Book contents
- Leonard Bernstein in Context
- Composers in Context
- Leonard Bernstein in Context
- Copyright page
- Contents
- Illustrations
- Musical Examples
- Contributors
- Preface
- Part I Bernstein’s World
- Part II Conducting
- Part III Composition, Creation, and Reception
- Part IV Bernstein as Musical and Cultural Ambassador
- Part V Connections
- Part VI The Legacy
- Chapter 34 Composing Legacy
- Chapter 35 Conducting Legacy
- Chapter 36 The Library of Congress
- Chapter 37 Major Writings
- Chapter 38 The New York Philharmonic
- Chapter 39 Columbia Records and Deutsche Grammophon
- Chapter 40 Cultural Icon
- Further Reading
- Index
Chapter 38 - The New York Philharmonic
from Part VI - The Legacy
Published online by Cambridge University Press: 06 April 2024
- Leonard Bernstein in Context
- Composers in Context
- Leonard Bernstein in Context
- Copyright page
- Contents
- Illustrations
- Musical Examples
- Contributors
- Preface
- Part I Bernstein’s World
- Part II Conducting
- Part III Composition, Creation, and Reception
- Part IV Bernstein as Musical and Cultural Ambassador
- Part V Connections
- Part VI The Legacy
- Chapter 34 Composing Legacy
- Chapter 35 Conducting Legacy
- Chapter 36 The Library of Congress
- Chapter 37 Major Writings
- Chapter 38 The New York Philharmonic
- Chapter 39 Columbia Records and Deutsche Grammophon
- Chapter 40 Cultural Icon
- Further Reading
- Index
Summary
Leonard Bernstein’s career-long involvement with the New York Philharmonic Orchestra intersected with the Cold War, the Civil Rights movement, and the growth of television. He first conducted the Philharmonic in 1943, at age twenty-five, and his term as music director (1958−69) is remembered as a particularly vibrant period in the orchestra’s history. On taking over that role, Bernstein embarked on an ambitious agenda both for thematic programming, including focuses on American music and the symphonies of Gustav Mahler, and for public-facing initiatives, such as the televised Young People’s Concerts and touring. In addition, Bernstein used his position to highlight the work of solo performers who were members of minority groups, and he oversaw the orchestra during its period of racial integration.
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- Leonard Bernstein in Context , pp. 322 - 330Publisher: Cambridge University PressPrint publication year: 2024