Book contents
- Frontmatter
- Contents
- Dedication
- Editorial Note
- Acknowledgements
- Abbreviations
- Introduction
- Chapter 1 Southwark Gower: Augustinian Agencies in Gower’s Manuscripts and Texts – Some Prolegomena
- Chapter 2 The Place of Egypt in Gower’s Confessio Amantis
- Chapter 3 Topical and Tropological Gower: Invoking Armenia in the Confessio Amantis
- Chapter 4 Saving History: Gower’s Apocalyptic and the New Arion
- Chapter 5 Gower’s Poetics of the Literal
- Chapter 6 Romance, Popular Style and the Confessio Amantis: Conflict or Evasion?
- Chapter 7 John Gower: Prophet or Turncoat?
- Chapter 8 The Parliamentary Source of Gower’s Cronica Tripertita and Incommensurable Styles
- Chapter 9 John Gower’s Legal Advocacy and ‘In Praise of Peace’
- Chapter 10 Se-duction and Sovereign Power in Gower’s Confessio Amantis Book V
- Chapter 11 The Fifteen Stars, Stones and Herbs: Book VII of the Confessio Amantis and its Afterlife
- Chapter 12 ‘Of the parfite medicine’: Merita Perpetuata in Gower’s Vernacular Alchemy
- Chapter 13 Inside Out in Gower’s Republic of Letters
- Chapter 14 Gower’s Business: Artistic Production of Cultural Capital and the Tale of Florent
- Chapter 15 Genius and Sensual Reading in the Vox Clamantis
- Chapter 16 Irony v. Paradox in the Confessio Amantis
- Chapter 17 Sinning Against Love in Confessio Amantis
- Chapter 18 The Woman’s Response in John Gower’s Cinkante Balades
- Chapter 19 Rich Words: Gower’s Rime Riche in Dramatic Action
- Chapter 20 Florent’s Mariage sous la potence
- Chapter 21 Why did Gower Write the Traitié?
- Chapter 22 Rival Poets: Gower’s Confessio and Chaucer’s Legend of Good Women
- Chapter 23 Reassessing Gower’s Dream-Visions
- Chapter 24 John Gower’s French and His Readers
- Chapter 25 Conjuring Gower in Pericles
- Bibliography
- Index
Chapter 7 - John Gower: Prophet or Turncoat?
Published online by Cambridge University Press: 02 March 2023
- Frontmatter
- Contents
- Dedication
- Editorial Note
- Acknowledgements
- Abbreviations
- Introduction
- Chapter 1 Southwark Gower: Augustinian Agencies in Gower’s Manuscripts and Texts – Some Prolegomena
- Chapter 2 The Place of Egypt in Gower’s Confessio Amantis
- Chapter 3 Topical and Tropological Gower: Invoking Armenia in the Confessio Amantis
- Chapter 4 Saving History: Gower’s Apocalyptic and the New Arion
- Chapter 5 Gower’s Poetics of the Literal
- Chapter 6 Romance, Popular Style and the Confessio Amantis: Conflict or Evasion?
- Chapter 7 John Gower: Prophet or Turncoat?
- Chapter 8 The Parliamentary Source of Gower’s Cronica Tripertita and Incommensurable Styles
- Chapter 9 John Gower’s Legal Advocacy and ‘In Praise of Peace’
- Chapter 10 Se-duction and Sovereign Power in Gower’s Confessio Amantis Book V
- Chapter 11 The Fifteen Stars, Stones and Herbs: Book VII of the Confessio Amantis and its Afterlife
- Chapter 12 ‘Of the parfite medicine’: Merita Perpetuata in Gower’s Vernacular Alchemy
- Chapter 13 Inside Out in Gower’s Republic of Letters
- Chapter 14 Gower’s Business: Artistic Production of Cultural Capital and the Tale of Florent
- Chapter 15 Genius and Sensual Reading in the Vox Clamantis
- Chapter 16 Irony v. Paradox in the Confessio Amantis
- Chapter 17 Sinning Against Love in Confessio Amantis
- Chapter 18 The Woman’s Response in John Gower’s Cinkante Balades
- Chapter 19 Rich Words: Gower’s Rime Riche in Dramatic Action
- Chapter 20 Florent’s Mariage sous la potence
- Chapter 21 Why did Gower Write the Traitié?
- Chapter 22 Rival Poets: Gower’s Confessio and Chaucer’s Legend of Good Women
- Chapter 23 Reassessing Gower’s Dream-Visions
- Chapter 24 John Gower’s French and His Readers
- Chapter 25 Conjuring Gower in Pericles
- Bibliography
- Index
Summary
For an historian, particularly a political historian, one of the key questions about Gower relates to his consistency. Was he actually, as Chaucer called him, ‘moral Gower’? Did he stick to a consistent set of positions throughout his career? Or did he trim his views to suit the changing political wind? To be precise, was he a man of integrity? Or did he sink in his later years into the role of sad apologist for the Lancastrian monarchy?
The question which is raised here is hardly a new one. It is a quite old – not to say, a slightly old-fashioned – one. It was first raised in the early eighteenth century, when Thomas Hearne, the editor and antiquary, accused Gower very specifically of being a turncoat by switching the dedication of the Confessio Amantis from Richard II to Henry, earl of Derby, later King Henry IV. To Hearne, the rededication smacked of opportunism and ingratitude. In Hearne's view Gower went on to compound the evil after 1399 by turning out what amounted to crude Lancastrian propaganda (for example, the Cronica Tripertita). The notion of Gower as a political turncoat has generally been rejected by modern critics of his work: their emphasis is firmly on ‘moral Gower’. Yet the idea that in later life he compromised his integrity refuses to fade away. In recent years it has been given a new lease of life in the work of Terry Jones and Paul Strohm on the Lancastrian ‘propaganda machine’, which has demonstrated the sheer scale of the Lancastrian disinformation campaign after 1399. Terry Jones, for example, has argued that Gower, ‘the aging poet, wrote what he thought the usurper wanted him to say’; Gower, he argues, ‘went back into his past writings and tried, as best he could, to alter the record, so it would appear that his admiration for Henry and misgivings about Richard pre-dated the usurpation’.
- Type
- Chapter
- Information
- John Gower, Trilingual PoetLanguage, Translation, and Tradition, pp. 85 - 97Publisher: Boydell & BrewerPrint publication year: 2010
- 1
- Cited by