Book contents
- Instrumental Music in Late Eighteenth-Century Naples
- Instrumental Music in Late Eighteenth-Century Naples
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- 1 Naples on the Grand Tour and within the Historical Imagination
- 2 The Neapolitan Conservatories
- 3 Pedagogical Training and Formation in the Conservatory Curriculum
- 4 Maria Carolina as Cultural Patron and Icon
- 5 Music for the Queen and the Court of Naples
- 6 Genre, Style, and Transnational Crosscurrents
- 7 Maestri e operisti
- 8 Maestri e operisti
- 9 Epilogue
- Bibliography
- Index
Index
Published online by Cambridge University Press: 04 December 2020
- Instrumental Music in Late Eighteenth-Century Naples
- Instrumental Music in Late Eighteenth-Century Naples
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgments
- 1 Naples on the Grand Tour and within the Historical Imagination
- 2 The Neapolitan Conservatories
- 3 Pedagogical Training and Formation in the Conservatory Curriculum
- 4 Maria Carolina as Cultural Patron and Icon
- 5 Music for the Queen and the Court of Naples
- 6 Genre, Style, and Transnational Crosscurrents
- 7 Maestri e operisti
- 8 Maestri e operisti
- 9 Epilogue
- Bibliography
- Index
Summary
- Type
- Chapter
- Information
- Instrumental Music in Late Eighteenth-Century NaplesPolitics, Patronage and Artistic Culture, pp. 307 - 322Publisher: Cambridge University PressPrint publication year: 2020