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Published online by Cambridge University Press: 01 July 2019
Chapter launches project of taking Naso’s desire seriously. Reads Naso’s desire alongside Sacher-Masoch’s Venus in Furs, focusing on Naso’s desire to script scenes in which he is at the mercy of his girlfriend; his fascination with the blurred boundary between art-objects and flesh, especially visible in simile-clusters; his interest in castration; and the recurrrence, starting with the poems on Corinna’s abortion, of a “maternal fantasy” in which he plays alternately the mother and the baby. Key poems: Amores 1.7, 2.19, 2.3, 2.4, 2.5, 2.13, 2.14, 2.15
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