Book contents
- Frontmatter
- Contents
- Series Editor's Preface
- 1 Introduction: Modern Indian Drama
- 2 The Setting: The Constructed/Deconstructed Family
- 3 The ‘Invisible’ Issues: Sexuality, Alternate Sexualities and Gender
- 4 Identity: Locating the Self
- 5 Reading the Stage: The Self-Reflexivity of the Texts
- 6 Film: Alternate Performances, Shifting Genres
- 7 Conclusion: Mahesh Dattani and Contemporary Indian Writing
- Topics for Discussion
- Appendix
- Bibliography
Frontmatter
Published online by Cambridge University Press: 26 October 2011
- Frontmatter
- Contents
- Series Editor's Preface
- 1 Introduction: Modern Indian Drama
- 2 The Setting: The Constructed/Deconstructed Family
- 3 The ‘Invisible’ Issues: Sexuality, Alternate Sexualities and Gender
- 4 Identity: Locating the Self
- 5 Reading the Stage: The Self-Reflexivity of the Texts
- 6 Film: Alternate Performances, Shifting Genres
- 7 Conclusion: Mahesh Dattani and Contemporary Indian Writing
- Topics for Discussion
- Appendix
- Bibliography
Summary
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- Type
- Chapter
- Information
- Mahesh DattaniAn Introduction, pp. i - ivPublisher: Foundation BooksPrint publication year: 2008