from Part III - Using Neuroscience to Improve Intellectual Property Law
Published online by Cambridge University Press: 14 July 2022
Copyright’s test for infringement takes a uniform approach to aesthetics by treating all audiences and modalities of creative expression the same. We now know that this is not how aesthetic judgment works. The chapter describes how the law can be reformed to take differences in audiences and artistic media into account. The chapter also responds to potential objections to the use of neuroaesthetics in this legal context. A better understanding of how audiences perceive art, if implemented in the right manner, can help protect both economic and non-economic values embedded in copyright law in a more transparent way.
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