Book contents
- Music Contracts in the Streaming Age
- Cambridge Intellectual Property and Information Law
- Music Contracts in the Streaming Age
- Copyright page
- Contents
- Figures and Tables
- Acknowledgements
- Abbreviations
- 1 Prelude
- 2 The Music Industry in the Streaming Age
- 3 Law and Policy in the Streaming Age
- 4 Negotiation and Formation of the Contract
- 5 Performance of the Contract
- 6 Termination of the Contract
- 7 Application of the Legal Framework in Practice
- 8 Conclusions
- Select Bibliography
- Index
- Cambridge Intellectual Property and Information Law
3 - Law and Policy in the Streaming Age
Published online by Cambridge University Press: 09 January 2025
- Music Contracts in the Streaming Age
- Cambridge Intellectual Property and Information Law
- Music Contracts in the Streaming Age
- Copyright page
- Contents
- Figures and Tables
- Acknowledgements
- Abbreviations
- 1 Prelude
- 2 The Music Industry in the Streaming Age
- 3 Law and Policy in the Streaming Age
- 4 Negotiation and Formation of the Contract
- 5 Performance of the Contract
- 6 Termination of the Contract
- 7 Application of the Legal Framework in Practice
- 8 Conclusions
- Select Bibliography
- Index
- Cambridge Intellectual Property and Information Law
Summary
This chapter crosses the bridge from music industry practice to the analysis of the legal regimes deemed most relevant in securing a fair(er) balance in music contracts in the streaming age. Particular focus lies with the effect of the law on contracts entered into between musicians and record companies and/or music publishers as to individually managed exclusive rights. First, the chapter analyses the role of the legal framework in achieving this book’s policy objective of moving towards a fair(er) balance in the streaming age, fleshing out both the substantive and procedural dimensions of what may be perceived as ‘fair’ in this particular context. It then goes on to provide a typology of the relevant legal regimes, categorising these limitations to parties’ freedom of contract in terms of substantive, geographical and temporal scope and analysing the interplay between them. Finally, the chapter sets out to establish the appropriate level(s) and method(s) of further potential policy initiatives aimed at contributing to the elusive fair balance that this book advocates.
Keywords
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- Music Contracts in the Streaming AgeLaw and Policy in the European Union and the United Kingdom, pp. 80 - 124Publisher: Cambridge University PressPrint publication year: 2025