Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgments
- List of abbreviations
- General introduction
- Part I German aesthetics of music in the second half of the nineteenth century
- Part 2 Aesthetics of music in France and England
- Part 3 Music and positivist thought
- Part 4 Bridge between music theory and philosophy and the beginnings of musicology as an independent discipline
- Part 5 New tendencies at the turn of the century
- Select bibliography
- Index
Book contents
- Frontmatter
- Contents
- Preface
- Acknowledgments
- List of abbreviations
- General introduction
- Part I German aesthetics of music in the second half of the nineteenth century
- Part 2 Aesthetics of music in France and England
- Part 3 Music and positivist thought
- Part 4 Bridge between music theory and philosophy and the beginnings of musicology as an independent discipline
- Part 5 New tendencies at the turn of the century
- Select bibliography
- Index
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- Music in European Thought 1851–1912 , pp. i - viPublisher: Cambridge University PressPrint publication year: 1988