Selection, Connection and the Picturesque
Published online by Cambridge University Press: 18 February 2020
Chapter 1 considers Austen’s interest in novelistic length, as articulated in her early writing, especially in ‘Catharine, or the Bower’, Northanger Abbey, and Pride and Prejudice. Austen’s early fiction returns repeatedly to the subjects of fictional length and organization, often with reference to history writing. The chapter goes on to consider the genesis of Pride and Prejudice and the “contractions” that Cassandra Austen remembered her sister having made. Austen’s interest in narrative organization resonates with contemporary critical writing on the novel, especially the criticism of Anna Barbauld who evoked picturesque theory in describing successful narrative construction.
To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Find out more about the Kindle Personal Document Service.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.