Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-26T15:11:10.290Z Has data issue: false hasContentIssue false

Music in Context

Published online by Cambridge University Press:  10 October 2023

Roseen Giles
Roseen Giles
Affiliation:
Duke University, North Carolina
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Monteverdi and the Marvellous
Poetry, Sound, and Representation
 , pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Books in the series

Keefe, Simon P., Mozart’s Requiem: Reception, Work, CompletionCrossRefGoogle Scholar
Harper-Scott, J. P. E., The Quilting Points of Musical Modernism: Revolution, Reaction, and William WaltonGoogle Scholar
November, Nancy, Beethoven’s Theatrical Quartets: Opp. 59, 74, and 95Google Scholar
Hallmark, Rufus, ‘Frauenliebe und Leben’: Chamisso‘s Poems and Schumann‘s SongsGoogle Scholar
Zayaruznaya, Anna, The Monstrous New Art: Divided Forms in the Late Medieval MotetGoogle Scholar
Deeming, Helen and Leach, Elizabeth Eva, Manuscripts and Medieval Song: Inscription, Performance, ContextGoogle Scholar
Kilpatrick, Emily, The Operas of Maurice RavelCrossRefGoogle Scholar
Chadwick, Roderick and Hill, Peter, Olivier Messiaen‘s Catalogue d‘oiseaux: From Conception to PerformanceGoogle Scholar
Bradley, Catherine A., Polyphony in Medieval Paris: The Art of Composing with PlainchantCrossRefGoogle Scholar
Grimley, Daniel M., Delius and the Sound of PlaceGoogle Scholar
Rees, Owen, The Requiem of Tomás Luis de Victoria (1603)CrossRefGoogle Scholar
Grimes, Nicole, Brahms‘s Elegies: The Poetics of Loss in Nineteenth-Century German CultureGoogle Scholar
Hatter, Jane D., Composing Community in Late Medieval Music: Self-Reference, Pedagogy, and PracticeGoogle Scholar
Elphick, Daniel, Music behind the Iron Curtain: Weinberg and his Polish ContemporariesCrossRefGoogle Scholar
MacGregor, Emily, Interwar Symphonies and the Imagination: Politics, Identity, and the Sound of 1933CrossRefGoogle Scholar
Hyland, Anne M., Schubert‘s String Quartets: The Teleology of Lyric FormGoogle Scholar
Rodgers, Stephen, The Songs of Clara SchumannCrossRefGoogle Scholar
Forkert, Annika, Elisabeth Lutyens and Edward Clark: The Orchestration of Progress in British Twentieth-Century MusicGoogle Scholar
Giles, Roseen, Monteverdi and the Marvellous: Poetry, Sound, and RepresentationCrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×