Book contents
- Irish Literature in Transition, 1980–2020
- Irish Literature in Transition
- Irish Literature in Transition, 1980–2020
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Acknowledgements
- Introduction
- Part I Times
- Part II Spaces
- Part III Forms of Experience
- Chapter 11 The Irish Realist Novel
- Chapter 12 Faith, Secularism, and Sacred Institutions
- Chapter 13 Writing the Tiger: Economics and Culture
- Chapter 14 Violence, Trauma, Recovery
- Chapter 15 Modes of Witnessing and Ireland’s Institutional History
- Coda: Edna O’Brien and Eimear McBride
- Part IV Practices, Institutions, and Audiences
- Index
Coda: Edna O’Brien and Eimear McBride
from Part III - Forms of Experience
Published online by Cambridge University Press: 28 February 2020
- Irish Literature in Transition, 1980–2020
- Irish Literature in Transition
- Irish Literature in Transition, 1980–2020
- Copyright page
- Contents
- Contributors
- Series Preface
- General Acknowledgements
- Acknowledgements
- Introduction
- Part I Times
- Part II Spaces
- Part III Forms of Experience
- Chapter 11 The Irish Realist Novel
- Chapter 12 Faith, Secularism, and Sacred Institutions
- Chapter 13 Writing the Tiger: Economics and Culture
- Chapter 14 Violence, Trauma, Recovery
- Chapter 15 Modes of Witnessing and Ireland’s Institutional History
- Coda: Edna O’Brien and Eimear McBride
- Part IV Practices, Institutions, and Audiences
- Index
Summary
This coda examines responses to Edna O’Brien’s fiction of the 1960s and 1970s and recent novels by Eimear McBride, in order to assess the changing climate for Irish women’s fiction and characterisations of the Irish woman writer. Both sets of works anatomise women’s experience at crucial junctures in the twentieth and twenty-first centuries, but while O’Brien’s work was banned in the 1960s for its reputedly salacious content, in contrast, Eimear McBride’s sexually explicit 2013 novel A Girl is a Half-Formed Thing (though it took years to find a publisher) was immediately embraced by critics and celebrated as an exemplar of contemporary Irish writing. The chapter discusses responses to the female bildungsroman and representations of female sexuality, sexual abuse, and violence.
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- Irish Literature in Transition: 1980–2020 , pp. 295 - 304Publisher: Cambridge University PressPrint publication year: 2020
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