Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-lj6df Total loading time: 0 Render date: 2024-11-14T17:01:47.677Z Has data issue: false hasContentIssue false

5 - Adémar de Chabannes (989–1034) as Musicologist

from PART II - The Eleventh Century

Published online by Cambridge University Press:  25 October 2017

James Grier
Affiliation:
University of Western Ontario
Peter Jeffery
Affiliation:
Professor of Music, Princeton University.
Charlie Rozier
Affiliation:
AHRC Cultural Engagement Fellow, Department of History, Durham University
Sigbjorn Olsen Sonnesyn
Affiliation:
Post-doctoral fellow at the University of Bergen, Norway, and the University of Copenhagen, Denmark.
Get access

Summary

Today, Adémar de Chabannes, monk of the abbey of St Cybard in Angouleme during the early eleventh century, is famous for two things: he was the most respected historian of his day in Aquitaine and he advocated the apostolicity of St Martial, patron saint of the abbey that bears his name in Limoges, where Adémar, due to his strong family connections, spent a good deal of time over the early decades of the eleventh century. These accomplishments are well known to modern scholarship principally through the work of Richard Landes, Daniel Callahan and Pascale Bourgain. The third book of Adémar's Chronicon remains an essential primary source for Aquitanian history of the tenth and early eleventh centuries, and historians continue to mine his sermons for information about the abbey of St Martial. A third area of endeavour has more recently attracted attention, namely Adémar's contributions to the musical community at St Martial during his sojourns there, the subject of my own research.

Adémar emerges from his writings as a knowledgeable and sophisticated historian, intimately familiar with texts that remain central primary sources for the history of the early Middle Ages, including Gregory of Tours, the Gesta regum Francorum (which he used as the source of Book I of his Chronicon), the Royal Frankish Annals and the Liber pontificalis. Moreover, his historical writing contains a host of references to musical practices in Aquitaine and elsewhere that unequivocally demonstrate his detailed knowledge of the art. He bases the second book of his Chronicon on the Royal Frankish Annals, into which he interpolated a narrative of the debate between the Frankish and papal cantors that occurred in Rome during Charlemagne's visit to the papal curia of Adrian I at Easter 787. He in turn borrows this narrative from the biography of Gregory the Great written in Rome by John the Deacon between 873 and 875. Adémar sharpens the historical details of John's account by correcting him – John, for example, states that Adrian was not yet pope when Charlemagne first visited Rome in 774, but Adémar knew better from a comparison of the Liber pontificalis, which he had just edited for Bishop Roho of Angouleme, with the Royal Frankish Annals, the source of his Book II – and by placing the debate in the context of the Frankish reform of chant, the motivation for which Adémar attributes to this incident.

Type
Chapter
Information
Medieval Cantors and their Craft
Music, Liturgy and the Shaping of History, 800-1500
, pp. 90 - 102
Publisher: Boydell & Brewer
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×