Book contents
- Music Contracts in the Streaming Age
- Cambridge Intellectual Property and Information Law
- Music Contracts in the Streaming Age
- Copyright page
- Contents
- Figures and Tables
- Acknowledgements
- Abbreviations
- 1 Prelude
- 2 The Music Industry in the Streaming Age
- 3 Law and Policy in the Streaming Age
- 4 Negotiation and Formation of the Contract
- 5 Performance of the Contract
- 6 Termination of the Contract
- 7 Application of the Legal Framework in Practice
- 8 Conclusions
- Select Bibliography
- Index
- Cambridge Intellectual Property and Information Law
8 - Conclusions
Published online by Cambridge University Press: 09 January 2025
Book contents
- Music Contracts in the Streaming Age
- Cambridge Intellectual Property and Information Law
- Music Contracts in the Streaming Age
- Copyright page
- Contents
- Figures and Tables
- Acknowledgements
- Abbreviations
- 1 Prelude
- 2 The Music Industry in the Streaming Age
- 3 Law and Policy in the Streaming Age
- 4 Negotiation and Formation of the Contract
- 5 Performance of the Contract
- 6 Termination of the Contract
- 7 Application of the Legal Framework in Practice
- 8 Conclusions
- Select Bibliography
- Index
- Cambridge Intellectual Property and Information Law
Summary
This chapter brings together the research findings and answers the main research question, namely how the legal framework can contribute to a achieving a fair(er) balance between the interests of musicians and their main corporate partners. It summarises the potential bottom-up initiatives, as well as the possible regulatory action identified throughout the book.
Keywords
- Type
- Chapter
- Information
- Music Contracts in the Streaming AgeLaw and Policy in the European Union and the United Kingdom, pp. 319 - 330Publisher: Cambridge University PressPrint publication year: 2025