Book contents
- Musical Notation in the West
- Musical Notation in the West
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Preface
- Chapter 1 Introduction: Musical Notation as a Symbolic Language
- Chapter 2 Plainsong and the Origins of Musical Notation in the West
- Interlude 1: The Problem with Pitch
- Chapter 3 Polyphony and Rhythmic Notation
- Interlude 2: Rhythm and Metre
- Chapter 4 The Transition to the Modern Era: Instrumental Music and Performing Indications
- Interlude 3: The Score
- Chapter 5 Notational Nuance in the Twentieth Century and the Motives for Notational Innovation
- Coda: The Meaning of Musical Literacy
- Bibliography
- Index
- Cambridge Introductions to Music
Chapter 2 - Plainsong and the Origins of Musical Notation in the West
Published online by Cambridge University Press: 28 January 2021
- Musical Notation in the West
- Musical Notation in the West
- Copyright page
- Dedication
- Contents
- Figures
- Tables
- Musical Examples
- Preface
- Chapter 1 Introduction: Musical Notation as a Symbolic Language
- Chapter 2 Plainsong and the Origins of Musical Notation in the West
- Interlude 1: The Problem with Pitch
- Chapter 3 Polyphony and Rhythmic Notation
- Interlude 2: Rhythm and Metre
- Chapter 4 The Transition to the Modern Era: Instrumental Music and Performing Indications
- Interlude 3: The Score
- Chapter 5 Notational Nuance in the Twentieth Century and the Motives for Notational Innovation
- Coda: The Meaning of Musical Literacy
- Bibliography
- Index
- Cambridge Introductions to Music
Summary
The continuous history of musical notation in the West begins in the ninth century. Two groups of competing theories prevent more definitive statements about those origins, and their critical treatment serves as a starting point for the narrative. One group of theories concerns the origin of the neumes themselves, of which the most recent scholarship recognizes three possible sources: punctuation signs in Latin, Latin accentual signs and a form of graphic notation that was eventually replaced by one that represented the melodic contours of the chant. The other concerns the date at which notation originated in the Latin West, and the two competing theories present the opposite ends of the ninth century for its beginning.
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- Musical Notation in the West , pp. 8 - 52Publisher: Cambridge University PressPrint publication year: 2021