Book contents
- The New Cambridge History of Russian Literature
- The New Cambridge History of Russian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- On Transliteration, Names, and Dates
- Introduction
- History 1 Movements
- History 2 Mechanisms
- 2.1 The Monastery
- 2.2 The Court
- 2.3 The Salon and the Circle
- 2.4 The Thick Journal
- 2.5 The Publisher
- 2.6 Queerness
- 2.7 The Censor
- 2.8 The Voice
- 2.9 The Self-Publisher
- 2.10 The Market
- 2.11 The Internet
- 2.12 Empire
- Boxes 3 Places
- Boxes 4 Narrative Voices
- History 3 Forms
- History 4 Heroes
- Index
- References
2.9 - The Self-Publisher
from History 2 - Mechanisms
Published online by Cambridge University Press: 31 December 2024
- The New Cambridge History of Russian Literature
- The New Cambridge History of Russian Literature
- Copyright page
- Contents
- Figures
- Contributors
- Acknowledgements
- On Transliteration, Names, and Dates
- Introduction
- History 1 Movements
- History 2 Mechanisms
- 2.1 The Monastery
- 2.2 The Court
- 2.3 The Salon and the Circle
- 2.4 The Thick Journal
- 2.5 The Publisher
- 2.6 Queerness
- 2.7 The Censor
- 2.8 The Voice
- 2.9 The Self-Publisher
- 2.10 The Market
- 2.11 The Internet
- 2.12 Empire
- Boxes 3 Places
- Boxes 4 Narrative Voices
- History 3 Forms
- History 4 Heroes
- Index
- References
Summary
This chapter examines the phenomenon that has become known as samizdat: the self-publishing of secular literature as a reaction to state censorship in the second half of the twentieth century. Samizdat is conceptualised as a means by which Soviet citizens procured what the centrally organised cultural sphere would not provide: interesting or informative texts that people wanted to read. The chapter provides detail on famous texts that were first circulated in samizdat, on different genres of samizdat such as literary journals, and on the manufacturing and distribution of samizdat materials, including ‘tamizdat’ or the smuggling into the USSR of books printed abroad. Ultimately, samizdat emerges not merely as a way of distributing texts, but also as a network of grassroots networks – a way for people to organise outside official channels in the context of a system which suppressed private and civic initiative.
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- The New Cambridge History of Russian Literature , pp. 369 - 387Publisher: Cambridge University PressPrint publication year: 2024