google Scholar
Crossley-Holland, Peter. ‘The Robert ap Huw Composers/Cyfansoddwyr Robert ap Huw’. Welsh Music History/Hanes Cerddoriaeth Cymru, 3 (1999), 183216.Google Scholar
Crossley-Holland, PeterThe Tonal Limits of Welsh Folk Song’. Journal of the Welsh Folk-Song Society/Cylchgrawn Cymdeithas Alawon Gwerin Cymru, 5 (1964), 4673.Google Scholar
Crotch, William. Specimens of Various Styles of Music, Referred to in a Course of Lectures Read at Oxford and London, and Adapted to Keyed Instruments (London: Robert Birchall, 1806–7).Google Scholar
Cusworth, Andrew. ‘Towards a Digital Land of Song: A Digital Approach to the Archival Record of Welsh Traditional Music, Its Performance and Its Reception’ (Ph.D. thesis, Open University, 2016).Google Scholar
Dafydd, Mair. ‘Argraffu, Cyhoeddi a Llyfrwerthu yng Nghaerfyrddin, 1840–1890’. Y Llyfr yng Nghymru/Welsh Book Studies, 8 (2007), 5476.Google Scholar
Dahlhaus, Carl. Nineteenth-Century Music, trans. by Robinson, J. Bradford (Berkeley and London: University of California Press, 1989).Google Scholar
Daley, Caroline. ‘The Invention of 1905’, in Tackling Rugby Myths: Rugby and New Zealand Society 1854–2004, ed. by Ryan, Greg (Dunedin: University of Otago Press, 2005), pp. 6787.Google Scholar
Daniel, R. Iestyn, ‘Iorwerth Beli’, in Gwaith Gruffudd ap Dafydd ap Tudur, Gwilym Ddu o Arfon, Trahaearn Brydydd Mawr ac Iorwerth Beli, goln. Costigan, N. G., Daniel, R. Iestyn and Johnston, Dafydd (Aberystwyth: Canolfan Uwchefrydiau Cymreig a Cheltaidd Prifysgol Cymru, 1995).Google Scholar
Darwin, Bernard. British Sports and Games (London: The British Council, 1940).Google Scholar
Davies, Damian Walford. ‘“Ailysgrifennwn y Llyfraith”: Barddoniaeth y Canu Pop/ “Rewriting the Law Books”: The Poetry of Welsh Pop Music’. Welsh Music History/Hanes Cerddoriaeth Cymru, 1 (1996), 180240.Google Scholar
Davies, Damian Walford, and Pratt, Lynda. Wales and the Romantic Imagination (Cardiff: University of Wales Press, 2007).Google Scholar
Davies, Grace Gwyneddon. Ail Gasgliad o Alawon Gwerin Môn (Caerdydd: Hughes a’i Fab, [1924]).Google Scholar
Davies, Grace Gwyneddon Alawon Gwerin Môn/Folk Songs from Anglesey (Caernarfon: The Welsh Publishing Company, 1914).Google Scholar
Davies, Grace Gwyneddon Chwech o Alawon Gwerin Cymreig/Six Welsh Folk Songs (Wrexham: Hughes & Son, 1933).Google Scholar
Davies, Janet. The Welsh Language (Cardiff: University of Wales Press, 1993).Google Scholar
Davies, John. Hanes Cymru: A History of Wales in Welsh (London: Allen Lane, 1990).Google Scholar
Davies, John A History of Wales, revised ed. (London: Penguin, 2007).Google Scholar
Davies, John, Jenkins, Nigel, Baines, Menna and Lynch, Peredur I., eds. The Welsh Academy Encyclopaedia of Wales (Cardiff: University of Wales Press, 2008). (Also published in Welsh: Gwyddoniadur Cymru yr Academi Gymreig.)Google Scholar
Davies, John H., ed. The Letters of Lewis, Richard, William and John Morris, of Anglesey (Morrisiaid Mon) 1728–1765, 2 vols (Aberystwyth: Published privately by the Editor, 1907–9).Google Scholar
Davies, John Iorwerth. Argraffwyr Sir Drefaldwyn o 1789 Ymlaen (Machynlleth: Eisteddfod Genedlaethol Maldwyn a’i Chyffiniau, 1981).Google Scholar
Davies, Lyn. ‘D. Afan Thomas, “Cerddor o’r Cwm” (1881–1928)’, in Llynfi ac Afan, Garw ac Ogwr, gol. Edwards, Hywel Teifi (Llandysul: Gomer, 1998), tt. 163177.Google Scholar
Davies, Lyn David Vaughan Thomas, Composers of Wales Monographs (Cardiff: Welsh Music Information Centre, 2004).Google Scholar
Davies, LynGolwg ar Ddiwylliant Cerddorol Dyffryn Aman, 1910–1922’, in Cwm Aman, Cyfres y Cymoedd, gol. Edwards, Hywel Teifi (Llandysul: Gomer, 1996), tt. 173212.Google Scholar
Davies, LynTowards an Authentic Celtic Voice in Music: The Life and Work of David Vaughan Thomas (1873–1934)’. Welsh Music History/Hanes Cerddoriaeth Cymru, 2 (1997), 213235.Google Scholar
Davies, Oliver. Celtic Christianity in Early Medieval Wales (Cardiff: University of Wales Press, 1996).Google Scholar
Davies, Rhian. ‘Béla Bartók yn Aberystwyth’. Barn, 410 (1997), 2223.Google Scholar
Davies, RhianMighty Atom: The Life and Music of Morfydd Owen (1891–1918)’. British Music, 13 (1991), 3858.Google Scholar
Davies, Rhian Yr Eneth Ddisglair Annwyl: Morfydd Owen (1891–1918): Ei Bywyd Mewn Lluniau/Never So Pure a Sight: Morfydd Owen (1891–1918): Her Life in Pictures (Llandysul: Gomer, 1994).Google Scholar
Davies, Robert Gwyneddon. ‘The Collecting of Anglesey Folk Songs’. Anglesey Antiquarian and Field Club Transactions, 23 (1923), 9496.Google Scholar
Davies, R. R. The Age of Conquest: Wales 1063–1415 (Oxford: Oxford University Press, 2000).CrossRefGoogle Scholar
Davies, R. R.The Peoples of Britain’. Transactions of the Royal Historical Society, 4 (December 1994), 120.Google Scholar
Davies, Sioned, ed. and trans. The Mabinogion (Oxford: Oxford University Press, 2007).Google Scholar
Davies, Wendy. Wales in the Early Middle Ages (Leicester: Leicester University Press, 1982).Google Scholar
Deane, Basil. Alun Hoddinott (Cardiff: University of Wales Press, 1978).Google Scholar
Doctor, Jenny and Fuller, Sophie, ed. Music, Life and Changing Times: Selected Correspondence between British Composers Elizabeth Maconchy and Grace Williams, 1927–77: Volume 1 (London and New York: Routledge, 2019).Google Scholar
Doe, Norman, ed. A New History of the Church in Wales: Governance and Ministry, Theology and Society (Cambridge: Cambridge University Press, 2020).Google Scholar
Dowland, John. Andreas Ornithoparcus His Micrologus, or Introduction, Containing the Art of Singing, 1609, facsimile ed., The English Experience (Amsterdam: Theatrum Orbis Terrarum, 1969).Google Scholar
Duffett, Mark. Understanding Fandom: An Introduction to the Study of Media Fan Culture (London: Bloomsbury, 2013).CrossRefGoogle Scholar
Dugdale, William. Monasticon Anglicanum, ed. by Caley, John, Ellis, Henry and Bandinel, Bulkeley, 6 vols in 8 books (London: T. G. March, 1849).Google Scholar
Ebenezer, Lyn. Ar Log ers Ugain Mlynedd (Llanrwst: Gwasg Carreg Gwalch, 1996).Google Scholar
Edwards, Elizabeth. ‘Romantic Wales and the Eisteddfod’, in The Cambridge History of Welsh Literature, ed. by Evans, Geraint and Fulton, Helen (Cambridge: Cambridge University Press, 2019), pp. 285305.Google Scholar
Edwards, Hywel Teifi. The Eisteddfod (Cardiff: University of Wales Press, 1990).Google Scholar
Edwards, Hywel Teifi Eisteddfod Ffair y Byd Chicago, 1893 (Llandysul: Gomer, 1990).Google Scholar
Edwards, Hywel Teifi Gŵyl Gwalia: Yr Eisteddfod Genedlaethol yn Oes Aur Victoria 1858–1868 (Llandysul: Gomer, 1980).Google Scholar
Edwards, Hywel TeifiVictorian Wales Seeks Reinstatement’, Planet, 52 (1985), 1224.Google Scholar
Edwards, Hywel Teifi Yr Eisteddfod: Cyfrol Ddathlu Wythganmlwyddiant yr Eisteddfod, 1176–1976 (Llandysul: Gwasg Gomer [ar ran] Llys yr Eisteddfod Genedlaethol, 1976).Google Scholar
Edwards, Nicholas, Opera House Lottery: Zaha Hadid and the Cardiff Bay Project (Cardiff: University of Wales Press, 1997).Google Scholar
Edwards, Owain Tudor. Matins, Lauds and Vespers for St David’s Day: The Medieval Office of the Welsh Patron Saint in National Library of Wales MA 20541E (Cambridge: D. S. Brewer, 1990).Google Scholar
Edwards, Owain TudorMusic in Wales’, in Anatomy of Wales, ed. by Brinley Jones, R. (Peterston-super-Ely: Gwerin Publications, 1972).Google Scholar
Edwards, Owain Tudor. National Library of Wales Ms 20541E: The Penpont Antiphonal, facsimile ed. (Ottawa: The Institute of Mediaeval Music, 1997).Google Scholar
Edwards, Rebecca. ‘“To Show from Where I Came”: Cool Cymru, Pop and National Identity in Wales During the 1990s’ (Ph.D. thesis, Swansea University, 2008).Google Scholar
Ehrlich, Cyril. The Music Profession in Britain since the Eighteenth Century: A Social History (Oxford: Clarendon Press, 1985).Google Scholar
Ellis, Osian. The Story of the Harp in Wales (Cardiff: University of Wales Press, 1991).Google Scholar
Ellis, Tecwyn. Edward Jones, Bardd y Brenin 1752–1824 (Caerdydd: Gwasg Prifysgol Cymru, 1957).Google Scholar
Ellis, TecwynWelsh Music in Georgian Times’. Welsh Music/Cerddoriaeth Cymru, 3/10 (Autumn/Hydref 1971), 1119.Google Scholar
Ellis, Thomas E. Speeches and Addresses by the Late T. E. Ellis (Wrexham: Hughes & Son, 1912).Google Scholar
Evans, David R. A.J. R. Heath (1887–1950), Medical Practitioner and Composer/J.R. Heath (1887–1950), Meddyg Teulu a Chyfansoddwr’. Welsh Music History/Hanes Cerddoriaeth Cymru, 1 (1996), 4276.Google Scholar
Evans, Dylan Foster, gol. Gwaith Rhys Goch Eryri (Aberystwyth: Canolfan Uwchefrydiau Cymreig a Cheltaidd Prifsgol Cymru, 2007).Google Scholar
Evans, E. Keri gyda chynorthwy Jenkins, Cyril. Cofiant Dr. Joseph Parry Mus. Doc. (1841–1903) (Cardiff: Educational Publishing Company, 1921).Google Scholar
Evans, Geraint and Fulton, Helen, eds. The Cambridge History of Welsh Literature (Cambridge: Cambridge University Press, 2019).Google Scholar
Evans, J. Wyn and Wooding, Jonathan M., eds. St David of Wales: Cult, Church and Nation (Woodbridge: The Boydell Press, 2007).Google Scholar
Evans, John Glynne.David De Lloyd: Scholar Musician’. Welsh Music/Cerddoriaeth Cymru, 3/10 (Autumn/Hydref 1971), 410.Google Scholar
Evans, Meredydd. ‘Canu Gorchest/Contest Singing’. Welsh Music History/Hanes Cerddoriaeth Cymru, 1 (1996), 7791.Google Scholar
Evans, MeredyddCipdrem ar Rai o Alawon Richard Morris’. Welsh Music/Cerddoriaeth Cymru, 4/6 (Spring/Gwanwyn 1974), 20–6.Google Scholar
Evans, MeredyddCyngherddau’r Ganrif Ddiwethaf’, in Eisteddfota 2, gol. Gwilym, Gwynn ap (Llandybie: Gwasg Christopher Davies, 1979), tt. 8098.Google Scholar
Evans, Meredydd Hela’r Hen Ganeuon (Talybont: Y Lolfa, 2009).Google Scholar
Evans, MeredyddPwy Oedd “Orpheus” Eisteddfod Llangollen 1858?/Who Was “Orpheus” of the 1858 Llangollen Eisteddfod?Welsh Music History/Hanes Cerddoriaeth Cymru, 5 (2002), 5971.Google Scholar
Evans, Meredydd Serch a’i Helyntion (Talybont: Y Lolfa, 2019).Google Scholar
Evans, Meredydd, and Kinney, Phyllis. ‘Hanes a Datblygiad Canu Gyda’r Tannau/The History and Development of Canu Gyda’r Tannau’. Welsh Music History/Hanes Cerddoriaeth Cymru, 6 (2006), 155192.Google Scholar
Evans, Nia Gwyn. Bywyd a Gwaith Dr Nansi Richards Jones ‘Telynores Maldwyn’ (1888–1979) (Llanrwst: Gwasg Carreg Gwalch, 2015).Google Scholar
Fawkes, Richard. Welsh National Opera (London: McRae, 1986).Google Scholar
Fellowes, Edmund H. Memoirs of an Amateur Musician (London: Methuen & Co. Ltd, 1946).Google Scholar
Fenn, R. W. D., and Sinclair, J. B.. ‘Old Radnor Church’. The Radnorshire Society Transactions, 58 (1988), 7891.Google Scholar
Ffrancon, Ann and Jenkins, Geraint H., goln. Merêd: Detholiad o Ysgrifau Dr. Meredydd Evans (Llandysul: Gomer, 1994).Google Scholar
Final Report of the Royal Commission on University Education in Wales (London: HMSO, 1918).Google Scholar
Ford, Patrick K.Performance and Literacy in Medieval Welsh Poetry’. Modern Language Review, 100 (2005), xxxxlviii.Google Scholar
Forder, Helen. High Hats and Harps: The Life and Times of Lord and Lady Llanover (n.p.: TallyBerry Publishing, 2012).Google Scholar
Francis, J. G.Hubert Davies (1893–1965)’. Welsh Music/Cerddoriaeth Cymru, 11/1 (Summer/Haf 2009), 58.Google Scholar
Fraser, Maxwell. ‘Sir Benjamin and Lady Hall in the 1840’s: Part I: 1840–1845’. The National Library of Wales Journal/Cylchgrawn Llyfrgell Genedlaethol Cymru, 14/1 (1965), 3552.Google Scholar
Frere, W. H., ed. Visitation Articles and Injunctions of the Period of the Reformation, 3 vols, Alcuin Club Collections, 14–16 (London: Longmans, Green, 1910).Google Scholar
Frith, Simon. ‘Music and Identity’, in Questions of Cultural Identity, ed. by Hall, Stuart and du Gay, Paul (London: Sage, 1996), pp. 108127.Google Scholar
Frost, Maurice. English and Scottish Psalm and Hymn Tunes c. 1543–1677 (London: SPCK and Oxford University Press, 1953).Google Scholar
Gainer, Jeffrey. ‘The Road to Disestablishment’, in A New History of the Church in Wales: Governance and Ministry, Theology and Society, ed. by Doe, Norman (Cambridge: Cambridge University Press, 2020), pp. 2744.Google Scholar
Galpin, Francis. Old English Instruments of Music (London: Methuen, 1910).Google Scholar
Gelbart, Matthew. The Invention of ‘Folk Music’ and ‘Art Music’: Emerging Categories from Ossian to Wagner (Cambridge: Cambridge University Press, 2011).Google Scholar
Giraldus Cambrensis., Descriptio Kambriae, Giraldi Cambrensis Opera, ed. Dimock, J. F. (London: Rolls Series, 1868).Google Scholar
Giraldus Cambrensis., The Description of Wales, trans. Thorpe, L. (London: Penguin, 1978).Google Scholar
Giraldus Cambrensis., The History and Topography of Ireland, trans. O’Meara, John J., revised ed. (Portlaoise: North America Humanities Press; Dolmen Press, 1982).Google Scholar
Giraldus Cambrensis., Topographia Hibernica, Giraldi Cambrensis Opera, ed. by Dimock, J. V., V (London: Rolls Series, 1867).Google Scholar
Gosden, David. ‘The Origin and Survival of Tunes for the Hymns of William Williams, “Pantycelyn”/Tarddiad a Pharhad y Tonau i Emynau William Williams, “Pantycelyn”’. Welsh Music History/Hanes Cerddoriaeth Cymru, 5 (2002), 72104.Google Scholar
Graham, John. A Century of Welsh Music (London: Kegan Paul, Trench, Trubner, 1923).Google Scholar
Gramich, Katie, ed. and trans. The Works of Gwerful Mechain (Peterborough, Canada: Broadview Press, 2018).Google Scholar
Gray, J., trans. and Richards, J. (arr. and transcr.). Eight Operatic Songs from the Bohemian Girl by M. W. Balfe and Maritana by W. V. Wallace (Swansea: B. Parry, [1889]).Google Scholar
Greenhill, Peter. ‘Melodic Formulas in the Robert ap Huw Manuscript/Fformiwlâu Melodig yn Llawysgrif Robert ap Huw’. Welsh Music History/Hanes Cerddoriaeth Cymru, 3 (1999), 217251.Google Scholar
Greenhill, Peter ‘The Robert ap Huw Manuscript: An Exploration of Its Possible Solutions’ (private dissertation, 1995–). www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/aphuw/ (accessed 25 June 2021).Google Scholar
Griffith, R. D. Hanes Canu Cynulleidfaol Cymru (Caerdydd: Gwasg Prifysgol Cymru, 1948).Google Scholar
Griffith, Robert. Llyfr Cerdd Dannau (Caernarfon: Cwmni y Cyhoeddwyr Cymreig, [1913]).Google Scholar
Griffith, W. P.Tudor Prelude’, in The Welsh in London 1500–2000, ed. by Jones, Emrys (Cardiff: University of Wales Press on behalf of the Honourable Society of Cymmrodorion, 2001), pp. 834.Google Scholar
Griffith, Wyn. The Welsh (Harmondsworth: Penguin, 1950).Google Scholar
Griffiths, Dai. ‘“Home Is Living Like a Man on the Run”: John Cale’s Welsh Atlantic/“Home Is Living Like a Man on the Run”: Iwerydd Cymreig John Cale’. Welsh Music History/Hanes Cerddoriaeth Cymru, 4 (2000), 159185.Google Scholar
Griffiths, Ralph A. Sir Rhys ap Thomas and His Family: A Study in the Wars of the Roses and Early Tudor Politics (Cardiff: University of Wales Press, 1993).Google Scholar
Griffiths, Rhidian. ‘Benjamin Parry, Cyhoeddwr Cerddoriaeth/Benjamin Parry, Music Publisher’. Welsh Music History/Hanes Cerddoriaeth Cymru, 6 (2004), 193216.Google Scholar
Griffiths, Rhidian. ‘Daniel Protheroe (1866–1934)’, in Cydymaith i Gerddoriaeth Cymru, goln. ap Siôn, Pwyll a Thomas, Wyn (Talybont: Y Lolfa, 2018), tt. 3536.Google Scholar
Griffiths, Rhidian. ‘Folk Roots of Welsh Hymn Tunes’. Bulletin (Hymn Society of Great Britain and Ireland), 22/1 (2018), 1124.Google Scholar
Griffiths, Rhidian. ‘“Gwlad y Gân”: Y Traddodiad Cerddorol yn Oes Victoria’, in Cof Cenedl VIII: Ysgrifau ar Hanes Cymru, gol. Jenkins, Geraint H. (Llandysul: Gwasg Gomer, 1993), tt. 103132.Google Scholar
Griffiths, Rhidian. ‘Hen Wlad fy Nhadau in Its Musical Context’. Morgannwg, 51 (2007), 618.Google Scholar
Griffiths, Rhidian. ‘Isaac Jones, Music Printer and Publisher’. Y Llyfr yng Nghymru / Welsh Book Studies, 5 (2003), 4453.Google Scholar
Griffiths, Rhidian. ‘Music and Popular Culture’. Cardiganshire County History, 3 (1998), 588601.Google Scholar
Griffiths, Rhidian. ‘Musical Life in the Nineteenth Century’. Glamorgan County History, 6 (1988), 367379.Google Scholar
Griffiths, Rhidian. ‘Swansea’s “Mr. Music”: The Career of D. J. Snell, Music Publisher’. Y Llyfr yng Nghymru/Welsh Book Studies, 1 (1998), 5990.Google Scholar
Griffiths, Rhidian. ‘Welsh Chapel Music: The Making of a Tradition’. Journal of Welsh Ecclesiastical History, 6 (1989), 3543.Google Scholar
Griffiths, Rhidian. ‘“Y Cyfansoddwr Gorau”: Ieuan Gwyllt a’r Alaw Gymreig/“The Best Composer”: Ieuan Gwyllt and the Welsh Melody’, in Cynheiliaid y Gân: Ysgrifau i Anrhydeddu Phyllis Kinney a Meredydd Evans / Bearers of Song: Essays in Honour of Phyllis Kinney and Meredydd Evans (Cardiff: University of Wales Press, 2007), pp. 93116.Google Scholar
Griffiths, Rhidian. ‘Y Methodistiaid Laddodd Gerddoriaeth Werin yng Nghymru’. Canu Gwerin/Folk Song, 37 (2014), 921.Google Scholar
Griffiths, Rhidian. ‘“Yn y Dechreuad …”: A. P. Graves a J. Lloyd Williams’. Canu Gwerin/Folk Song, 43 (2020), 2743.Google Scholar
Guy, Ben, Henley, Georgia, Jones, Owain Wyn and Thomas, Rebecca, eds. The Chronicles of Medieval Wales and the March: New Contexts, Studies and Texts (Turnhout: Brepols, 2019).Google Scholar
Gwenynen Gwent (Mrs Hall of Llanover). Gwent and Dyfed Royal Eisteddfod 1834. The Prize Essay on the Advantages Resulting from the Preservation of the Welsh Language and National Costumes of Wales (London and Cardiff: Longman, Rees, Orme, Brown, Green and Longman/William Bird, 1836).Google Scholar
Harding, James. Ivor Novello: A Biography (Bridgend: Welsh Academic Press, 1997).Google Scholar
Harker, Dave. Fakesong: The Manufacture of British Folk Song, 1700 to the Present Day (Milton Keynes: Open University Press, 1985).Google Scholar
Harper, John. ‘Contexts for the Late Medieval Pontifical of Anian, Bishop of Bangor: Issues of the “Local” and the “More-Than-Local”’, in Music and Liturgy in Medieval Britain and Ireland, ed. by Buckley, Ann and Colton, Lisa (Cambridge: Cambridge University Press, 2022), pp. 1749.Google Scholar
Harper, JohnAn Organ for St Teilo: A Welsh Instrument in the Pre-Reformation Tradition’. Journal of the British Institute of Organ Studies, 35 (2011), 134153.Google Scholar
Harper, JohnPeter Crossley-Holland and Early Welsh Music Studies/Peter Crossley-Holland ac Efrydiaethau Cerddoriaeth Gynnar Cymru’. Welsh Music History/Hanes Cerddoriaeth Cymru, 5 (2002), 121.Google Scholar
Harper, JohnPhilip ap Rhys and His Liturgical Organ Music Revisited/Ailolwg ar Philip ap Rhys a’i Gerddoriaeth Organ Litwrgïaidd’. Welsh Music History/Hanes Cerddoriaeth Cymru, 2 (1997), 126172.Google Scholar
Harper, Sally. ‘The Bangor Pontifical: A Pontifical of the Use of Salisbury/Esgoblyfr Bangor: Esgoblyfr Arfer Caersallog’. Welsh Music History/Hanes Cerddoriaeth Cymru, 2 (1997), 65100.Google Scholar
Harper, SallyDafydd ap Gwilym, Poet and Musician’, in Gwaith Dafydd ap Gwilym, ed. by Johnston, Dafydd, www.dafyddapgwilym.net/essays/sally_harper/index_eng.php (accessed 25 June 2021).Google Scholar
Harper, SallyAn Elizabethan Tune List from Lleweni Hall, North Wales’. Royal Musical Association Research Chronicle, 39 (2005), 4598.Google Scholar
Harper, SallyInstrumental Music in Medieval Wales’. North American Journal of Welsh Studies, 4 (2004), 2042.Google Scholar
Harper, SallyIssues in Dating the Repertory of Cerdd Dant’. Studia Celtica, 35 (2001), 325340.Google Scholar
Harper, Sally Music in Welsh Culture before 1650: A Study of the Principal Sources (Aldershot: Ashgate, 2007).Google Scholar
Harper, SallyThe Robert ap Huw Manuscript and the Canon of Sixteenth-Century Harp Music/Llawysgrif Robert ap Huw a Chanon Cerddoriaeth Gymreig i’r Delyn yn yr Unfed Ganrif ar Bymtheg’. Welsh Music History/Hanes Cerddoriaeth Cymru, 3 (1999), 130161.Google Scholar
Harper, SallySo How Many Irishmen Went to Glyn Achlach? Early Accounts of the Formation of Cerdd Dant’. Cambrian Medieval Celtic Studies, 42 (2001), 125.Google Scholar
Harper, Sally“Songes of the Doeinges of Their Auncestors”: Aspects of Welsh and English Musical Traditions’, in Authority and Subjugation in Writing of Medieval Wales, ed. by Kennedy, Ruth and Meecham-Jones, Simon, New Middle Ages series, ed. by Wheeler, Bonnie (London: Palgrave Macmillan, 2008), pp. 231250.Google Scholar
Harper, SallyTunes for a Welsh Psalter: Edmwnd Prys’s Llyfr y Psalmau’. Studia Celtica, 37 (2003), 221267.Google Scholar
Harper, Sally, and Thomas, Wyn. Cynheiliaid y Gân: Ysgrifau i Anrhydeddu Phyllis Kinney a Meredydd Evans/Bearers of Song: Essays in Honour of Phyllis Kinney and Meredydd Evans (Cardiff: University of Wales Press, 2007).Google Scholar
Harvey, John. ‘Nicholas Evans: Paintings by a Mad Pianist/Nicholas Evans: Darluniau gan Bianydd Gwallgof’. Welsh Music History/Hanes Cerddoriaeth Cymru, 2 (1997), 236252.Google Scholar
Hawkins, John. A General History of the Science and Practice of Music (London: T. Payne and Son, 1776).Google Scholar
Hensel, Sebastian. Die Familie Mendelssohn 1729–1847: Nach Briefen und Tagebüchern, Vol. 1 (Berlin: B. Behr’s Verlag, 1904).Google Scholar
Herbert, Trevor. ‘A Lament for Sam Hughes: The Last Ophicleidist’. Planet: the Welsh Internationalist, 87 (1991), 6675.Google Scholar
Herbert, TrevorLate Welsh Victorian Bands: Taste, Virtuosity and Cymmrodorion Attitudes/Bandiau Cymreig y Cyfnod Fictoraidd Diweddar: Chwaeth, Pencampwriaeth ac Agweddau’r Cymmrodorion’. Welsh Music History/Hanes Cerddoriaeth Cymru, 1 (1996), 92113.Google Scholar
Herbert, TrevorPopular Nationalism: Griffith Rhys Jones (‘Caradog’) and the Welsh Choral Tradition’, in Music and British Culture 1785–1914, ed. by Bashford, Christina and Langley, Leanne (Oxford: Oxford University Press, 2000), pp. 255275.Google Scholar
Herbert, TrevorPublic Military Music and the Promotion of Patriotism in the Provinces, c.1780–c.1850’, Nineteenth-Century Music Review, 17/3 (2020), 427444.Google Scholar
Herbert, TrevorThe Practice and Context of a Private Victorian Brass Band’, in Nineteenth-Century British Music Studies, ed. by Zon, Bennett (Aldershot: Ashgate, 1999), pp. 105–18.Google Scholar
Herbert, TrevorReconstruction of Nineteenth-Century Band Repertory: Towards a Protocol’, in Perspectives in Brass Scholarship: Proceedings of the International Historic Brass Society Symposium, Amherst, 1995, ed. by Carter, Stewart (Stuyvesant, NY: Pendragon Press, 1997), pp. 185213.Google Scholar
Herbert, TrevorThe Repertory of a Victorian Provincial Brass Band’. Popular Music, 9/1 (1990), 117132.Google Scholar
Herbert, TrevorA Softening Influence: R. T. Crawshay and the Cyfarthfa Band’. The Merthyr Historian, 5 (1992), 3542.Google Scholar
Herbert, TrevorThe Virtuosi of Merthyr’. Llafur: The Journal of the Society for the Study of Welsh Labour History, 5/1 (1988), 6069.Google Scholar
Herbert, Trevor, ed. The British Brass Band: A Musical and Social History (Oxford: Oxford University Press, 2000).Google Scholar
Herbert, Trevor, and Barlow, Helen. Music and the British Military in the Long Nineteenth Century (New York: Oxford University Press, 2013).Google Scholar
Herbert, Trevor, and Jones, Gareth Elwyn, ed. Edward I and Wales (Cardiff: University of Wales Press, 1988).Google Scholar
Herbert, Trevor, and Jones, Gareth Elwyn People and Protest: Wales 1815–1880 (Cardiff: University of Wales Press, 1988).Google Scholar
Herbert, Trevor, and Jones, Gareth Elwyn Post-War Wales (Cardiff: University of Wales Press, 1995).Google Scholar
Herbert, Trevor, and Jones, Gareth Elwyn The Remaking of Wales in the Eighteenth Century (Cardiff: University of Wales Press, 1988).Google Scholar
Herbert, Trevor, and Jones, Gareth Elwyn Tudor Wales (Cardiff: University of Wales Press, 1988).Google Scholar
Herbert, Trevor, and Jones, Gareth Elwyn Wales 1880–1914 (Cardiff: University of Wales Press, 1988).Google Scholar
Herbert, Trevor, and Jones, Gareth Elwyn Wales between the Wars (Cardiff: University of Wales Press, 1988).Google Scholar
Herbert, Trevor, and Myers, Arnold. Catalogue of the European Wind and Percussion Instruments in the Cyfarthfa Castle Museum Collection (Merthyr Tydfil: Cyfarthfa Castle Museum and Art Gallery, 1990).Google Scholar
Herbert, Trevor, and Myers, ArnoldInstruments of the Cyfarthfa Band’. Galpin Society Journal, 41 (1988), 210.Google Scholar
Herbert, Trevor, Myers, Arnold and Wallace, John, ed. The Cambridge Encyclopedia of Brass Instruments (Cambridge: Cambridge University Press, 2019).Google Scholar
Herbert, Trevor, and Stead, Peter. Hymns and Arias: Great Welsh Voices (Cardiff: University of Wales Press, 2001).Google Scholar
Herl, Joseph. ‘Earliest Source of “Cwm Rhondda” Found’. The Hymn Society Bulletin, 21/3 (2015), 98102.Google Scholar
Hill, Sarah. ‘Beyond Borders: The Female Welsh Pop Voice’. Radical Musicology, 1 (2006), 35 paras, www.radical-musicology.org.uk/2006/Hill.htm (accessed 5 July 2021).Google Scholar
Hill, Sarah ‘Blerwytirhwng?’ The Place of Welsh Pop Music (Aldershot: Ashgate, 2007).Google Scholar
Hill, SarahFamilies of Resemblance: Welsh Popular Music and Other Marginalia/Teuluoedd Tebygrwydd: Cerddoriaeth Boblogaidd Gymreig ac Ymylnodau Eraill’. Welsh Music History/Hanes Cerddoriaeth Cymru, 4 (2000), 138158.Google Scholar
Hill, Sarah and Griffiths, Dai. ‘Postcolonial Music in Contemporary Wales: Hybrids and Weird Geographies’, in Postcolonial Wales, ed. by Aaron, Jane and Williams, Chris (Cardiff: University of Wales Press, 2005), pp. 215233.Google Scholar
Hobsbawm, Eric and Ranger, Terence, eds. The Invention of Tradition (Cambridge: Cambridge University Press, 1983).Google Scholar
Hoggart, Richard. The Way We Live Now (London: Chatto & Windus, 1995).Google Scholar
Holt, Richard. Sport and the British: A Modern History (Oxford: Clarendon, 1989).Google Scholar
Hopwood, C. H., ed. A Calendar of the Middle Temple Records (London: Masters of the Bench, 1903).Google Scholar
Hughes, Ian, ed. Math Uab Mathonwy: The Fourth Branch of the Mabinogi (Dublin: Dublin Institute for Advanced Studies, 2013).Google Scholar
Hurd, Michael. Vincent Novello – and Company (St Albans: Granada, 1981).Google Scholar
Huws, Bleddyn Owen. Y Canu Gofyn a Diolch, c.1350–c.1630 (Caerdydd: Gwasg Prifysgol Cymru, 1998).Google Scholar
Huws, Daniel. ‘Gwisgo Merched a Mesurau/Dressing Women in Tunes’, in Cynheiliaid y Gân: Ysgrifau i Anrhydeddu Phyllis Kinney a Meredydd Evans/Bearers of Song: Essays in Honour of Phyllis Kinney and Meredydd Evans, ed. by Harper, Sally and Thomas, Wyn (Cardiff: University of Wales Press, 2007), pp. 145188.Google Scholar
Huws, DanielIolo Morganwg and Traditional Music’, in A Rattleskull Genius: The Many Faces of Iolo Morganwg, ed. by Jenkins, Geraint H. (Cardiff: University of Wales Press, 2009), pp. 333356.Google Scholar
Huws, DanielMelus-Seiniau Cymru’, Canu Gwerin/Folk Song, 8 (1985), 3250.Google Scholar
Huws, DanielMelus-Seiniau Cymru: Atodiadau’, Canu Gwerin/Folk Song, 9 (1986), 4757.Google Scholar
Huws, DanielNotes on the Robert ap Huw Manuscript/Nodiadau ar Lawysgrif Robert ap Huw’, Welsh Music History/Hanes Cerddoriaeth Cymru, 6 (2006), 4762.Google Scholar
Huws, Daniel A Repertory of Welsh Manuscripts and Scribes c.800–c.1800 (Aberystwyth: University of Wales Centre for Advanced Welsh and Celtic Studies and the National Library of Wales, 2022).Google Scholar
Huws, DanielRhagymadrodd/Introduction’, in Williams, Maria Jane, Ancient National Airs of Gwent and Morganwg, facsimile edn (Cymdeithas Alawon Gwerin Cymru/The Welsh Folk-Song Society, 1988), pp. xixxxviii.Google Scholar
Williams, Maria JaneSt David in the Liturgy’, in St David of Wales: Cult, Church and Nation, ed. by Evans, J. Wyn and Wooding, Jonathan M. (Woodbridge: The Boydell Press, 2007), pp. 220232.Google Scholar
Ifans, Rhiannon. Red Hearts and Roses? Welsh Valentine Songs and Poems (Cardiff: University of Wales Press, 2019).Google Scholar
James, Beryl Bowen and Allsobrook, David. First in the World: The Story of the National Youth Orchestra of Wales (Cardiff: University of Wales Press, 1995).Google Scholar
James, E. Wyn. ‘An “English” Lady among Welsh Folk: Ruth Herbert Lewis and the Welsh Folk-Song Society’, in Russell, Ian and Atkinson, David, eds., Folk Song: Tradition, Revival and Re-creation (Aberdeen: The Elphinstone Institute, University of Aberdeen, 2004), pp. 266283. Also available at www.cardiff.ac.uk/cy/special-collections/subject-guides/welsh-ballads/ruth-herbert-lewis (accessed 22 September 2021).Google Scholar
James, E. WynThe Evolution of the Welsh Hymn’, in Dissenting Praise: Religious Dissent and the Hymn in England and Wales, ed. by Rivers, Isabel and Wykes, David L. (Oxford: Oxford University Press, 2011), pp. 229268.Google Scholar
James, E. WynPainting the World Green: Dafydd Iwan and the Welsh Protest Ballad’. Folk Music Journal, 8/5 (2005), 594618.Google Scholar
James, E. WynPopular Poetry, Methodism, and the Ascendancy of the Hymn’, in The Cambridge History of Welsh Literature, ed. by Evans, Geraint and Fulton, Helen (Cambridge: Cambridge University Press, 2019), pp. 306–234.Google Scholar
James, E. Wyn, and Jones, Tecwyn Vaughan. Gwerin Gwlad: Ysgrifau ar Ddiwylliant Gwerin Cymru Cyfrol 1 (Llanrwst: Carreg Gwalch, 2008).Google Scholar
Jarman, A. O. H.Telyn a Chrwth’. Llên Cymru, 6 (1960–61), 154175.Google Scholar
Jarman, Eldra and Jarman, A. O. H.. The Welsh Gypsies: Children of Abram Wood (Cardiff: University of Wales Press, 1991).Google Scholar
Jarvis, Branwen. A Guide to Welsh Literature c.1700–1800 (Cardiff: University of Wales Press, 2000).Google Scholar
Jenkins, Bethan M. Between Wales and England: Anglophone Welsh Writing of the Eighteenth Century (Cardiff: University of Wales Press, 2017).Google Scholar
Jenkins, D. Sut i Ddysgu yr Hen Nodiant drwy y Sol-Ffa (Wrexham: Hughes & Son, 1898).Google Scholar
Jenkins, Dafydd. ‘Bardd Teulu and Pencerdd’, in The Welsh King and His Court, ed. by Charles-Edwards, T. M., Owen, Morfydd E. and Russell, Paul (Cardiff: University of Wales Press, 2000).Google Scholar
Jenkins, Dafydd. ed., Damweiniau Colan: Llyfr y Damweiniau yn ôl Llawysgrif Peniarth 30 (Aberystwyth: Cymdeithas Lyfrau Ceredigion, 1973).Google Scholar
Jenkins, Dafydd. ed., The Law of Hywel Dda: Law Texts from Medieval Wales. trans. Dafydd Jenkins, The Welsh Classics 2 (Llandysul: Gomer Press, 1986).Google Scholar
Jenkins, Geraint H. The Foundations of Modern Wales: Wales 1642–1780 (Oxford: Oxford University Press, 1993; originally published 1987).Google Scholar
Jenkins, Geraint H.Historical Writing in the Eighteenth Century’, in A Guide to Welsh Literature c. 1700–1800, ed. by Jarvis, Branwen (Cardiff: University of Wales Press, 2000), pp. 2344.Google Scholar
Jenkins, Geraint H.On the Trail of a “Rattleskull Genius”: Introduction’, in A Rattleskull Genius: The Many Faces of Iolo Morganwg, ed. by Jenkins, Geraint H. (Cardiff: University of Wales Press, 2009), pp. 128.Google Scholar
Jenkins, Geraint H. ed., A Rattleskull Genius: The Many Faces of Iolo Morganwg (Cardiff: University of Wales Press, 2009).Google Scholar
Jenkins, Karl. Still with the Music (London: Elliott and Thompson Ltd, 2015).Google Scholar
Jenkins, Philip. The Making of a Ruling Class: The Glamorgan Gentry 1640–1790 (Cambridge: Cambridge University Press, 1983).Google Scholar
Jenkins, R. T., and Ramage, Helen M.. A History of the Honourable Society of Cymmrodorion and of the Gwyneddigion and Cymreigyddion Societies (1751–1951) (London: The Honourable Society of Cymmrodorion, 1951).Google Scholar
John, Angela V., ed. Our Mothers’ Land: Chapters in Welsh Women’s History 1830–1939 (Cardiff: University of Wales Press, 1991).Google Scholar
Johnes, Martin. A History of Sport in Wales (Cardiff: University of Wales Press, 2005).Google Scholar
Johnston, Dafydd, ed. Gwaith Iolo Goch (Caerdydd: Gwasg Prifysgol Cymru, 1988).Google Scholar
Johnston, Dafydd ed., Iolo Goch: Poems (Llandysul: Gomer, 1993).Google Scholar
Johnston, Dafydd et al., goln. Cerddi Dafydd ap Gwilym (Caerdydd: Gwasg Prifysgol Cymru, 2010).Google Scholar
Jones, Bill. ‘Welsh Identities in Ballarat, Australia, During the Late Nineteenth Century’. Welsh History Review, 20 (2000–1), 283307.Google Scholar
Jones, Brynmor P. Voices from the Welsh Revival 1904–1905 (Bridgend: Evangelical Press of Wales, 1995).Google Scholar
Jones, Craig Owen. ‘“Beatbox Taffia”: Welsh Underground Music in the 1990s/“Beatbox Taffia”: Cerddoriaeth Danddaearol Gymraeg yn y 1990au’. Welsh Music History/Hanes Cerddoriaeth Cymru, 6 (2006), 217259.Google Scholar
Jones, Craig Owen“Beatbox Taffia” II: Prevailing Trends in Welsh-Language Hip-Hop and Underground Music/“Beatbox Taffia” II: Y Tueddiadau Amlycaf mewn Cerddoriaeth Hip-Hop a Thanddaearol Cymraeg’. Welsh Music History/Hanes Cerddoriaeth Cymru, 7 (2007), 225264.Google Scholar
Jones, Craig OwenMapping Live Provisions in Welsh-Language Rock, 1978–80’. Popular Music History, 7/1 (2012), 5381.Google Scholar
Jones, Daniel. ‘Daniel Jones’, in Artists in Wales, ed. by Stephens, Meic (Llandysul: J. D. Lewis & Sons Ltd, 1971), pp. 109118.Google Scholar
Jones, Daniel My Friend Dylan Thomas (London: J. M. Dent & Sons, 1977).Google Scholar
Jones, DanielSome Metrical Experiments’. The Score, 3 (1950), 3248.Google Scholar
Jones, Daniel ed., The Poems of Dylan Thomas (New York: New Directions, 1971).Google Scholar
Jones, David R. ‘Nationalism, Folk Song and Welsh Art Music: One Man’s Vision/Cenedlaetholdeb, Canu Gwerin a Cherddoriaeth Gelfyddydol Gymreig: Gweledigaeth Un Dyn’. Welsh Music History/Hanes Cerddoriaeth Cymru, 7 (2007), 161224.Google Scholar
Jones, Edward. The Bardic Museum (London: A Strahan, 1802).Google Scholar
Jones, Edward Hen Ganiadau Cymru: Cambro-British Melodies (London: 1820).Google Scholar
Jones, Edward Musical and Poetical Relicks of the Welsh Bards (London: Printed for the Author, 1784).Google Scholar
Jones, Edward Musical and Poetical Relicks of the Welsh Bards, 2nd ed. (London: Printed for the Author, 1794).Google Scholar
Jones, Emrys, ed. The Welsh in London 1500–2000 (Cardiff: University of Wales on behalf of the Honourable Society of Cymmrodorion, 2001).Google Scholar
Jones, Emrys, and Griffiths, Ieuan L.. ‘A Linguistic Map of Wales: 1961’. The Geographical Journal, 129/2 (1963), 192196.Google Scholar
Jones, Elin M., gol., gyda chymorth Jones, Nerys Ann. Gwaith Llywarch ap Llywelyn ‘Prydydd y Moch’ (Caerdydd: Gwasg Prifysgol Cymru, 1991).Google Scholar
Jones, Ffion Mair. ‘“To Know Him Is to Esteem Him”: John Jenkins, Ifor Ceri 1770–1829’. Montgomeryshire Collections, 99 (2011), 5382.Google Scholar
Jones, G. I. Meistr Cerdd: Bywyd a Gwaith William Bradwen Jones, Cerddor (Llangefni: Yr Awdur, 1983).Google Scholar
Jones, John Gwynfor. ‘Cerdd a Bonedd Yng Nghymru 1540–1640: Rhai Argraffiadau’. Welsh Music/Cerddoriaeth Cymru, 6/9 (Winter/Gaeaf 1981–2), 2233; 7/1 (Summer/Haf 1982), 25–40; 7/3 (Spring/Gwanwyn 1983), 30–47.Google Scholar
Jones, John Gwynfor The Wynn Family of Gwydir: Origins, Growth and Development c.1490–1674 (Aberystwyth: Centre for Educational Studies, 1995).Google Scholar
Jones, Kitty Idwal. ‘Adventures in Folk-Song Collecting’. Welsh Music/Cerddoriaeth Cymru, 5/5 (Spring/Gwanwyn 1977), 3352.Google Scholar
Jones, Nerys Ann. Hywel ab Owain Gwynedd: Bardd-Dywysog (Caerdydd:Gwasg Prifysgol Cymru, 2009).Google Scholar
Jones, Nicholas. ‘“Disparagement and Invidious Comparisons”? Assessing Critical Reactions to Mathias’s Symphony No. 1’. Tempo, 60/238 (October 2006), 814.Google Scholar
Jones, NicholasMathias’s String Quartet No. 1: Something to Shout About’. The Musical Times, 141/1872 (Autumn 2000), 2432.Google Scholar
Jones, Owen, Williams, Edward and Pughe, William Owen. The Myvyrian Archaiology of Wales: Collected out of Ancient Manuscripts (London: S. Rousseau, 1801/1807).Google Scholar
Jones, Philip Henry. ‘A Golden Age Reappraised: Welsh-Language Publishing in the Nineteenth Century’, in Images and Texts: Their Production and Distribution in the 18th and 19th Centuries, ed. by Isaac, Peter and McKay, Barry (Winchester: St Paul’s Bibliographies; Delaware: Oak Knoll Press, 1997), pp. 121141.Google Scholar
Jones, Philip Henry and Rees, Eiluned, ed. A Nation and Its Books: A History of the Book in Wales (Aberystwyth: National Library of Wales, 1998).Google Scholar
Jones, R. Tudur. Faith and the Crisis of a Nation: Wales 1890–1914, ed. by Pope, Robert and trans. by Jones, Sylvia Prys (Cardiff: University of Wales Press, 2004).Google Scholar
Jones, Theophilus. A History of the County of Brecknock, 2 vols (Brecon: George North, 1805–9).Google Scholar
Jones, Thomas, trans. Brut y Tywysogyon or the Chronicle of the Princes: Peniarth Ms. 20 Version (Cardiff: University of Wales Press, 1952).Google Scholar
Jones, W. D. Wales in America: Scranton and the Welsh, 1860–1920 (Cardiff: University of Wales Press, 1993).Google Scholar
Jones-Baker, Doris. ‘Mediaeval and Tudor Music and Musicians in Hertfordshire: The Graffiti Evidence’, in Hertfordshire in History: Essays Presented to Lionel Munby, ed. by Jones-Baker, Doris (Hatfield: Hertfordshire Publications, 2004), pp. 2246.Google Scholar
Keegan-Phipps, Simon. ‘Déjà Vu? Folk Music, Education, and Institutionalization in Contemporary England’. Yearbook for Traditional Music, 39 (2007), 84107.Google Scholar
Keen, Elen Wyn. ‘Camp Cerddor a Gallu Gwyddonydd: J. Lloyd Williams a’i Gylchgrawn/A Musician’s Art and Scientific Prowess: J. Lloyd Williams and his Journal’. Welsh Music History/Hanes Cerddoriaeth Cymru, 5 (2002), 135161.Google Scholar
Kinney, Phyllis. ‘Hunting the Wren/Hela’r Dryw’. Welsh Music History/Hanes Cerddoriaeth Cymru, 6 (2006), 104128.Google Scholar
Kinney, PhyllisAn Irish/Welsh Tune Family/Teulu o Alawon Gwyddelig/Cymreig’. Welsh Music History/Hanes Cerddoriaeth Cymru, 1 (1996), 114127.Google Scholar
Kinney, PhyllisJohn Thomas’s Fiddle Manuscript’. Canu Gwerin/Folk Song, 22 (1999), 4351.Google Scholar
Kinney, PhyllisThe Tunes of the Welsh Christmas Carols’. Canu Gwerin, 11 (1988), 2857; Canu Gwerin, 12 (1989), 529.Google Scholar
Kinney, Phyllis Welsh Traditional Music (Cardiff: University of Wales Press in association with Cymdeithas Alawon Gwerin Cymru, 2011).Google Scholar
Kinney, Phyllis and Evans, Meredydd. Hen Alawon (Carolau a Cherddi): Casgliad John Owen, Dwyran (Cymdeithas Alawon Gwerin Cymru mewn cydweithrediad ag Amgueddfa Genedlaethol Cymru, 1993).Google Scholar
Klausner, David. ‘Family Entertainments among the Salusburys of Lleweni and Their Circle, 1595–1641/Diddanwch Teuluaidd ymysg Salsbriaid Lleweni a’u Cylch, 1595–1641’. Welsh Music History/Hanes Cerddoriaeth Cymru, 6 (2006), 129154.Google Scholar
Klausner, DavidStatud Gruffudd ap Cynan/The Statute of Gruffudd ap Cynan’. Welsh Music History/Hanes Cerddoriaeth Cymru, 3 (1999), 282298.Google Scholar
Klausner, David N., ed. Records of Early Drama: Wales, Records of Early English Drama (Toronto: University of Toronto Press, 2005).Google Scholar
Knapp, James F.The Poetry of R. S. Thomas’. Twentieth Century Literature, 17/1 (1971), 19.Google Scholar
Lambert, W. R. Drink and Sobriety in Victorian Wales c.1820–c.1895 (Cardiff: University of Wales Press, 1983).Google Scholar
Law, Bryn. Don’t Take Me Home: On Tour with the Red Wall at Euro 2016 (Cardiff: St David’s Press, 2016).Google Scholar
Le Huray, Peter. ‘The Chirk Castle Partbooks’. Early Music History, 2 (1982), 1742.Google Scholar
Leathart, William. The Origin and Progress of the Gwyneddigion Society of London, Instituted 1770 (London: Hugh Pierce Hughes, 1831).Google Scholar
Leathart, William Welsh Pennillion; with Translations into English, Adapted for Singing to the Harp (London: W. T. Moncrieff, 1825).Google Scholar
Leech, Caroline. Welsh National Opera: Celebrating the First Sixty Years (Cardiff: Graffeg, 2006).Google Scholar
Leonard, Deke. Maybe I Should’ve Stayed in Bed? The Flip Side of the Rock’n’roll Dream (Bordon: Northdown Publishing, 2000).Google Scholar
Leonard, Deke Rhinos, Winos & Lunatics: The Legend of Man, a Rock’n’Roll Band (Bordon: Northdown Publishing, 1996).Google Scholar
Levine, Lawrence W. Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America (Cambridge, MA; London: Harvard University Press, 1990).Google Scholar
Lewis, Geraint. ‘Hoddinott and the Symphony’. The Musical Times, 130/1758 (August 1989), 455459.Google Scholar
Lewis, Geraint“Welsh” Music’. Welsh Music/Cerddoriaeth Cymru, 7/2 (Winter/Gaeaf 1982–3), 619.Google Scholar
Lewis, John H., Painter, Christopher, Williams, Huw Tregelles, Bennett, Elinor, Stowell, Robin, Burtch, Mervyn, Francis, Alun, Small, Tony, Matthews-Owen, Andrew, Williams, Jeremy Huw, Wick, Denis and Jones, Richard Elfyn. ‘Tributes to Alun Hoddinott’. Welsh Music/Cerddoriaeth Cymru, 11/1 (Summer/Haf 2009), 1434.Google Scholar
Lewis, Richard and Wood, David. ‘Culture, Politics and Assimilation: The Welsh on Teesside, c. 1850–1940’. Welsh History Review, 17 (1994–5), 550570.Google Scholar
Lewis, Ruth Herbert. Folk Songs Collected in Flintshire and the Vale of Clwyd (Wrexham: Hughes & Son, 1914).Google Scholar
Lewis, Ruth Herbert Second Collection of Welsh Folk-Songs (Wrexham: Hughes & Son; Cardiff: Educational Publishing Co., 1934).Google Scholar
Lewis, Timothy. ‘The Paris Hexameron’, The Dragon, XXXVI (1910–11), 219222.Google Scholar
Ley, Rachel. ‘Arglwyddes Llanofer a’r Delyn Deires/Lady Llanover and the Triple Harp’. Welsh Music History/Hanes Cerddoriaeth Cymru (1996), 128143.Google Scholar
Ley, Rachel Arglwyddes Llanofer, Gwenynen Gwent (Caernarfon Gwasg Gwynedd, 2001).Google Scholar
Lhuyd, Edward. Archaeologia Britannica, Giving Some Account Additional to what has been hitherto Publish’d, of the Languages, Histories and Customs of the Original Inhabitants of Great Britain: From Collections and Observations in Travels through Wales, Cornwal, Bas-Bretagne, Ireland and Scotland (Oxford: Printed at the Theater for the Author, 1707).Google Scholar
Livingston, Tamara. ‘Music Revivals: Towards a General Theory’. Ethnomusicology, 43 (1999), 6685.Google Scholar
Lloyd, Philip. Silvograph: Arthur Cheetham (1865–1937), Pioneer Film-Maker (Llanrwst: Gwasg Carreg Gwalch, 2018).Google Scholar
Llwyd, Alan. Blynyddoedd y Locustiaid: Hanes Eisteddfod Genedlaethol Cymru 1919–1936 (Felindre: Cyhoeddiadau Barddas, 2007)Google Scholar
Llwyd, Alan Prifysgol y Werin: Hanes Eisteddfod Genedlaethol Cymru, 1900–1918 (Felindre: Cyhoeddiadau Barddas, 2008).Google Scholar
Llwyd, Alan Y Gaer Fechan Olaf: Hanes Eisteddfod Genedlaethol Cymru 1937–1950 (Felindre: Cyhoeddiadau Barddas, 2006).Google Scholar
Luff, Alan. Welsh Hymns and Their Tunes: Their Background and Place in Welsh History and Culture (London: Stainer & Bell, 1990).Google Scholar
MacLean, Malcolm. ‘Of Warriors and Blokes: The Problem of Maori Rugby for Pakeha Masculinity in New Zealand’, in Making the Rugby World: Race, Gender, Commerce, ed. by Chandler, Timothy J. and Naught, John (London and Portland OR: Frank Cass, 1999), pp. 126.Google Scholar
Mangan, J. A., ed. Pleasure, Profit, Proselytism: British Culture and Sport at Home and Abroad 1700–1914 (Frank Cass, 1988).Google Scholar
Marwick, Arthur. Culture in Britain since 1945 (Oxford: Basil Blackwell, 1991).Google Scholar
Mathias, Rhiannon. Lutyens, Maconchy, Williams and Twentieth-Century British Music: A Blest Trio of Sirens (Farnham: Ashgate, 2012).Google Scholar
Mathias, Roland. ‘Roland Mathias’, in Artists in Wales, ed. by Stephens, Meic (Llandysul: J.D. Lewis & Sons Ltd, 1971).Google Scholar
Matthias, William, ‘William Matthias’, in Artists in Wales, ed. by Stephens, Meic (Llandysul: J. D. Lewis & Sons Ltd, 1971).Google Scholar
Mathias, William, and Boyd, Malcolm. ‘William Mathias at 50: The Composer Talks to Malcolm Boyd’. The Musical Times, 125/1701 (November 1984), 626627.Google Scholar
Mathias, William, in conversation with Heward Rees, A. J.. ‘Perspectives and Prospects’. Welsh Music/Cerddoriaeth Cymru, 4/10 (Summer/Haf 1975), 1122.Google Scholar
Mathias, William, in conversation with A. J. Heward Rees. 'Servants and Masters'. Welsh Music/Cerddoriaeth Cymru, 6/5 (Summer/Haf 1980), 17–27.Google Scholar
McAulay, Karen. Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era (Farnham: Ashgate, 2013).Google Scholar
McKerrell, Simon. ‘Traditional Arts and the State: The Scottish Case’. Cultural Trends, 23 (2014), 159168.Google Scholar
McKibbin, Ross. Classes and Cultures, England 1918–51 (Oxford: Oxford University Press, 1998).Google Scholar
McVeigh, Simon. Concert Life in London from Mozart to Haydn (Cambridge: Cambridge University Press, 1993).Google Scholar
Meurig, Cass. ‘Composing Traditional Music’, in Cynheiliaid y Gân: Ysgrifau i Anrhydeddu Phyllis Kinney a Meredydd Evans/Bearers of Song: Essays in Honour of Phyllis Kinney and Meredydd Evans, ed. by Harper, Sally and Thomas, Wyn (Cardiff: University of Wales Press, 2007), pp. 240250.Google Scholar
Meurig, CassDance in Wales in the Seventeenth and Eighteenth Centuries/Dawns yng Nghymru yn yr Ail Ganrif ar Bymtheg a’r Ddeunawfed Ganrif’. Welsh Music History/Hanes Cerddoriaeth Cymru, 7 (2007), 5591.Google Scholar
Meurig, CassThe Fiddler in Eighteenth-Century Wales/Y Ffidler yng Nghymru’r Ddeunawfed Ganrif’. Welsh Music History/Hanes Cerddoriaeth Cymru, 5 (2002), 2258.Google Scholar
Meurig, Cass ed., Alawon John Thomas: A Fiddler’s Tune Book from Eighteenth-Century Wales (Aberystwyth: Llyfrgell Genedlaethol Cymru/The National Library of Wales, 2004).Google Scholar
Miles, Bethan. ‘Crwth’. In Cydymaith i Gerddoriaeth Cymru, goln. Pwyll ap Siôn a Wyn Thomas (Talybont: Y Lolfa, 2018), tt. 107109.Google Scholar
Miles, BethanCrythorion’. In Cydymaith i Gerddoriaeth Cymru, goln. Pwyll ap Siôn a Wyn Thomas (Talybont: Y Lolfa, 2018), tt. 109112.Google Scholar
Mills, Janet. ‘Secondary Singing Inspected’. British Journal of Music Education, 17/1 (March 2000), 6166, doi:10.1017/S0265051700000152 (accessed 29 April 2021).Google Scholar
Mills, Richard. Yr Arweinydd Cerddorol, y rhan gyntaf (Llanidloes: John Mendus Jones, ail. arg 1844).Google Scholar
Mills, Richard, and Jones, N. Cynhafal. Buchdraeth y Parch. John Mills (Aberdar: Mills a Lynch, 1844).Google Scholar
Morgan, Gareth. ‘Rugby and Revivalism: Sport and Religion in Edwardian Wales’. The International Journal of the History of Sport, 22/3 (May 2005), 434456.Google Scholar
Morgan, Kenneth O. Rebirth of a Nation: Wales 1880–1980, History of Wales Series (Oxford: Clarendon Press, 1981).Google Scholar
Morgan, Prys. The Eighteenth Century Renaissance, A New History of Wales (Llandybie: Christopher Davies, 1981).Google Scholar
Morgan, PrysFrom a Death to a View: The Hunt for the Welsh Past in the Romantic Period’, in The Invention of Tradition, ed. by Hobsbawm, Eric and Ranger, Terence (Cambridge: Cambridge University Press, 1983), pp. 43100.Google Scholar
Morgan, T. J. Peasant Culture (Swansea: University College of Swansea, 1962).Google Scholar
Morgans, David. Music and Musicians of Merthyr and District: Together with a List of Eisteddfodau to the Year 1901 (Merthyr Tydfil: H. W. Southey, 1922).Google Scholar
Morgans, Delyth. Cydymaith Caneuon Ffydd, arg. newydd ([Aberystwyth]: Pwyllgor y Llyfr Emynau Cydenwadol, 2008).Google Scholar
Morgans, DelythY Cerddor: Cyfnodolyn y Werin/Y Cerddor: Periodical of the People’, Welsh Music History/Hanes Cerddoriaeth Cymru, 5 (2002), 105134.Google Scholar
Morris, W. Meredith. Famous Fiddlers ([Cardiff]: Welsh Folk Museum, 1983).Google Scholar
Munrow, David. Instruments of the Middle Ages and Renaissance (Oxford: Oxford University Press, 1976).Google Scholar
Myddelton, W. M. Chirk Castle Accounts, AD 1605–66 (St Albans: Privately printed, 1908).Google Scholar
Naughton, John. From Gutenberg to Zuckerberg: What You Really Need to Know About the Internet (London: Quercus, 2014).Google Scholar
Nettel, Reginald. North Staffordshire Music: A Social Experiment (Rickmansworth: Triad, 1977).Google Scholar
O’Connor, Tina. ‘The Cotehele Cupboard: An Elegy in Oak’. Journal of the Regional Furniture Society, 28 (2014), https://regionalfurnituresociety.files.wordpress.com/2013/02/01-oconnor.pdf (accessed 22 Sept. 2021).Google Scholar
O’Leary, Paul. ‘Revolution, Culture, and Industry, c. 1700–1850’, in The Cambridge History of Welsh Literature, ed. by Evans, Geraint and Fulton, Helen (Cambridge: Cambridge University Press, 2019), pp. 253263.Google Scholar
Oliver, Michael. ‘Two Welsh Composers: Alun Hoddinott and William Mathias’, in British Music Now, ed. by Foreman, Lewis (London: Elek Books, 1975), pp. 8696.Google Scholar
Owen, Hugh. ‘The Diary of Bulkeley of Dronwy, Anglesey, 1630–1636’. Transactions of the Anglesey Antiquarian Society and Field Club (1937), 26172.Google Scholar
Owen, Hugh ed., Additional Letters of the Morrises of Anglesey (1735–1786), 2 vols (London: The Honourable Society of Cymmrodorion, 1947–9).Google Scholar
Owen, John (Owain Alaw). Gems of Welsh Melody (Ruthin and Wrexham: Isaac Clarke/ Hughes and Son, 1860–4).Google Scholar
Parrott, Ian. Hanes Yr Urdd er Hyrwyddo Cerddoriaeth Cymru, 1955–1980/The Story of the Guild for the Promotion of Welsh Music, 1955–1980 (Swansea: Guild for the Promotion of Welsh Music, 1980).Google Scholar
Parrott, Ian The Spiritual Pilgrims (Aberystwyth: Christopher Davies, 1964).Google Scholar
Parry, John (Bardd Alaw). The Welsh Harper (London and Chester: D’Almaine and Co., and E. Parry, 1839).Google Scholar
Parry, John The Welsh Harper … Volume II (London: D’Almaine, 1848).Google Scholar
Parry, John (Ruabon). British Harmony (Ruabon and London: Printed for and Sold by John Parry, Ruabon, Denbighshire & P. Hodgson, London, 1781).Google Scholar
Parry, John Cambrian Harmony (London: n.p., 1810).Google Scholar
Parry, John (Ruabon) and Williams, Evan. Antient British Music (London:Printed for and sold by the Compilers, 1742).Google Scholar
Parry, Thomas, gol. Gwaith Dafydd ap Gwilym (Caerdydd: Gwasg Prifysgol Cymru, 1952).Google Scholar
Parry-Williams, T. H., gol. Llawysgrif Richard Morris o Gerddi, [B.M. Add. Ms. 14, 992] (Caerdydd: Gwasg Prifysgol Cymru, 1931).Google Scholar
Phillips, Geraint. ‘Dyn Heb ei Gyffelyb yn y Byd’: Owain Myfyr a’i Gysylltiadau Llenyddol (Caerdydd: Gwasg Prifysgol Cymru, 2010).Google Scholar
Pope, Robert. ‘Evan Roberts in Theological Context’. Transactions of the Honourable Society of Cymmrodorion, 11 (2004), 144169.Google Scholar
Porter, Dilwyn. ‘Sport and National Identity’, in The Oxford Handbook of Sports History, ed. by Edelman, Robert and Wilson, Wayne (Oxford: Oxford University Press, 2017).Google Scholar
Powel, David. The Historie of Cambria, facsimile ed. (Amsterdam and New York: Theatrum Orbis Terrarum and Da Capo Press, 1969).Google Scholar
Powell, Nia. ‘Robert ap Huw: A Wanton Minstrel of Anglesey/Robert ap Huw: Clerwr Gwyllt o Fôn’. Welsh Music History/Hanes Cerddoriaeth Cymru, 3 (1999), 553.Google Scholar
Prescott, Sarah. Eighteenth-Century Writing from Wales: Bards and Britons (Cardiff: University of Wales Press, 2008).Google Scholar
Pritchard, T. W. The Wynns at Wynnstay (Caerwys: Old Court Press, 1982).Google Scholar
Pryse, John. The Cambrian Melodist (Llanidloes: [c.1850]).Google Scholar
Quitsland, Beth. The Reformation in Rhyme: Sternhold, Hopkins and the English Metrical Psalter, 1547–1603 (Aldershot: Ashgate, 2008).Google Scholar
Rees, A. J. Heward. ‘Henry Brinley Richards (1817–1885): A Nineteenth-Century Propagandist for Welsh Music/Henry Brinley Richards (1817–1885): Propagandydd dros Gerddoriaeth Gymreig o’r Bedwaredd Ganrif ar Bymtheg’. Welsh Music History/Hanes Cerddoriaeth Cymru, 2 (1998), 173212.Google Scholar
Rees, A. J. HewardViews and Revisions: The Composer Grace Williams Talks to A.J. Heward Rees’. Welsh Music/Cerddoriaeth Cymru, 5/4 (Winter/Gaeaf 1976–7), 718.Google Scholar
Rees, A. J. Heward, and Wynne, David. ‘Cyril Jenkins’. Welsh Music/Cerddoriaeth Cymru, 5/9 (Summer/Haf 1978), 80.Google Scholar
Rees, Eiluned. Libri Walliae (Aberystwyth: Llyfrgell Genedlaethol Cymru/National Library of Wales, 1987).Google Scholar
Rees, Ronald. A Nation of Singing Birds: Sermon and Song in Wales and among the Welsh in North America (Talybont: Y Lolfa, 2021).Google Scholar
Rees, Stephen P.Adnewyddiad Creadigol yn y Traddodiad Offerynnol yng Nghymru’. Canu Gwerin/Folk Song, 42 (2019), 2746.Google Scholar
Rees, Stephen P.English Descant and a Source of Vernacular Music Theory from Medieval Wales/Degant Seisnig a Ffynhonnell Theori Cerddoriaeth Frodorol o Gymru’r Oesoedd Canol’. Welsh Music History/Hanes Cerddoriaeth Cymru, 1 (1996), 144163.Google Scholar
Rees, Stephen P.A New Celtic Tradition? Group Instrumental Performance in the Welsh Folk Revival, c.1975–c.1989/Traddodiad Celtaidd Newydd? Perfformiad Offerynnol gan Grwpiau yn yr Adfywiad Gwerin yng Nghymru, c. 1975–c.1989’. Welsh Music History/Hanes Cerddoriaeth Cymru, 7 (2007), 304343.Google Scholar
Rees, Stephen P., and Harper, Sally. ‘Aspects of the Palaeography and History of the Robert ap Huw Manuscript/Agweddau ar Balaeograffeg a Hanes Llawysgrif Robert ap Huw’. Welsh Music History/Hanes Cerddoriaeth Cymru, 3 (1999), 5467.Google Scholar
The Religious Revival in Wales, 1904. By Awstin and Other Special Correspondents of the Western Mail, Vol. 3 (Cardiff: Western Mail, 1905).Google Scholar
Reynolds, Peter. BBC National Orchestra and Chorus of Wales (Swansea: BBC Cymru Wales, 2009).Google Scholar
Reynolds, Thomas William. ‘A Study of Music and Liturgy: Choirs and Organs in Monastic and Secular Foundations in Wales and the Borderlands, 1485–1645’ (PhD thesis, Bangor University, 2002). https://research.bangor.ac.uk/portal/en/theses/a-study-of-music-and-liturgy–choirs-and-organs-in-monastic-and-secular-foundations-in-wales-and-the-borderlands-14851645(7d84e8de-005e-49e2-a6a4-2d64b028c137).html (accessed 30 June 2021).Google Scholar
Reynolds, William. ‘Chirk Castle Organ and Organbook: An Insight into Performance Practice Involving a Seventeenth-Century “Transposing” Organ’. Journal of the British Institute of Organ Studies, 21 (1997), 2855.Google Scholar
Reynolds, WilliamMiddleton’s Household Chapel: Church Music on the Welsh Border in the Seventeenth Century/Capel Teuluol Middleton: Cerddoriaeth Eglwysig ar y Gororau yn yr Ail Ganrif ar Bymtheg’. Welsh Music History/Hanes Cerddoriaeth Cymru, 4 (2000), 111137.Google Scholar
Rhys, Dulais. Joseph Parry: Bachgen Bach o Ferthyr (Caerdydd: Gwasg Prifysgol Cymru, 1998).Google Scholar
Rhys, Dulais and Bott, Frank. To Philadelphia and Back: The Life and Music of Joseph Parry (Llanrwst: Gwasg Carreg Gwalch, 2010).Google Scholar
Riall, Nicholas. ‘A Tudor Cupboard at Cotehele and Associated Carpentry Work from the Welsh Marches’. Journal of the Regional Furniture Society, 26 (2012), https://regionalfurnituresociety.files.wordpress.com/2013/02/a02-riall.pdf (accessed 22 September 2021).Google Scholar
Richards, Brinley, ed. The Songs of Wales (London: Boosey & Co., Ltd, 1873).Google Scholar
Rickards, Guy. ‘Hampstead: Rhian Samuel’s “Light and Water”’. Tempo, 58/230 (October 2004), 5860.Google Scholar
Rimmer, Joan. ‘Edward Jones’s Musical and Poetical Relicks of the Welsh Bards, 1784: A Re-assessment’. The Galpin Society Journal, 39 (1986), 7796.Google Scholar
Rimmer, JoanTelynores Maldwyn: Nansi Richards, a Welsh Harpist, 1888–1979’. Studia Instrumentorum Musicae Popularis, 7 (1981), 127133.Google Scholar
Rivière, Jules. My Musical Life and Recollections (London: Sampson Low, Marston and Company, 1893).Google Scholar
Roberts, Brynley F., ed. Breudwyt Maxen Wledic (Dublin: Dublin Institute for Advanced Studies, 2005).Google Scholar
Roberts, Carys Ann. ‘Agwedd Gosmopolitanaidd John Thomas, “Pencerdd Gwalia” (1826–1913)’/‘The Cosmopolitan Aspect of John Thomas, “Pencerdd Gwalia” (1826–1913)’. Welsh Music History/Hanes Cerddoriaeth Cymru, 4 (2000), 88110.Google Scholar
Roberts, David. Gramadeg Cerddorol (Bala: G. Jones, 1848).Google Scholar
Roberts, E. Ernest. John Roberts, Telynor Cymru (Dinbych: Gwasg Gee, 1978).Google Scholar
Roberts, Gwyneth Tyson. The Language of the Blue Books: Wales and Colonial Prejudice (Cardiff: University of Wales Press, 2011).Google Scholar
Roberts, Huw and Rhydderch, Llio. Telynorion Llannerch-y-medd: Teulu’r Britannia ac Eraill/The Harpers of Llannerch-y-medd: The Britannia Family and Others (Cyngor Sir Ynys Môn, 2000).Google Scholar
Roberts, Thomas, gol. Gwaith Dafydd ab Edmwnd (Bangor: Bangor Manuscripts Society, 1914).Google Scholar
Roberts, Thomas gol., Gwaith Tudur Penllyn ac Ieuan ap Tudur Penllyn (Caerdydd: Gwasg Prifysgol Cymru, 1958).Google Scholar
Robertson, Dora H. Sarum Close, 2nd ed. (Bath: Firecrest Publishing 1969).Google Scholar
Rodell, Jonathan The Rise of Methodism: A Study of Bedfordshire, 1736–1851 (Woodbridge: Boydell, 2014).Google Scholar
Rosselli, John. Music and Musicians in Nineteenth-Century Italy (Portland, OR: Amadeus Press, 1991).Google Scholar
Rosselli, John The Opera Industry in Italy from Cimarosa to Verdi: The Role of the Impresario (Cambridge: Cambridge University Press, 1984).Google Scholar
Rosser, Ann. Telyn a Thelynor: Hanes y Delyn yng Nghymru 1700–1900 ([Caerdydd]: Amgueddfa Werin Cymru, 1981).Google Scholar
Rowlands, William (‘Gwilym Lleyn’). Llyfryddiaeth y Cymry/Cambrian Bibliography (Llanidloes: John Pryse, 1869).Google Scholar
Royal Commission on Historical Manuscripts. Report on Manuscripts in the Welsh Language, 2 vols (London: HMSO, 1898–1910).Google Scholar
Royal Welsh College of Music and Drama. Celebrations: 50th Anniversary 1949–1999 (Cardiff: Royal Welsh College of Music and Drama, 1999).Google Scholar
Ryan, Greg. The Contest for Rugby Supremacy: Accounting for the 1905 All Blacks (Christchurch: Canterbury University Press, 2005).Google Scholar
Ryan, Greg Forerunners of the All Blacks: The 1888–89 New Zealand Native Football Team in Britain, Australia and New Zealand (Christchurch: Canterbury University Press, 1993).Google Scholar
Rycroft, Marjorie E.Haydn’s Welsh Songs: George Thomson’s Musical and Literary Sources/Caneuon Cymreig Haydn: Ffynonellau Cerddorol a Llenyddol George Thomson’. Welsh Music History/Hanes Cerddoriaeth Cymru, 7 (2007), 92160.Google Scholar
Saer, D. Roy. Cymdeithas Alawon Gwerin Cymru: Canrif Gron/The Welsh Folk-Song Society: a Whole Century (Cymdeithas Alawon Gwerin Cymru, 2006).Google Scholar
Saer, D. Roy Y Delyn yng Nghymru Mewn Lluniau/The Harp in Wales in Pictures (Llandysul and Caerdydd: Gwasg Gomer/Amgueddfa Genedlaethol Cymru, 1991).Google Scholar
Saer, Roy. ‘Canu at Iws’ ac Ysgrifau Eraill/‘Song for Use’ and Other Articles (Talybont: Cymdeithas Alawon Gwerin Cymru, 2013).Google Scholar
Saer, D. RoyEos Dâr: “Y Canwr Penillion Digyffelyb”’, in ‘Canu at Iws’ ac Ysgrifau Eraill (Talybont: Cymdeithas Alawon Gwerin Cymru, 2013), pp. 123137.Google Scholar
Saer, Roy. ‘Traditional Dance in Wales during the Eighteenth Century’, in ‘Canu at Iws’ ac Ysgrifau Eraill (Talybont: Cymdeithas Alawon Gwerin Cymru, 2013), pp. 287304.Google Scholar
Saer, D. RoyWelsh Gipsies and the Triple Harp’, in ‘Canu at Iws’ ac Ysgrifau Eraill (Talybont: Cymdeithas Alawon Gwerin Cymru, 2013), pp. 251267.Google Scholar
Samson, Jim. ‘Instrumental Music II’, in The Blackwell History of Music in Britain – the Twentieth Century, ed. by Banfield, Stephen (Oxford: Blackwell, 1995), pp. 290291.Google Scholar
Scholes, Percy A.Hen Wlad Fy Nhadau’. National Library of Wales Journal, 3/1 & 2 (1943), 110.Google Scholar
Scholes, Percy A. The Mirror of Music 1844–1944, 2 vols (London: Novello & Co. with Oxford University Press, 1947).Google Scholar
Schutz, Rachel. ‘An Introduction to Welsh Solo Vocal Repertoire’. Journal of Singing, 77/1 (2020), 7380.Google Scholar
Sharpe, Richard and Davies, John Reuben, ed. and trans. ‘Rhygyfarch’s Life of St David’, in St David of Wales: Cult, Church and Nation, ed. by Evans, J. Wyn and Wooding, Jonathan M. (Woodbridge: The Boydell Press, 2007), pp. 107155.Google Scholar
Simon, Herbert. Song and Words: A History of the Curwen Press (London: George Allen & Unwin, 1973).Google Scholar
Sinclair, Andrew. Arts and Cultures: History of the First 50 Years of the Arts Council of Great Britain (London: Sinclair-Stevenson, 1995).Google Scholar
Slocum, Kay B. Liturgies in Honour of Thomas Becket (Toronto: Toronto University Press, 2004).Google Scholar
Small, Christopher. Musicking: The Meanings of Performing and Listening (Hanover, NH and London: Wesleyan University Press, 1998).Google Scholar
Smith, Alan. ‘Elizabethan Church Music at Ludlow’. Music and Letters, 49 (1968), 108121.Google Scholar
Smith, David, and Williams, Gareth. Fields of Praise: The Official History of the Welsh Rugby Union 1881–1981 (Cardiff: University of Wales Press on behalf of the Welsh Rugby Union, 1980).Google Scholar
Smith, Lucy Toulmin, ed. The Itinerary of John Leland in Wales in or About the Years 1536–1539 (London: George Bell & Sons, 1906).Google Scholar
Smith, W. J., ed. Calendar of Salusbury Correspondence 1553–c.1700 (Cardiff: University of Wales Press, 1954).Google Scholar
Stead, Phil. Red Dragons: The Story of Welsh Football, revised ed. (Talybont: Y Lolfa, 2015).Google Scholar
Stephens, Meic. Artists in Wales 1 (Llandysul: Gwasg Gomer, 1971).Google Scholar
Stephens, Meic Artists in Wales 2 (Llandysul: Gomer Press, 1973).Google Scholar
Stephens, Meic The Arts in Wales, 1950–75 ([Cardiff]: Welsh Arts Council, 1979).Google Scholar
Stevens, Denis, ed. Early Tudor Organ Music II: Music for the Mass, Vol. 10, Early English Church Music (London: Stainer and Bell for the British Academy, 1969).Google Scholar
Stevens, John. The History of the Antient Abbeys, Monasteries, Hospitals, Cathedrals and Collegiate Churches. Being Two Additional Volumes to Sir W. Dugdale’s Monasticon Anglicanum, 2 vols (London: Printed for Tho. Taylor et al., 1722–3).Google Scholar
Stradling, John. Ioannis Stradlingi Epigrammatum Libri Quatuor (London: Impensis Georgii Bishop & Ioannis Norton, 1607).Google Scholar
Sweet, Rosemary. Antiquaries: The Discovery of the Past in Eighteenth-Century Britain (London and New York: Hambledon and London, 2004).Google Scholar
Swynnoe, Jan G. The Best Years of British Film Music, 1936–58 (Woodbridge: The Boydell Press, 2002).Google Scholar
Tamboer, Annemies and Ritta, Raino. ‘A Singing Bone from the Convent Quarter of Medieval Turku, Finland: Swedish or German Import, Baltic Influence or Variation on a Finnish Theme?Publications of the ICTM Study Group for Musicology, 2 (2020), 109131.Google Scholar
Tatton, Tom. ‘Kenneth Harding: A Passion for the Viola’. Journal of the American Viola Society (2009). http://violaspace.com/avs/javs/2009/11/27/5/ (accessed 25 June 2021).Google Scholar
Taylor, Benedict. ‘The Lost Chord: Sentimentality, Sincerity, and the Search for “Emotional Depth” in 19th-Century Music’. International Review of the Aesthetics and Sociology of Music, 40/2 (2009), 207233.Google Scholar
Taylor, William. ‘Robert ap Huw’s Harp Technique/Techneg Telyn Robert ap Huw’. Welsh Music History/Hanes Cerddoriaeth Cymru, 3 (1999), 8296.Google Scholar
Thomas, Gwyn. Eisteddfodau Caerwys: The Caerwys Eisteddfodau (Caerdydd: Gwasg Prifysgol Cymru, 1968).Google Scholar
Thomas, GwynTwo Prose Writers: Ellis Wynne and Theophilus Evans’, in A Guide to Welsh Literature c. 1700–1800, ed. by Jarvis, Branwen (Cardiff: University of Wales Press, 2000), pp. 4563.Google Scholar
Thomas, John, ed., with an Introduction by Purday, Charles. The Songs of Wales: A Complete Collection of the Vocal Melodies of the Principality (London: J. B. Cramer & Co., 1874).Google Scholar
Thomas, John (Ieuan Ddu). Y Caniedydd Cymreig; The Cambrian Minstrel (Merthyr Tudful: 1845).Google Scholar
Thomas, John Hugh. ‘The Cultural Tradition: Music’, in The City of Swansea: Challenges and Change, ed. by Griffiths, Ralph A. (Gloucester: Sutton, 1990), pp. 218228.Google Scholar
Thomas, Mair Elvet. Afiaith yng Ngwent: Hanes Cymdeithas Cymreigyddion Y Fenni 1833–1854 (Caerdydd: Gwasg Prifysgol Cymru, 1978).Google Scholar
Thomas, Owen. Cofiant y Parchedig John Jones, Talsarn (Wrexham: Hughes a’i Fab, [1874]).Google Scholar
Thomas, Peter D. G. Politics in Eighteenth-Century Wales (Cardiff: University of Wales Press, 1998).Google Scholar
Thomas, R. S. Selected Poems 1946–1968 (Newcastle upon Tyne: Bloodaxe Books, 1986).Google Scholar
Thomas, Wyn. ‘Annie “Cwrt Mawr” a Chanorion Aberystwyth’. Canu Gwerin, 30 (2007), 344.Google Scholar
Thomas, Wyn. Cerddoriaeth Draddodiadol yng Nghymru: Llyfryddiaeth/Traditional Music in Wales: A Bibliography, 3rd ed. (Llanrwst: Gwasg Carreg Gwalch, 2006).Google Scholar
Thomas, Wyn. ‘Ffarwel i Aberystwyth … Golwg ar Gyfraniad Jennie Williams (1885–1971) i Fyd yr Alaw Werin yng Nghymru’. Ceredigion, 15/2 (2006), 2772.Google Scholar
Thomas, Wyn. ‘Grace Gwyneddon Davies, Llanwnda a Cherddoriaeth Frodorol Cymru’. Transactions of the Caernarfonshire Historical Society, 71 (2010), 114131.Google Scholar
Thomas, Wyn. ‘John Roberts, ‘Telynor Cymru’ (1816–1894)’. Welsh Music History/Hanes Cerddoriaeth Cymru, 1 (1996), 163179.Google Scholar
Thomas, Wyn. ‘Mary Davies, grande dame of Welsh Music’. Transactions of the Honourable Society of Cymmrodorion, N.S. 4 (1998), 111123.Google Scholar
Thomas, Wyn. ‘Mary Davies: grande dame yr Alaw Werin yng Nghymru’. Canu Gwerin, 20 (1997), 2842.Google Scholar
Thomas, Wyn. Meistres ‘Graianfryn’ a Cherddoriaeth Frodorol yng Nghymru, Darlith Goffa Amy Parry-Williams 1999 ([Aberystwyth]: Cymdeithas Alawon Gwerin Cymru, 1999).Google Scholar
Thomas, Wyn. ‘Y Ffonograff a Byd Cerddoriaeth Draddodiadol yng Nghymru’. Canu Gwerin, 29 (2006), 4064.Google Scholar
Thomas, Wyn. gol. Cerdd a Chân: Golwg ar Gerddoriaeth Draddodiadol Yng Nghymru ([Dinbych]: Gwasg Gee, 1982).Google Scholar
Thomson, Derick S., ed. Branwen Uerch Lyr (Dublin: Dublin Institute for Advanced Studies, 1976).Google Scholar
Thomson, George. A Select Collection of Original Welsh Airs (London and Edinburgh: 1809, 1811, 1817).Google Scholar
Thomson, Robert L., ed. Ystorya Gereint uab Erbin (Dublin: Dublin Institute for Advanced Studies, 1997).Google Scholar
Tir Newydd, Rhifyn Arbennig: David Vaughan Thomas, 16 (Mehefin, 1939).Google Scholar
Toivanen, Pekka. ‘The Robert ap Huw Manuscript and the Dilemma of Transcription/Llawysgrif Robert ap Huw a Phenbleth Trawsgrifio’. Welsh Music History/Hanes Cerddoriaeth Cymru, 3 (1999), 97129.Google Scholar
Tossell, David. Nobody Beats Us: The Inside Story of the 1970s Wales Rugby Team (Edinburgh: Mainstream Publishing, 2009).Google Scholar
Traherne, J. M., ed. Stradling Correspondence: A Series of Letters Written in the Reign of Queen Elizabeth (London: Longmans, 1840).Google Scholar
Trevor, Alun. Cofio Cantorion: Eu Teithiau ym Mhrydain, Canada a’r Unol Daleithiau 1926–1939/The Welsh Imperial Singers: Their Tours of Britain, Canada and the United States 1926–1939 (Llanrwst: Gwasg Carreg Gwalch, 1991).Google Scholar
Turner, Barry. Beacon for Change: How the 1951 Festival of Britain Shaped the Modern Age (London: Aurum Press, 2011).Google Scholar
Upchurch, Anna Rosser. ‘The Arts Council of Great Britain: Keynes’s Legacy’, in The Origins of the Arts Council Movement, ed. by Upchurch, Anna Rosser (London: Palgrave Macmillan, 2016), pp. 103130.Google Scholar
Upchurch, Anna Rosser ed., The Origins of the Arts Council Movement (London: Palgrave Macmillan, 2016).Google Scholar
Urquahart, Alex, O’Connar, Dermot and Edwards, Hugh. Aria Di Camera (London: Printed for Dan. Wright and Dan. Wright Junr., [c. 1726]).Google Scholar
Valor Ecclesiasticus Temp. Henr. VIII, ed. by Caley, John and Hunter, Joseph, 6 vols (London: Record Commission, 1810–34).Google Scholar
Von Glahn, Denise. The Sounds of Place: Music and the American Cultural Landscape (Boston, MA: Northwestern University Press, 2003).Google Scholar
Watkin, Thomas Glyn. The Legal History of Wales, 2nd ed. (Cardiff University of Wales Press, 2012).Google Scholar
Webb, Paul. Ivor Novello: A Portrait of a Star (London: Stage Directions, 1999).Google Scholar
Weller, Philip. ‘Gerald of Wales’s View of Music/Golwg Gerallt Gymro ar Gerddoriaeth’. Welsh Music History/Hanes Cerddoriaeth Cymru, 2 (1997), 132.Google Scholar
Welsh Folk-Song Society. Third Annual Report (Bangor: Jarvis & Foster, 1911).Google Scholar
Whitelaw, James. An Essay on the Population of Dublin (Dublin: Graisberry and Campbell, 1805).Google Scholar
Whittaker, Paul D. ‘British Museum Additional Ms 14905: An Interpretation and Re-examination of the Music and Text’ (MA dissertation, University of Wales, 1974), www.bangor.ac.uk/music-and-media/CAWMS/robertaphuw.php.en (accessed 25 August 2021).Google Scholar
Whittaker, Paul DHarmonic Forms in the Robert ap Huw Manuscript/Ffurfiau Harmonig yn Llawysgrif Robert ap Huw’. Welsh Music History/Hanes Cerddoriaeth Cymru, 7 (2007), 154.Google Scholar
Whittaker, Paul DThe Role of Robert ap Huw in the Creation of Lbl Ms Add. 14905/Swyddogaeth Robert ap Huw yng Nghreadigaeth Lbl Ms Add. 14905’. Welsh Music History/Hanes Cerddoriaeth Cymru, 6 (2004), 62103.Google Scholar
Whittaker, Paul DThe Tablature of the Iolo Morganwg Manuscript (British Library, Ms Add. 14970)/Tabluniau Llawysgrif Iolo Morganwg (Y Llyfrgell Brydeinig, Ms Add. 14970)’. Welsh Music History/Hanes Cerddoriaeth Cymru, 3 (1999), 252281.Google Scholar
Whittall, Arnold. ‘Grace Williams 1906–1977’. Soundings, 7 (1978), 1937.Google Scholar
Wiliam, Aled Rhys, ed. Llyfr Iorwerth: A Critical Text of the Venedotian Code of Medieval Welsh Law; Mainly from BM. Cotton Ms Titus Dii (Cardiff: University of Wales Press, 1960).Google Scholar
Wiliam, Dafydd Wyn. Cofiant Richard Morris (1702/3–79) ([Bodedern]: D. W. Wiliam, 1999).Google Scholar
Wiliam, Dafydd Wyn Cofiant William Morris (1705–63) ([Bodedern]: D. W. Wiliam, 1995).Google Scholar
Wiliam, Dafydd WynFfarwel i Inc Llannerch--y-medd’. Y Casglwr, 21 (1983), 13.Google Scholar
Wiliam, Dafydd WynIfan ab y Gof, Llywelyn ab Ifan ab y Gof, a Dafydd ab y Gof (Dafydd Athro): Tri Chyfansoddwr Cerddoriaeth o Fôn?/Ifan ab y Gof, Llywelyn ab Ifan ab y Gof, a Dafydd ab y Gof (Dafydd Athro): Three Anglesey Composers?Welsh Music History/Hanes Cerddoriaeth Cymru, 4 (2000), 2128.Google Scholar
Wiliam, Dafydd WynMwy am Inc Llannerch--y-medd’. Y Casglwr, 23 (1984), 15.Google Scholar
Williams, A. Tudno. E. T. Davies: Arloeswr Cerd (Dinbych: Gwasg Gee, 1981).Google Scholar
Williams, C. R.The Welsh Religious Revival’. The British Journal of Sociology, 3/3 (Sept. 1952), 242259.Google Scholar
Williams, G. J. and Jones, E. J., goln. Gramadegau’r Penceirddiaid (Caerdydd: Gwasg Prifysgol Cymru, 1934).Google Scholar
Williams, Gareth. 1905 and All That: Essays on Rugby Football, Sport and Welsh Society (Llandysul: Gomer, 1991).Google Scholar
Williams, Gareth Do You Hear the People Sing? The Male Voice Choirs of Wales (Llandysul: Gomer, 2015).Google Scholar
Williams, Gareth“How’s the Tenors in Dowlais?”: The Choral Culture of the South Wales Coalfield c. 1880–1930’. Transactions of the Honourable Society of Cymmrodorion 2004, New Series 11 (2005), 170188.Google Scholar
Williams, Gareth ‘“This Valley of Coal and Song”: Musical Aspects of the Rhondda’s Last National Eisteddfod, 1928’. Morgannwg 65 (2021), 7492Google Scholar
Williams, Gareth Valleys of Song: Music and Society in Wales, 1840–1914 (Cardiff: University of Wales Press, 1998).Google Scholar
Williams, Glanmor. ‘The Collegiate Church of Llanddewibrefi’. Ceredigion: Journal of the Cardiganshire Antiquarian Society, 4 (1960–3), 336352.Google Scholar
Williams, Glanmor Wales and the Reformation (Cardiff: University of Wales Press, 1997).Google Scholar
Williams, Glanmor The Welsh Church from Conquest to Reformation. 2nd ed. (Cardiff: University of Wales Press, 1976).Google Scholar
Williams, Grace. ‘Grace Williams: A Self Portrait’. Welsh Music/Cerddoriaeth Cymru, 8/5 (Spring/Gwanwyn 1987), 716.Google Scholar
Williams, GraceHow Welsh Is Welsh Music?Welsh Music/Cerddoriaeth Cymru, 4/4 (Summer/Haf 1973), 712.Google Scholar
Williams, Gwyn, trans. Welsh Poems: Sixth Century to 1600 (London: Faber, 1973).Google Scholar
Williams, Hugh, ed. and trans. Gildas: De Excidio Britanniae, or the Ruin of Britain (Gloucester: Dodo Press, 2010) (Originally published in London by The Honourable Society of Cymmrodorion, 1899), p. 28.Google Scholar
Williams, Huw. Taro Tant: Detholiad o Ysgrifau ac Erthyglau (Dinbych: Gwasg Gee, 1994).Google Scholar
Williams, Huw Thomas Osborne Roberts 1879–1948 ([Caernarfon]: Cyngor Gwlad Gwynedd, 1980).Google Scholar
Williams, Ifor, ed. The Poems of Taliesin (Dublin: Dublin Institute for Advanced Studies, 1968).Google Scholar
Williams, J. Lloyd. Ceinion y Canorion (Bangor: Evan Thomas, c. 1909).Google Scholar
Williams, J. Lloyd.The History of the Welsh Folk-Song Society’. Journal of the Welsh Folk-Song Society/Cylchgrawn Cymdeithas Alawon Gwerin Cymru, III/2 (1934), 4657, 89102.Google Scholar
Williams, J. Lloyd. ‘Welsh National Melodies and Folk-Song’. Transactions of the Honourable Society of Cymmrodorion, Session 1907–08 (1909), 146.Google Scholar
Williams, J. Lloyd. Y Tri Thelynor: Arloeswyr Cerddodrol Cymru yn y Ddeunawfed Ganrif (Llundain: Cwmni Cymraeg Foyle, [1945]).Google Scholar
Williams, J. Lloyd, and Jones, L. D.. Aelwyd Angharad (Bangor: Evan Thomas, 1910).Google Scholar
Williams, Jane (Ysgafell). The Literary Remains of the Rev. Thomas Price, Carnhuanawc, 2 vols. (Llandovery and London: William Rees/Longman & Co., 1855).Google Scholar
Williams, Jean. A Game for Rough Girls? A History of Women’s Football in Britain (London: Routledge, 2003).Google Scholar
Williams, John (Ioan Wiliam). Cyfaill mewn Llogell (Caerfyrddin: I. Daniel, 1797).Google Scholar
Williams, L. J. Digest of Welsh Historical Statistics, 2 vols. (Cardiff: The Welsh Office, 1998).Google Scholar
Williams, Maria Jane. Ancient National Airs of Gwent and Morganwg (Llandovery; London: William Rees; D’Almaine and MacKinlay, 1844).Google Scholar
Williams, Maria Jane Ancient National Airs of Gwent and Morganwg: Ffacsimile O Argraffiad 1844/a Facsimile of the 1844 Edition (Aberystwyth: Cymdeithas Alawon Gwerin Cymru, 1988).Google Scholar
Williams, R. M. Seiri Cerdd Nanconwy (Llanrwst: Gwasg Carreg Gwalch, 1982).Google Scholar
Williams, W. S. Gwynn. Welsh National Music and Dance, 4th ed. (Llangollen: Gwynn Publishing Co. 1971).Google Scholar
Wilson, Jen. Freedom Music: Wales, Emancipation and Jazz 1850–1950 (Cardiff: University of Wales Press, 2019).Google Scholar
Witts, Richard. ‘Needle Time: The BBC, the Musicians’ Union, Popular Music, and the Reform of Radio in the 1960s’. Popular Music History, 7/3 (2012), 241262.Google Scholar
Yardley, Edward. Menevia Sacra, ed. Green, Francis (London: Bedford Press, 1927).Google Scholar
Yates, Nigel. The Welsh Seaside Resorts: Growth, Decline, and Survival, Trivium Publications Occasional Papers 1 (Lampeter: University of Wales, Lampeter, 2006).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by Trevor Herbert, Royal College of Music, London, Martin V. Clarke, The Open University, Milton Keynes, Helen Barlow, The Open University, Milton Keynes
  • Book: A History of Welsh Music
  • Online publication: 08 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781009036511.023
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by Trevor Herbert, Royal College of Music, London, Martin V. Clarke, The Open University, Milton Keynes, Helen Barlow, The Open University, Milton Keynes
  • Book: A History of Welsh Music
  • Online publication: 08 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781009036511.023
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by Trevor Herbert, Royal College of Music, London, Martin V. Clarke, The Open University, Milton Keynes, Helen Barlow, The Open University, Milton Keynes
  • Book: A History of Welsh Music
  • Online publication: 08 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781009036511.023
Available formats
×