Book contents
- Molière in Context
- Molière in Context
- Copyright page
- Dedication
- Contents
- Figures
- Charts and Tables
- Contributors
- Acknowledgements
- Translations
- Abbreviations
- Biographical Preface
- Part I Socio-Political Context
- Chapter 1 A Bourgeois at Court
- Chapter 2 The Religious Climate
- Chapter 3 Medicine
- Chapter 4 Family Law
- Chapter 5 Women
- Chapter 6 Gender, Masculinity and Cross-Dressing
- Part II Intellectual and Artistic Context
- Part III Theatrical Context (Paris)
- Part IV Theatrical Context (Court)
- Part V Reception and Dissemination
- Part VI Afterlives
- Further Reading
- Index
Chapter 1 - A Bourgeois at Court
from Part I - Socio-Political Context
Published online by Cambridge University Press: 10 November 2022
- Molière in Context
- Molière in Context
- Copyright page
- Dedication
- Contents
- Figures
- Charts and Tables
- Contributors
- Acknowledgements
- Translations
- Abbreviations
- Biographical Preface
- Part I Socio-Political Context
- Chapter 1 A Bourgeois at Court
- Chapter 2 The Religious Climate
- Chapter 3 Medicine
- Chapter 4 Family Law
- Chapter 5 Women
- Chapter 6 Gender, Masculinity and Cross-Dressing
- Part II Intellectual and Artistic Context
- Part III Theatrical Context (Paris)
- Part IV Theatrical Context (Court)
- Part V Reception and Dissemination
- Part VI Afterlives
- Further Reading
- Index
Summary
Molière is generally viewed as a comic author who mocks all aspects of society – aristocratic, bourgeois and peasant. However, he was himself part of this tripartite society and adopted points of view that, when we examine them, we see to be those of his caste – one of the people who dined at the King’s table. He was, in fact, at the intersection of two worlds, the court and the town (Paris), and in his works we meet individuals from different milieus, in the plays themselves but also making up the audiences that came to see them. He makes his characters ridiculous through exaggeration, thereby rendering less credible whatever they represent. When presenting different comic situations, Molière never comes down on one side or another. Instead, he offers suggestions, and leaves their appreciation up to the members of the public. They, according to their status or the circumstances in which they see the plays, receive them in one way or another, but always refuse to recognise themselves in any particular character. The focus of this article is, therefore, to determine whether Molière, whose criticism was so acerbic, really was this transgressive and subversive bourgeois author.
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- Information
- Molière in Context , pp. 19 - 27Publisher: Cambridge University PressPrint publication year: 2022