Book contents
- Minoan Zoomorphic Culture
- Minoan Zoomorphic Culture
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Chronology
- One Life among the Animalian in Bronze Age Crete and the Southern Aegean
- Two Craftiness and Productivity in Bodily Things
- Three Stone Poets
- Four Likeness and Integration among Extraordinary Creatures
- Five Singular, Seriated, Similar
- Six Moving toward Life
- Concluding Thoughts
- References
- Index
Concluding Thoughts
Restless Bodies in the Minoan World
Published online by Cambridge University Press: 17 May 2024
- Minoan Zoomorphic Culture
- Minoan Zoomorphic Culture
- Copyright page
- Dedication
- Contents
- Acknowledgments
- Chronology
- One Life among the Animalian in Bronze Age Crete and the Southern Aegean
- Two Craftiness and Productivity in Bodily Things
- Three Stone Poets
- Four Likeness and Integration among Extraordinary Creatures
- Five Singular, Seriated, Similar
- Six Moving toward Life
- Concluding Thoughts
- References
- Index
Summary
Through close analyses of a wide range of Minoan animalian things, we have explored the specificity of their involvements in the experiences of people, and how those engagements contributed to the unique character of sociocultural life in the Aegean, on various levels. Here we draw out key points from across the foregoing analyses. Special attention has come to the objects’ inter-corporeal relationships with living humans and the connections that would have been realized through the objects’ particular qualities—connections with other animals, things, and spaces. Such relations were afforded through different dynamics, including bodily juxtaposition, cultivation of formal assonance, the sharing of specific features (e.g., a forward gaze), and embodiment with the same substances, as well as through similarities in size, composition (e.g., in friezes), and contextualization. Moreover, by working beyond an implicit focus on the design of the objects, to instead emphasize people’s actual experiences with them, we have opened the space for appreciating how both intended and unintended associations involving these complex things were in play together. We should view these not as alternative lenses on the objects, but as forces working concurrently, and upon one another, in the creative realizations that the animalian objects were.
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- Minoan Zoomorphic CultureBetween Bodies and Things, pp. 372 - 379Publisher: Cambridge University PressPrint publication year: 2024