Book contents
- Music behind the Iron Curtain
- Music in Context
- Music behind the Iron Curtain
- Copyright page
- Epigraph
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgements
- Note on the Text
- Introduction
- 1 Weinberg in Warsaw
- 2 The War
- 3 Socialist Realism and Socrealizm
- 4 Avant-Garde(s)
- 5 Return and Retreat
- 6 Late Style(s)
- Conclusion
- Book part
- Bibliography
- Index
2 - The War
Published online by Cambridge University Press: 09 October 2019
- Music behind the Iron Curtain
- Music in Context
- Music behind the Iron Curtain
- Copyright page
- Epigraph
- Contents
- Figures
- Tables
- Musical Examples
- Acknowledgements
- Note on the Text
- Introduction
- 1 Weinberg in Warsaw
- 2 The War
- 3 Socialist Realism and Socrealizm
- 4 Avant-Garde(s)
- 5 Return and Retreat
- 6 Late Style(s)
- Conclusion
- Book part
- Bibliography
- Index
Summary
It is easy to trace uneasiness in hindsight, but by the summer of 1939 the encroaching activities of Hitler’s Germany were becoming more and more apparent. The previous autumn had seen the events of Kristallnacht, and the Molotov–Ribbentrop pact had been confirmed behind closed doors in August 1939. A false-flag operation, dubbed ‘Operation Himmler’, was planned throughout the summer, with several attacks staged as ‘Polish aggression’ against the Nazi state.
- Type
- Chapter
- Information
- Music behind the Iron CurtainWeinberg and his Polish Contemporaries, pp. 43 - 87Publisher: Cambridge University PressPrint publication year: 2019