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Published online by Cambridge University Press: 10 November 2022
Chapter 6, “The Ethic of Presence” synthesizes the fine-grained analysis of the previous chapters with a broad-based, quantitative study of royal depictions and provides a general theory of the role of inscribed bronze vessels in the formation of the Zhou state. Drawing on theories of subject–object entanglement, the chapter captures how the ancestral cult and its accoutrements facilitated both the dissemination and the appropriation of royal ideology, helping balance interests within a shared Zhou interaction sphere.
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