Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-lnqnp Total loading time: 0 Render date: 2024-12-26T17:23:15.659Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  22 December 2022

Richard C. Beacham  and
Hugh Denard
Richard C. Beacham
Affiliation:
King's College London
Hugh Denard
Affiliation:
King's College London
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Living Theatre in the Ancient Roman House
Theatricalism in the Domestic Sphere
 , pp. 484 - 508
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adkins, L., and R. Dictionary of Roman Religion. New York, 1996.Google Scholar
Aelian, . On Animals.Google Scholar
Aelius Aristides, . The Complete Works, 2 Vols. Translated by Behr, C. Leiden, 1981.Google Scholar
Aeschylus, . ‘Agamemnon’. In Complete Plays, vol. 1. Translated by Mueller, Carl R. Hanover, NH, 2002.Google Scholar
Aldrete, G. Gestures and Acclamations in Ancient Rome. Baltimore, 1999.Google Scholar
Allison, P. Pompeian Households: An Analysis of the Material Culture. Los Angeles, 2004.Google Scholar
Allison, P. ‘The Relationship between Wall-Decoration and Room-Type in Pompeian Houses: A Case Study of the Casa della Caccia Antica’. JRA 5 (1992): 235–49.Google Scholar
Allison, P. ‘How Do We Identify the Use of Space in Roman Housing?’ In Functional and Spatial Analysis of Wallpainting: BABESCH, Supplement 3, edited by Moormann, E., 1–8. Leiden, 1993.Google Scholar
Allison, P. ‘Using the Material and Written Sources: Turn of the Millennium Approaches to Roman Domestic Space’. AJA 105 no. 2 (2001): 181–208.Google Scholar
Allison, P. “Engendering Roman domestic space”. In Building Communities, 343–50. London, 2007.Google Scholar
Allison, P., ed. Archaeology of Household Activities. London, 1999.Google Scholar
Allison, P., and Sear, F.. ‘Casa della Caccia Antica’. In Haüser in Pompeji, vol. 11. Munich, 2002.Google Scholar
Allroggen-Bedel, A. Maskendarstellungen in der Römisch-Kampanischen Wandmalerei. Munich, 1974.Google Scholar
Allroggen-Bedel, A. ‘Megalographien in der römisch-kampanischen Wandmalerei: Uberlegungen zu ihrer Interpretation’. Bonner Jahrbucher 208 (2008): 29–44.Google Scholar
Anderson, J. Jr. ‘Architecture, Space, and Society in the Roman World: Quotidian Architecture and Individual Space’. In Roman Architecture and Society, Chapter 6, 288–336. Baltimore: John Hopkins Press, 1997.Google Scholar
Anderson, M. Pompeian Frescoes in the Metropolitan Museum of Art. New York, 1987.Google Scholar
Andreae, B. The Art of Rome. Translated by Wolf, R. New York, 1978.Google Scholar
Anguissola, A. ‘The Dynamics of Seclusion: Observations on the Casa del Labirinto and the Casa degli Amorini Dorati at Pompeii’. In Privata Luxuria, 31–47. Munich: Herbrt Utz Verlag GmbH, 2012.Google Scholar
Anguissola, A. ‘Per una Semantica della Tradizione Architettonica: Il Biclinium nella Casa di Apollo a Pompei (VI, 7, 23)’. Prospettiva: Rivista di Storia dell’Arte Antica e Moderna 146 (2012): 2–21.Google Scholar
Annali dell’Instituto di Corrispondenza Archeologica [= AdI ]. Rome, 1829–1885.Google Scholar
Anonymous, . Ad Herennium.Google Scholar
Aoyagi, M. ‘Somma Vesuviana, c. d. Villa di Augusto. Aggiornamenti dalle indagini 2009–2010’. Amoenitas: Rivista Internazionale di Studi Miscellanei sulla Villa Romana Antica 2 (2012): 219–40.Google Scholar
Aoyagi, M. ‘La c. d. Villa di Augusto a Somma Vesuviana (NA). Nuove Ipotesi di Lettura Sulla Base delle Piu Recenti Ricerche Archeologiche’. Atti della Pontificia Accademia Romana di Archeologia, Rendiconti 85 (2012–2013): 171–202.Google Scholar
Apuleius, . Selections of Metamorphoses, Florida, Apologia, edited by Helm, R. Leipzig, 1921.Google Scholar
Appian, . Roman History, Volume IV: Civil Wars, Books 1–2. Edited and translated by McGing, Brian. Loeb Classical Library 5. Cambridge, MA: Harvard University Press, 2020.Google Scholar
Arias, P. ‘l’Evoluzione della Scena del teatro Romano’. Studi Romani 22 (1974): 17–24.Google Scholar
Aristodemou, G. ‘Theatre Façades and Façade Nymphaea. The Link between’. Bulletin de Correspondance Hellénique 135 no. 1 (2011): 163–97.CrossRefGoogle Scholar
Aristotle, . Poetics.Google Scholar
Aste, A. Il Teatro Antico a Roma: Allestimento e Drammaturgia. Tricase, 2009.Google Scholar
Athenaeus, . The Learned Banqueters, Volume I, and II: Edited and translated by Olson, S. Douglas. Loeb Classical Library 204. Cambridge, MA: Harvard University Press, 2007.Google Scholar
Augustine, . De Civitate Dei. Volume VI. Translated by Greene, W. C.. Harvard University Press, 1969.Google Scholar
Augustus, . Res Gestae. Translated by Shipley, Frederick W.. Loeb Classical Library 152. Cambridge, MA: Harvard University Press, 1924.Google Scholar
Gellius, Aulus. Noctes Atticae. Translated by Rolfe, J. C.. Loeb Classical Library, 195. Cambrdige, MA: Harvard University Press, 1927.Google Scholar
Axer, J. ‘Tribunal-Stage-Arena: Modelling of the Communication Situation in M. Tullius Cicero’s Judicial Speeches’. Rhetorica 7 no. 4 (1989): 299–311.CrossRefGoogle Scholar
Axer, J. ‘Spettatori e Spettacoli nell Roma Antica’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 221–29.Google Scholar
Baldassarre, I., et al., eds. Pittura Romana dall’Ellenismo al Tardo-Antico. Milan, 2002.Google Scholar
Barbet, A. La Peinture Romaine: Les Styles Décoratifs Pompéins. Paris, 1985.Google Scholar
Barchiesi, A. ‘Occhi Eruditi’. In Maecenas: Il Collezionismo nel Mondo Romano dall’Età degli Scipioni a Cicerone, edited by Fabbrini, F., 59–66. Arezzo, 2001.Google Scholar
Barnabei, F. Gli Scavi di Ercolano. Rome, 1878.Google Scholar
Barnabei, F. La Villa Pompeiana di P. Fannio Sinistore Scoperto Presso Boscoreale. Rome, 1901.Google Scholar
Barre, L. Herculanum et Pompéi. Recueil Général des Peintures, Bronzes, Mosaïques, etc, 7 Vols. Paris, 1861–1862.Google Scholar
Barthes, R. The Responsibility of Forms. Translated by Howard, R. Oxford, 1992.Google Scholar
Bartman, E. ‘Sculptural Collecting and Display in the Private Realm’. In Roman Art in the Private Sphere, edited by Gazda, E., 71–88. Ann Arbor, MI, 1991.Google Scholar
Barton, C. The Sorrows of the Ancient Romans. Princeton, NJ, 1993.Google Scholar
Bartsch, S. Actors in the Audience. Cambridge, MA, 1994.CrossRefGoogle Scholar
Baumann, M. Bilder Schreiben: Virtuose Ekphrasis in Philostrats “Eikones”. Berlin and New York, 2011.Google Scholar
Beacham, R. The Roman Theatre and Its Audience. Cambridge, MA, 1991.Google Scholar
Beacham, R. Spectacle Entertainments of Early Imperial Rome. New Haven, CT, 1999.Google Scholar
Beacham, R. ‘The Development of the Roman Stage: A Missing Link Restored’. Theatre Research International 5 no. 1 (1980): 37–45.Google Scholar
Beacham, R. ‘The Emperor as Impresario: Producing the Pageantry of Power’. In The Cambridge Companion to the Age of Augustus, edited by Galinsky, K., 151–74. Cambridge, 2005.Google Scholar
Beacham, R. Review of Roman Theatres: An Architectural Study, by Sear, F. JRS 97 (2007): 359–61.Google Scholar
Beacham, R. ‘Playing Places: The Temporary and the Permanent’. In Cambridge Companion to Greek and Roman Theatre, edited by Walton, J. and McDonald, M., 202–26. Cambridge, 2007.Google Scholar
Beacham, R. ‘Roman Frescoes from Boscoreale: The Villa of Publius Fannius Synistor in Reality and Virtual Reality’. In The Metropolitan Museum of Art Bulletin 67 no. 4, edited by Bergmann, B., De Caro, S., Mertens, J., and Meyer, R.. New York and New Haven, 2010.Google Scholar
Beacham, R. ‘“Ea omnia, quae scaenicis moribus per machinationem ad spectationis populo conparantur”: Observations on Staging the Ludi Virtuales’. In Greek and Roman Games in the Computer Age, edited by Thorsen, T., 109–24. Trondheim, 2012.Google Scholar
Beacham, R. ‘Otium, Opulentia and Opsis: Setting, Performance and Perception within the mise-en-scène of the Roman House’. In Performance in Greek and Roman Theatre, edited by Harrison, G. and Liapis, V., 361–408. Leiden and Boston, 2013.Google Scholar
Beacham, R. ‘Heron of Alexandria’s ‘Toy Theatre’ Automaton: Reality, Allusion and Illusion’. In Performance and Analogue Technology: Interfaces and Intermedialities, edited by Reilly, K., 15–39. Basingstoke, 2013.CrossRefGoogle Scholar
Beacham, R. ‘Architectural, Pictorial and Virtual Environments: Making Space for the Oculus Mentis of Ancient Theatre’. In Close Relations: Spaces of Greek and Roman Theatre, edited by Monaghan, P. and Griffiths, J., 63–94. Newcastle upon Tyne, 2016.Google Scholar
Beacham, R. ‘“I Dreamt I Dwelt in Marble Halls”: Using Computer Based Visualisation of Roman Domestic Architecture to Evoke the Built and the “Felt” Environment’. In Digital Cities: In between History and Archaeology, edited by Forte, M. and Murteira, H., 42–61. Oxford, 2020.Google Scholar
Beacham, R., et al. ‘The Villa of P. Fannius Synistor at Boscoreale: A Virtual Tour’. Accessed August 18, 2020. www.metmuseum.org/metmedia/video/collections/gr/boscoreale-model.Google Scholar
Beacham, R., Baker, D., Blazeby, M., and Denard, H.. ‘The Visualisation of the Boscoreale Villa in 3-D’. In La Villa Romaine de Boscoreale et ses Fresques, edited by Barbet, A. and Verbanck-Piérard, A., 165–95. Arles, 2014.Google Scholar
Beacham, R., Denard, H, and Blazeby, M. ‘Roman Theatre and Frescoes: Intermedial Research Through Applied Digital Visualisation Technologies’. In Virtual Reality at Work in the 21st Century: Impact on Society, edited by Thwaites, H. Budapest, 2005.Google Scholar
Beard, M. The Roman Triumph. Cambridge, MA, 2007.Google Scholar
Beard, M. ‘The Triumph of the Absurd: Roman Street Theatre’. In Rome the Cosmopolis, edited by Edwards, C and Woolf, G, 21–43. Cambridge, 2003.Google Scholar
Beard, M., and Henderson, J., eds. Classical Art: From Greece to Rome. Oxford, 2001.Google Scholar
Behrendt, P. ‘The Cult of Dionysus and the Roman Theatre: Dionysian Iconography in a Scenographic Painting from the Fourth Pompeian Style’. In Theatre History Studies Vol. 4, 1–30. Grand Forks, ND, 1984.Google Scholar
Bek, L. ‘Antithesis: A Roman Attitude and its Changes as Reflected in the Concept of Architecture from Vitruvius to Pliny the Younger’. In Studia Romana in Honorem Petri Krarup Septuagenarii, edited by Ascani, K. et al., 154–66. Odense, 1976.Google Scholar
Bek, L. ‘Towards Paradise on Earth’. Analecta Romana Instituti Danici 9 (1980).Google Scholar
Bek, L. ‘Towards Paradise on Earth’ Part III: ‘Axes and Space in Antiquity’, 164–203.Google Scholar
Bek, L. ‘Quaestiones Convivales: The Idea of the Triclinium and the Staging of Convivial Ceremony from Rome to Byzantium’. Analecta Romana Instituti Danici 12 (1983): 81–107.Google Scholar
Bell, A. Spectacular Power in the Greek and Roman City. Oxford, 2004.CrossRefGoogle Scholar
Bergmann, B. ‘Painted Perspectives of a Villa Visit: Landscape as Status and Metaphor’. In Roman Art in the Private Sphere, edited by Gazda, E., 49–70. Ann Arbor, MI, 1991.Google Scholar
Bergmann, B. ‘The Roman House as Memory Theater: The House of the Tragic Poet in Pompeii’. The Art Bulletin 76 no. 2 (1994): 225–56.Google Scholar
Bergmann, B. ‘Greek Masterpieces and Roman Recreative Fictions’. In Harvard Studies in Classical Philology Volume 97: Greece in Rome: Influence, Integration, Resistance, 79–120. Cambridge, MA, 1995.Google Scholar
Bergmann, B. ‘The Pregnant Moment: Tragic Wives in the Roman Interior’. In Sexuality in Ancient Art, edited by Kamper, N., 199–218. Cambridge, 1996.Google Scholar
Bergmann, B. ‘Rhythms of Recognition: Mythological Encounters in Roman Landscape Painting’. In Deutsches Archäologisches Institut Rom, Palilia 6: Im Spiegel des Mythos: Bilderwelt und Lebenswelt, 81–108. Wiesbaden, 1999.Google Scholar
Bergmann, B. ‘Introduction: The Art of Ancient Spectacle’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 9–35. Washington, DC, 1999.Google Scholar
Bergmann, B. ‘Houses of Cards’. JRA 14 (2001): 56–57.Google Scholar
Bergmann, B. ‘Art and Nature in the Villa at Oplontis’. JRA Supplement 47 (2002): 87–120.Google Scholar
Bergmann, B. ‘Playing with Boundaries: Painted Architecture in Roman Interiors’. In The Built Surface Volume 1: Architecture and the Pictorial Arts from Antiquity to the Enlightenment, edited by Anderson, C., 15–46. Aldershot, 2002.Google Scholar
Bergmann, B. ‘Final Hours: Victims of Vesuvius and Their Possessions’. Review of Pompeii: Stories from an Eruption (Field Museum, Chicago) and Pompeii: Stories from an Eruption: Guide to the Exhibition, edited by Guzzo, P. AJA 110 no. 3 (2006): 493–501.Google Scholar
Bergmann, B. ‘Staging the Supernatural: Interior Gardens of Pompeian Houses’. In Pompeii and the Roman Villa: Art and Culture around the Bay of Naples, edited by Mattusch, C., 53–69. New York, 2008.Google Scholar
Bergmann, B. ‘The Gardens and Garden Paintings of Villa A’. In Leisure and Luxury in the Age of Nero, edited by Gazda, E. and Clarke, J., 96–110. Ann Arbor, MI, 2016.Google Scholar
Bergmann, B. ‘Frescoes in Roman Gardens’. In Gardens of the Roman Empire, edited by Jashemski, W., Gleason, K., Hartswick, K., and Malek, A., 278–316. Cambridge, 2018.Google Scholar
Bergmann, B., and Kondoleon, C., eds. The Art of Ancient Spectacle. Washington, DC, 1999.Google Scholar
Berkowitz, L., and Squitier, K.. Thesaurus Linguae Graecae: Canon of Greek Authors and Works, 3rd edition. Oxford, 1990.Google Scholar
Berry, J. ‘Household Artefacts: Towards a Re-Interpretation of Roman Domestic Space’. In Domestic Space in the Roman World: Pompeii and Beyond, edited by Laurence, R and Wallace-Hadrill, A. JRA Supplement 22 (1997): 183–95.Google Scholar
Beyen, H. Die Pompejanische Wanddekoration vom Zweiten bis zum Vierten Stil Vol. 1. Gravenhage, 1937.Google Scholar
Beyen, H. Die Pompejanische Wanddekoration vom Zweiten bis zum Vierten Stil Vol. 2. Gravenhage, 1960.Google Scholar
Beyen, H. ‘Das Stilistische und Chronologische Verhältnis der letzten drei Pompejanischen Stile’. In Antiquity and Survival Vol. 2, 349–72. The Hague, 1958.Google Scholar
Beyen, H. ‘Article on Pompeian Styles’. In Enciclopedia dell’Arte Antica Vol. 6, 356 ff. Rome, 1961.Google Scholar
Bezerra de Meneses, U. ‘La Peinture’. In Guide de Delos, edited by Bruneau, P. and Ducat, J.. Paris, 1983.Google Scholar
Bianco, A. ‘Il fregio delle Amazzoni nella Casa del Poeta Tragico a Pompei’. Rivista di Studi Pompeiani 18 (2007): 53–66.Google Scholar
Bieber, M. Die Denkmäler zum Theaterwesen im Altertum. Berlin and Leipzig, 1920.Google Scholar
Bieber, M. History of the Greek and Roman Theatre. Princeton, NJ, 1961.Google Scholar
Bieber, M. ‘Wurden die tragödien des Seneca in Rom aufgeführt?’. RM 60–61 (1953–1954): 100–06 and Tables.Google Scholar
Bieber, M. Review of Roman Perspective Painting and the Ancient Stage, by Little, A. AJA 76 no. 4 (1972): 454–56.Google Scholar
Boëthius, A. ‘On the Ancestral Masks of the Romans’. Acta Archaeologica 13 (1942): 226ii–234i.Google Scholar
Bollinger, T. Theatralis Licentia: Publikumsdemonstrationen an den Öffentlichen Spielen im Rom der Früheren Kaiserzeit und ihre Bedeutung im Politischen Leben. Winterthur, 1969.Google Scholar
Boman, H. ‘Let There Be Light: Light in Atrium Houses in Roman Pompeii and Herculaneum’. Vesuviana 3 (2011): 89–102.Google Scholar
Bonaria, M. ‘La musica conviviale dal mondo latino antico al medioevo’. In Spettacoli Conviviali dall’Antichità Classica alle Corti Italiane del’400, edited by Doglio, F., 119–47. Viterbo, 1982.Google Scholar
Booms, D. ‘Problematising privacy at the imperial villas’. In Making Roman Places, Past and Present, edited by Totten, D. and Samuels, K., 91–102. Portsmouth, 2012.Google Scholar
Borbein, A. ‘Zur Deutung von Scherwand und Durchblick auf den Wandgemälden des Zweiten Pompejanischen Stils’. In Neue Forschungen in Pompeji und den anderen vom Vesuvausbruch 79 n. Chr. verschütteten Städten, edited by Andreae, B and Kyrieleis, H, 61–70. Recklinghausen, 1975.Google Scholar
Boyle, A. Roman Tragedy. London, 2006.Google Scholar
Bradley, K. ‘The Roman Family at Dinner’. In Meals in a Social Context, edited by Nielsen, I and Nielsen, H, 36–55. Aarhus, 1998.Google Scholar
Braginskaia, N. ‘Ekphrasis as Conversation and Archaic Type of Theatrical Performance’ (unpublished piece).Google Scholar
Brandt, J. ‘Sacra Privata in the Roman Domus. Private or public?’. In Acta ad Archaeologiam et Artium Historiam Pertinentia 23 (2010): 57–117.Google Scholar
Braund, D., and Gill, C, eds. Myth, History and Culture in Republican Rome: Studies in Honour of T. P. Wiseman. Exeter, 2003.Google Scholar
Bremmer, J., and Roodenburg, H., eds. A Cultural History of Gesture. Oxford, 1993.Google Scholar
Brendel, O. Prolegomena to the Study of Roman Art. New Haven, CT, 1979.Google Scholar
Breton, E. Pompeia Décrite et Dessinée, 2nd revised edition. Paris, 1869.Google Scholar
Brilliant, R. Gesture and Rank in Roman Art. New Haven, CT, 1963.Google Scholar
Brilliant, R. Pompeii AD 79: The Treasure of Rediscovery. New York, 1979.Google Scholar
Brown, P. ‘Greek Comedy and the Atellana’. In L’Atellana Preletteraria, edited by Raffaelli, R. and Tontini, A., 7–27. Urbino, 2013.Google Scholar
Brown, S. ‘Death as Decoration: Scenes from the Arena on Roman Domestic Mosaics’. In Pornography and Representation in Greece and Rome, edited by Richlin, A., 180–211. Oxford, 1992.Google Scholar
Bruno, V. ‘The Mariemont Fragments from Boscoreale in Color’. In Functional and Spatial Analysis of Wallpainting: BABESCH Supplement 3, edited by Moormann, E., 223–33. Leiden, 1993.Google Scholar
Bryson, N. ‘Semiology and Visual Interpretation’. In Visual Theory: Painting and Interpretation by Bryson, N, Holly, M, and Moxey, K. New York, 1991.Google Scholar
Bryson, N. ‘Philostratus and the Imaginary Museum’. In Art and Text in Ancient Greek Culture, edited by Goldhill, S. and Osborne, R., 255–83. Cambridge, 1994.Google Scholar
Bulle, H. Untersuchungen an Griechischen Theatern. Munich, 1928.Google Scholar
Bulle, H. Eine Skenographie. Berlin, 1934.Google Scholar
Bulle, H. Bullettino Archeologico Napoletano [= BAN], new series, Vols. 1–7. Naples, 1852–1859.Google Scholar
Bulle, H. Bullettino dell’Instituto di Corrispondenza Archeologica [= BdI]. Rome and Berlin, 1829–1885.Google Scholar
Bundy, M. ‘The Theory of Art: Quintilian, Longinus, and Philostratus’. In The Theory of Imagination in Classical and Mediaeval Thought, Chapter 5. Urbana, 1927.Google Scholar
Burlot, D. Les Muses des Praedia de Julia Felix. Paris, 2012.Google Scholar
Burrell, B. ‘What Was the Regia in the Roman Theater?’. In Eretz-Israel: Archaeological, Historical and Geographical Studies Vol. 31, edited by Weiss, Z. and Geva, H.. Jerusalem, 2015.Google Scholar
Burrell, B. ‘False Fronts: Separating the Imperial Cult from the Aedicular Façade in Roman Asia Minor’. AJA 110 no. 3 (2006): 437–69.Google Scholar
Buscemi, F. Architettura e Romanizzazione della Sicilia di eta Imperiale: gli Edifici per Spettacoli. Palermo, 2012.Google Scholar
Busen, T. ‘Hölzerne Bühnenbauten am Theater der Villa Pausilypon bei Neapel’. In Bericht über die 49 Tagung für Ausgrabungswissenschaft und Bauforschung, 140–47. Stuttgart, 2017.Google Scholar
Butterworth, A., and Laurence, R.. Pompeii: The Living City. London, 2005.Google Scholar
Caesar Conte Corti, E. The Destruction and Resurrection of Pompeii and Herculaneum. London, 1951.Google Scholar
Callistratus, . Descriptiones Statuarum. Translated by Arthur Fairbanks. Loeb Classical Library, 256. Cambridge, MA: Harvard University Press, 1931.Google Scholar
Siculus, Calpurnius. Eclogae. Translated by J. Wight Duff, Arnold M. Duff. Loeb Classical Library, 284. Cambridge, MA: Harvard University Press, 1934.Google Scholar
Cameron, A. ‘Young Achilles in the Roman World’. JRS 99 (2009): 1–22.Google Scholar
Camerota, F. ‘Optics and the Visual Arts: The Role of Skenographia’. In Homo Faber: Studies on Nature, Technology, and Science at theTime of Pompeii, by Renn, J and Castagnetti, G, 121–41. Rome, 2002.Google Scholar
Camodeca, G. ‘I Lucretii Valentes Pompeiani…’. In Pompei, Capri e la Penisola Sorrentina, edited by Senatore, F, 323–47. Capri, 2004.Google Scholar
Carandini, A., et al., eds. Settefinestre: Una Villa Schiavistica nell’Etruria Romana. Modena, 1985.Google Scholar
Carettoni, G. Das Haus des Augustus auf dem Palatin. Translated by Feussner, S. Mainz, 1983.Google Scholar
Carettoni, G. ‘Due Nuovi Ambienti Dipinti Sul Palatino’. Bollettino d’Arte 4 (1961): 189–99.Google Scholar
Carletti, G. Antiche Camere delle Termi di Tito e loro Pitture Restituite al Pubblico da Ludovico Mirri Romano. Rome, 1776.Google Scholar
Carlotto, K. ‘Beyond the Two Dimensional: The Context of Frescoes within the Roman Home’. Accessed August 21, 2020. www.academia.edu/6145875/Beyond_the_Two_Dimensional_The_Context_of_Frescoes_within_the_Roman_Home.Google Scholar
Carpenter, T., and Faraone, C, eds. Masks of Dionysus. Ithaca, 1993.Google Scholar
Carroll, M. ‘Exploring the sanctuary of Venus and its sacred grove: politics, cult and identity in Roman Pompeii’. PBSR 78 (2010): 63–106.Google Scholar
Cassetta, R. ‘Un raro fregio figurato di I stile dalla Casa del Naviglio (VI 10,11) di Pompei’. In Pittura Ellenistica in Italia e in Sicilia, edited by La Torre, G and Torelli, M, 473–79. Rome, 2011.Google Scholar
Dio, Cassius. Roman History.Google Scholar
Castrén, P. Ordo Populusque Pompeianus: Polity and Society in Roman Pompeii, Acta Instituti Romani Finlandiae 8, 185–207. Rome, 1975.Google Scholar
Castrén, P. Domus Pompeiana: Una Casa a Pompei. Helsinki, 2008.Google Scholar
Castrén, P., Berg, R., Tammisto, A., and Viitanen, E.. ‘In the Heart of Pompeii – Archaeological Studies in the Casa di Marco Lucrezio (IX, 3, 5.24)’. In Nuove Ricerche Archeologiche nell’Area Vesuviana (scavi 2003–2006), edited by Guzzo, P. and Guidobaldi, M., 331–40. Rome, 2008.Google Scholar
Cerulli Irelli, G., et al. La Peinture de Pompéi. 2 Vols. Paris, 1993.Google Scholar
Cerutti, S., and Richardson, L.. ‘Vitruvius on Stage Architecture and Some Recently Discovered Scaenae Frons Decorations’. JSAH 48 (1989): 172–79.Google Scholar
Champlin, E. Nero. Cambridge, MA, 2003.Google Scholar
Champlin, E. ‘Agamemnon at Rome: Roman Dynasts and Greek Heroes’. In Myth, History and Culture in Republican Rome, edited by Braund, D. and Gill, C., 295–319. Exeter, 2002.Google Scholar
Chaniotis, A. ‘Theatricality Beyond the Theater: Staging Public Life in the Hellenistic World’. In De la Scène aux Gradins: Thêatre et Représentations Dramatiques après Alexandre le Grand dans les Cités Hellénstiques, edited by Le Guen, B., 219–59. Toulouse, 1997.Google Scholar
Charles-Picard, G. Roman Painting. New York, 1970.Google Scholar
Chiarini, G. ‘Alcune Riflessioni sull’Origine del vari Generi Teatrali a Roma’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 193–207.Google Scholar
Christensen, J. ‘Vindicating Vitruvius on the Subject of Perspective’. JHS 119 (1999): 161–66.Google Scholar
Ciardiello, R. ‘La Villa di Poppea ad Oplontis: decorazioni dalla Repubblica all’Impero’. In Apolline Project Volume 1: Studies on Vesuvius’ North Slope and the Bay of Naples, edited by De Simone, G. and Macfarlane, R., 64–76. Rome, 2009.Google Scholar
Cicero, . Ad Atticum. Letters to Atticus, Volume I, II, III and IV Edited and translated by D. R. Shackleton Bailey. Loeb Classical Library 7, 8, 97 and 491 Cambridge, MA: Harvard University Press, 1999.Google Scholar
Cicero, . Ad Familiares. Letters to Friends, Volume I, II and III: Edited and translated by D. R. Shackleton Bailey. Loeb Classical Library 205, 216 and 230. Cambridge, MA: Harvard University Press, 2001.Google Scholar
Cicero, . De Amicitia. Translated by W. A. Falconer. Loeb Classical Library 154. Cambridge, MA: Harvard University Press, 1923.Google Scholar
Cicero, . De Divinatione. Translated by W. A. Falconer. Loeb Classical Library 154. Cambridge, MA: Harvard University Press, 1923.Google Scholar
Cicero, . De Domo. Translated by N. H. Watts. Loeb Classical Library 158. Cambridge, MA: Harvard University Press, 1923.Google Scholar
Cicero, . De Fato. Translated by H. Rackham. Loeb Classical Library 349. Cambridge, MA: Harvard University Press, 1942.Google Scholar
Cicero, . De Finibus. Translated by H. Rackham. Loeb Classical Library 40. Cambridge, MA: Harvard University Press, 1914.Google Scholar
Cicero, . De Legibus. Translated by Clinton W. Keyes. Loeb Classical Library 213. Cambridge, MA: Harvard University Press, 1928.Google Scholar
Cicero, . De Officiis. Translated by Walter Miller. Loeb Classical Library 30. Cambridge, MA: Harvard University Press, 1913.Google Scholar
Cicero, . De Oratore. Translated by E. W. Sutton, H. Rackham. Loeb Classical Library 348. Cambridge, MA: Harvard University Press, 1942.Google Scholar
Cicero, . De Republica. Translated by Clinton W. Keyes. Loeb Classical Library 213. Cambridge, MA: Harvard University Press, 1928.Google Scholar
Cicero, . De Provinciis Consularibus. Translated by R. Gardner. Loeb Classical Library 447. Cambridge, MA: Harvard University Press, 1958.CrossRefGoogle Scholar
Cicero, . Epistulae ad Quintum Fratrem. Edited and translated by D. R. Shackleton Bailey. Loeb Classical Library 462. Cambridge, MA: Harvard University Press, 2002.Google Scholar
Cicero, . In Verrem. Translated by L. H. G. Greenwood. Loeb Classical Library 221. Cambridge, MA: Harvard University Press, 1928.Google Scholar
Cicero, . Letters to Quintus and Brutus; Letter Fragments; Letter to Octavian; Invectives; Handbook of Electioneering. Edited and translated by D. R. Shackleton Bailey. Loeb Classical Library 462. Cambridge, MA: Harvard University Press, 2002.Google Scholar
Cicero, . On the Orator, Book 3: On Fate; Stoic Paradoxes; Divisions of Oratory. Translated by Rackham, H. Loeb Classical Library 349. Cambridge, MA, 1942.Google Scholar
Cicero, . Orator.Google Scholar
Cicero, . Paradoxa Stoicorum.Google Scholar
Cicero, . Philippicae.Google Scholar
Cicero, . Pro Cluentio.Google Scholar
Cicero, . Pro Murena.Google Scholar
Cicero, . Pro Plancio.Google Scholar
Cicero, . Pro Rabirio Postumo.Google Scholar
Cicero, . Pro Roscio Amerino.Google Scholar
Cicero, . Pro Roscio Comoedo.Google Scholar
Cicero, . Pro Sestio.Google Scholar
Cicero, . Pro Sulla.Google Scholar
Cicero, . Rhetorica ad Herennium (attributed).Google Scholar
Cicirelli, C. ‘Il complesso di pitture e pavimenti di II stile dalla villa 6 di Terzigno’. In Proceedings of the XVth International Congress of Classical Archaeology, edited by Docter, R and Moormann, E, 118–22, Tav. 11a–b. Amsterdam, 1999. Also published in Pompei: Scienza e Società, edited by P. Guzzo, 209–20. Milan, 2001.Google Scholar
Cicu, L. Il Mimo Teatrale Greco-Romano: lo Spettacolo Ritrovato. Rome, 2012.Google Scholar
Ciotti, U. ‘Rilevo Roman e Plutei Medioevali Ritrovati a Castel S. Elia’. Bollettino D’Arte 35, Series 4, 1–8.Google Scholar
Cipolla, P. Poeti Minori del Dramma Satiresco, Testo Critico, Traduzione e Commento (Supplementi di Lexis, 23). Amsterdam, 2003.Google Scholar
Claridge, A. Rome: An Oxford Archaeological Guide, 2nd edition. Oxford, 2010.Google Scholar
Clarke, J. Roman Black-and-White Figural Mosaics. New York, 1979.Google Scholar
Clarke, J. The Houses of Roman Italy, 100 B.C.–A.D. 250: Ritual, Space, and Decoration. Berkeley, CA, 1991.Google Scholar
Clarke, J. Art in the Lives of Ordinary Romans: Visual Representation and Non-Elite Viewers in Italy, 100 B.C.–A.D. 315. Berkeley, CA, 2003.Google Scholar
Clarke, J. ‘The Early Third Style at Oplontis’. RM 94 (1987): 267–94.Google Scholar
Clarke, J. ‘Living Figures Within the Scaenae Frons: Figuring the Viewer in Liminal Space’. In I Temi Figurativi nella Pittura Parietale Antica, 43–45. Bologna, 1995.Google Scholar
Clarke, J. ‘Landscape Paintings in the Villa of Oplontis’. JRA 9 (1996): 81–107.Google Scholar
Clarke, J. ‘Representations of the Cinaedus in Roman Art: Evidence of “Gay” Subculture?’. Journal of Homosexuality 49 no. 3–4 (2005): 271–98.Google Scholar
Clarke, J. ‘Augustan Domestic Interiors: Propaganda or Fashion?’. In The Cambridge Companion to the Age of Augustus, edited by Galinsky, K., 264–80. Cambridge, 2005.Google Scholar
Clarke, J. ‘The House of the Vetii, Pompeii: An Interactive Visit’. CD-ROM, 2006.Google Scholar
Clarke, J. ‘A Virtual Villa’. Apollo 179 no. 617 (2014): 48–53.Google Scholar
Clarke, J. ‘The Villa of Oplontis: A “Born Digital” Project’. In Preserving Complex Digital Objects, edited by Delve, J. and Anderson, D., 259–72. London, 2014.Google Scholar
Clarke, J. ‘Representing the cinaedus in Roman Visual Culture: Seeing, Speaking, Touching’. In Searching for the Cinaedus in Classical Antiquity, edited by Wiener, J and Gazzarri, T. Oxford, forthcoming.Google Scholar
Clarke, J., Beacham, R., Coulson, A., Liddell, T., and Abbott, M.. ‘Digital Imaging at Oplontis’. In Leisure and Luxury in the Age of Nero, edited by Gazda, E. and Clarke, J., 72–78. Ann Arbor, MI, 2016.Google Scholar
Clarke, J., and Muntasser, N, eds. Oplontis: Villa A (‘of Poppaea’) at Torre Annunziata Volume 1: The Ancient Setting and Modern Rediscovery. New York, 2014.Google Scholar
Clarke, J., and Thomas, M.. ‘The Oplontis Project 2005-2006: New Observations on Construction History at Villa A, Torre Annunziata’. JRA 20 (2007): 100–109.Google Scholar
Claudianus, Claudian. Panegyricus Dictus Manlio Theodoro Consuli.Google Scholar
Coarelli, F. Palatium: il Palatino dalle Origini all’Impero. Rome, 2012.Google Scholar
Coarelli, F. ‘La Tarda Repubblica e i Grandi Progetti’. In Campo Marzio: dalle Origine alla Fine della Repubblica, Chapter 4. Rome, 1997.Google Scholar
Coarelli, F. ‘Il Culto Di Mefitis in Campania e a Roma’. In I Culti della Campania Antica, 185–90. Rome, 1998.Google Scholar
Coarelli, F., ed. Guida Archeologica di Pompeii. Milan, 1976.Google Scholar
Coarelli, F., Pompeii. New York, 2002.Google Scholar
Coen, A. ‘Appunti sul Teatro Etrusco’. In L’Atellana Preletteraria, edited by Raffaelli, R. and Tontini, A., 29–60. Urbino, 2013.Google Scholar
Coffey, M. ‘Notes on the History of Augustan and Early Imperial Tragedy’. In Studies in Honour of T.B.L. Webster Vol. 1, edited by Betts, J., Hooker, J., and Green, J., 46–52. Bristol, 1986.Google Scholar
Coleman, K. ‘Fatal Charades: Roman Executions Staged as Mythological Enactments’. JRS 80 (1990): 44–73.Google Scholar
Coleman, K. ‘Launching into History: Aquatic Displays in the Early Empire’. JRS 83 (1993): 48–74.Google Scholar
Coleman, K. ‘Ptolemy Philadelphus and the Roman Amphitheatre’. In Roman Theatre and Society, edited by Slater, W., 49–68. Ann Arbor, MI, 1996.Google Scholar
Coletti, F. ‘Venus Pompeiana: Scelte Progettuali e Procedimenti Tecnici per la Realizzazione di un Grande Edificio Sacro Tra Tarda Repubblica e Primo Impero’. In Arqueologia de la Construcción 2: Los Procesos Constructivos en el Mundo Romano: Italia y Provincias Orientales, 189–211. Madrid, 2010.Google Scholar
Connor, W. ‘City Dionysia and Athenian Democracy’. Classica et Mediaevalia 40 (1989): 7–32.Google Scholar
Cooley, A. Pompeii. London, 2003.Google Scholar
Cooley, A., and Cooley, M. Pompeii: A Sourcebook. London, 2004.Google Scholar
Coralini, A. ‘I Pavimenti della Casa del Centenario a Pompei (IX 8, 3, 6, A): I Temi Figurati’. In Atti Del VII Colloquio dell’Associazione Italiana per lo Studio e la Conservazione del Mosaico, 45–60. Ravenna, 2001.Google Scholar
Corbeill, A. Nature Embodied: Gesture in Ancient Rome. Princeton, NJ, 2004.Google Scholar
Corbeill, A. ‘Dining Deviants in Roman Political Invective’. In Roman Sexualities, edited by Hallett, J. and Skinner, M., 99–128. Princeton, NJ, 1997.Google Scholar
Corbeill, A. ‘Political Movement: Walking and Ideology in Republican Rome’. In The Roman Gaze: Vision, Power, and the Body, edited by Fredrick, D, 182–215. London, 2002.Google Scholar
Nepos, Cornelius. Excellentium Imperatorum Vitae.Google Scholar
Corpus Topographicum Pompeianum [= CTP], edited by Van der Poel, H, Vols. 1–5. Rome, 1977–1986.Google Scholar
Courtois, C. Le Bâtiment de Scène des Théâtres d’Italie et de Sicilie: Étude Chronologique et Typologique: Archaeologia Transatlantica VIII. Providence and Louvain-La-Neuve, 1989.Google Scholar
Cozzo, G. II Colosseo. Rome, 1971.Google Scholar
Crawford, J. M. Tullius Cicero: The Fragmentary Speeches: An Edition with Commentary. Atlanta, 1994.Google Scholar
Croisille, J. ‘Le Sacrifice d’Iphigénie dans l’Art Romain et la Littérature Latine’. Latomus 22 no. 2 (1963): 209–25.Google Scholar
Cronache Ercolanesi [= CronErc]. Naples, 1971-.Google Scholar
Cronache Pompeiane [= CronPomp]. Naples, 1975–1979.Google Scholar
Crowther, N. ‘Greek Games in Republican Rome’. L’Antiquité Classique 52 (1983): 268–73.Google Scholar
Csapo, E. ‘A Note on the Würzburg Bell-Crater H5697 (“Telephus Travestitus”)’. Phoenix 40 no. 4 (1986): 379–91.Google Scholar
Csapo, E. Review of Comic Angels and Other Approaches to Greek Drama through Vase-Painting, by Taplin, O. Echos du Monde Classique / Classical Views 38, n.s. 13, no. 1 (1994): 51–58.Google Scholar
Csapo, E., and Slater, W., eds. The Context of Ancient Drama. Ann Arbor, MI, 1995.Google Scholar
Csordas, T. ‘Introduction: The Body as Representation and Being-in-the-World’. In Embodiment and Experience: The Existential Ground of Culture and Self, 1–21. Cambridge, MA, 1994.Google Scholar
Csordas, T. ‘Embodiment and Cultural Phenomenology’. In Perspectives on Embodiment: The Intersections of Nature and Culture, edited by Weiss, G. and Haber, H., 143–59. Abingdon and New York, 1999.Google Scholar
Curtius, L. Die Wandmalerei Pompejis. Leipzig, 1929.Google Scholar
Cyprian, . Ad Donatus.Google Scholar
Danese, R., and Raffaelli, R., eds. L’Atellana Letteraria, Vol. 1. Urbino, 2010.Google Scholar
D’Arms, J. Romans on the Bay of Naples: A Social and Cultural Study of the Villas and their Owners from 150 B.C. to A.D. 400. Cambridge, MA, 1970.Google Scholar
D’Arms, J. Commerce and Social Standing in Ancient Rome. Cambridge, MA, 1981.Google Scholar
D’Arms, J. ‘Control, Companionship and Clientele: Some Social Functions of the Roman Communal Meal’. Echos du Monde Classique 28 (1984): 327–48.Google Scholar
D’Arms, J. ‘Pompeii and Rome in the Augustan Age and Beyond: The Eminence of the Gens Holconia’. In Studia Pompeiana et Classica in Honor of Wilhelmina F. Jashemski, Vol. 1, edited by Curtis, R, 51–74. New Rochelleg, NY, 1988.Google Scholar
D’Arms, J. ‘The Roman Convivium and the Idea of Equality’. In Sympotica: A Symposium on the Symposion, edited by Murray, O., 308–20. Oxford, 1990.Google Scholar
D’Arms, J. ‘Performing Culture: Roman Spectacle and the bBanquets of the Powerful’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 301–19. Washington DC, 1999.Google Scholar
Daston, L., ed. Things that Talk. New York, 2004.Google Scholar
D’Auria, D. ‘Spatial Organization in Middle-Class Houses of III and II c. B.C. at Pompeii: The Example of the Casa del Granduca Michele (VI 5,5)’. In Privata Luxuria, edited by Anguissola, A., 131–42. Munich, 2012.Google Scholar
Davies, J. ‘On a Lydian Double Pipe (tibiæ pares) Represented in a Painting of a House at Pompeii’. In The Museum of Classical Antiquities: Essays on Ancient Art, edited by Falkener, E., 90–92. London, 1860.Google Scholar
Davis, T., and Postlewait, T. Theatricality. Cambridge, 2003.Google Scholar
Dearden, C. ‘Phlyax Comedy in Magna Graecia – A Reassessment’. In Studies in Honour of T.B.L. Webster, Vol. 2, edited by Betts, J., Hooker, J., and Green, J., 33–41. Bristol, 1988.Google Scholar
de Blois, L., Erdkamp, P, Hekster, O, de Kleijn, G, and Mols, S, eds. The Representation and Perception of Roman Imperial Power. Amsterdam, 2003.Google Scholar
de Caro, S. National Archaeological Museum of Naples. Naples, 1996.Google Scholar
de Caro, S. ‘La Lucerna D’oro Di Pompei: Un Dono Di Nerone a Venere Pompeiana’. In I Culti della Campania Antica, 239–44. Rome, 1998.Google Scholar
De Carolis, E. ‘Domus Sirici in Pompei (VII, 1, 25.47): Appunti Sulla Tecnica di Esecuzione degli Apparati Decorativi’. Ocnus, 15 (2007): 117–41.Google Scholar
de Chaisemartin, N. ‘Frontes Scaenae et la Part du Religieux dans le Theatre’. JRA 25 (2012): 607–12.Google Scholar
De Finis, L., ed. Scena e Spettacolo nell’Antichita. Florence, 1989.Google Scholar
de Franciscis, A. ‘Sepolcro di M. Obellius Firmus’. Cronache Pompeiane 2 (1976): 246–48.Google Scholar
de Franciscis, A. ‘Oplontis’. In La Regione Sotterrata dal Vesuvio: studi e prospettive, 907–25. Naples, 1982.Google Scholar
Deis, J. Herculaneum: Italy’s Buried Treasure. New York, 1985.Google Scholar
DeLaine, J., Fulford, M., and Wallace-Hadrill, A.. Urban Development at Pompeii Regio I, Insula 9, Excavations and Survey in 1995: Interim Report. Reading, 1995.Google Scholar
della Corte, M. Case ed Abitanti di Pompei, 3rd edition, edited by Soprano, P. Naples, 1965.Google Scholar
de Mol, J. ‘Some Remarks on Proportions in Fourth Style Wall-Paintings in Pompeii’. Kölner Jahrbuch für Vor- und Frühgeschichte 24 (1991): 159–63.Google Scholar
Denard, H. ‘Lost Theatre and Performance Traditions in Greece and Italy’. In Cambridge Companion to Greek and Roman Theatre, edited by Walton, J. and McDonald, M., 139–60. Cambridge, 2007.Google Scholar
De Puma, R., and Milosch, J.. Art in Roman Life: Villa to Grave. Rome, 2009.Google Scholar
de Vos, M. ‘Casa dei Quadretti Teatrali’. In Pompei: Pitture e Mosaici Vol. 1, 361–95. Rome, 1990.Google Scholar
de Vos, M. ‘Casa di L. Cecilio Giocondo’. In Pompei: Pitture e Mosaici, Vol. 3, 574–620. Rome, 1991.Google Scholar
Dickmann, J. ‘The Peristyle and the Transformation of Domestic Space in Hellenistic Pompeii’. In Domestic Space in the Roman World: Pompeii and Beyond, edited by Laurence, R and Wallace-Hadrill, A. JRA Supplement 22 (1997): 121–36.Google Scholar
Dickmann, J. ‘Space and Social Relations in the Roman West’. In A Companion to Families in the Greek and Roman Worlds, edited by Rawson, B., 53–72. Malden, MA, 2011.Google Scholar
Diderot, D. The Paradox of Acting. Translated by W. Pollock. London, 1883.Google Scholar
Dietrich, A. Pulcinella, Pompejanische Wandbiler und Römische Satyrspiele. Leipzig, 1897.Google Scholar
Dietrich, N. ‘Spatial Dimensions in Roman Wall Painting and the Interplay of Enclosing and Enclosed Space: A New Perspective on Second Style’. In Arts 8 no. 2, 68 (Institut für Klassische Archäologie, Universität Heidelberg, 2019): 1–26.Google Scholar
Dillon, S., and Welch, K., eds. Representations of War in Ancient Rome. Cambridge, 2006.Google Scholar
Di Napoli, V. ‘Architecture and Romanization: The Transition to Roman Forms in Greek Theatres of the Augustan Age’. In The Architecture of the Ancient Greek Theatre, edited by Frederiksen, R, Gebhard, E, and Sokolicek, A, 365–80. Aarhus, 2015.Google Scholar
Di Napoli, V. Review of Antike Theaterbauten: Ein Handbuch, by Isler, H. Logeion: A Journal of Ancient Theatre 8 (2018): 249–72.Google Scholar
Siculus, Diodorus. Bibliotheca Historica. Translated by C. H. Oldfather. Loeb Classical Library 279. Cambridge, MA: Harvard University Press, 1933.Google Scholar
Dionysius, of Halicarnassus. Roman Antiquities. Translated by Earnest Cary. Loeb Classical Library 319. Cambridge, MA: Harvard University Press, 1937Google Scholar
D’Ippolito, G. ‘Draconzio, Nonno e gli “idromimi ”’. Atene e Roma 7 (1962).Google Scholar
Dobbins, J. ‘The Altar in the Sanctuary of the Genius of Augustus in the Forum at Pompeii’. RM 99 (1992): 251–63.Google Scholar
Dosi, A., and Schnell, F.. I Romani in Cucina, 2nd edition. Rome, 1992.Google Scholar
Dosi, A., and Schnell, F.. Spazio e Tempo. Rome, 1992.Google Scholar
Drerup, H. ‘Bildraum und Realraum in der Römischen Architektur’. RM 66 (1959): 147–74.Google Scholar
Dunbabin, K. The Roman Banquet. Cambridge, 2003.Google Scholar
Dunbabin, K. Theater and Spectacle in the Art of the Roman Empire. Ithaca, NY, 2016.Google Scholar
Dunbabin, K. ‘Sic erimus cuncti… The Skeleton in Graeco-Roman Art’. JDAI 101 (1986): 185–255.Google Scholar
Dunbabin, K. ‘Triclinium and Stibadium’. In Dining in a Classical Context, edited by Slater, W., 121–48. Ann Arbor, MI, 1991.Google Scholar
Dunbabin, K. ‘Convivial Spaces: Dining and Entertainment in the Roman Villa’. JRA 9 (1996): 66–80.Google Scholar
Dunbabin, K. ‘Ut Graeco More Biberetur: Greeks and Romans on the Dining Couch’. In Meals in a Social Context, edited by Nielsen, I and Nielsen, H, 81–101. Aarhus, 1998.Google Scholar
Dunbabin, K. ‘Problems in the Iconography of Roman Mime’. In Le Statut de l’Acteur dans l’Antiquité Grecque et Romaine, edited by Hugoniot, C., Hurlet, F., and Milanezi, S.. Tours, 2004.Google Scholar
Dunbabin, K. ‘Nec Grave nec Infacetum: The Imagery of Convivial Entertainment’. In Das Römische Bankett im Spiegel der Altertumswissenschaften, edited by Vössing, K., 13–26. Düsseldorf, 2008.Google Scholar
Dunbabin, K. ‘The pantomime Theonoe on a mosaic from Zeugma’. JRA 23 (2010): 413–26.Google Scholar
Duncan, A. Performance and Identity in the Classical World. Cambridge, 2006.Google Scholar
Duthoy, R. ‘La Fonction Sociale de l’Augustalité’. Epigraphica 36 (1974): 134–54.Google Scholar
Duthoy, R. ‘Les Augustales’. In Aufstieg und Niedergang der römischen Welt II.16.2, 254–309. Berlin and New York, 1978.Google Scholar
Dwyer, E. Pompeian Domestic Sculpture: A Study of Five Pompeian Houses and Their Contents. Rome, 1982.Google Scholar
Dwyer, E. ‘The Pompeian Atrium House in Theory and Practice’. In Roman Art in the Private Sphere, edited by Gazda, E., 25–48. Ann Arbor, MI, 1991.Google Scholar
Dyer, T. Pompeii: Its History, Buildings and Antiquities, 2nd edition. London, 1868.Google Scholar
Easterling, P., and Hall, E., eds. Greek and Roman Actors. Cambridge, 2002.Google Scholar
Edgerton, S. The Renaissance Rediscovery of Linear Perspective. New York, 1975.Google Scholar
Edmondson, J. ‘Dynamic Arenas: Gladiatorial Presentations in the City of Rome and the Construction of Roman Society during the Early Empire’. In Roman Theater and Society, edited by Slater, W., 69–112. Ann Arbor, MI, 1996.Google Scholar
Edmondson, J. ‘The Cultural Politics of Public Spectacle in Rome and the Greek East 167–166 BC’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 77–95. Washington DC, 1999.Google Scholar
Edmondson, J. ‘Public Spectacles and Roman Social Relations’. In Ludi Romani: Espectáculos en Hispania Romana, edited by Nogales Basarrate, T. and Castellano Hernández, A., 21–43. Madrid, 2002.Google Scholar
Edwards, C. ‘Unspeakable Professions: Public Performance and Prostitution in Ancient Rome’. In Roman Sexualities, edited by Hallett, J. and Skinner, M., 66–95. Princeton, NJ, 1997.Google Scholar
Edwards, C. ‘Acting and Self-Actualisation in Imperial Rome: Some Death Scenes’. In Greek and Roman Actors: Aspects of an Ancient Profession, edited by Easterling, P. and Hall, E., 377–94. Cambridge, 2002.Google Scholar
Edwards, C., and Woolf, G, eds. Rome the Cosmopolis. Cambridge, 2003.Google Scholar
Egelhaaf-Gaiser, U. ‘Das Versteinerte Convivium. Mirabile Metamorphosen und narrative Bildkunst bei Tisch (Ovid, Metamorphosen 4,607–5,272)’. In Das Römische Bankett im Spiegel der Altertumswissenschaften, edited by Vössing, K., 83–99. Stuttgart, 2008.Google Scholar
Elder Philostratus, Younger Philostratus, Callistratus. Translated by Fairbanks, Arthur. Loeb Classical Library Volume 256. London: William Heinemann, 1931.Google Scholar
Elia, O. Pitture Murali e Mosaici del Museo Nazionale di Napoli. Rome, 1932.Google Scholar
Elia, O. Le Pitture del Tempio di Iside. Rome, 1941.Google Scholar
Elia, O. ‘Rappresentazione di un Pantomimo nella pittura Pompeiana’. In Gli Archeologi Italiani in Onore di Amedeo Maiuri, edited by Ciociaria, Centro Studi, 169–80. Cava dei Tirreni, 1965.Google Scholar
Ellis, S. Roman Housing. London, 2000.Google Scholar
Elsner, J. Art and the Roman Viewer. Cambridge, 1995.Google Scholar
Elsner, J. Roman Eyes: Visuality and Subjectivity in Art and Text. Princeton, 2007.Google Scholar
Elsner, J. ‘Viewing Ariadne. From Ekphrasis to Wall Painting in the Roman World’. Classical Philology 102 (2007): 20–44.Google Scholar
Elsner, J. ‘Philostratus Visualises the Tragic: Some Ekphrastic and Pictorial Receptions of Greek Tragedy in the Roman Era’. In Visualising the Tragic, edited by Kraus, C., Foley, H., Goldhill, S., and Elsner, J., 309–37. Oxford, 2007.Google Scholar
Elsner, J. ‘Ekphrasis and the Gaze: From Roman Poetry to Domestic Wall Painting’. In Roman Eyes: Visuality and Subjectivity in Art and Text, 67–109. Princeton, NJ, 2007.Google Scholar
Elsner, J. ‘Sight and Memory: The Visual Art of Roman Mnemonics’. In Sight and the Ancient Senses, edited by Squire, M., 180–204. London, 2016.Google Scholar
Elsner, J., ed. Art and Text in Roman Culture. Cambridge, 1996.Google Scholar
Engemann, J. Architekturdarstellungen des frühen zweiten Stils. Heidelberg, 1967.Google Scholar
Engemann, J. Epictetus, Encheiridion. Translated by W. A. Oldfather. Loeb Classical Library 131. Cambridge, MA: Harvard University Press, 1925.Google Scholar
Engemann, J. Discourses.Google Scholar
Erasmo, M. Roman Tragedy: Theatre to Theatricality. Austin, TX, 2004.Google Scholar
Eristov, H. ‘Peintures et Stucs des Villas de Stabies: Bilan des Recherches et Nouveaux Projets’. Rivista di Studi Pompeiani 20 (2009): 158–60.Google Scholar
Esposito, D. ‘I Pittori dell’Officina dei Vettii a Pompei. Meccanismi di Produzione della Pittura Parietale Romana’. BABESCH 82 (2007): 149–64.Google Scholar
Esposito, D. ‘The Economics of Pompeian Painting’. In The Economy of Pompeii, edited by Flohr, M. and Wilson, A., 263–89. Oxford, 2016.Google Scholar
Étienne, R. Pompeii: the Day a City Died. New York, 1992.Google Scholar
Étienne, R. Euripides. Heracles.Google Scholar
Fabbrini, F., ed. Maecenas: Il Collezionismo nel Mondo Romano dall’ età Degli Scipioni a Cicerone. Arezzo, 2001.Google Scholar
Falkener, E. ‘Report on a House at Pompeii Excavated under Personal Superintendence in 1847’. In The Museum of Classical Antiquities: Essays on Ancient Art Vol. 2, 35–89. London, 1860.Google Scholar
Falkener, E., ed. The Museum of Classical Antiquities: Essays on Ancient Art. London, 1860.Google Scholar
Fantham, R. ‘The Roman Experience of Menander in the Late Republic and Early Empire’. TAPA 114 (1984): 299–309.Google Scholar
Fantham, R. ‘Mime: The Missing Link in Roman Literary History’. Classical World 82 no. 3 (1988–9): 153–63.Google Scholar
Favro, D. The Urban Image of Augustan Rome. Cambridge, 1998.Google Scholar
‘In the Eyes of the Beholder: Virtual Reality Re-Creations and academia’. In Imaging Ancient Rome: Documentation – Visualization – Imagination, edited by Haselberger, L and Humphrey, J. JRA Supplement 61 (2006): 321–34.Google Scholar
Fears, J. ‘The Cult of Virtues and Roman Imperial Ideology’. In Aufstieg und Niedergang der römischen Welt II.17.2, 827–948. Berlin and New York, 1981.Google Scholar
Fehr, B. ‘Plattform und Blickbasis’. Marburger Winckelmann-Programm 1969 (1970): 31–67.Google Scholar
Ferguson, E. ‘The Mind’s Eye: Nonverbal Thought in Technology’. Science 197 no. 4306 (1977): 827–36.Google Scholar
Festus, . De Verborum Significatione.Google Scholar
Fiechter, E. Die baugeschichtliche Entwicklung des antiken Theaters. Munich, 1914.Google Scholar
Fiorelli, G. Gli scavi di Pompei dal 1861 al 1872. Naples, 1873.Google Scholar
Descrizione di Pompei. Naples, 1875.Google Scholar
Fiorelli, G., ed. Pompeianarum Antiquitatum Historia [ = PAH ], Volumes I–III. Naples, 1860-1864.Google Scholar
Fiska, G. Das Teatro Marittimo in der Villa Hadriana: neue Untersuchungen zur Architektur. Vienna, 2013.Google Scholar
Fittschen, K. ‘Zur Herkunft und Entstehung des 2 Stils’. In Hellenismus in Mittelitalien Vol. 2, edited by Zanker, P, 536–57. Göttingen, 1976.Google Scholar
Flohr, M. ‘Nec quicquam ingenuum habere potest officina? Spatial Contexts of Urban Production at Pompeii, AD 79’. BABESCH 82 (2007): 129–48.Google Scholar
Flohr, M. ‘Working and Living under One Roof: Workshops in Pompeian Atrium Houses’. Luxuria, In Privata, edited by Anguissola, A., 51–72. Munich, 2012.Google Scholar
Flower, H. Ancestor Masks and Aristocratic Power in Roman Culture. Oxford, 1996.Google Scholar
Flower, H. ‘Fabulae Praetextae in Context: When Were Plays on Contemporary Subjects Performed in Republican Rome?’ Classical Quarterly New Series 45 (1995): 170–90.Google Scholar
Franchi dell’Orto, L., ed. Ercolano 1738–1988: 250 Anni di Ricerca Archeologica, 35–144. Rome, 1993.Google Scholar
François-Garelli, M. Danser le Mythe: La Pantomime et sa Reception dans la Culture Antique. Louvain, 2007.Google Scholar
Franklin, J., Jr. Pompeii: The Electoral Programmata: Campaigns and Politics, A.D. 71–79. Papers and Monographs of the American Academy in Rome, no. 28. Rome, 1980.Google Scholar
Franklin, J., Pompeis Difficile Est: Studies in the Political Life of Imperial Pompeii. Ann Arbor, MI, 2001.Google Scholar
Franklin, J., ‘Pantomimists at Pompeii: Actius Anicetus and his Troupe’. AJP 108 no. 1 (1987): 95–107.Google Scholar
Fraser, P. ‘Religious Life’. In Ptolemaic Alexandria Volume 1, 201ff (notes in Volume 2; index in a separately bound book). Oxford and New York, 1972.Google Scholar
Frassinetti, P. Fabula Atellana. Genoa, 1953.Google Scholar
Frederiksen, M. Campania, edited by Purcell, N. London, 1984.Google Scholar
Fredrick, D., ed. The Roman Gaze: Vision, Power and the Body. London, 2002.Google Scholar
Fuchs, G. ‘Varros Vogelhaus bei Casinum’. RM 69 (1962): 96–105.Google Scholar
Fuchs, M. Untersuchungen zur Ausstattung Römischer Theater. Mainz, 1987.Google Scholar
Funaioli, H., ed. Grammaticae Romanae Fragmenta. Leipzig, 1907.Google Scholar
Funari, P. ‘Reading Pompeii’s Walls: A Social Archaeological Approach to Gladiatorial Graffiti’. In Roman Amphiteatres and Spectacula: a 21st-Century Perspective, 185–93. Oxford, 2009.Google Scholar
Galen, . De Sanitate Tuenda.Google Scholar
Galinsky, K. Augustan Culture. Princeton, NJ, 1996.Google Scholar
Galinsky, K. Augustus: Introduction to the Life of an Emperor. Cambridge, 2012.Google Scholar
Galinsky, K., ed. The Cambridge Companion to the Age of Augustus. Cambridge, 2005.Google Scholar
Galli, M. ‘Spazi Figurativi a Villa Adriana: Il Caso dell’Edificio a Tre Esedre’. Scienze dell’Antichità: Storia, Archeologia, Antropologia, 19 (2013): 291–325.Google Scholar
Gallo, A. ‘La Casa di M. Epidio Sabino a Pompei’. Boreas 32 (2009): 77–92.Google Scholar
Gasparini, V. ‘Staging Religion. Cultic performances in (and around) the Temple of Isis in Pompeii’. In Memory and Religious Experience in the Greco-Roman World, edited by Cusumano, N., Gasparini, V., Mastrocinque, A., and Rüpke, J., 185–211. Stuttgart, 2013.Google Scholar
Gazda, E., ed. Roman Art in the Private Sphere: New Perspectives on the Architecture and Décor of the Domus, Villa and Insula. Ann Arbor, MI, 1991.Google Scholar
Gebhard, E. ‘The Theater and the City’. In Roman Theater and Society, edited by Slater, W., 113–28. Ann Arbor, MI, 1996.Google Scholar
Gee, R. ‘Layered Histories: The Wall Painting Styles and Painters of Villa A’. In Leisure and Luxury in the Age of Nero, edited by Gazda, E. and Clarke, J., 85–95. Ann Arbor, MI, 2016.Google Scholar
Geissler, B. ‘Arzthaüser in Pompeji’. Kölner und Bonner Archaeologica 1 (2011): 7–35.Google Scholar
Gell, A. Art and Agency: An Anthropological Theory. Oxford, 1998.Google Scholar
Gell, W. Pompeii, Its Destruction and Re-Discovery, revised edition. New York, 1880.Google Scholar
Georgala-Priovolu, S. ‘Il “Pedante” nel Mimo, nell’Atellana e nel Teatro Comico Greco’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 269–75.Google Scholar
Gianotti, G. ‘Sulle Tracce della Pantomima Tragica: Alcesti tra i Danzatori?’ Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 121–49.Google Scholar
Gibson, J. The Ecological Approach to Visual Perception. New York, 1979.Google Scholar
Giganti, M. Civiltà delle Forme Letterarie nell’Antica Pompei. Naples, 1979.Google Scholar
Giganti, M. ‘La vita teatrale nell’antica Pompei’. In Studi Salernitani in Memoria di Raffaele Cantarella, edited by Gallo, I., 9–51. Salerno, 1981.Google Scholar
Giordano, C. ‘Iscrizioni graffite e dipinte nella Casa di C. Giulio Polibio’. Rendiconti della Accademia di Archeologia, Lettere e Belle Arti 49 (1974): 21–28.Google Scholar
Giordano, C. ‘Poppea e Nerone tra Oplontis e Pompei’. Sylva Mala 3, no. 1–6 (1982): 2–8.Google Scholar
Giordano, C. Giornale degli Scavi di Pompei [ = GdS ], new series, Vols. 1–4. Naples, 1868–1876.Google Scholar
Gleason, K. ‘The Garden Portico of Pompey the Great’. Expedition 32 (1990): 4–13.Google Scholar
Gleason, K. ‘Porticus Pompeiana: A New Perspective on the First Public Park of Ancient Rome’. Journal of Garden Studies 14 (1994): 13–27.Google Scholar
Goalen, M. ‘The Idea of the City and the Excavations at Pompeii’. In Urban Society in Roman Italy, edited by Cornell, T. and Lomas, K., 181–202. New York, 1995.Google Scholar
Gogräfe, R. Theater im Römischen Reich: Bühne für Schauspieler, die Feiern des Imperiums und die Sponsoren des Reiches. Mainz, 2013.Google Scholar
Gold, B. Literary and Artistic Patronage in Ancient Rome. Austin, TX, 1982.Google Scholar
Gowers, E. The Loaded Table: Representations of Food in Roman Literature. Oxford, 1993.Google Scholar
Gradel, O., and Mouritsen, H.. ‘Nero in Pompeian Politics: Edicta Munerum and Imperial Flaminates in Late Pompeii’. Zeitschrift für Papyrologie und Epigraphik 87 (1991): 145–55.Google Scholar
Graefe, R. Vela Erunt. 2 vols., Mainz, 1979.Google Scholar
Graf, F. ‘Gestures and Conventions: The Gestures of Roman Actors and Orators’. In A Cultural History of Gesture, edited by Bremmer, J. and Roodenburg, H., 36–58. Oxford, 1993.Google Scholar
Green, J. R. Theatre in Ancient Greek Society. London, 1994.Google Scholar
Green, J. R. ‘Drunk Again: A Study of the Iconography of the Comic Theatre’. AJA 89 (1985): 465–72.Google Scholar
Green, J. R. ‘On Seeing and Depicting the Theatre in Classical Athens’. Greek, Roman and Byzantine Studies 32 no. 1 (1991): 15–52.Google Scholar
Green, J. R., and Handley, E. Images of the Greek Theatre. London, 1995.Google Scholar
Griffin, M. Nero: End of a Dynasty. New Haven, 1985.Google Scholar
Griffith, M. ‘Slaves of Dionysos: Satyrs, Audience, and the Ends of the Oresteia’. Classical Antiquity 21 (2002): 195–258.Google Scholar
Griffiths, A., ed. Stage Directions: Essays in Ancient Drama in Honour of E. W. Handley. London, 1995.Google Scholar
Grimaldi, M. ‘La Villa di Publius Fannius Synistor a Boscoreale’. In La Villa Romana, edited by Ciardiello, R, 221–40. Naples, 2007.Google Scholar
Grimaldi, M. ‘L’Area Suburbana Sud-Occidentale di Pompei e la Villa Imperiale’. In Apolline Project Volume 1: Studies on Vesuvius’ North Slope and the Bay of Naples, edited by De Simone, G and Macfarlane, R, 87–99. Rome, 2009.Google Scholar
Grimaldi, M. ‘Charting the Urban Development of the Insula Occidentalis and the Casa di Marcus Fabius Rufus at Pompeii’. In Contested Spaces, edited by Balch, D and Weissenrieder, A, 185–200. Tübingen, 2012.Google Scholar
Grimaldi, M. ‘La Villa di Publius Fannius Synistor a Boscoreale’. Amoenitas 2 (2012): 121–34.Google Scholar
Gruen, E. Culture and National Identity in Republican Rome. Ithaca, NY, 1992.Google Scholar
Guidobaldi, M. Musica e Danza (Vita e Costumi dei Romani Antichi 13). Rome, 1992.Google Scholar
Guillaud, J. and M. Frescoes in the Time of Pompeii. Paris and New York, 1990.Google Scholar
Gutzwiller, K. ‘Seeing Thought: Timomachus’ Medea and Ecphrastic Epigram’. AJP 125 no. 3 (2004): 339–86.Google Scholar
Guzzo, P. Pompei: Storia e Paesaggi della Città Antica. Milan, 2007.Google Scholar
Guzzo, P. ‘Casti Amanti? Pistrina, Triclinia, Halicariae a Pompei’. Vesuviana 3 (2011): 53–66.Google Scholar
Guzzo, P., ed. Pompei: Scienza e Società. Milan, 2001.Google Scholar
Guzzo, P., Storie da un’Eruzione: Pompei, Ercolano, Oplontis (Exhibition Catalogue). Milan, 2003.Google Scholar
Guzzo, P., Storie da un’eruzione: In margine alla mostra. Naples, 2003.Google Scholar
Hagel, S. ‘Interpretando i quattro famosi auloi da Pompei’. In La musica nell’Impero Romano: Testimonianze teoriche e scoperte archeologiche, 111–12. Pavia, 2010.Google Scholar
Hales, S. The Roman House and Social Identity. Cambridge, 2003.Google Scholar
‘Aphrodite’s Mirror: Reflections of Greek Art in Roman Houses’. In Making Sense of Greek Art, edited by Coltman, Viccy, 53–69. Exeter, 2012.Google Scholar
Hall, E. ‘Orestes, Pylades, and Roman Men’. In Adventures with Iphigenia in Tauris: A Cultural History of Euripides’ Black Sea Tragedy. Oxford, 2012.Google Scholar
Hall, E., and Wyles, R., eds. New Directions in Ancient Pantomime. Oxford, 2008.Google Scholar
Hall, J. Cicero’s Use of Judicial Theater. Ann Arbor, MI, 2014.Google Scholar
Hall, J. ‘Imperial Austerity: The House of Augustus’. In Artifact and Artifice: Classical Archaeology and the Ancient Historian, 167–85. Chicago, 2014.Google Scholar
Hallett, J., and Skinner, M., eds. Roman Sexualities. Princeton, NJ, 1997.Google Scholar
Hammond, P. The Excavation of the Main Theatre at Petra. London, 1965.Google Scholar
Handley, E. ‘Acting, Action and Words in New Comedy’. In Greek and Roman Actors: Aspects of an Ancient Profession, edited by Easterling, P. and Hall, E., 165–88. Cambridge, 2002.Google Scholar
Hardie, P. Ovid’s Poetics of Illusion. Cambridge, 2002.Google Scholar
Hanson, J. Theater-Temples. Princeton, NJ, 1959.Google Scholar
Harris, J. Pompeii Awakened: A Story of Rediscovery. London, 2007.Google Scholar
Harrison, G., ed. Seneca in Performance. London and Swansea, 2000.Google Scholar
Harrison, G., and Liapis, V., eds. Performance in Greek and Roman Theatre. Leiden and Boston, 2013.Google Scholar
Hart, M., The Art of Ancient Greek Theater. Los Angeles, 2010.Google Scholar
Heinrich, E. Der zweite Stil in pompejanischen Wohnhäusern. Munich, 2002.Google Scholar
Helg, R. ‘Transformation of Domestic Space in the Vesuvian Cities: From the Development of the Upper Floors and Facades to a New Dimension of Intimacy’. In Privata Luxuria, edited by Anguissola, A., 143–61. Munich, 2012.Google Scholar
Hercvlanensivm volvminvm qvae svpersvnt I–VI, VIII–XI. Regale Accademia Ercolanese di Archeologia. Naples, 1793–1855.Google Scholar
Alexandria, Heron. ‘Catoptrics prop. 14’. In Heronis Alexandrini Opera Quae Supersunt Omnia, Vol. 2, 348–51. Leipzig, 1899–; reprinted Stuttgart, 1976.Google Scholar
Herrmann, P. Denkmäler der Malerei des Altertums. Munich, 1906–1950.Google Scholar
Herrmann, P. Review of Alexandrinische Studien, by Pagenstecher, R. Berliner Philologische Wochenschrift 27 (1919): 1227–37.Google Scholar
Heubner, H. ‘Zum Thyestes des L. Varius Rufus’. Rheinischer Museum für Philologie 122 (1979): 362.Google Scholar
Hidalgo Prieto, R. ‘Il cosiddetto Teatro Greco di Villa Adriana: Ultime Campagne di scavo’. In Lazio e Sabina 8, edited by Ghini, G and Mari, Z, 23–30. Rome, 2012.Google Scholar
Hillier, R., and Hanson, J. The Social Logic of Space. Cambridge, 1984.Google Scholar
Hillner, J. ‘Domus, Family, and Inheritance: The Senatorial Family House in Late Antique Rome’. JRS 93 (2003): 129–45.Google Scholar
Hinterhöller-Klein, M. Varietates Topiorum: Perspektive und Raumfassung in Landschafts- and Panoramabildern der römischen Wandmalerei vom 1. Jh. v. Chr. bis zum Ende der pompejanischen Stile. Vienna, 2015.Google Scholar
Hinterhöller-Klein, M. Historiae Augustae (Carinus and Numerian 19). Translated by Magie, D. London and Cambridge, MA, 1968.Google Scholar
Hjort Lange, C. ‘Triumph and Civil War in the Late Republic’. PBSR 81 (2013): 67–90.Google Scholar
Holliday, P., ed. Narrative and Event in Ancient Art. Cambridge, 1994.Google Scholar
Hook, B. ‘Nothing Within Which Passeth Show’. In Seneca in Performance, edited by G. Harrison, 53–71. London and Swansea, 2000.Google Scholar
Hopkins, K. A World Full of Gods: The Strange Triumph of Christianity. New York, 1999.Google Scholar
Hopkins, K., and Burton, G. ‘Ambition and Withdrawal: The Senatorial Aristocracy Under the Emperors’. In Death and Renewal, edited by Hopkins, K, Chapter 3. Cambridge, 1983.Google Scholar
Horace, . Ars Poetica. Translated by H. Rushton Fairclough. Loeb Classical Library 194. Cambridge, MA: Harvard University Press, 1926.Google Scholar
Horace, . Carmina. Translated by H. Rushton Fairclough. Loeb Classical Library 194. Cambridge, MA: Harvard University Press, 1926.Google Scholar
Horace, . Epistulae. Translated by H. Rushton Fairclough. Loeb Classical Library 194. Cambridge, MA: Harvard University Press, 1926.Google Scholar
Horace, . Epodes. Edited and translated by Niall Rudd. Loeb Classical Library 33. Cambridge, MA: Harvard University Press, 2004.Google Scholar
Horace, . Satirae. Translated by H. Rushton Fairclough. Loeb Classical Library 194. Cambridge, MA: Harvard University Press, 1926.Google Scholar
Hughes, A. ‘Comic Stages in Magna Graecia: the Evidence of the Vases’. Theatre Research International 21 no. 2 (1996): 95–107.Google Scholar
Hugoniot, C., Hurlet, F., and Milanezi, S., eds. Le Statut de l’Acteur dans l’Antiquité Grecque et Romaine. Tours, 2004.Google Scholar
Hulton, A. ‘Euripides and the Iphigenia Legend’. Mnemosyne 15 (1962): 364–68.Google Scholar
Humphrey, J. Roman Circuses: Arenas for Chariot Racing. Berkeley, CA, 1986.Google Scholar
Hyginus, . Astronomica.Google Scholar
Iacopi, I. The House of Augustus: Wall Paintings. Milan, 2008.Google Scholar
Iacopi, I, and Tedone, G. ‘Bibliotheca e Porticus ad Apollinis’. RM 112 ( 2005–2006): 351–78.Google Scholar
Ippel, A. Der dritte pompejanische Stil. Berlin, 1910.Google Scholar
Irmscher, J. ‘Satire, Mimus, Togata, Atellana – in Byzanz?’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 283–87.Google Scholar
Isager, J. Pliny on Art and Society: The Elder Pliny’s Chapters on the History of Art, 114–15. London, 1991.Google Scholar
Isler, H. Antike Theaterbauten: Ein Handbuch, 3 Vols. Vienna, 2017.Google Scholar
Itgenshorst, T. ‘Roman commanders and Hellenistic Kings: On the “Hellenization” of the Republican Triumph’. Ancient Society 36 (2006): 51–68.Google Scholar
Izenour, G. Roofed Theatres of Classical Antiquity. New Haven, CT, 1992.Google Scholar
Jacobi, I. The House of Augustus Wall Paintings. Translated by Scott, J. Milan, 2008.Google Scholar
Jacobi, I. ‘Domus: Livia’. In Lexicon Topographicum Urbis Romae, Vol. 2, edited by Steinby, E., 130–32. Rome, 1995.Google Scholar
Jaia, A. ‘Anzio: I luoghi di Caligola’. In Caligola: la Trasgressione al Potere, edited by Ghini, G., 199–202. Rome, 2013.Google Scholar
Jannelli, L., and Stefani, G.. ‘Ricostruzione Virtuale della Villa della Regina a Boscoreale’. In Vesuviana: Archeologie a Confronto, edited by Coralini, A., 143–49. Bologna, 2009.Google Scholar
Jashemski, W. The Gardens of Pompeii, 2 Vols. New York, 1993.Google Scholar
Jocelyn, H. ‘The Status of the “Fabula Togata” in the Roman Theatre and the Fortune of the Scripts’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 277–81.Google Scholar
Johannowsky, W. ‘La Situazione in Campania’. In Hellenismus in Mittelitalien, Vol. 1, edited by Zanker, P, 267–99. Göttingen, 1976.Google Scholar
Johnson, M. ‘Embodied Reason’. In Perspectives on Embodiment, edited by Weiss, G. and Haber, H., Chapter 5. London, 1999.Google Scholar
Johnson, O. Ruins. Ann Arbor, MI, 2018.Google Scholar
Jones, C. ‘Dinner Theatre’. In Dining in a Classical Context, edited by Slater, W., 185–98. Ann Arbor, MI, 1991.Google Scholar
Jones, C. ‘Greek Drama in the Roman Empire’. In Theater and Society in the Classical World, edited by Scodel, R., 39–52. Ann Arbor, MI, 1993.Google Scholar
Jones, F. ‘A Note on Juvenal Sat. 7.86’. Classical Quarterly 32 no. 2 (1982): 478–79.Google Scholar
Jones, F. ‘Roman Gardens, Imagination, and Cognitive Structure’. Mnemosyne 67 no. 5 (2014): 781–812.Google Scholar
Jones, R., et al. ‘Anglo-American Project in Pompeii’. Accessed August 30, 2020. https://interactive.archaeology.org/pompeii/.Google Scholar
Jones, R., and Robinson, D.. ‘Water, Wealth, and Social Status at Pompeii: The House of the Vestals in the First Century’. AJA 109 no. 4 (2005): 695–710.Google Scholar
Jongman, W. The Economy and Society of Pompeii (Dutch Monographs on Ancient History and Archaeology Volume 4). Amsterdam, 1988.Google Scholar
Jory, E. ‘Associations of Actors in Rome’. Hermes 98 (1970): 224–53.Google Scholar
Jory, E. ‘Literary Evidence for the Beginnings of Imperial Pantomime’. BICS 28 (1981): 147–61.Google Scholar
Jory, E. ‘The Early Pantomime Riots’. In Maistor: Classical, Byzantine and Renaissance Stuidies for Robert Browning, edited by Moffatt, A., 57–66. Canberra, 1984.Google Scholar
Jory, E. ‘Continuity and Change in the Roman Theatre’. In Studies in Honour of T. B. L. Webster, Vol. 1, edited by Betts, J., Hooker, J., and Green, J., 143–52. Bristol, 1986.Google Scholar
Jory, E. ‘Gladiators in the Theatre’. Classical Quarterly 36 no. 2 (1986): 537–39.Google Scholar
Jory, E. ‘Publilius Syrus and the Element of Competition in the Theatre of the Republic’. BICS Supplement 51 (1988): 73–81.Google Scholar
Jory, E. ‘Ars Ludicra and the Ludus Talarius’. In Stage Directions, edited by Griffiths, A., 139–52. London, 1995.Google Scholar
Jory, E. ‘The Drama of the Dance: Prolegomena to an Iconography of Imperial Pantomime’. In Roman Theater and Society, edited by Slater, W., 1–35. Ann Arbor, MI, 1996.Google Scholar
Josephus, . Antiquitates Iudaicae. Volume I: Books 1-3. Translated by H. St. J. Thackeray. Loeb Classical Library 242. Cambridge, MA: Harvard University Press, 1930.Google Scholar
Josephus, . Bellum Iudaicum. Volume I: Books 1-2. Translated by H. St. J. Thackeray. Loeb Classical Library 203. Cambridge, MA: Harvard University Press, 1927.Google Scholar
Juvenal, . Saturae. Edited and translated by Susanna Morton Braund. Loeb Classical Library 91. Cambridge, MA: Harvard University Press, 2004.Google Scholar
Kamper, N., ed. Sexuality in Ancient Art. Cambridge, 1996.Google Scholar
Kamper, N., ‘On Writing Histories of Roman Art’. The Art Bulletin 85 no. 2 (2003): 371–86.Google Scholar
Karivieri, A., and Forsell, R.. ‘The House of Caecilius Iucundes, V 1,22–27: A Preliminary Report’. Opuscula Romana 31–32 (2006–2007): 119–38.Google Scholar
Kath, R. ‘Politiker als Schauspieler – Schauspieler als Politiker? Zur Gefahr theatralischer Elemente in der Römischen Republik’. In Von Sklaven, Pächtern und Politikern, edited by Popko, L, Quenouille, N, and Rücker, M, 41–65. Berlin, 2012.Google Scholar
Keith, A. ‘Lycoris Galli/Volumnia Cytheris: a Greek Courtesan in Rome’. In Eugesta-Revue 1 (2011): 23–53.Google Scholar
Kellum, B. ‘The Phallus as Signifier: The Forum of Augustus and Rituals of Masculinity’. In Sexuality in Ancient Art, edited by Kamper, N., 170–83. Cambridge, 1996.Google Scholar
Kellum, B. ‘The Spectacle of the Street’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 283–99. Washington DC, 1999.Google Scholar
Kelly, H. ‘Tragedy and the Performance of Tragedy in Late Roman Antiquity’. Traditio 35 (1979): 21–44.Google Scholar
Kemp, W. ‘The Work of Art and Its Beholder: The Methodology of the Aesthetic of Reception’. In The Subjects of Art History: Historical Objects in Contemporary Perspectives, edited by Cheetham, M., Holly, M., and Moxey, K., 180–96. Cambridge, 1998.Google Scholar
Kenner, H. Das Theater und der Realismus in der Griechischen Kunst. Vienna, 1954.Google Scholar
Kenner, H. ‘Griechische Theaterlandschaften’. Jahreshefte des Österreichischen Archäologischen Instituts in Wien 47 (1964–1965): 33–69.Google Scholar
Kenner, H. ‘Zur Archäologie des Dionysostheaters in Athen’. Jahreshefte des Österreichischen Archäologischen Instituts in Wien 57 (1986–87): 55–91.Google Scholar
Kenny, A. A New History of Western Philosophy Volume 1: Ancient Philosophy. Oxford, 2004.Google Scholar
King, H. ‘Aristotle’s theory of Topos’. Classical Quarterly 44 (1950): 76–96.Google Scholar
King, R. ‘Spatial Form and the Literary Representation of Time in Ovid’s Fasti’. PhD diss., Bloomington, IN, 1994.Google Scholar
King, R. ‘Dancers in the Columbarium of Villa Doria-Pamphili’. In I Temi Figurativi nella Pittura Parietale Antica, 77–80. Bologna, 1995.Google Scholar
Klar, L. ‘The Origins of the Roman Scaenae Frons and the Architecture of Triumphal Games in the Second Century BC’. In Representations of War in Ancient Rome, edited by Dillon, S. and Welch, K., 162–83. Cambridge, 2006.Google Scholar
Knox, P. ‘Ovidian Myths on Pompeian Walls’. In A Handbook to the Reception of Ovid, edited by Miller, J. and Newlands, C., 36–54. Chichester, 2014.Google Scholar
Knox, P. ‘The Literary House of Mr Octavius Quartio’. Illinois Classical Studies 40 no. 1 (2015): 171–84.Google Scholar
Kokolakis, M. ‘Gladiatorial Games and Animal-Baiting in Lucian’. Platon 10 (1958): 328–51.Google Scholar
Kondoleon, C. ‘Signs of Privilege and Pleasure: Roman Domestic Mosaics’. In Roman Art in the Private Sphere, edited by Gazda, E., Chapter 5. Ann Arbor, MI, 1991.Google Scholar
Kondoleon, C. ‘Timing Spectacles: Roman Domestic Art and Performance’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 321–42. Washington DC, 1999.Google Scholar
Kraiker, W. ‘Das Stuckgemaelde aus Herculaneum…’. RM 60 no. 61 (1953–1954): 133–49.Google Scholar
Kuttner, A. ‘Vitruvius and the Second Style’. Review of Aedificorum Figurae: Untersuchungen zu den Architekturdarstellungen des Frühen Zweiten Stils, by Tybout, R. JRA 6 (1993): 341–47.Google Scholar
Kuttner, A. ‘Culture and History at Pompey’s Museum’. TAPhA 129 (1999): 343–73.Google Scholar
Kuttner, A. ‘Looking Outside Inside: Ancient Roman Garden Rooms’. Studies in the History of Gardens and Designed Landscapes 1 [formerly Journal of Garden History], special issue: The Immediate Garden and the Larger Landscape, edited by Hunt, J. D (1999): 7–35.Google Scholar
Kuttner, A. ‘Hellenistic Images of Spectacle from Alexander to Augustus’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 97–122. Washington DC, 1999.Google Scholar
Laidlaw, A. The First Style in Pompeii: Painting and Architecture. Rome, 1985.Google Scholar
La Rocca, E. ‘La ‘Scaena cui Theatrum Adiectum non Erat’ Sacrifici notturni nel “Tarentum” su Monete di Domiziano’. In La Riva a Mezzaluna: Culti, Agoni, Monumenti Funerari Presso il Tevere nel Campo Marzio Occidentale. Rome, 1984.Google Scholar
La Rocca, E., de Vos, M, and de Vos, A. Pompei: Guide Archeologiche. Milan, 1994 (2nd edition, 2000).Google Scholar
Laurence, R. ‘Space and Text’. In Domestic Space in the Roman World: Pompeii and Beyond, edited by Laurence, R and Wallace-Hadrill, A. JRA Supplement 22 (1997): 7–14.Google Scholar
Laurence, R., and Wallace-Hadrill, A., eds. Domestic Space in the Roman World: Pompeii and Beyond. JRA Supplement 22 (1997).Google Scholar
Lauritsen, T. ‘The Form and Function of Boundaries in the Campanian House’. In Privata Luxuria, edited by Anguissola, A., 95–114. Munich, 2012.Google Scholar
Lauter, H. ‘Die Hellenistische Theater der Samniten und Latiner in ihrer Beziehung zur Theaterarchitektur der Griechen’. In Hellenismus in Mittelitalien, Vol. 2, edited by Zanker, P, 413–30. Göttingen, 1976.Google Scholar
Lavagne, H. Operosa Antra: Recherches sur la Grotte à Rome de Sylla à Hadrien. Rome, 1988.Google Scholar
Leach, E. The Rhetoric of Space: Literary and Artistic Representations of Landscape in Republican and Augustan Rome. Princeton, NJ, 1988.Google Scholar
Leach, E. The Social Life of Painting in Ancient Rome and on the Bay of Naples. Cambridge, 2004.Google Scholar
Leach, E. ‘Patrons, Painters and Patterns: The Anonymity of Romano-Campanian Painting and the Transition from the Second to the Third Style’. In Literary and Artistic Patronage in Ancient Rome, edited by Gold, B.. Austin, TX, 1982.Google Scholar
Leach, E. ‘Reading Signs of Status: Recent Books on Roman Art in the Domestic Sphere’. Review of The Augustan Villa at Boscotrecase, by von Blanckenhagen, P and Alexander, C; Roman Painting, by Ling, R; and Roman Art in the Private Sphere, edited by Gazda, E. AJA 96 (1992): 551–57.Google Scholar
Leach, E. ‘The Entrance Room in the House of Iulius Polybius and the Nature of the Roman Vestibulum’. In Functional and Spatial Analysis of Wallpainting: BABESCH Supplement 3, edited by Moormann, E., 23–28. Leiden, 1993.Google Scholar
Leach, E. ‘Satyrs and Spectators: Reflections of Theatrical Settings in Third Style Mythological Continuous Narrative Painting’. In I Temi Figurativi nella Pittura Parietale Antica, 81–84. Bologna, 1995.Google Scholar
Leach, E. ‘Oecus on Ibycus: Investigating the Vocabulary of the Roman House’. In Sequence and Space in Pompeii, edited by Bon, S. and Jones, R., 50–72. Oxford, 1997.Google Scholar
Leen, A. ‘Cicero and the Rhetoric of Art’. AJP 112 no. 2 (1991): 229–45.Google Scholar
Lehmann, P. Roman Wall Paintings from Boscoreale in the Metropolitan Museum of Art. Cambridge, MA, 1953.Google Scholar
Lehmann-Hartleben, K. ‘The Imagines of the Elder Philostratus’. The Art Bulletin 23 no. 1 (1941): 16–44.Google Scholar
Leppin, H. Histrionen: Untersuchungen zur sozialen Stellung von Bühnenkünstlern im Westen des Römischen Reiches zur zeit der Republik und des Principats. Bonn, 1991.Google Scholar
Lexicon Iconographicum Mythologiae Classicae [ = LIMC ]. Düsseldorf, 1981–2009.Google Scholar
Libanius, . Orations. Edited and translated by A. F. Norman. Loeb Classical Library 451. Cambridge, MA: Harvard University Press, 1969.Google Scholar
Lightfoot, C. ‘A New Interpretation and Dating for The Metropolitan’s Roman Cubiculum’. Unpublished, 2018.Google Scholar
Linderski, J. ‘Garden Parlors: Nobles and Birds’. In Studia Pompeiana et Classica in Honor of Wilhelmina F. Jashemski, Vol. 2, edited by Curtis, R, 105–27. New Rochelle, NY, 1989.Google Scholar
Lindgren, H. Ancient Bronze Coins of Asia Minor and the Levant from the Lindgren Collection. San Mateo, CA, 1985.Google Scholar
Ling, R. Roman Painting. Cambridge, 1991.Google Scholar
Ling, R. Stuccowork and Painting in Roman Italy. Farnham, 1999.Google Scholar
Ling, R. Pompeii: History, Life and Afterlife. Stroud, 2005.Google Scholar
Ling, R. ‘Pompeii and Herculaneum: Recent Research and Future Prospects’. In Papers in Italian Archaeology I: the Lancaster Seminar, edited by Blake, H., Potter, T., and Whitehouse, D., 153–73. Oxford, 1978.Google Scholar
Ling, R. ‘German Approaches to Pompeii’. JRA 6 (1993): 331–40.Google Scholar
Little, A. Roman Perspective Painting and the Ancient Stage. Kennebunk, ME, 1971.Google Scholar
Little, A. Decor, Drama and Design in Roman Painting. Kennebunk, 1977.Google Scholar
Little, A. ‘The Decoration of the Hellenistic Peristyle House in South Italy’. AJA 39 (1935): 360–71.Google Scholar
Little, A. ‘Scaenographia’. The Art Bulletin 18 no. 3 (1936): 407–18.Google Scholar
Little, A. ‘Perspective and Scene Painting’. The Art Bulletin 19 no. 3 (1937): 486–95.Google Scholar
Little, A. Livy. ab Urbe Condita. Vols 1-14, Translated by B. O. Foster, Alfred C. Schlesinger, J. C. Yardley, Evan T. Sage Loeb Classical Library Cambridge, MA: Harvard University Press, 1919 to 2021Google Scholar
Loar, M. ‘Sexual Graffiti in the House of Marcus Lucretius in Pompeii (IX.3.5, 24)’. Classical World 111 no. 3 (2018): 405–31.Google Scholar
Locher, J. M. C. Escher: His Life and Complete Graphic Work. Amsterdam, 1981.Google Scholar
Loffredo, F. ‘Preletterario, Popolare, Contadino. Tre categorie “Atellaniche” su cui Riflettere’. In L’Atellana Preletteraria, edited by Raffaelli, R. and Tontini, A., 125–39. Urbino, 2013.Google Scholar
Longfellow, B. ‘A Gendered Space? Location and Function of Room 5 in the Villa of the Mysteries’. In The Villa of the Mysteries in Pompeii, edited by Gazda, E., 25–33. Ann Arbor, MI, 2000.Google Scholar
Longinus, . De Sublimitate. Translated by Stephen Halliwell, W. Hamilton Fyfe, Doreen C. Innes, W. Rhys Roberts. Revised by Russell, Donald A.. Loeb Classical Library 199. Cambridge, MA: Harvard University Press, 1995.Google Scholar
Lowry, E. ‘Iphigenee in Taurien’. JDAI 44 (1929): 87–103.Google Scholar
Lucian, . Icaromenippus. Translated by A. M. Harmon. Loeb Classical Library 54. Cambridge, MA: Harvard University Press, 1915.Google Scholar
Lucian, . Peri Orcheseos. Translated by A. M. Harmon. Loeb Classical Library 302. Cambridge, MA: Harvard University Press, 1936.Google Scholar
Lucretius, . De Rerum Natura. Translated by W. H. D. Rouse. Revised by Martin F. Smith. Loeb Classical Library 181. Cambridge, MA: Harvard University Press, 1924.Google Scholar
Lyttelton, M. Baroque Architecture in Classical Antiquity. London, 1974.Google Scholar
MacDonald, C. ‘Looking Like a Roman, Looking Like a Greek: Viewing as Cultural Performance in the Late Republic and Early Empire’. PhD diss., Stanford, CA, 2015.Google Scholar
MacMullen, R. Corruption and the Decline of Rome. New Haven, CT, 1988.Google Scholar
Macrobius, . Saturnalia. Edited and translated by Robert A. Kaster. Loeb Classical Library 510. Cambridge, MA: Harvard University Press, 2011.Google Scholar
Maiuri, A. L’Ultima Fase Edilizia di Pompei. Rome, 1942.Google Scholar
Maiuri, A. La Cena di Trimalchione. Naples, 1945.Google Scholar
Maiuri, A. La Peinture Romaine. Geneva, 1953.Google Scholar
Maiuri, A. Ercolano: i Nuovi Scavi (1927–1958). Rome, 1958.Google Scholar
Maiuri, A. Pompei ed Ercolano fra Case e Abitanti. Florence, 1983.Google Scholar
Maiuri, A. ‘Pompei: Saggi nella cavea del “Teatro grande”’. Notizie degli Scavi di Antichità 5 (1951): 126–34.Google Scholar
Maiuri, A. ‘Due Singolari Dipinti Pompeiani’. RM 60 no.61 (1953–1954): 88–99.Google Scholar
Manuwald, G. Roman Republican Theatre: A History. Cambridge, 2011.Google Scholar
Maratini, C. ‘Domestic Spaces and Commercial Activities in Selected Domus of Regiones V and VI at Pompeii’. In Privata Luxuria, edited by Anguissola, A., 115–28. Munich, 2012.Google Scholar
Marquardt, J. Das Privatleben der Römer, 2nd edition, edited by Mau, A. Leipzig, 1886.Google Scholar
Marshall, A. ‘Symbols and Showmanship in Roman Public Life: The Fasces’. Phoenix 38 (1984): 120–41.Google Scholar
Martial, . Epigrammaton Libri.Google Scholar
Mau, A. Geschichte der dekorativen Wandmalerei in Pompeji. Berlin, 1882.Google Scholar
Mau, A. Pompeii: Its Life and Art. Translated by Kelsey, F. London, 1899; New York, 1904.Google Scholar
Mau, A. ‘Wandschirm und Bildträger in der Wandmalerei’. RM 17 (1902): 179–231.Google Scholar
Mau, A. Maurus Servius Honoratus. In Vergilii Aeneidem Commentarii.Google Scholar
Mazois, F. Les Ruines de Pompéi Dessinées et Mesurées. 4 Vols. Paris, 1824–1838.Google Scholar
Mazzoleni, D. ‘Architecture and Illusionistic Painting in the Roman House’. In Domus: Wall Painting in the Roman House, 7–39. Los Angeles, 2004.Google Scholar
Mazzoleni, D., et al. Domus: Wall Painting in the Roman House. Los Angeles, 2004.Google Scholar
McClinton, K. ‘The Garden in the House of Marcus Lucretius’. MA essay, Bloomington, IN, 2019.Google Scholar
McClinton, K. ‘Applications of Photogrammetric Modeling to Roman Wall Painting: A Case Study in the House of Marcus Lucretius’. Arts 8 no. 3 (special issue: Ancient Mediterranean Painting Volume 2, 2019): 89.Google Scholar
McClinton, K. ‘Computationally Modeling Ancient Roman Domestic Displays’. PhD diss., Bloomington, IN, 2021.Google Scholar
McEwen, I. Vitruvius: Writing the Body of Architecture. Cambridge, MA, 2003.Google Scholar
McIlwaine, I. Herculaneum: A Guide to Printed Sources, 2 Vols. Naples, 1988.Google Scholar
McKay, A. Houses, Villas and Palaces in the Roman World. London, 1975.Google Scholar
Melini, R. Suoni Sotto la Cenere: La Musica nell’Antica Area Vesuviana. Pompeii, 2008.Google Scholar
Melini, R. ‘L’Archeologia Musicale dell’Antica Area Vesuviana’. In La Musica nell’Impero Romano: Testimonianze Teoriche e Scoperte Archeologiche, 85–110. Pavia, 2010.Google Scholar
Meyboom, P. ‘The Creation of an Imperial Tradition: Ideological Aspects of the House of Augustus’. In The Manipulative Mode, edited by Enenkel, K. and Pfeijffer, I., 219–74. Leiden, 2005.Google Scholar
Meyboom, P., and Moormann, E. ‘Decoration and Ideology in Nero’s Domus Aurea in Rome’. In The End of our Fifth Decade: Analecta Praehistorica Leidensia Volume 43–44, edited by Bakels, C and Kamermans, H, 131–43. Leiden, 2012.Google Scholar
Michel, D. ‘Pompejanische Gartenmalereien’. In Tainia: Festschrift für Roland Hampe, 373–404. Mainz, 1980.Google Scholar
Michel, D. ‘Bemerkungen über Zuschauerfiguren in pompejanischen sogenannten Tafelbildern’. In La Regione Sotterrata dal Vesuvio: Studi e Prospettive, 537–98. Naples, 1982.Google Scholar
Mielsch, H. Römische Stuckreliefs. Heidelberg, 1975.Google Scholar
Mielsch, H. Die Römische Villa: Architectur und Lebensform. Munich, 1987.Google Scholar
Mirri, L., and Carletti, G.. Le Antiche Camere delle Terme di Tito. Rome, 1776.Google Scholar
Modona, A. Gli Edifici Teatralii Greci e Romani. Florence, 1961.Google Scholar
Moeller, W. ‘The Riot of A.D. 59 at Pompeii’. Historia 19 (1970): 84–95.Google Scholar
Molloy, M. Libanius and the Dancers. Hildesheim, 1996.Google Scholar
Mols, S. Wooden Furniture in Herculaneum: Form, Technique and Function (‘Circumvesuviana’ Volume 2). Leiden, 1999.Google Scholar
Mols, S. ‘Il Primo Stile “Retró”: Dai Propilei Di Mnesicle a Pompei’. In Omni Pede Stare: Saggi Architettonici e Circumvesuviani in Memoriam Jos de Waele, edited by Mols, S. and Moormann, E., 243–46. Naples, 2005.Google Scholar
Mommsen, T. Römisches Staatsrecht. Leipzig, 1887.Google Scholar
Monda, S. ‘La Preistoria dell’Atellana Nelle Fonti Storiche e Letterarie’. In L’Atellana Preletteraria, edited by Raffaelli, R. and Tontini, A., 95–124. Urbino, 2013.Google Scholar
Moormann, E. Divine Interiors: Mural Paintings in Greek and Roman Sanctuaries. Amsterdam, 2011.Google Scholar
Moormann, E. ‘Rappresentazioni Teatrali su Scaenae Frontes di Quarto Stile a Pompei’. Pompeii, Herculaneum, Stabiae: Bollettino dell’Associazione Internazionale Amici di Pompei 1 (1983): 73–117.Google Scholar
Moormann, E. ‘La Funzione degli Ambiente’. In La Casa di Marcus Lucretius Fronto a Pompei e le sue Pitture, edited by Peters, W., 401–06. Amsterdam, 1993.Google Scholar
Moormann, E. ‘L’Iconografia delle Pitture Parietali Antiche: Fonti di Conoscenza per la Cultura Antica o Pura Decorzione?’. In I Temi Figurativi nella Pittura Parietale Antica, 305–06. Bologna, 1995.Google Scholar
Moormann, E. ‘Some Observations on Nero and the City of Rome’. In The Representation and Perception of Roman Imperial Power, edited by de Blois, L., Erdkamp, P., Hekster, O., de Kleijn, G., and Mols, S., 376–88. Amsterdam, 2003.Google Scholar
Moormann, E. ‘Der römische Freskenzyklus mit grossen Figurer in der Villa 6 in Terzigno’. In Otium: Festschrift für Volker Michael Strocka, edited by Ganschow, T and Steinhart, M, 257–66. Remshalden, 2005.Google Scholar
Moormann, E. ‘Iconographies of Greek and Roman Wall Painting’. Pharos 21 no. 1 (2016): 143–66.Google Scholar
Moormann, E. ‘Roman Wall Painting’. In Encyclopedia of Global Archaeology, edited by Smith, C.. New York, 2018. https://doi.org/10.1007/978-3-319-51726-1_3405–1.Google Scholar
Moormann, E., ed. Functional and Spatial Analysis of Wall Painting: BABESCH Supplement 3. Leiden, 1993.Google Scholar
Moormann, E., ‘Mani di Pittori e Botteghe Pittoriche nel Mondo Romano: Tavola Rotonda in Onore di W. J. Th. Peters in oOcasione del suo 75.mo Compleanno’. Mededelingen van het Nederlands Instituut te Rome 54 (1995): 61–298.Google Scholar
Morgan, K. ‘A Prolegomenon to Performance in the West’. In Theater Outside Athens, edited by Bosher, K., 35–55. Cambridge, 2012.Google Scholar
Mouritsen, H. ‘Order and Disorder in Late Pompeian Politics’. In Les élites Municipales de l’Italie Péninsulaire des Gracques à Néron, edited by Cébeillac-Gervasoni, M, 139–44. Naples and Rome, 1996.Google Scholar
Mouritsen, H. ‘Freedmen and Decurions: Epitaphs and Social History in Imperial Italy’. JRS 95 (2005): 38–63.Google Scholar
Müller, F. The Wall Paintings from the Oecus of the Villa of Publius Fannius Synistor in Boscoreale. Amsterdam, 1994.Google Scholar
Müller, J. Intermedialität: Formen moderner kultureller Kommunikation. Münster, 1996.Google Scholar
Mullin, D. ‘The Problem with Periaktoi’. Theatre Notebook 38 no. 2 (1984): 54–60.Google Scholar
Muscettola, S. ‘Per un interpretazione degli affreschi dall’agro Moregine’. In Storie da un’Eruzione: In Margine alla Mostra, edited by Guzzo, P., 75–97. Naples, 2003.Google Scholar
Nagler, A. A Source Book in Theatrical History. New York, 1952.Google Scholar
Nappo, S. ‘I triclinia di Murecine, uso ed InterpretazioniI. In Das Römische Bankett im Spiegel der Altertumswissenschaften, edited by Vössing, K., 55–67. Düsseldorf, 2008.Google Scholar
Neiiendam, K. The Art of Acting in Antiquity. Copenhagen, 1992.Google Scholar
Neiiendam, K. ‘Theatrical Murals at the House of Publius Casca Longus’. Analecta Romana Instituti Danici 12 (1983): 71–79.Google Scholar
Nevett, L. Domestic Space in Classical Antiquity. Cambridge, 2010; reprinted 2011.Google Scholar
Nevett, L. ‘Family and Household, Ancient History and Archeology: A Case Study from Roman Egypt’. In A Companion to Families in the Greek and Roman Worlds, edited by Rawson, B., 15–31. Malden, MA, 2011.Google Scholar
Newby, Z. ‘Reading Programs in Greco-Roman Art: Reflections on the Spada Reliefs’. In The Roman Gaze: Vision, Power and the Body, edited by Fredrick, D. London, 2002.Google Scholar
Nibley, H. ‘Sparsiones’. Classical Journal 40 no. 9 (1945): 515–43.Google Scholar
Niccolini, F. Le Case ed i Monumenti di Pompei Designate e Discritti, 4 Vols. Naples, 1854–1896.Google Scholar
Nichols, M. Author and Audience in Vitruvius’ De Architectura. Cambridge, 2017.Google Scholar
Nicolaus, of Damascus. Life of Augustus. Translated by Hall, C. PhD diss., Johns Hopkins University, Baltimore, MD, 1922. https://archive.org/details/nicolausofdamasc00nico.Google Scholar
Nicolet, C. ‘Tribuni Militum a Populo’. Mélanges d’Archéologie et d’Histoire de l’École Française de Rome, Antiquité 79 (1967): 29–76.Google Scholar
Nielsen, I. Cultic Theatres and Ritual Drama: Regional Development and Religious Interchange between East and West in Antiquity. Aarhus, 2002.Google Scholar
Nilsson, M. The Dionysiac Mysteries of the Hellenistic and Roman Age. Lund, 1957.Google Scholar
Nodelman, S. ‘Roman Illusionism: Thoughts on the Birth of Western Spatiality’. Art News Annual 37 (1971): 27–38.Google Scholar
Nodelman, S. Notizie degli Scavi di Antichità [= NSc]. Rome.Google Scholar
Ogle, M. ‘The House-Door in Greek and Roman Religion and Folk-Lore’. AJP 32 no. 3 (1911): 251–71.Google Scholar
Onians, J. Classical Art and the Cultures of Greece and Rome. New Haven, CT, 1999.Google Scholar
Oppler, D. ‘Mysterienvilla Cubiclum 5’. In Aufsätze zur Archäologie, 36–52. Munich, 2010.Google Scholar
Oppler, D. Opuscula Pompeiana [= OpPomp]. Kyoto, 1991–1992.Google Scholar
Overbeck, J. Pompeji in Seinen Gebäuden, Alterthümern und Kunstwerken, 4th edition. Leipzig, 1884.Google Scholar
Packer, J. ‘A New Look at Pompey’s Theatre: History, Documentation and Recent Excavation’. AJA 110 no. 1 (2006): 93–122.Google Scholar
Pagán, V. Horticulture and the Roman Shaping of Nature. Oxford Handbooks Online, 2016. https://doi.org/10.1093/oxfordhb/9780199935390.013.78.Google Scholar
Pagano, M. ‘Iscrizione della Statua di Marco Nonio Balbo posta davanti alle Terme Suburbane’. Rivista di Studi Pompeiani 2 (1998): 238–39.Google Scholar
Pagano, M. ‘Intervento’. In Storie da un’eruzione: In margine alla mostra, edited by Guzzo, P, 127–28. Naples, 2003.Google Scholar
Pannuti, U. Il ‘Giornale degli scavi’ di Ercolano, 1738–1756. Rome, 1983.Google Scholar
Paoletti, M. ‘La Sintassi Decorative’, and ‘Lo Schema Iconografico’, Topics in Section ‘Restauri, La Piccola Sala 12’. In Settefinestre: Una Villa Schiavistica nell’Etruria Romana, Vol. 2, edited by Carandini, A., 223–28. Modena, 1985.Google Scholar
Pappalardo, U. The Splendor of Roman Wall Painting. Verona, 2008.Google Scholar
Pappalardo, U. ‘Nuove Testimonianze su Marco Nonio Balbo ad Ercolano’. RM 104 (1997): 417–33.Google Scholar
Pappalardo, U. ‘L’Insula Occidentalis e la Villa Imperiale’. In Nuove Ricerche Archeologiche nell’Area Vesuviana (scavi 2003–2006), edited by Guzzo, P. and Guidobaldi, M., 293–307. Rome, 2008.Google Scholar
Pappalardo, U. ‘Roman Villas on the bay of Naples’. In Apolline Project Volume 1: Studies on Vesuvius’ North Slope and the Bay of Naples, edited by De Simone, G and Macfarlane, R, 25–48. Rome, 2009.Google Scholar
Pappalardo, U. ‘La Decorazione dell’Insula Occidentalis a Pompei: Mutamenti di Gusto dall’Eta Sillana all’Eta Vespasianea’. In Pittura Ellenistica in Italia e in Sicilia, edited by La Torre, G and Torelli, M, 561–69. Rome, 2011.Google Scholar
Parmenides, . On Nature (fragments).Google Scholar
Parslow, C. Rediscovering Antiquity: Karl Weber and the Excavation of Herculaneum, Pompeii and Stabiae. Cambridge, 1995.Google Scholar
Parslow, C. Review of Herculaneum: a Guide to Printed Sources, by McIlwaine, I. JRA 3 (1990): 248–52.Google Scholar
Pedroni, L. ‘La casa di N. Popidius Priscus a Pompei (VII, 2, 20): Contributi allo Studio dell’Edificio (indagini 2003–2005)’. Vesuviana 4 (2012): 111–33.Google Scholar
Percival, J. The Roman Villa. London, 1976.Google Scholar
Pesando, F. Gli Ozi Di Ercole: Residenze Di Lusso a Pompei Ed Ercolano. Rome, 2006.Google Scholar
Pesando, F. ‘Case d’eta Medio-Sannitica nella Regio VI di Pompei: Periodizzazione degli Interventi Edilizi e Decorativi’. In Pittura Ellenistica in Italia e in Sicilia, edited by La Torre, G and Torelli, M, 425–35. Rome, 2011.Google Scholar
Pesando, F. ‘Ruinae et Parietinae Pompeianae: Distruzioni e Abbandoni a Pompei all’Epoca dell’Eruzione’. Vesuviana 3 (2011): 9–30.Google Scholar
Pesando, F. ‘Pompei in eta Sannitica: Tipologia, Uso e Cronologia delle Tecniche Edilizie’. In Tecniche Costruttive del Tardo Ellenismo nel Lazio e in Campania, edited by Cifarelli, F., 117–26. Rome, 2013.Google Scholar
Pesando, F. ‘Prima Della Catastrofe: Vespasiano e Le Città Vesuviane’. In Divus Vespasianus: Il Bimillenario Dei Flavi, edited by Coarelli, F., 378–85. Rome, 2009.Google Scholar
Pesando, F. ‘Le Residenze dell’Aristocrazia Sillana a Pompei: Alcune Considerazioni’. Ostraka 15 no. 1 (2006): 75–96.Google Scholar
Peters, W. Landscape in Romano-Campanian Mural Paintings. Assen, 1963.Google Scholar
Peters, W., ed. La Casa di Marcus Lucretius Fronto a Pompei e le sue Pitture. Amsterdam, 1993.Google Scholar
Petersen, E. Ara Pacis Augustae. Vienna, 1902.Google Scholar
Petersen, E. ‘Antike Architektur Malerei’. RM 18 (1903): 87–140.Google Scholar
Petersen, E. ‘Funde in Italien, 1903’. Archäologischer Anzeiger (1904): 111–16.Google Scholar
Petersen, L. The Freedman in Roman Art and Art History. New York, 2006.Google Scholar
Petronius, . Satyricon.Google Scholar
Pfuhl, E. Malerei und Zeichnung der Griechen. Munich, 1923.Google Scholar
Phillips, K., Jr. ‘Perseus and Andromeda’. AJA 72 (1968): 1–23 and Plates.Google Scholar
Philo, of Alexandria. Legatio ad Gaium.Google Scholar
Philostratus, the Athenian. Vita Apollonii.Google Scholar
Philostratus, the Elder. Imagines.Google Scholar
Philostratus, the Younger. Ekphraseis.Google Scholar
Picard, G. ‘Les Peintures Théâtrales du IVe Style et l’Idéologie Néronnien’. In Neronia 1977, edited by Croisille, J. and P. Fauchère, 55–59. Clermont-Ferrand, 1982.Google Scholar
Pickard-Cambridge, A. The Theatre of Dionysus in Athens. Oxford, 1946.Google Scholar
Pighi, G. De Ludis Saecularibus Populi Romani Quiritium, 2nd edition. Amsterdam, 1965.Google Scholar
Piranesi, F. Il Teatro di Ercolano. Rome, 1783.Google Scholar
Piroli, T. Le Antichità di Ercolano, 6 Vols. Rome, 1789–1807.Google Scholar
Pitture e pavimenti di Pompei [= PPP], edited by Bragantini, I, de Vos, M and Parise Badoni, F, Volumes I-V. Rome, 1981–1986.Google Scholar
Plato, . Republic.Google Scholar
Platt, V. ‘Of Sponges and Stones: Matter and Ornament in Roman painting’. In Ornament and Figure in Graeco-Roman Art: Rethinking Visual Ontologies in Classical Antiquity, edited by Dietrich, N. and Squire, M., 241–78. Berlin, 2018.Google Scholar
Platt, V. ‘Agamemnon’s Grief: On the Limits of Expression in Roman Rhetoric and Painting’. In Art and Rhetoric in Roman Culture, edited by Elsner, J. and Meyer, M., 211–32. Cambridge, 2014.Google Scholar
Platt, V., and Squire, M.. ‘Framing the Visual in Greek and Roman Antiquity’. In The Frame in Classical Art: A Cultural History, 3–97. Cambridge, 2017.Google Scholar
Plautus, . Asinaria.Google Scholar
Plautus, . Aululari. Edited and translated by de Melo, Wolfgang. Loeb Classical Library 260. Cambridge, MA: Harvard University Press, 2011–2012.Google Scholar
Plautus, . Curculio. Edited and translated by de Melo, Wolfgang. Loeb Classical Library 260. Cambridge, MA: Harvard University Press, 2011–2012.Google Scholar
Plautus, . Mostellaria. Edited and translated by de Melo, Wolfgang. Loeb Classical Library 260. Cambridge, MA: Harvard University Press, 2011–2012.Google Scholar
Plautus, . Persa. Edited and translated by de Melo, Wolfgang. Loeb Classical Library 260. Cambridge, MA: Harvard University Press, 2011–2012.Google Scholar
Plautus, . Poenulus. Edited and translated by de Melo, Wolfgang. Loeb Classical Library 260. Cambridge, MA: Harvard University Press, 2011–2012.Google Scholar
Plautus, . Pseudolus. Edited and translated by de Melo, Wolfgang. Loeb Classical Library 260. Cambridge, MA: Harvard University Press, 2011–2012.Google Scholar
Plautus, . Rudens. Edited and translated by de Melo, Wolfgang. Loeb Classical Library 260. Cambridge, MA: Harvard University Press, 2011–2012.Google Scholar
Plautus, . Stichus. Edited and translated by de Melo, Wolfgang. Loeb Classical Library 260. Cambridge, MA: Harvard University Press, 2011–2012.Google Scholar
Plautus, . Truculentis. Edited and translated by de Melo, Wolfgang. Loeb Classical Library 260. Cambridge, MA: Harvard University Press, 2011–2012.Google Scholar
Pliny, the Elder. Naturalis Historia. Translated by H. Rackham, and D. E. Eichholz.Google Scholar
Pliny, the Younger. Epistulae. Translated by Betty Radice. Loeb Classical Library 55. Cambridge, MA: Harvard University Press, 1969.Google Scholar
Pliny, the Younger. Panegyricus. Translated by Betty Radice. Loeb Classical Library 59. Cambridge, MA: Harvard University Press, 1969.Google Scholar
Plutarch, . De Tranquillitate Animi. Translated by W. C. Helmbold. Loeb Classical Library 337. Cambridge, MA: Harvard University Press, 1939.Google Scholar
Plutarch, . Moralia. Edited by W. Goodwin. Boston, 1878.Google Scholar
Plutarch, . Parallel Lives. Trans. A. H. Clough, Modern Library; Reprint edition (1992).Google Scholar
Poehler, E., and Ellis, S.. ‘The 2010 Season of the Pompeii Quadriporticus Project: The Western Side’. Fasti Online Documents & Research 218 (2011).Google Scholar
Poehler, E., and Ellis, S.. ‘The 2011 Season of the Pompeii Quadriporticus Project: The Southern and Northern Sides’. Fasti Online Documents & Research 249 (2012).Google Scholar
Poehler, E., and Ellis, S.. ‘The Pompeii Quadriporticus Project. The Eastern Side and Colonnade’. Fasti Online Documents & Research 284 (2013).Google Scholar
Pollini, J. ‘Lovemaking and Voyeurism in Roman Art and Culture: The House of the Centenary at Pompeii’. RM 116 (2010): 289–319.Google Scholar
Pollitt, J. The Art of Rome: Sources and Documents, Reissue. Cambridge, 1993.Google Scholar
Pollux. Onomasticon, edited by Bethe, E. Lexicographi Graeci 9, 4.124–32. Stuttgart, 1890. (Translated by Walton, J in Living Greek Theatre, 255–78. New York, 1987.)Google Scholar
Polybius, . Histories.Google Scholar
Pompei, Pitture e Mosaici [= PPM], edited by Carratelli, G and Baldassarre, I, Volumes I-V. Rome, 1990.Google Scholar
Pompei, Herculaneum, Stabiae [= PompHercStab]. Naples, 1983.Google Scholar
Pompei e la Regione Sotterrata dal Vesuvio nell’Anno LXXIX. Naples, 1879.Google Scholar
Postlewait, T., and Davis, T. C, ed. (2003) ‘Theatricality, Comparative Drama’ 37 no. 4, 22.Google Scholar
Powers, J. ‘Patrons, Houses and Viewers in Pompeii: Reconsidering the House of the Gilded Cupids’. PhD diss., University of Michigan, Ann Arbor, 2006.Google Scholar
Powers, J. ‘Beyond Painting in Pompeii’s Houses: Wall Ornaments and their Patrons’. In Pompeii: Art, Industry and Infrastructure, edited by Poehler, E., Flohr, M., and Cole, K., 10–32. Oxford, 2011.Google Scholar
Presuhn, E. Pompeji: Die neuesten Ausgrabungen von 1874 bis 1881. Leipzig, 1882.Google Scholar
Price, S. Rituals and Power: The Roman Imperial Cult in Asia Minor. Cambridge, 1984.Google Scholar
Propertius, . Elegiae.Google Scholar
Puchstein, O. Die Griechische Bühne: Eine Architektonische Untersuchung. Berlin, 1901.Google Scholar
Purcell, N. ‘Does Caesar Mime?’. In The Art of Ancient Spectacle, edited by Bergmann, B. and Kondoleon, C., 181–93. Washington DC, 1999.Google Scholar
Quenemoen, C. ‘Preliminary Observations on the Geometric Unity of the House of Augustus’. In SOMA 2007, edited by Aygün, C, 316–20. Oxford, 2009.Google Scholar
Queyrel, F. ‘Ekphrasis et Perception Alexandrine: La Reception des Oeuvres d’Art a Alexandrie sous les Premiers Lagides’. Antike Kunst 53 (2010): 23–48.Google Scholar
Quinn, K. ‘The Poet and his Audience in the Augustan Age’. In Aufstieg und Niedergang der Römischen Welt II.30.1, 75–180. Berlin and New York, 1982.Google Scholar
Quintilian, . Institutio Oratoria.Google Scholar
Raaflaub, K., and Toher, M.. Between Republic and Empire: Interpretations of Augustus and His Principate. London, 1990.Google Scholar
Raffaelli, R., and Tontini, A., eds. L’Atellana Preletteraria Volume 2. Urbino, 2013.Google Scholar
Rakob, F. ‘Ein Grottentriklinium in Pompeii’. RM 71 (1964): 182–94.Google Scholar
Rambaldi, S. ‘Echi Pompeiani ed Ercolanesi nella Scenografia Teatrale del XIX Secolo’. In Rivista di Studi Pompeiani 20 (2009): 61–69.Google Scholar
Rankov, B. ‘Pantomime Horses? Masked Performances by the Roman Cavalry’. Unpublished conference presentation, https://www.kvl.cch.kcl.ac.uk/masks/masks_2009_abstracts.pdf.Google Scholar
Raul-Rochette, D. Choix de Peintures de Pompei. Paris, 1844–1853.Google Scholar
Rawson, E. Intellectual Life in the Roman Republic. Baltimore, 1985.Google Scholar
Rawson, E. Roman Culture and Society. Oxford, 1991.Google Scholar
Rawson, E. Real Museo Borbonico, 16 Vols. Naples, 1824–57.Google Scholar
Rawson, E. Rediscovering Pompeii. Ministero per I Beni Culturali e Ambientali, and Soprintendenza Archeologica di Pompei. Rome, 1990.Google Scholar
Rehm, R. The Play of Space: Spatial Transformation in Greek Tragedy. Princeton, NJ, 2002.Google Scholar
Reinach, S. Repertoire de Peintures Grecques et Romaines. Paris, 1922.Google Scholar
Renn, J., and Castagnetti, G.. Homo Faber: Studies on Nature, Technology, and Science at the Time of Pompeii. Rome, 2002.Google Scholar
Richardson, L., Jr. A Catalog of Identfiable Figure Painters of Ancient Pompeii, Herculaneum, and Stabiae. Baltimore, 2000.Google Scholar
Richardson, L., ‘Pompeii: The Casa dei Dioscuri and its Painters’. Memoirs of the American Academy in Rome 23 (1955): iii–165.Google Scholar
Richlin, A. ‘Not before Homosexuality: The Materiality of the Cinaedus and the Roman Law Against Love between Men’. Journal of the History of Sexuality 3 no. 4 (1993): 523–73.Google Scholar
Richlin, A., ed. Pornography and Representation in Greece and Rome. Oxford, 1992.Google Scholar
Richter, G. Perspective in Greek and Roman Art. London and New York, 1970.Google Scholar
Riggsby, A. ‘“Public” and “Private” in Roman Culture: The Case of the Cubiculum’. JRA 10 (1997): 36–56.Google Scholar
Riggsby, A. Rivista di Studi Pompeiani [ = RStPomp ]. Naples (old series), 1935–1946; Rome (new series), 1987.Google Scholar
Rizzo, G. La Pittura Ellenistico-Romana. Milan, 1929.Google Scholar
Rizzo, G. Le Pitture della ‘Casa di Livia’. Rome, 1936.Google Scholar
Robert, F. ‘La Représentation de la Pantomime dans les Romans Grecs et Latins: Les Exemples de Longus et d’Apulée’. Dialogues d’Histoire Ancienne 38 no. 1 (2012): 87–110.Google Scholar
Robertson, D. A Handbook of Greek and Roman Architecture. Cambridge, 1954.Google Scholar
Robertson, M. ‘The Boscoreale Figure-Paintings’. JRS 45 (1955): 58–67.Google Scholar
Robotti, C. Immagini di Ercolano e Pompei. Naples, 1987.Google Scholar
Roller, M. ‘Demolished Houses, Monumentality, and Memory in Roman Culture’. Classical Antiquity 29 (2010): 117–80.Google Scholar
Romano, D. ‘Laserpiciarius Mimus da Petronio, Sat. 35,7’. Dioniso: Rivista di Studi sul Teatro Antico 61 (1991): 289–94.Google Scholar
Romizzi, L. ‘Il “Macellum” di Pompei: Mercato, Santuario, Pinacoteca: Nuovi Rilievi e Acquisizioni’. In Nuove Ricerche Archeologiche nell’Area Vesuviana (scavi 2003–2006), edited by Guzzo, P. and Guidobaldi, M., 556–57. Rome, 2008.Google Scholar
Rosati, G. ‘Trimalchione in Scena’. Maia: Rivista di Letterature Classiche 35 (1983): 213–27. (Translated by Graziosi, B as ‘Trimalchio on Stage’ in Oxford Readings in the Roman Novel, edited by Harrison, S, 85–104. Oxford, 1999.Google Scholar
Rossetto, P., and Sartorio, G., eds. Teatri Greci e Romani Volumes 2 and 3. Rome, 1996.Google Scholar
Rotolo, V. Il Pantomimo: Studi e Testi. Palermo, 1957.Google Scholar
Rouveret, A. ‘Skiagraphia/Scaenographia: Quelques Remarques’. Pallas 71 (2006): 71–80.Google Scholar
Ruffo, F. ‘Stabiae: Villa San Marco e l’Impianto Urbano alla Luce delle Recenti Indagini Archeologiche (2008): Osservazioni Preliminari’. Rivista di Studi Pompeiani 20 (2009): 87–102.Google Scholar
Rumpf, A. ‘Classical and Post-Classical Greek Painting’. JHS 67 (1947): 10–21.Google Scholar
Rumpf, A. ‘Die Entstehung des römischen Theaters’. Mitteilungen des Deutschen Archäologischen Instituts 3 (1950): 40–50.Google Scholar
Sabbatini-Tumolesi, P. Gladiatorum Paria: Annunci di Spettacoli Gladiatorii a Pompei. Rome, 1980.Google Scholar
Saint-Non, J. Richard de. Voyage Pittoresque, ou Description des Royaumes de Naples et de Sicile I.2: Les Antiquités de Pompéii. Paris, 1782.Google Scholar
Saller, R. ‘Roman Heirship Strategies in Principle and in Practice’. In The Family in Italy from Antiquity to the Present, edited by Kertzer, D and Saller, R. New Haven and London, 1991.Google Scholar
Sallust, . Bellum Jugurthinum.Google Scholar
Sallust, . Historiae.Google Scholar
Salza Prina Ricotti, E. L’Arte del Convito nella Roma Antica. Rome, 1983.Google Scholar
Sambon, A. Les Fresques de Boscoreale. Paris, 1903.Google Scholar
Sampaolo, V. ‘Casa del Centenario’. In Pompei: Pitture e Mosaici Volume 9, 903–1104. Rome, 1999.Google Scholar
Sandy, G. ‘Scaenica Petroniana’. TAPhA 104 (1974): 329–46.Google Scholar
Santoro L’Hoir, F. Tragedy, Rhetoric and the Historiography of Tacitus’ Annales. Ann Arbor, 2006.Google Scholar
Santucci, A. ‘L’Atellana nella Cultura Figurativa: Presenze/Assenze e Consonanze di Temi’. In L’Atellana Preletteraria, edited by Raffaelli, R. and Tontini, A., 61–93. Urbino, 2013.Google Scholar
Sauron, G. La Peinture Allégorique à Pompéi. Paris, 2007.Google Scholar
Scagliarini, D. ‘Spazio e Decorazione nella Pittura Pompeiana’. Palladio: Rivista di Storia dell’Architettura e Restauro 23–25 (1974–1976): 3–44.Google Scholar
Scagliarini, D. ‘De Pompèi à Ostie: Naissance de la Façade’. In Vivre en Europe Romaine, edited by Petit, J and Santoro, S, 95–101. Paris, 2007.Google Scholar
Schäfer, T. ‘Le Sellae Curules del Teatro di Ercolano’. In Cronache Ercolanesi 9 (1979): 143–51.Google Scholar
Schäfer, T. ‘Der Honor Bisellii’. RM 97 (1990): 307–46.Google Scholar
Schefold, K. Pompejanische Malerei, Sinn und Ideengeschichte. Basel, 1952.Google Scholar
Schefold, K. Die Wände Pompejis. Berlin, 1957.Google Scholar
Schefold, K. Vergessenes Pompeji. Bern, 1962.Google Scholar
Schirren, T. ‘“Bewegte Bilder”: Die rhetoriktheoretischen Grundlagen der Ekphrasis in den Eikones des älteren Philostrat’. In Aiakeion, edited by Reinholdt, C. et al., 129–42. Vienna, 2009.Google Scholar
Schmidt, W. ‘Herons von Alexandria Druckwerke und Automatentheater’. In Heronis Alexandrini Opera Quae Supersunt Omnia Volume 1. Leipzig, 1899.Google Scholar
Schnurbusch, D. ‘“Prestigehierarchie” und aristokratisches Gastmahl in der späten Republik und frühen Kaiserzeit’. In Das Römische Bankett im Spiegel der Altertumswissenschaften, edited by Vössing, K., 129–42. Düsseldorf, 2008.Google Scholar
Schnyder, R. ‘Zur Entdeckung der Wissenschaftlichen Perspektive in der Antike’. Zeitschrift für Archäologie und Kunstgeschichte 22 (1962): 143–57.Google Scholar
Schreiber, T. Atlas of Classical Antiquities. Translated by Anderson, W. London, 1895.Google Scholar
Schreiber, T. Die Wandbilder des Polygnotos in der Halle der Knidier zu Delphi. Leipzig, 1897.Google Scholar
Schürmann, A. ‘Pneumatics on Stage in Pompeii: Ancient Automatic Devices and their Social Context’. In Homo Faber: Studies on Nature, Technology, and Science at theTime of Pompeii, by Renn, J and Castagnetti, G, 35–55. Rome, 2002.Google Scholar
Schwingenstein, C. Die Figurenausstattung des Griechischen Theatergebäudes. Munich, 1977.Google Scholar
Scodel, R., ed. Theater and Society in the Classical World. Ann Arbor, MI, 1993.Google Scholar
Scoditti, F. ‘Personaggi dello Spettacolo Conviviale Romano’. In Invigilata Lucernis 32 (2010): 147–56.Google Scholar
Scullard, H. Festivals and Ceremonies of the Roman Republic. Ithaca, NY, 1981.Google Scholar
Sculley, V. The Earth, the Temple and the Gods: Greek Sacred Architecture. New Haven, CT, 1962.Google Scholar
Sear, F. Roman Architecture, revised edition. Batsford, 1989.Google Scholar
Sear, F. Roman Theatres: An Architectural Study. Oxford, 2006.Google Scholar
Sear, F. ‘A New Proposal for the Restoration of the Theatre at Ferento’. JRA 7 (1994): 351–60.Google Scholar
Segal, E., ed. Oxford Readings in Menander, Plautus, and Terence. Oxford, 2001.Google Scholar
Seiler, F. ‘Questioni Intorno ad un Complesso di Pitture Ellenistiche Singolari a Pompei’. In Pittura Ellenistica in Italia e in Sicilia, edited by La Torre, G. and Torelli, M., 499–517. Rome, 2011.Google Scholar
Seneca, the Elder. Controversiae. Translated by Michael Winterbottom. Loeb Classical Library 463 and 464, Cambridge, MA: Harvard University Press, 1974.Google Scholar
Seneca, the Younger. Agamemnon. Edited and translated by John G. Fitch. Loeb Classical Library 62. Cambridge, MA: Harvard University Press, 2018.Google Scholar
Seneca, the Younger. De Beneficiis. Translated by John W. Basore. Loeb Classical Library 310. Cambridge, MA: Harvard University Press, 1935.Google Scholar
Seneca, the Younger. Epistulae Morales. Translated by Richard M. Gummere. Loeb Classical Library 75, 76, 77. Cambridge, MA: Harvard University Press, 1917, 1920, 1925.Google Scholar
Seneca, the Younger. Hercules Furens. Edited and translated by John G. Fitch. Loeb Classical Library 62. Cambridge, MA: Harvard University Press, 2002.Google Scholar
Seneca, the Younger. Naturales Quaestiones. Translated by Thomas H. Corcoran. Loeb Classical Library 450, and 457 Cambridge, MA: Harvard University Press, 1971; 1972Google Scholar
Seneca, the Younger. Octavia. Edited and translated by John G. Fitch. Loeb Classical Library 78. Cambridge, MA: Harvard University Press, 2018.Google Scholar
Seyffert, O. Dictionary of Classical Antiquities, 3rd edition. Revised and edited by Nettleship, H and Sandys, J. London, 1894.Google Scholar
Shaw, B. ‘Did the Romans Have a Future?’. JRS 109 (2019): 1–26.Google Scholar
Sick, D. ‘Ummidia Quadratilla: Cagey Businesswoman or Lazy Pantomime Watcher?’. Classical Antiquity 18 (1990): 330–48.Google Scholar
Sifakis, G. Studies in the History of Hellenistic Drama. London, 1967.Google Scholar
Sifakis, G. Parabis and Animal Choruses: A Contribution to the History of Attic Comedy. London, 1971.Google Scholar
Italicus, Silius. Punica.Google Scholar
Simon, E. ‘Zum Fries der Mysterienvilla bei Pompeji’. JDAI 76 (1961): 111–72.Google Scholar
Skidmore, C. Practical Ethics for Roman Gentlemen: The Work of Valerius Maximus. Exeter, 1996.Google Scholar
Slater, W. Dining in a Classical Context. Ann Arbor, MI, 1991.Google Scholar
Slater, W. ‘Three Problems in the History of Drama II: The Bacchic Pyrriche’. Phoenix 47 (1993): 200–05.Google Scholar
Slater, W. ‘Actors and Their Status in the Roman Theatre in the West’. JRS 7 (1994): 364–68.Google Scholar
Slater, W. ‘The Ancient Art of Conversation’. In Das Römische Bankett im Spiegel der Altertumswissenschaften, edited by Vössing, K.. Stuttgart, 2008.Google Scholar
Slater, W., ed. Roman Theatre and Society. Ann Arbor, MI, 1996.Google Scholar
Small, J. ‘Skenographia in Brief’. In Performance in Greek and Roman Theatre, edited by Harrison, G. and Liapis, V., 111–28. Leiden and Boston, 2013.Google Scholar
Small, J. ‘Circling Round Vitruvius, Linear Perspective, and the Design of Roman Wall Painting’. Arts 8 no. 3 (special issue: Ancient Mediterranean Painting Volume 2, 2019): 118.Google Scholar
Smith, L., and Campbell, G.. ‘The Elephant in the Room: Heritage, Affect and Emotion’. In A Companion to Heritage Studies, edited by Logan, W., Nic Craith, M, and Kockel, U., 443–60. Chichester, 2015.Google Scholar
Smith, R. ‘Spear-Won Land at Boscoreale: On the Royal Paintings of a Roman Villa’. JRA 7 (1994): 100–27.Google Scholar
Smith, W. A Dictionary of Greek and Roman Antiquities. London, 1875.Google Scholar
Sontag, S. Against Interpretation and Other Essays. New York, 1966.Google Scholar
Soprano, P. ‘I Triclini all’aperto di Pompei’. In Pompeiana: Raccolta di Studi per il Secondo Centenario degli Scavi di Pompei, edited by Maiuri, A., 288–310. Naples, 1950.Google Scholar
Sorriento, A. ‘Oltre la Domus: Sistemazione e Manutenzione dei Marciapiedi lungo Vico di Modesto e l’Insula Arriana Polliana’. In Vesuviana 2 (2010): 15–46.Google Scholar
Spawforth, A. ‘Agonistic Festivals in Roman Greece’. In The Greek Renaissance in the Roman Empire, edited by Cameron, A. and Walker, S., 193–97. London, 1989.Google Scholar
Spickermann, W. ‘Ekphrasis und Religion: Lukian und der Hercules Ogmios’. In Medien religiöser Kommunikation im Imperium Romanum, edited by Schörner, G. and Erker, D., 53–63. Stuttgart, 2008.Google Scholar
Spinazzola, V. Pompei alla luce degli scavi nuovi di Via dell’Abbondanza (anni 1910–1923), Vols. 1–3. Rome, 1953.Google Scholar
Squire, M. ‘Framing the Roman “Still Life”: Campanian Wall-Painting and the Frames of Mural Make-Believe’. In The Frame in Classical Art: A Cultural History, edited by Platt, V. and Squire, M., 188–253. Cambridge, 2017.Google Scholar
Stansbury-O’Donnell, M. Pictorial Narrative in Greek Art. Cambridge, 1999.Google Scholar
Starr, R. ‘Trimalchio’s Homeristae’. Latomus 46 (1987): 199–200.Google Scholar
Statius, . Silvae.Google Scholar
Stefani, G. ‘La Maison de Marcus Epidius Primus’. In Vivre en Europe Romaine, edited by Petit, J and Santoro, S, 108–11. Paris, 2007.Google Scholar
Steinby, E. Lexicon Topographicum Urbis Romae Volumes 1-6. Rome, 1993–2000.Google Scholar
Stein-Hölkeskamp, E. ‘Tempestiva Convivia – das Gastmahl und die Ordnung der Zeit’. In Das Römische Bankett im Spiegel der Altertumswissenschaften, edited by Vössing, K, 143–55. Düsseldorf, 2008.Google Scholar
Stinson, P. ‘Perspective Systems in Roman Second Style Wall Painting’. AJA 115 no. 3 (2011): 403–26.Google Scholar
Strabo, . Geographica.Google Scholar
Strocka, V. Casa del Labirinto (VI 11, 8–10). Tübingen, 1991.Google Scholar
Strocka, V. ‘Domestic Decoration: Painting and the “Four Styles”’. In The World of Pompeii, edited by Dobbins, J. and Foss, P., 302–22. New York, 2007.Google Scholar
Suetonius, . De Poetis.Google Scholar
Suetonius, . De Vita Caesarum.Google Scholar
Sumi, G. Ceremony and Power: Performing Politics in Rome between Republic and Empire. Ann Arbor, MI, 2005.Google Scholar
Sutton, D. ‘Cicero on Minor Dramatic Forms’. Symbolae Osloenses 59 (1984): 29–36.Google Scholar
Swetnam-Burland, M. ‘Encountering Ovid’s Phaedra in House V.2.10–11, Pompeii’. AJA 119 no. 2 (2015): 217–32.Google Scholar
Syme, R. ‘Who Was Vedius Pollio?’. JRS 60 (1961): 23–30.Google Scholar
Szilágyi, J. ‘Impletae Modis Saturae’. Prospettiva 24 (1981): 2–23.Google Scholar
Tacitus, . Annales.Google Scholar
Tacitus, . Dialogus de Oratoribus.Google Scholar
Tacitus, . Historiae.Google Scholar
Tanner, J. ‘Portraits, Power, and Patronage in the Late Roman Republic’. JRS 90 (2000): 18–50 and Plates 1–8.Google Scholar
Tanner, J. ‘Sight and Painting’. In Sight and the Ancient Senses, edited by Squire, M., 107–22. London, 2016.Google Scholar
Tatius, Achilles. Clitophon and Leucippe.Google Scholar
Tertullian, . Apologeticus.Google Scholar
Thomas, M., and Clarke, J.. ‘Water Features, the Atrium, and the Coastal Setting of Oplontis Villa A at Torre Annunziata’. JRA 24 (2011): 370–81.Google Scholar
Thompson, M. ‘Programmatic Painting in Pompeii: The Meaningful Combination of Mythological Pictures in Room Decoration’. PhD diss., New York University, 1960.Google Scholar
Toner, J. Leisure and Ancient Rome. Cambridge, 1995.Google Scholar
Torelli, M. ‘The Frescoes of the Great Hall of the Villa at Boscoreale: Iconography and Politics’. In Myth, History and Culture in Republican Rome, edited by Braund, D. and Gill, C., 217–56. Exeter, 2003.Google Scholar
Tosi, G. Gli Edifici per Spettacoli nell’Italia Romana. Rome, 2003.Google Scholar
Traversi, G. Gli Spettacoli in Acqua nel Teatro Tardo-Antico. Rome, 1960.Google Scholar
Trimble, J. ‘Replicating the Body Politic: The Herculaneum Women Statue Types in Early Imperial Italy’. JRA 13 (2000): 41–68.Google Scholar
Trimble, J. ‘Beyond Surprise: The Sleeping Hermaphrodite in the Palazzo Massimo, Rome’. In Roman Artists, Patrons and Public Consumption: Familiar Works Reconsidered, edited by Longfellow, B. and Perry, E., 13–37. Ann Arbor, MI, 2018.Google Scholar
Tronchin, F. ‘The Sculpture of the Casa di Octavius Quartio at Pompeii’. In Pompeii: Art, Industry and Infrastructure, edited by Poehler, E., Flohr, M., and Cole, K., 33–49. Oxford, 2011.Google Scholar
Tuck, S. ‘Scheduling Spectacle: Factors Contributing to the Dates of Pompeian Munera’. Rivista di Studi Pompeiani 19 (2008): 25–34.Google Scholar
Turner, J., ed. The Dictionary of Art, Vol. 24 (on perspective). London, 1996.Google Scholar
Turner, M., and Fauconnier, G.. The Way We Think: Conceptual Blending and the Mind’s Hidden Complexities. New York, 2002.Google Scholar
Turner, V. The Ritual Process: Structure and Anti-Structure. Chicago, 1969.Google Scholar
Tybout, R. Aedificorum Figurae: Untersuchungen zu den Architekturdarstellungen des Frühen Zweiten Stils. Amsterdam, 1989.Google Scholar
Tybout, R. ‘Perspektive bei Vitruv: Zwei Überlieferungen von Scaenographia’. In Munus non Ingratum: BABESCH Supplement 2, edited by Geertman, H. and de Jong, J., 55–68. Leiden, 1989b.Google Scholar
Tybout, R. ‘Maleri und Raumfunktion im zweiten Stil’. In Functional and Spatial Analysis of Wallpainting: BABESCH Supplement 3, edited by Moormann, E., 38–50. Leiden, 1993.Google Scholar
Tybout, R. ‘Roman Wall-Painting and Social Significance’. JRA 14 (2001): 33–56.Google Scholar
Maximus, Valerius. Facta et Dicta Memorabilia.Google Scholar
Valladares, H. ‘Fallax Imago: Ovid’s Narcissus and the Seduction of Mimesis in Roman Wall Painting’. Word & Image 27 no. 4 (2011): 378–95.Google Scholar
Van Buren, A. A Companion to the Study of Pompeii and Herculaneum. Rome, 1933.Google Scholar
Van Buren, A. ‘Pinacothecae, with Especial Reference to Pompeii’. Memoirs of the American Academy in Rome 15 (1938): 70–81.Google Scholar
Van Buren, A. ‘Gnaeus Alleius Nigidius Maius of Pompeii’. AJP 68 no. 4 (1947): 382–93.Google Scholar
Van Buren, A. ‘Varro’s Aviary at Casinum’. JRS 9 (1919): 59–66.Google Scholar
van der Graaff, I. ‘Ten Seasons of Excavation at Oplontis (2006–2015)’. In Leisure and Luxury in the Age of Nero, edited by Gazda, E. and Clarke, J., 66–71. Ann Arbor, MI, 2016.Google Scholar
van der Graaff, I. ‘Pompeii, Origins through Destruction’. Accessed August 24, 2020. www.oxfordbibliographies.com/view/document/obo-9780190922467/obo-9780190922467-0040.xmlGoogle Scholar
van Gennep, A. The Rites of Passage, 2nd edition. Translated by Vizedom, M. Chicago, 1960.Google Scholar
van Krimpen-Winckel, N. ‘Pompeian Twins: Design and Building of the House of Philippus (VI 13,2) and the House of M. Terentius Eudoxus (VI 13,6)’. BABESCH 81 (2006): 135–68.Google Scholar
Van Sickle, J. ‘Reception Theorists Neglect Virgil’s First Reception: Theatrical Propaganda & the Bucolics Performed’. Accessed August 24, 2020. www.academia.edu/27983202/Reception_Theorists_Neglect_Virgils_First_Reception_Theatrical_Propaganda_and_the_Bucolics_Performed.Google Scholar
Various, . The Historia Augustae.Google Scholar
Varner, E. Mutilation and Transformation, Damnatio Memoriae and Roman Imperial Portraiture. Leiden, 2004.Google Scholar
Varner, E. ‘Grotesque Vision: Seneca’s Tragedies and Neronian Art’. In Seneca in Performance, edited by Harrison, G, 119–36. London and Swansea, 2000.Google Scholar
Varone, A., and Stefani, G.. Titulorum Pictorum Pompeianorum: Qui in CIL vol. IV Collecti Sunt: Imagines. Rome, 2009.Google Scholar
Varone, A., and Stefani, G.. ‘Pompei: Il quadro Helbig 1445, “Kasperl im Kindertheater”, una Nuova Replica e il Problema delle Copie e delle Varianti’. In I Temi Figurativi nella Pittura Parietale Antica, 149–52. Bologna, 1995.Google Scholar
Varriale, I. ‘La Villa Imperiale di Pausilypon’. In La Villa Romana, edited by Ciardiello, R, 147–65. Naples, 2007.Google Scholar
Varriale, I. ‘Architecture and Decoration in the House of Menander in Pompeii’. In Contested Spaces, edited by Balch, D and Weissenrieder, A, 163–84. Tübingen, 2012.Google Scholar
Varro, . De Lingua Latina.Google Scholar
Varro, . Rerum Rusticarum.Google Scholar
Paterculus, Velleius. Historia Romana.Google Scholar
Veltman, K. Sources and Literature of Perspective, Vol. 3. Maastricht, 2004.Google Scholar
Vergil, . Aeneid.Google Scholar
Vergil, . Georgica.Google Scholar
Versnel, H. Triumphus. Leiden, 1970.Google Scholar
Versnel, H. Transition and Reversal in Myth and Ritual: Inconsistencies in Greek and Roman Religion. Leiden, 1993.Google Scholar
Veyne, P. Bread and Circuses. Translated by Pearce, B. London, 1990.Google Scholar
Ville, G. La Gladiature en Occident. Rome, 1981.Google Scholar
Vitruvius, . De Architectura.Google Scholar
von Blanckenhagen, P., and Alexander, C. The Augustan Villa at Boscotrecase. Mainz, 1990.Google Scholar
von Cube, G. ‘Die römische Scaenae Frons in den pompejanischen Wandbildern 4. Stils’. Beiträge zur Bauwissenschaft 6 (1906): 28ff.Google Scholar
Vos, E. Review of Intermedialität: Formen moderner kultureller Kommunikation, by Müller, J. Interactions: The Bulletin of International Association of Word and Image Studies 18 (1997): 19–22.Google Scholar
Wallace-Hadrill, A. Houses and Society in Pompeii and Herculaneum. Princeton, NJ, 1994.Google Scholar
Wallace-Hadrill, A. Rome’s Cultural Revolution. Cambridge and New York, 2008.Google Scholar
Wallace-Hadrill, A. Herculaneum: Past and Future. London, 2012.Google Scholar
Wallace-Hadrill, A. ‘Civilis Princeps: Between Citizen and King’. JRS 72 (1982): 32–48.Google Scholar
Wallace-Hadrill, A. ‘Ut Pictura Poesis?’. JRS 73 (1983): 180–83.Google Scholar
Wallace-Hadrill, A. ‘Rethinking the Roman Atrium House’. In Domestic Space in the Roman World: Pompeii and Beyond, edited by Laurence, R and Wallace-Hadrill, A. JRA Supplement 22 (1997): 219–40.Google Scholar
Wallace-Hadrill, A. ‘Pompeian Identities: Between Oscan, Samnite, Greek, Roman, and Punic’. In Cultural Identity in the Ancient Mediterranean, edited by Gruen, E., 415–27. Los Angeles, 2011.Google Scholar
Walton, J. Living Greek Theatre. Westport, CT, 1987.Google Scholar
Ward-Perkins, J., and Claridge, A.. Pompeii AD 79. Bristol, 1976.Google Scholar
Webb, R. Demons and Dancers: Performance in Late Antiquity. Cambridge, MA, 2008.Google Scholar
Webb, R. Ekphrasis, Imagination and Persuasion in Ancient Rhetorical Theory and Practice. Burlington, VT, 2009.Google Scholar
Webster, T. Monuments Illustrating Tragedy and Satyr Play. Oxford, 1967.Google Scholar
Webster, T. Monuments Illustrating New Comedy, revised by J. Green and A. Seeberg, Vols. 1 and 2. London, 1995.Google Scholar
Webster, T. ‘South Italian Vases and Attic Drama’. Classical Quarterly 42 (1948): 15–27.Google Scholar
Weinreich, O. Epigramm und Pantomimus. Heidelberg, 1948.Google Scholar
Weitzmann, K. Ancient Book Illumination. Cambridge, MA, 1959.Google Scholar
Welch, K. The Roman Amphitheatre: From Its Origins to the Colosseum. Cambridge and New York, 2009.Google Scholar
Welch, K. ‘The Roman Arena in Late-Republican Italy: A New Interpretation’. JRA 7 (1994): 59–80.Google Scholar
Welch, K. ‘Domi Militiaeque: Roman Domestic Aesthetics and War Booty in the Republic’. In Representations of War in Ancient Rome, edited by Dillon, S. and Welch, K.. Cambridge, 2006.Google Scholar
Westgate, R. ‘Interior Decoration in Hellenistic Houses: Context, Function and Meaning’. In Städtisches Wohnen im östlichen Mittelmeerraum 4. Jh. v. Chr. – 1. Jh. n. Chr., edited by Ladstätter, S and Scheibelreiter, V, 497–528. Vienna, 2010.Google Scholar
White, J. Perspective in Ancient Drawing and Painting. London, 1956.Google Scholar
White, J. ‘Spatial Design in Antiquity’. In The Birth and Rebirth of Pictorial Space, 236–73. London, 1957.Google Scholar
Whitehead, D. The Demes of Attica, 508/7 – ca. 250 B.C.: A Political and Social Study. Princeton, NJ, 1986.Google Scholar
Whittaker, C. ‘The Revolt of Papirius Dionysus A.D. 190’. In Historia 13 (1964): 348–69.Google Scholar
Wiedemann, T. Emperors and Gladiators. London and New York, 1992.Google Scholar
Wieseler, F. Theatergebäude und Denkmäler des Bühnenwesens bei den Griechen und Römern. Göttingen, 1851.Google Scholar
Wiles, D. Tragedy in Athens. Cambridge, 1997.Google Scholar
Williams, G. Change and Decline: Roman Literature in the Early Empire. Berkeley, CA, 1978.Google Scholar
Winckelmann, J. Sendschreiben von den Herkulanischen Entdeckungen. Dresden, 1762.Google Scholar
Wiseman, T. Catullus and His World. Cambridge, 1985.Google Scholar
Wiseman, T. The Myths of Rome. Exeter, 2004.Google Scholar
Wiseman, T. The Roman Audience. Oxford, 2015.Google Scholar
Wiseman, T. The House of Augustus. Princeton, NJ, 2019.Google Scholar
Wiseman, T. ‘Pete Nobiles Amicos: Poets and Patrons in Late-Republican Rome’. In Literary and Artistic Patronage in Ancient Rome, edited by Gold, B., 28–49. Austin, TX, 1982.Google Scholar
Wiseman, T. ‘Conspicui Postes Tectaque Digna Deo: The Public Image of Aristocratic and Imperial Houses in the Late Republic and Early Empire’. In L’Urbs: Espace Urbain et Histoire, edited by Pietri, C., 393–413. Rome, 1987.Google Scholar
Wiseman, T. ‘Satyrs in Rome?’. JRS 78 (1988): 1–13.Google Scholar
Wiseman, T. ‘The House of Augustus and the Lupercal’. JRA 22 (2009): 527–45.Google Scholar
Wiseman, T. ‘A Debate on the Temple of Apollo Palatinus: Roma Quadrata, Archaic Huts, the House of Augustus, and the Orientation of Palatine Apollo’. JRA 25 (2012): 371–88.Google Scholar
Wright, F. Cicero and the Theater. Northampton, MA, 1931.Google Scholar
Wright, L. Perspective in Perspective. London, 1983.Google Scholar
Xenophon, . Symposium.Google Scholar
Yates, F. The Art of Memory. London, 1966.Google Scholar
Yavetz, Z. Julius Caesar and His Public Image. London, 1983.Google Scholar
Yeats, W.B. ‘The Circus Animals’ Desertion’. In Last Poems (1936–1939). New York, 1940.Google Scholar
Yerkes, S. ‘Vitruvius’ Monstra’. JRA 13 (2000): 234–51.Google Scholar
Zahn, W. Die schönsten Ornamente und merkwürdigsten Gemälde aus Pompeji, Herculaneum und Stabiae. 3 Vols. Berlin, 1828–59.Google Scholar
Zanker, P. Hellenismus in Mittelitalien, Vols. 1 and 2. Göttingen, 1976.Google Scholar
Zanker, P. The Power of Images in the Age of Augustus. Ann Arbor, MI, 1988.Google Scholar
Zanker, P. Pompei: Public and Private Life. Translated by Schneider, D. Cambridge, MA, 1998.Google Scholar
Zanker, P. ‘Die Villa als Vorbild des Späten Pompejanischen Wohngeschmacks’. JDAI 94 (1979): 460–523.Google Scholar
Zanker, P. ‘Das Bildnis des M. Holconius Rufus’. Archäologischer Anzeiger (1981): 349–50.Google Scholar
Zarmakoupi, M. Designing for Luxury on the Bay of Naples. Oxford, 2014.Google Scholar
Zarmakoupi, M. ‘Light Design Concepts in Roman Luxury Villa Architecture’. In Licht – Konzepte in der vormodernen Architektur, edited by Wulf-Rheidt, U and Schneider, P, 167–81. Regensburg, 2010.Google Scholar
Zarmakoupi, M. ‘The Peristylium-Garden in Roman Luxury Villas: An Architectural and Cultural History’. In Städtisches Wohnen im östlichen Mittelmeerraum. 4. Jh. v. Chr. – 1. Jh. n. Chr, edited by Ladstätter, S and Scheibelreiter, V, 621–31. Vienna: 2010.Google Scholar
Zarmakoupi, M. ‘The Digital Model of the Villa of the Papyri: Issues of Reconstruction’. In The Villa of the Papyri at Herculaneum: Archaeology, Reception, and Digital Reconstruction, 181–93. Berlin and New York, 2010.Google Scholar
Zarmakoupi, M. ‘Porticus and Cryptoporticus in Luxury Villa Architecture’. In Pompeii: Art, Industry and Infrastructure, edited by Poehler, E., Flohr, M., and Cole, K., 50–61. Oxford, 2011.Google Scholar
Zarmakoupi, M. ‘Landscape at the “Villa of Poppaea” (Villa A) at Torre Annunziata’. In Roman Villas in the Mediterranean Basin, edited by Métraux, G. and Marzano, A., 85–96. Cambridge and New York, 2018.Google Scholar
Zeitlin, F. ‘The Artful Eye: Vision, Ecphrasis and Spectacle in Euripidean Theatre’. In Art and Text in Ancient Greek Culture, edited by Goldhill, S. and Osborne, R., 138–96. Cambridge, 1994.Google Scholar
Zevi, F. ‘Personaggi della Pompei sillana’. PBSR 58 (1995): 1–24.Google Scholar
Zevi, F. ‘Pompei dall Città Sannitica all Colonia Sillana per un’Interpretazione dei Dati Archeologici’. In Les élites municipales de L’Italie péninsulaire des Gracques à Néron, edited by Cébeillac-Gervasoni, M, 125–38. Naples and Rome, 1996.Google Scholar
Zimmerman, M. Apuleius Metamorphoses X: Text, Introduction and Commentary. Groningen, 2000.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Richard C. Beacham, King's College London, Hugh Denard, King's College London
  • Book: Living Theatre in the Ancient Roman House
  • Online publication: 22 December 2022
  • Chapter DOI: https://doi.org/10.1017/9781009039093.011
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Richard C. Beacham, King's College London, Hugh Denard, King's College London
  • Book: Living Theatre in the Ancient Roman House
  • Online publication: 22 December 2022
  • Chapter DOI: https://doi.org/10.1017/9781009039093.011
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Richard C. Beacham, King's College London, Hugh Denard, King's College London
  • Book: Living Theatre in the Ancient Roman House
  • Online publication: 22 December 2022
  • Chapter DOI: https://doi.org/10.1017/9781009039093.011
Available formats
×