Book contents
- Memory and Affect in Shakespeare’s England
- Memory and Affect in Shakespeare’s England
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Part I Ars memoriae, ars amatoria
- Part II The Politics of Memory and Affect
- Part III Affective Memory
- Part IV Memory, Affect, and Stagecraft
- Chapter 10 The Tug of Memory
- Chapter 11 Memory, Text, Affect
- Chapter 12 Memory, Affect, and the Multiverse
- Chapter 13 Cut Short All Intermission
- Coda
- Bibliography
- Index
Chapter 12 - Memory, Affect, and the Multiverse
From the History Plays to The Merry Wives of Windsor
from Part IV - Memory, Affect, and Stagecraft
Published online by Cambridge University Press: 07 June 2023
- Memory and Affect in Shakespeare’s England
- Memory and Affect in Shakespeare’s England
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgments
- Introduction
- Part I Ars memoriae, ars amatoria
- Part II The Politics of Memory and Affect
- Part III Affective Memory
- Part IV Memory, Affect, and Stagecraft
- Chapter 10 The Tug of Memory
- Chapter 11 Memory, Text, Affect
- Chapter 12 Memory, Affect, and the Multiverse
- Chapter 13 Cut Short All Intermission
- Coda
- Bibliography
- Index
Summary
Editors and critics have struggled to place The Merry Wives of Windsor within the framework of Shakespeare’s chronicle history plays, and it is often said that the Falstaff of Merry Wives is a different character from that of the histories. Merry Wives can be seen as part of a multiverse, of incompatible timelines in which characters are both entirely familiar and somehow altered. In the multiverse of Merry Wives, both public and private histories are apparently erased. While the history plays are burdened by almost pathological remembrance and rumination, the world of Merry Wives shows the advantages of amnesia.
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- Memory and Affect in Shakespeare's England , pp. 238 - 250Publisher: Cambridge University PressPrint publication year: 2023