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from Part IV - Reception and Legacy
Published online by Cambridge University Press: 23 September 2021
Where does the idea of Liszt’s visionary, future-gazing late style come from? The ostensibly obvious answer is the music itself: just listen to the final bars of Nuages gris (1881), many austere and borderline atonal passages in Via crucis (1879) or the concept and realisation of sans tonalité in Liszt’s Bagatelle (1885). But listening is not a passive activity, and someone has always guided our hearing of these works in a selective way, directing the reader to filter out music that weakens the case.
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