Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-4rdpn Total loading time: 0 Render date: 2024-11-10T12:16:29.487Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  06 April 2021

Helen Williams
Affiliation:
Northumbria University, Newcastle
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Albin, Eleazar, A Natural History of Birds (London: Albin, 1731–38).Google Scholar
Anon, ., A Book without a Title-Page (1761?).Google Scholar
Anon, ., A Catalogue of a Curious and Valuable Collection of Books, Among which are Included the Entire Library of the Late Reverend and Learned Laurence Sterne (York: Todd, 1768).Google Scholar
Anon, ., The Ceremonial Proceeding to a Private Interrment of Her Late Most Excellent Majesty Queen Caroline (London: Stagg, 1737).Google Scholar
Anon, ., The Ceremonial of the Coronation of His Most Sacred Majesty Kind George II and of His Royal Consort Queen Caroline (Dublin: Powell, 1727).Google Scholar
Anon, ., The Clockmakers Outcry Against the Author of the Life and Opinions of Tristram Shandy: Dedicated to the Most Humble of Christian Prelates (London: Burd, 1760).Google Scholar
Anon, ., The Compleat Letter Writer: or, New and Polite English Secretary, 3rd ed. (London: Crowder, 1756).Google Scholar
Anon, ., The Dramatic History of Master Edward, Miss Ann, Mrs. LLwhuddwhydd, and Others (London: Waller, 1763).Google Scholar
Anon, ., An Elegy on the Lamented Death of Poor Truth and Honesty; Who Departed this Life, with the Renowned Paper Call’d the London-Post (London, 1705), National Library of Scotland, Crawford.EB.346.Google Scholar
Anon, ., An Elegy on the Much Lamented Death of Matthew Buckinger, the Famous Little-Man (without Arms or Legs) who Departed this Life at Cork, Sept 28, 1722 (n.d.), Cambridge University Library, Hib.3.730.1.Google Scholar
Anon, ., The End of the Lusorium (1798).Google Scholar
Anon, ., Explanatory Remarks upon the Life and Opinions of Tristram Shandy; wherein The Morals and Politics of this Piece are clearly laid open (London: Cabe, 1760).Google Scholar
Anon, ., Four Satires (London: Cooper, 1736).Google Scholar
Anon, ., Gleanings from the Works of Laurence Sterne: Comprising Tales, Humorous and Descriptive, Sermons, Letters &c. (London: Wills, 1796).Google Scholar
Anon, ., The Late Dreadful Plague at Marseilles Compared with that Terrible Plague in London, in the Year 1665 (London: Parker, 1721).Google Scholar
Anon, ., The Life and Opinions of Tristram Shandy, Gentleman: Vol. IX (London: Durham, 1766).Google Scholar
Anon, ., The Life, Travels, and Adventures of Christopher Wagstaff, Gentleman, Grandfather to Tristram Shandy, 2 vols. (London: Hinxman, 1762).Google Scholar
Anon, ., ‘A New Method of Multiplying of Pictures and Draughts by a Natural Colleris with Impression’, English Patent no. 423 issued to James Christopher Le Blon (5 February 1719).Google Scholar
Anon, ., Serious and Comical Essays […], With Ingenious Letters Amorous and Gallant. Occasional Thoughts and Reflections on Men and Manners. Also the English Epigrammatist, And the Instructive Library. To which is added, Satyrical and Panegyrical Characters. Fitted to the Humours of the Time (London: King, 1710).Google Scholar
Anon, ., A Supplement to the Life and Opinions of Tristram Shandy, Gent.: Serving to Elucidate that Work (London: Printed for the Author, 1760).Google Scholar
Anon, ., Tommy Thumb’s Pretty Song Book, 2 vols. (London: Cooper, 1744), vol. 2.Google Scholar
d’Agoty, Jacques Fabien Gautier, ‘Two Dissected Heads, on Sacking’, after disssections by Tarin, P., Anatomie de la tête en tableaux imprimés (Paris: Gautier, 1748), pl. 5. Available at https://wellcomecollection.org/works/a9rcsnxe, last accessed 5 June 2020.Google Scholar
d'Agoty, Jacques Fabien Gautier, ‘Muscles of the Back: Partial Dissection of a Seated Woman, Showing the Bones and Muscles of the Back and Shoulder’. Colour mezzotint (1745/1746). Available at https://wellcomecollection.org/works/yec7bmwu, last accessed 5 June 2020.Google Scholar
Amory, Thomas, The Life of John Buncle, Esq (London: Noon, 1756).Google Scholar
Amory, Thomas, The Life of John Buncle, Esq, Haslett, Moyra (ed.) (Dublin: Four Courts, 2011).Google Scholar
Baillie, John (1736), The Patriot: Being a Dramatick History of the Life and Death of William the First Prince of Orange, 2nd ed. (London: Roberts, 1740).Google Scholar
Bank of England, Bank Sealed Bill (1694), Object Number 124/001.Google Scholar
Becket, J., A New Essay on the Venereal Disease, and Methods of Cure; Accounting for the Nature, Cause, and Symptoms of that Malady (London: Williams, 1765).Google Scholar
Bickham, George, The Universal Penman (London: Printed for the author, 1733–41).Google Scholar
Bradley, Richard, Flower Garden Display’d […] and Coloured to the Life (London: Smith, 1732).Google Scholar
Buchanan, Robert, Poems on Several Occasions (Edinburgh: Moir, 1797).Google Scholar
Butler, Samuel, Hudibras, Wilders, John (ed.), Oxford English Texts (Oxford University Press, 1967).Google Scholar
Catesby, Mark, Natural History of Carolina, Florida and the Bahama Islands (London: Printed at the Expense of the Author, 1731–43).Google Scholar
Centlivre, Susanna, The Busy Body (1709), in The Works of the Celebrated Mrs. Centlivre (London: Knapton, 1760), vol. 2.Google Scholar
Chamberlen, Paul, A Philosophical Essay Upon Actions on Distant Subjects (London: Parker, 1715).Google Scholar
Chamberlen, Paul, A Philosophical Essay Upon Actions on Distant Subjects, 3rd ed. (London: Parker, 1715).Google Scholar
Chamberlen, Paul, A Philosophical Essay Upon Actions on Distant Subjects (London: Parker, 1717).Google Scholar
Chambers, Ephraim, Cyclopaedia, or an Universal Dictionary of the Arts and Sciences (London: Chambers, 1728).Google Scholar
Clarke, Samuel, A Demonstration of the Being and Attributes of God, the Obligations of Natural Religion, 2nd ed. (London: Knapton, 1706).Google Scholar
Cleland, John, Memoirs of a Woman of Pleasure (London: Griffiths, 1748–49).Google Scholar
Cockburn, William, The Symptoms, Nature and Cure of Gonorrhoea (London: Graves, 1713).Google Scholar
Cockburn, William, The Symptoms, Nature and Cure of Gonorrhoea, 3rd ed. with additions (London: Strahan, 1719).Google Scholar
Cockburn, William, The Symptoms, Nature and Cure of Gonorrhoea, 4th ed. with additions (London: Strahan, 1728).Google Scholar
Collier, Jane and Fielding, Sarah, The Cry: A New Dramatic Fable (London: Dodsley, 1754).Google Scholar
Commissioner of Patents, Abridgements of Specifications Relating to Printing, etc. (London: Commissioner of Patents, 1859). No. 530, May 20, 1731, 85–6. (Rpt. London: Printing Historical Society, 1969.)Google Scholar
Dampier, William, A New Voyage Round the World (London: Knapton, 1697).Google Scholar
Defoe, Daniel, The Farther Adventures of Robinson Crusoe (London: Taylor, 1719).Google Scholar
Defoe, Daniel, The Life and Strange Surprizing Adventures of Robinson Crusoe (London: Taylor, 1719).Google Scholar
Defoe, Daniel, Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe with his Vision of the Angelic World (London: Taylor, 1720).Google Scholar
Dodsley, Robert, The Correspondence of Robert Dodsley 1733–1764, Tierney, James E. (ed.) (Cambridge University Press, 1988).Google Scholar
Dodsley, Robert, The King and the Miller of Mansfield: A Dramatick Tale (London: Dodsley, 1737).Google Scholar
Dodsley, Robert, The Toy-Shop: A Dramatick Satire (London: Gilliver, 1735).Google Scholar
Drake, James, New System of Anatomy, 2nd ed. (London: Innys, 1727).Google Scholar
Fénelon, François de Salignac de La Mothe-,The Adventures of Telemachus, the Son of Ulysses, Ozell, John (ed.), 2 vols. (London: Innys, 1734–35).Google Scholar
Feuillet, Raoul-Auger, For the Further Improvement of Dancing, Essex, John (trans.) (London: Walsh, 1710).Google Scholar
Feuillet, Raoul-Auger, Orchesography: Or, the Art of Dancing, by Characters and Demonstrative Figures, Weaver, John (trans.) (London: Meere, 1706).Google Scholar
Fielding, Henry (1742), The History of the Adventures of Joseph Andrews and of his Friend Mr. Abraham Adams, in Joseph Andrews and Shamela, Keymer, Thomas (ed.), Oxford World Classics (Oxford University Press, 2008).Google Scholar
Fielding, Henry The History of Tom Jones, A Foundling, 4 vols. (London: Millar, 1749).Google Scholar
Fielding, Henry Pasquin: A Dramatic Satire on the Times: Being the Rehearsal of Two Plays, Viz. a Comedy, Call’d the Election; and a Tragedy, Call’d the Life and Death of Common-Sense (London: Watts, 1736).Google Scholar
Florentinus, Paulus, Breviarum totius juris canonici (Lyon: Huss, 1484).Google Scholar
Fludd, Robert, Utriusque cosmi maioris scilicet et minoris metaphysica, physica atque technica historia (Oppenhemii: de Bry, 1617).Google Scholar
Fordyce, James, An Essay on the Action Proper for the Pulpit (London: Dodsley, 1753).Google Scholar
Fuller, Thomas, The Holy State (Cambridge, 1642), BL, Add. MSS 694.i.2.Google Scholar
Goldsmith, Oliver(?), The History of Little Goody Two-Shoes (London: Newbery, 1765).Google Scholar
Gray, Thomas, Elegy Wrote in a Country Churchyard (London: Dodsley, 1751).Google Scholar
Hall, Joseph, Contemplations on the History of the New Testament, Dodd, William (ed.), 2 vols. (London: Davis, 1759).Google Scholar
Harland, S., The English Spelling-Book, 3rd ed. (London: Taylor, 1719).Google Scholar
Hawes, William, An Account of the Late Dr. Goldsmith’s Illness, so far as Relates to the Exhibition of Dr James Powders, 4th ed. (London: Hawes, 1780).Google Scholar
Hogarth, William, A Harlot’s Progress (London, 1732).Google Scholar
Hunter, John, A Treatise on Venereal Disease (London: Printed for the Author, 1786).Google Scholar
Hunter, Joseph, Journal, British Library, Add. MSS 24, 879.Google Scholar
Jackson, John Baptist, An Essay on the Invention of Engraving and Printing in Chiaro Oscuro (London: Millar, 1754).Google Scholar
Jackson, John Baptist, Titiani Vecelii, Pauli Caliarii, Jacobi Robusti, et Jacobi de Ponte, opera selectiora a Joanne Baptista Jackson Anglo, ligno cœlata, et coloribus adumbrata (Venice: Batista, 1745).Google Scholar
James, Robert, Dr. Robert James’s Powder for Fevers. Published by Virtue of His Majesty’s Royal Letters Patent (London: n.p., 1748?).Google Scholar
Jenner, Charles, The Placid Man; or, Memoirs of Sir Charles Beville (London: Wilkie, 1770).Google Scholar
Johnson, Samuel (ed.), A Dictionary of the English Language (London: Knapton, 1755–56).Google Scholar
Johnson, Samuel (ed.), The Plays of William Shakespeare, 8 vols. (London: Tonson, 1765).Google Scholar
Jones, Phyllis M. and Jones, Nicholas R. (eds.), Salvation in New England: Selections from the Sermons of the First Preachers (Austin, TX: University of Texas Press, 1977).Google Scholar
Kidgell, John, The Card (London: Printed for the Maker, 1755).Google Scholar
Kimber, Edward, The Juvenile Adventures of David Ranger, Esq, 2 vols. (London: Stevens, 1757).Google Scholar
Le Blon, Jacob Christoff, ‘Préparation anatomique des parties de l’homme’ (1721–30). British Museum. Item Number 1928,0310.101. www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1503698&partId=1, last accessed 5 June 2020.Google Scholar
Leekey, William, A Discourse on the Use of the Pen (London: Ware, [1750?]).Google Scholar
Livie, J. (ed.), Quintus Horatius Flaccus (Birmingham: Baskerville, 1762).Google Scholar
Locke, John, Two Treatises of Government (London: Churchill, 1690).Google Scholar
MacNally, Leonard, Sentimental Excursions to Windsor (London: Walker, 1781).Google Scholar
Marchant, John, A New Complete English Dictionary (London: Fuller, 1760).Google Scholar
Martyn, John, Historia Plantarum Rariorum, van Huysum, Jacob (illus.) (London: Reily, 1728–37).Google Scholar
Montesquieu, Charles-Louis de Secondat, Baron de La Brède et de, De l’Esprit des loix (Geneve: Barrillot, 1748).Google Scholar
Montesquieu, M., Spirit of the Laws (London: Nourse, 1750).Google Scholar
Montesquieu, M., Persian Letters, Mackenzie, Raymond N. (ed.) (Indianapolis, IN: Hackett, 2014).Google Scholar
Montesquieu, M., Persian Letters, Flloyd, Thomas (trans.) (London: Tonson, 1762).Google Scholar
Montesquieu, M., Persian Letters, Ozell, John (trans.) (London: Tonson, 1722).Google Scholar
Moxon, Joseph, Mechanick Exercises (London: Moxon, 1683).Google Scholar
Palairet, Jean, A New Royal French Grammar (London: Nourse, 1733).Google Scholar
Parker, Edmund, ‘Books lately Printed for Edmund Parker’ [11pp.], in The Devout Christian’s Preparative to Death, Warren, Robert (trans.), 7th ed. (London: Parker, 1722).Google Scholar
Pine, John (ed.), Horace (London: Pine, 1733–37).Google Scholar
Pope, Alexander (1743), Correspondence of Alexander Pope, Sherburn, George (ed.), 5 vols. (Oxford: Clarendon, 1956).Google Scholar
Pope, Alexander The Dunciad in Four Books, Rumbold, Valerie (ed.) (Harlow: Longman, 2009).Google Scholar
Pope, AlexanderEpistle to Arbuthnot’, The Major Works, Rogers, Pat (ed.), Oxford World’s Classics (Oxford University Press, 2008).Google Scholar
Pope, Alexander Dunciad Variorum, 2nd ed. (London, 1729).Google Scholar
Pope, Alexander The Works of Shakespeare, 6 vols. (London: Tonson, 1723–25).Google Scholar
Pluche, Noël-Antoine, Le Spectacle de la nature, ou entretiens sur les particularités de l’histoire naturelle, 9 vols. (Paris: Estienne, 1732–42).Google Scholar
Pluche, Noël-Antoine, Spectacle de la nature: Or, Nature Display’d, 7 vols. (London: Pemberton, 1736–48).Google Scholar
Rameau, Pierre, The Dancing Master, Essex, John (trans.), 2nd ed. (London: Essex, 1728).Google Scholar
Richardson, Samuel, Clarissa, 7 vols. (London: Richardson, 1748).Google Scholar
Richardson, Samuel, [1740], Pamela: Or, Virtue Rewarded. In a Series of Familiar Letters from a Beautiful Young Damsel, to her Parents, 2nd ed. (London: Richardson, 1741).Google Scholar
Richardson, Samuel, The History of Sir Charles Grandison, Harris, Jocelyn (ed.), 3 vols. (London: Oxford University Press, 1972).Google Scholar
Romaine, William, Knowledge of Salvation Precious in the Hour of Death (London: Worrall, 1759).Google Scholar
Rowe, Elizabeth, Friendship in Death (London: Worrall, 1728).Google Scholar
Schaeffer, Jacob Christian, Entwurf einer allgemeinen Farbenverein; oder Versuch und Muster einer gemeinnützlichen Bestimmung und Benennung der Farben (Regensburg: Weiß, 1769).Google Scholar
Sergeant, John, Sure-Footing in Christianity (London, 1665).Google Scholar
Shaw, Thomas, Travels in Barbary and the Levant (Oxford: Printed at the Theatre, 1738).Google Scholar
Sheldrake, Timothy, Botanicum Medicinale (London: Millan, 1759).Google Scholar
Sherlock, William, A Practical Discourse Concerning Death (London: Rogers, 1689).Google Scholar
Smart, Christopher, Annotated Letters of Christopher Smart, Rizzo, Betty and Mahoney, Robert (eds.) (Carbondale, IL: Southern Illinois University Press, 1991).Google Scholar
Smith, John, The Printer’s Grammar (London: Printed for the Editor, 1755).Google Scholar
Smollett, Tobias, The Adventures of Peregrine Pickle, 4 vols. (London: Wilson, 1751).Google Scholar
Society for the Encouragement of Arts, Manufactures, and Commerce, Premiums by the Society Established at London for the Encouragement of Arts, Manufactures, and Commerce (London: by Order of the Society, 1759).Google Scholar
Society of Gardeners, Catalogus Plantarum. A Catalogue of Trees, Shrubs, Plants, and Flowers, Both Exotic and Domestic, Which are propagated for Sale in the Gardens near London (London: Society of Gardeners, 1730).Google Scholar
Stayley, George, The Life and Opinions of an Actor, 2 vols. (Dublin: Printed for the Author, 1762).Google Scholar
Steel, David, Elements of Punctuation (London: Printed for the Author, 1786).Google Scholar
Sterne, Laurence, The Abuses of Conscience (York: Hildyard, 1750).Google Scholar
Sterne, Laurence, The Case of Elijah and the Widow of Zerephath, Consider’d (York: Hildyard, 1747).Google Scholar
Sterne, Laurence, ‘Fragment in the Manner of Rabelais: Autograph Manuscript, [1759 Jan-Feb]’, Pierpont Morgan, MA1011.Google Scholar
Sterne, Laurence, The Letters, New, Melvyn and de Voogd, Peter (eds.), The Florida Edition of the Works of Laurence Sterne (Gainesville, FL: University Press of Florida, 2009), vols. 7 and 8.Google Scholar
Sterne, Laurence, The Life and Opinions of Tristram Shandy, Gentleman, 9 vols. (York and London: The Author; Dodsley; Becket, 1759–67).Google Scholar
Sterne, Laurence, The Life and Opinions of Tristram Shandy, Gentleman, 2nd ed., 2 vols. (London: Dodsley, 1760).Google Scholar
Sterne, Laurence, The Life and Opinions of Tristram Shandy, Gentleman, in The Works of Laurence Sterne, 7 vols. (London: Printed for the Proprietors, 1783).Google Scholar
Sterne, Laurence, The Life and Opinions of Tristram Shandy, Gentleman, in The Works of Laurence Sterne, 8 vols. (London: Printed for the Proprietors, 1790).Google Scholar
Sterne, Laurence, The Life and Opinions of Tristram Shandy, Gentleman, in The Works of Laurence Sterne, 8 vols. (London: Mozley, 1795).Google Scholar
Sterne, Laurence, The Life and Opinions of Tristram Shandy, Gentleman, in The Works of Laurence Sterne, 8 vols. (Edinburgh: Turnbull, 1803).Google Scholar
Sterne, Laurence, The Life and Opinions of Tristram Shandy, Gentleman: The Text, New, Joan and New, Melvyn (eds.), The Florida Edition of the Works of Laurence Sterne (Gainesville, FL: University Press of Florida, 1978), vols. 1 and 2.Google Scholar
Sterne, Laurence, The Life and Opinions of Tristram Shandy, Gentleman: The Notes, New, Melvyn, Davies, Richard A. and Day, W.G. (eds.), The Florida Edition of the Works of Laurence Sterne (Gainesville, FL: University Press of Florida, 1984), vol. 3.Google Scholar
Sterne, Laurence, The Life and Opinions of Tristram Shandy, Gentleman (London: Visual Editions, 2010).Google Scholar
Sterne, Laurence, ‘Penancies’, Pierpont Morgan, New York, MS MA 418.Google Scholar
Sterne, Laurence, A Political Romance [1759] (Menston: Scolar, 1979).Google Scholar
Sterne, Laurence, A Sentimental Journey through France and Italy (London: Becket and De Hondt, 1768).Google Scholar
Sterne, Laurence, A Sentimental Journey and a Continuation of the Bramine’s Journal, New, Melvyn and Day, W.G. (eds.), The Florida Edition of the Works of Laurence Sterne (Gainesville, FL: University Press of Florida, 2002), vol. 6.Google Scholar
Sterne, Laurence, Sermons by the Late Rev. Mr. Sterne (London: Strahan, 1769), vols. 5–7.Google Scholar
Sterne, Laurence, The Sermons of Mr. Yorick, 4 vols. (London: Dodsley, 1760).Google Scholar
Sterne, Laurence, The Sermons of Laurence Sterne, Melvyn New (ed.), The Florida Edition of the Works of Laurence Sterne (Gainesville, FL: University Press of Florida, 1996), vols. 4 and 5.Google Scholar
Sterne, Laurence, ‘Temporal Advantages of Religion’, Huntington Library, California, MS HM 2100.Google Scholar
Swift, Jonathan, A Tale of a Tub, in A Tale of a Tub and Other Works, Ross, Angus and Woolley, David (eds.), Oxford World’s Classics (Oxford University Press, 2008).Google Scholar
Swift, Jonathan, Travels into Several Remote Nations of the World, in Four Parts, by Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, 2 vols. (London: Motte, 1726–27).Google Scholar
Sylvester, Joshua, Lachrimæ Lachrimarvm, or the Distillation of Teares Shede for the Untimely Death of the Incomparable Prince Panaretus (London: Lownes, 1612).Google Scholar
Taylor, John, Great Britaine, All in Blacke: For the Incomparable Losse of Henry, Our Late Worthy Prince (London: Wright, 1612).Google Scholar
Tillotson, John, Sermons Preach’d upon Several Occasions (London: Gellibrand, 1671).Google Scholar
Toldervy, William, The History of Two Orphans, 4 vols. (London: Owen, 1756).Google Scholar
Tomlinson, Kellom, Art of Dancing Explained (London: Printed for the author, 1735).Google Scholar
Tomlinson, Kellom, Six Dances Compos’d by Mr. Kellom Tomlinson (London: Tomlinson, 1720).Google Scholar
Tourneur, Cyril, Webster, John and Heywood, Thomas, Three Elegies on the Most Lamented Death of Prince Henrie (London: Welbie, 1613).Google Scholar
Trusler, John, Twelve Sermons (London: Legoux, 1796).Google Scholar
Vanbrugh, John and Cibber, Colley, The Provok’d Husband: Or, a Journey to London (London: Watts, 1728).Google Scholar
Villiers, George, The Rehearsal (London: Dring, 1672).Google Scholar
Weinmann, Johann Wilhelm, Phytanthoza Iconographia (Regensburg: Lenz, 1735–45).Google Scholar
Williams, Ann and Martin, Geoffrey Haward (eds.), Domesday Book: A Complete Translation (London: Penguin, 2002).Google Scholar
Wollaston, William, The Religion of Nature Delineated, 6th ed. (London: Knapton, 1738).Google Scholar
Woodward, Josiah, Fair Warnings to a Careless World, or, the Serious Practice of Religion Recommended by the Admonitions of Dying Men […] To which is added, Serious Advice to a Sick Person by Archbishop Tillotson. As also, A Prospect of Death: A Pindarique Essay. With suitable cuts. Recommended as proper to be given at Funerals (London: Aylmer, 1707).Google Scholar

Secondary Sources

Aercke, Kristiaan P., ‘Congreve’s Incognita: Romance, Novel, Drama?Eighteenth-Century Fiction, 2 (1990), 293308.Google Scholar
Allen, Dennis W., ‘Sexuality/Textuality in Tristram Shandy’, Studies in English Literature, 1500–1900, 25 (1985), 651–70.Google Scholar
Alspaugh, Leann Davis, ‘“Howgarth’s Witty Chissel”: Hogarth’s Frontispieces for Tristram Shandy’, The Shandean, 24 (2013), 930.Google Scholar
Anderson, Misty G., Imagining Methodism in Eighteenth-Century Britain: Enthusiasm, Belief, and the Borders of the Self (Baltimore, OH: Johns Hopkins University Press, 2010).Google Scholar
Ballaster, Ros, ‘“Bring(ing) Forth Alive the Conceptions of the Brain”: From Stage to Page in the Transmission of French Fiction to the English Restoration Novel’, in Glomski, Jacqueline and Moreau, Isabelle (eds.), Seventeenth Century Fiction: Text and Transmission (Oxford University Press, 2016), 183–97.Google Scholar
Ballaster, Ros, ‘Satire and Embodiment: Allegorical Romance on Stage and Page in Mid-Eighteenth-Century Britain’, Eighteenth-Century Fiction, 27 (2015), 631–60.Google Scholar
Bandry, Anne, ‘Tristram Shandy, the Public Ledger, and William Dodd’, Eighteenth-Century Fiction, 14 (2002), 311–24.CrossRefGoogle Scholar
Barchas, Janine, Graphic Design, Print Culture, and the Eighteenth-Century Novel (Cambridge University Press, 2003).Google Scholar
Bellman, Patrizia Nerozzi, ‘Dancing Away: Escape Strategy in Tristram Shandy and A Sentimental Journey’, The Shandean, 24 (2013), 135–46.Google Scholar
Berg, Michael Vande, ‘“Pictures of Pronunciation”: Typographical Travels Through Tristram Shandy and Jacques le Fataliste’, Eighteenth-Century Studies, 21 (1987), 2147.Google Scholar
Blunt, Wilfrid and Stearn, William Thomas, The Art of Botanical Illustration: An Illustrated History (New York: Dover, 1994).Google Scholar
Bosch, René, ‘“Character” in Reynolds’s Portrait of Sterne’, The Shandean, 6 (1994), 823.Google Scholar
Bosch, René, Labyrinth of Digressions: Tristram Shandy as Perceived and Influenced by Sterne’s Early Imitators (Amsterdam: Rodopi, 2007).Google Scholar
Bourne, Claire M.L., ‘Dramatic Typography and the Restoration Quartos of Hamlet’, in Depledge, Emma and Kirwan, Peter (eds.), Canonising Shakespeare: Stationers and the Book Trade, 1640–1740 (Cambridge University Press, 2017), 145–52.Google Scholar
Bourne, Claire M.L., Typographies of Performance in Early Modern England (Oxford University Press, 2020).Google Scholar
Bowden, Martha F., Yorick’s Congregation: The Church of England in the Time of Laurence Sterne (Cranbury, NJ: Associated University Presses, 2007).Google Scholar
Bracher, Frederick, ‘The Maps in Gulliver’s Travels’, Huntington Library Quarterly, 8 (1944), 5974.Google Scholar
Brady, Frank, ‘Tristram Shandy: Sexuality, Morality, and Sensibility’, Eighteenth-Century Studies, 4 (1970), 4156.Google Scholar
Brandtzæg, Siv Gøril, Newbould, M-C. and Williams, Helen, ‘Advertising Sterne’s Novels in Eighteenth-Century Newspapers’, The Shandean, 27 (2016), 2758.Google Scholar
Bray, Joe, ‘“Attending to the Minute”: Richardson’s Revisions of Italics in Pamela’, in Bray, Miriam Handley and Henry, Anne C. (eds.), Ma(r)king the Text: The Presentation of Meaning on the Literary Page (Aldershot: Ashgate, 2000), 105–19.Google Scholar
Bullard, Paddy and McLaverty, James (eds.), Jonathan Swift and the Eighteenth-Century Book (Cambridge University Press, 2013).Google Scholar
Campbell, Jill, ‘Domestic Intelligence: Newspaper Advertising and the Eighteenth-Century Novel’, The Yale Journal of Criticism, 15 (2002), 251–91.Google Scholar
Canfield, J. Douglas, Tricksters and Estates: On the Ideology of Restoration Comedy (Lexington, KY: University Press of Kentucky, 1997).Google Scholar
Cash, Arthur H., Laurence Sterne: The Later Years (London: Methuen, 1986).Google Scholar
Chalmers, Alexander, The Works of the English Poets, from Chaucer to Cowper (London: Johnson, 1810).Google Scholar
Clapham, John, The Bank of England: A History, Volume 1: 1694–1797 (Cambridge University Press, 1966).Google Scholar
Cock, Emily, ‘“Off Dropped the Sympathetic Snout”: Shame, Sympathy, and Plastic Surgery at the Beginning of the Long Eighteenth Century’, in Kerr, Heather, Lemmings, David and Phiddian, Robert (eds.), Passions, Sympathy and Print Culture: Public Opinion and Emotional Authenticity in Eighteenth-Century Britain (Basingstoke: Palgrave, 2015), 145–64.Google Scholar
Day, W.G., From Fiction to the Novel (London: Routledge, 1987).Google Scholar
Day, W.G., ‘Tristram Shandy: The Marbled Leaf’, Library, 27 (1972), 143–5.Google Scholar
Day, W.G., ‘Sterne and Ozell’, English Studies, 53 (1972), 434–6.Google Scholar
de Voogd, Peter, ‘Tristram Shandy as Aesthetic Object’, in Keymer, Thomas (ed.), Laurence Sterne’s Tristram Shandy: A Casebook (Oxford University Press, 2006), 108–19.Google Scholar
de Voogd, Peter, ‘Laurence Sterne, the Marbled Page, and the “Use of Accidents”’, Word and Image, 1 (1985), 279–87.Google Scholar
Descargues-Grant, Madeleine, ‘Sterne’s Dramatic Persuasion’, in Gerard, W.B. (ed.), Divine Rhetoric: Essays on the Sermons of Laurence Sterne (Newark, NJ: University of Delaware Press, 2010), 207–28.Google Scholar
Didicher, Nicole E., ‘Mapping the Distorted Worlds of Gulliver’s Travels’, Lumen: Selected Proceedings from the Canadian Society for Eighteenth-Century Studies / Lumen: travaux choisis de la Société canadienne d’étude du dix-huitième siècle, 16 (1997), 179–96.Google Scholar
Doherty, Francis Cecil, A Study in Eighteenth-Century Advertising Methods: The Anodyne Necklace (Lewiston, NY: Edwin Mellon, 1992).Google Scholar
Doherty, Francis Cecil, ‘The Anodyne Necklace: A Quack Remedy and its Promotion’, Medical History, 34 (1990), 268–93.Google Scholar
Downey, James, The Eighteenth-Century Pulpit: A Study of the Sermons of Butler, Berkeley, Secker, Sterne, Whitefield and Wesley (Oxford: Clarendon, 1969).Google Scholar
Dworkin, Craig, ‘Textual Prostheses’, Comparative Literature, 57 (2005), 124.Google Scholar
Dyson, A.E., The Crazy Fabric: Essays in Irony (New York: St Martin’s, 1973).Google Scholar
Eisenstein, Elizabeth L., The Printing Press as an Agent of Change: Communications and Cultural Transformations in Early Modern Europe (Cambridge University Press, 1979).Google Scholar
Fanning, Christopher, ‘On Sterne’s Page: Spatial Layout, Spatial Form, and Social Spaces in Tristram Shandy’, Eighteenth-Century Fiction, 10 (1998), 429–50.Google Scholar
Fanning, Christopher, ‘Sterne and Print Culture’, in Keymer, Thomas (ed.), The Cambridge Companion to Laurence Sterne (Cambridge University Press, 2009), 125–41, 133.Google Scholar
Ferriar, John, ‘Comments on Sterne’, Memoirs of the Literary and Philosophical Society of Manchester, 4 (1793), 4586.Google Scholar
Ferriar, John, Illustrations of Sterne (London: Cadell, 1798).Google Scholar
Fitzgerald, Percy Hetherington, The Life of Laurence Sterne, 2 vols. (London: Chapman, 1864).Google Scholar
Flint, Christopher, The Appearance of Print in Eighteenth‐Century Fiction (Cambridge University Press, 2011).Google Scholar
Flint, Christopher, ‘In Other Words: Eighteenth-Century Authorship and the Ornaments of Print’, Eighteenth-Century Fiction, 14 (2002), 625–72.Google Scholar
Ferrand, Nathalie, ‘Translating and Illustrating the Eighteenth-Century Novel’, Word & Image, 30 (2014), 181–3.Google Scholar
Foxon, David, Pope and the Early Eighteenth-Century Book Trade (Oxford: Clarendon, 1991).Google Scholar
Franklin, Alexandra, ‘The Art of Illustration in Bodleian Broadside Ballads before 1820’, Bodleian Library Record, 17 (2002), 327–52.Google Scholar
Gascoigne, Bamber, Milestones in Colour Printing 1457–1859: With a Bibliography of Nelson Prints (Cambridge University Press, 1997).Google Scholar
Genest, John, Account of the English Stage, 10 vols. (Bath: Rodd, 1832).Google Scholar
Gerard, W.B. (ed.), Divine Rhetoric: Essays on the Sermons of Laurence Sterne (Newark, NJ: University of Delaware Press, 2010).Google Scholar
Gerard, W.B. Laurence Sterne and the Visual Imagination (Aldershot: Ashgate, 2006).Google Scholar
Gerard, W.B. (Laurence Sterne, the Apostrophe, and American Abolitionism, 1788–1831’, in Gerard, E. Taylor, Derek, and Walker, Robert G. (eds.), Swiftly Sterneward: Essays on Laurence Sterne and His Times in Honor of Melvyn New (Newark, NJ: University of Delaware Press, 2011), 181206.Google Scholar
Gibbons, Alison, ‘Multimodal Literature and Experimentation’, in Bray, Joe, Gibbons, Alison and McHale, Brian (eds.), Routledge Companion to Experimental Literature (Abingdon: Routledge, 2012), 420–34.Google Scholar
Goff, Moira, ‘“The Art of Dancing, Demonstrated by Characters and Figures”: French and English Sources For Court And Theatre Dance, 1700–1750’, The British Library Journal, 21 (1995), 202–31.Google Scholar
Goldberg, Jonathan, Shakespeare’s Hand (Minneapolis: University of Minnesota Press, 2003).Google Scholar
Goldberg, Jonathan, Writing Matter: From the Hands of the English Renaissance (Palo Alto, CA: Stanford University Press, 1990).Google Scholar
Goring, Paul, ‘Newspapers, Spectatorship and the Coronation of George III’. Paper presented at After New Historicism: A Seminar Series Organised by Northumbria’s Long-Eighteenth-Century Research Group, Northumbria University, 5 April 2017.Google Scholar
Goring, Paul The Rhetoric of Sensibility in Eighteenth-Century Culture (Cambridge University Press, 2005).Google Scholar
Grafton, Anthony, The Footnote: A Curious History (London: Faber, 1997).Google Scholar
Hammond, Lansing Van der Heyden, Laurence Sterne’s Sermons of Mr. Yorick (New Haven, CT: Yale University Press, 1948).Google Scholar
Hawley, Judith, ‘“Hints and Documents” 2: A Bibliography for Tristram Shandy’, The Shandean, 4 (1992), 4965.Google Scholar
Hawley, Judith, ‘Tristram Shandy and Digression’, in Grohmann, Alexis and Wells, Caragh (eds.), Digression in European Literature from Cervantes to Sebald (Basingstoke: Palgrave, 2011), 2135.Google Scholar
Hawley, Judith, Review, ‘The Sermons of Laurence Sterne’, Essays in Criticism, 48 (1998), 80–8.Google Scholar
Hellinga, Lotte, ‘Printing’, in Hellinga, Lotte and Trapp, J.B. (eds.),The Cambridge History of the Book in Britain, Vol. 3: 1400–1557 (Cambridge University Press, 1999), 65108.Google Scholar
Holtz, William V., Image and Immortality: A Study of Tristram Shandy (Providence, RI: Brown University Press, 1970).Google Scholar
Holtz, William V., ‘Typography, Tristram Shandy, the Aposiopesis, etc.,’ in Cash, Arthur H. and Stedmond, John M. (eds.), The Winged Skull: Conference Papers on Laurence Sterne (Kent, OH: Kent State University Press, 1971), 247–57.Google Scholar
Houlbrooke, Ralph, ‘The Age of Decency: 1660–1760’, in Jupp, Peter C. and Gittings, Clare (eds.), Death in England: An Illustrated History (Manchester University Press, 1999).Google Scholar
Houlbrooke, Ralph, Death, Religion, and the Family in England, 1480–1750 (Oxford University Press, 2000).Google Scholar
Howes, Alan B. (ed.), Laurence Sterne: The Critical Heritage (London: Routledge, 1974).Google Scholar
Hunter, J. Paul, ‘From Typology to Type: Agents of Change in Eighteenth-Century Texts’, in Ezell, Margaret J.M. and O’Brien, Katherine (eds.), Cultural Artifacts and the Production of Meaning: The Page, the Image and the Body (Ann Arbor, MI: University of Michigan Press, 1994), 4169.Google Scholar
Jung, Sandro, ‘The Other Pamela: Readership and the Illustrated Chapbook Abridgement’, Journal for Eighteenth-Century Studies, 39 (2016), Special Issue: Picturing the Eighteenth-Century Novel Through Time, Ionescu, Christina and Lewis, Ann (eds.), 513–31.Google Scholar
Kelly, James, ‘Health for Sale: Mountebanks, Doctors, Printers and the Supply of Medication in Eighteenth-Century Ireland’, Proceedings of the Royal Irish Academy. Section C: Archaeology, Celtic Studies, History, Linguistics, Literature, 108C (2008), 75113.Google Scholar
Kerslake, John, Early Georgian Portraits (London: HMSO, 1977).Google Scholar
Keymer, Thomas (ed.), The Cambridge Companion to Laurence Sterne (Cambridge University Press, 2009).Google Scholar
Keymer, ThomasJane Collier, Reader of Richardson, and the Fire Scene in Clarissa’, in Rivero, Albert J. (ed.), New Essays on Samuel Richardson (Basingstoke: Palgrave, 1996), 141–61.Google Scholar
Keymer, Thomas ( Sterne, the Moderns, and the Novel (Oxford University Press, 2002).Google Scholar
Keymer, Thomas (William Toldervy and the Origins of Smart’s A Translation of the Psalms of David’, Review of English Studies, 54 (2003), 5266.Google Scholar
King, Kimball, Western Drama through the Ages (Westport, CT: Greenwood, 2007).Google Scholar
Kinservik, Matthew J., Disciplining Satire: The Censorship of Satiric Comedy on the Eighteenth-Century London Stage (Lewisburg, PA: Bucknell University Press, 2002).Google Scholar
Kita, Sotaro (ed.), Pointing: Where Language, Culture, and Cognition Meet (London: Erlbaum, 2003).Google Scholar
Konigsberg, Ira, Samuel Richardson and the Dramatic Novel (Lexington, KY: University of Kentucky Press, 1968).Google Scholar
Krivatsy, Peter, ‘Le Blon’s Anatomical Color Engravings’, Journal of the History of Medicine and Allied Sciences, 23.2 (1968), 153–8.Google Scholar
Laidlow, Jonathan, ‘A Compendium of Shandys: Methods of Organising Knowledge in Sterne’s Tristram Shandy’, Eighteenth Century Novel, (2001), 181–200.Google Scholar
Lamb, Jonathan P., ‘Parentheses and Privacy in Philip Sidney’s Arcadia’, Studies in Philology, 107.3 (2010), 310–35.Google Scholar
Leeuwen, Henry G., The Problem of Certainty in English Thought 1630–1690 (London: Springer, 2013).Google Scholar
Lennard, John, But I Digress: The Exploitation of Parentheses in English Printed Verse (Oxford: Clarendon, 1991).Google Scholar
Levenston, Edward A., The Stuff of Literature: Physical Aspects of Texts and Their Relation to Literary Meaning (New York: State University of New York Press, 1992).Google Scholar
Lowengard, Sarah, ‘Colour Printed Illustrations in Eighteenth-Century Periodicals’, in Ionescu, Christina (ed.), Book Illustration in the Long Eighteenth Century: Reconfiguring the Visual Periphery of the Text (Newcastle: Cambridge Scholars, 2011), 5376.Google Scholar
Lund, Roger D., ‘The Eel of Science: Index Learning, Scriblerian Satire, and the Rise of Information Culture’, Eighteenth-Century Life, 22 (1998), 1842.Google Scholar
Lupton, Christina, ‘Creating the Writer of the Cleric’s Words’, Journal for Eighteenth-Century Studies, 34 (2011), 167–83.Google Scholar
Lüthi, Louis, On the Self-Reflexive Page (Amsterdam: Roma, 2010).Google Scholar
Lynch, Jack, ‘Reading and Misreading the Genres of Sterne’s Sermons’, in Gerard, W.B. (ed.), Divine Rhetoric: Essays on the Sermons of Laurence Sterne (Newark, NJ: University of Delaware Press, 2010), 83100.Google Scholar
Margócsy, Dániel, Commercial Visions: Science, Trade, and Visual Culture in the Dutch Golden Age (University of Chicago Press, 2014).Google Scholar
Marks, Sylvia Kasey, Sir Charles Grandison: The Compleat Conduct Book (Lewisburg, PA: Bucknell University Press, 1986).Google Scholar
Marsden, Jean I., ‘Dramatic Satire in the Restoration and Eighteenth Century’ in Quintero, Ruben (ed.), A Companion to Satire: Ancient and Modern (Oxford: Blackwell, 2008), 161–75.Google Scholar
Maruca, Lisa, ‘Bodies of Type: The Work of Textual Production in English Printers’ Manuals’, Eighteenth-Century Studies, 36 (2003), 321–43.Google Scholar
McGuire, Kelly, ‘Mourning and Material Culture in Eliza Haywood’s The History of Miss Betsy Thoughtless’, Eighteenth-Century Fiction, 18 (2006), 281304.Google Scholar
McKitterick, David, Print, Manuscript and the Search for Order, 1450–1830 (Cambridge University Press, 2003).Google Scholar
McLaverty, James, Pope, Print, and Meaning (Oxford University Press, 2001).Google Scholar
McPharlin, Paul, Roman Numerals, Typographic Leaves and Pointing Hands: Some Notes on their Origin, History and Contemporary Use, Typophile Chap Books, 7 (New York: Typophiles, 1942).Google Scholar
Meyers, Amy R.W. et al. (eds.), Empire’s Nature: Mark Catesby’s New World Vision (Chapel Hill, NC: University of North Carolina Press, 1998).Google Scholar
Monkman, Kenneth, ‘Sterne and the ’45 (1743–8)’, The Shandean, 2 (1990), 45136.Google Scholar
Moss, Roger B., ‘Sterne’s Punctuation’, Eighteenth-Century Studies, 15 (1981–82), 179200.Google Scholar
Mounsey, Chris, Christopher Smart: Clown of God (Lewisburg, PA: Bucknell University Press, 2001).Google Scholar
New, Melvyn, ‘Reading the Occasion: Understanding Sterne’s Sermons’, in Gerard, W.B. (ed.), Divine Rhetoric: Essays on the Sermons of Laurence Sterne (Newark, NJ: University of Delaware Press, 2010), 101–19.Google Scholar
New, Melvyn, ‘Richardson’s Sir Charles Grandison and Sterne: A Study in Influence’, Modern Philology, 115 (2017), 213–43.Google Scholar
New, Melvyn, ‘Tristram Shandy and Heinrich van Deventer’s Observations’, Papers of the Bibliographical Society of America, 69 (1975), 8490.Google Scholar
Newbould, M-C., Adaptations of Laurence Sterne’s Fiction: Sterneana, 1760–1840 (Aldershot: Ashgate, 2013).Google Scholar
Newstok, Scott L., Quoting Death in Early Modern England: The Poetics of Epitaphs beyond the Tomb (Basingstoke: Palgrave, 2009).Google Scholar
Nickelsen, Kärin, ‘The Challenge of Colour: Eighteenth-Century Botanists and the Hand-Colouring of Illustrations’, Annals of Science, 63.1 (2006), 323.Google Scholar
Nickelsen, Kärin, Draughtsmen, Botanists and Nature: The Construction of Eighteenth-Century Botanical Illustrations, New Studies in the History and Philosophy of Science and Technology (Dordrecht, Netherlands: Springer, 2006), 167–70.Google Scholar
Oakleaf, David, ‘Long Sticks, Morris Dancers, and Gentlemen: Associations of the Hobby-Horse in Tristram Shandy’, Eighteenth-Century Life, 11 (1987), 6276.Google Scholar
Oakley, Warren L., A Culture of Mimicry: Laurence Sterne, His Readers and the Art of Bodysnatching (London: MHRA, 2010).Google Scholar
Ostovich, Helen, ‘Reader as Hobby-Horse in Tristram Shandy’, in Keymer, Thomas (ed.), Laurence Sterne’s Tristram Shandy: A Casebook (Oxford University Press, 2006), 171–90.Google Scholar
Patterson, Diana, ‘John Baskerville, Marbler’, The Library, s6–12 (1990), 212–21.Google Scholar
Patterson, Diana, ‘The Moral of the Next Marbled Page in Sterne’s Tristram Shandy’ (PhD thesis, University of Toronto, 1989).Google Scholar
Patterson, Diana, ‘Tristram’s Marblings and Marblers’, The Shandean, 3 (1991), 7097.Google Scholar
Parnell, Tim, ‘Sterne’s Fiction and the Mid-Century Novel: The “Vast Empire of Biographical Freebooters” and the “Crying Volume’”, in Downie, Alan (ed.), The Oxford Handbook of the Eighteenth-Century Novel (Oxford University Press, 2016), 264–81.Google Scholar
Parnell, Tim, ‘The Sermons of Mr. Yorick: The Commonplace and the Rhetoric of the Heart’, in Keymer, Thomas (ed.),The Cambridge Companion to Laurence Sterne (Cambridge University Press, 2009), 6478.Google Scholar
Payne, Deborah, ‘Comedy, Satire, or Farce? Or the Generic Difficulties of Restoration Dramatic Satire’, in Gill, James E. (ed.), Cutting Edges: Postmodern Critical Essays on Eighteenth-Century Satire (Knoxville, TS: University of Tennessee Press, 1995), 122.Google Scholar
Peters, Julie Stone, The Theatre of the Book, 1480–1880: Print, Text, and Performance in Europe (Oxford University Press, 2003).Google Scholar
Pooley, Roger, English Prose of the Seventeenth Century, 1590–1700 (London: Routledge, 2014).Google Scholar
Portela, Manuel, ‘Typographic Translation: The Portuguese Edition of Tristram Shandy’, in Bray, Joe, Handley, Miriam and Henry, Anne (eds.), Ma(r)king the Text: The Presentation of Meaning on the Literary Page (Aldershot: Ashgate, 2000), 291308.Google Scholar
Porter, Dorothy and Porter, Roy, Patient’s Progress: Doctors and Doctoring in Eighteenth-Century England (Palo Alto, CA: Stanford University Press, 1989).Google Scholar
Porter, Roy, Health for Sale: Quackery in England 1660–1850 (Manchester University Press, 1989).Google Scholar
Range, Matthias, British Royal Funerals: Music and Ceremonial since Elizabeth I (Woodbridge: Boydell, 2016).Google Scholar
Rogers, Pat, Documenting Eighteenth-Century Satire: Pope, Swift, Gay, and Arbuthnot in Historical Context (Newcastle: Cambridge Scholars, 2012).Google Scholar
Rogers, Pat, ‘Ziggerzagger Shandy: Sterne and the Aesthetics of the Crooked Line’, English: Journal of the English Association, 42.173 (1993), 97107.Google Scholar
Rose, Mark, ‘The Author in Court: Pope v. Curll (1741)’, Cultural Critique, 21 (1992), 197217.Google Scholar
Rose, Mark, Authors and Owners: The Invention of Copyright (Cambridge, MA: Harvard University Press, 1993).Google Scholar
Rothstein, Eric, Systems of Order and Inquiry in Later Eighteenth-Century Fiction (Berkeley, CA: University of California Press, 1975).Google Scholar
Rowe, Katherine, Dead Hands: Fictions of Agency, Renaissance to Modern (Palo Alto, CA: Stanford University Press, 1999).Google Scholar
Scott, Walter, ‘Preface to Sterne’, The Novels of Sterne, Goldsmith, Dr. Johnson, Mackenzie, Horace Walpole, and Clara Reeve (London: Hurst, 1823), vol. 5.Google Scholar
Sherman, William H., Used Books: Marking Readers in Renaissance England, Material Texts (Philadelphia, PA: University of Pennsylvania Press, 2008).Google Scholar
Solomon, Harry M., The Rise of Robert Dodsley: Creating the New Age of Print (Carbondale, IL: Southern Illinois University Press, 1996).Google Scholar
Stedmond, John, The Comic Art of Laurence Sterne (University of Toronto Press, 1967).Google Scholar
Swearingen, James, Reflexivity in Tristram Shandy: An Essay in Phenomenological Criticism (New Haven, CT: Yale University Press, 1977).Google Scholar
Tadié, Alexis, Sterne’s Whimsical Theatres of Language: Orality, Gesture Literacy, Studies in Early Modern English Literature (Aldershot: Ashgate, 2003).Google Scholar
Tallis, Raymond, The Hand: A Philosophical Inquiry into Human Being (Edinburgh University Press, 2003).Google Scholar
Tallis, Raymond, Michelangelo’s Finger: An Exploration of Everyday Transcendence (New Haven, CT: Yale University Press, 2010).Google Scholar
Terry, Richard, The Plagiarism Allegation in English Literature from Butler to Sterne (Basingstoke: Palgrave, 2010).Google Scholar
Terry, Richard, Poetry and the Making of the English Literary Past: 1660–1781 (Oxford University Press, 2001).Google Scholar
Thorp, Jennifer, ‘Picturing a Gentleman Dancing-Master: A Lost Portrait of Kellom Tomlinson’, Dance Research, 30 (2012), 70–9.Google Scholar
Timperley, C.H., A Dictionary of Printers and Printing (London: Johnson, 1839).Google Scholar
Tobin, Terence, ‘A List of Plays and Entertainments by Scottish Dramatists 1660–1800’, Studies in Bibliography, 23 (1970), 103117.Google Scholar
Toner, Anne, Ellipsis in English Literature: Signs of Omission (Cambridge University Press, 2015).Google Scholar
Trettien, Whitney Anne, ‘A Blank Poem (1723); or, the Present of Absence’, Diapsalmata, 29 August 2010, available at http://blog.whitneyannetrettien.com/2010/08/blank-poem-1723-or-present-of-absence.html, last accessed 5 June 2020.Google Scholar
Trumble, Angus, The Finger: A Handbook (New York: Farrar, 2010).Google Scholar
van Leewen, Eva C., Sterne’s Journal to Eliza: A Semiological and Linguistic Approach to the Text, Studies and Texts in English 2 (Tübingen: Narr, 1981).Google Scholar
Walsh, Marcus, ‘Text, “Text”, and Swift’s A Tale of a Tub’, Modern Language Review, 85 (1990), 290303.Google Scholar
Watt, Ian, ‘The Comic Syntax of Tristram Shandy, in Anderson, Howard and Shea, John S. (eds.), Studies in Criticism and Aesthetics 1660–1800: Essays in Honour of Samuel Holt Monk (University of Minneapolis Press, 1967), 315–31.Google Scholar
Werner, Sarah, ‘Reading Blanks’, Wynken de Worde, 10 October 2010, available at http://wynkendeworde.blogspot.co.uk/2010/10/reading-blanks.html, last accessed 5 June 2020.Google Scholar
Wilkinson, Hazel, Compositor (formerly Fleuron), available at https://compositor.bham.ac.uk/, last accessed 5 June 2020.Google Scholar
Wilkinson, Hazel, ‘Printers’ Flowers as Evidence in the Identification of Unknown Printers: Two Examples From 1715’, The Library, 14 (2013), 70–9.Google Scholar
Williams, Helen, ‘“Looking and Reading Simultaneously”: APFEL on Tristram Shandy’, The Shandean, 23 (2012), 129–35, 134.Google Scholar
Wolfe, Richard J., Marbled Paper: Its History, Techniques, and Patterns: With Special Reference to the Relationship of Marbling to Bookbinding in Europe and the Western World (Philadelphia, PA: University of Pennsylvania Press, 1990).Google Scholar
Woodmansee, Martha, ‘The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the “Author”’, The Printed Word in the Eighteenth Century, special issue of Eighteenth-Century Studies, 17 (1984), 425–48.Google Scholar
Zerby, Chuck, The Devil’s Details: A History of Footnotes (New York: Touchstone, 2002).Google Scholar
Zimmerman, Everett, ‘Tristram Shandy and Narrative Representation’, The Eighteenth Century, 28.2 (1987), 127–47.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Helen Williams, Northumbria University, Newcastle
  • Book: Laurence Sterne and the Eighteenth-Century Book
  • Online publication: 06 April 2021
  • Chapter DOI: https://doi.org/10.1017/9781108904162.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Helen Williams, Northumbria University, Newcastle
  • Book: Laurence Sterne and the Eighteenth-Century Book
  • Online publication: 06 April 2021
  • Chapter DOI: https://doi.org/10.1017/9781108904162.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Helen Williams, Northumbria University, Newcastle
  • Book: Laurence Sterne and the Eighteenth-Century Book
  • Online publication: 06 April 2021
  • Chapter DOI: https://doi.org/10.1017/9781108904162.009
Available formats
×