Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-xbtfd Total loading time: 0 Render date: 2024-11-13T05:57:06.274Z Has data issue: false hasContentIssue false

13 - Manuscripts and Books

from PART III - SPIRITUAL, CULTURAL AND ARTISTIC LIFE

Published online by Cambridge University Press:  28 March 2008

Christopher Allmand
Affiliation:
University of Liverpool
Get access

Summary

the production of books and manuscripts in the fifteenth century saw the culmination of tendencies which had begun during the latter part of the thirteenth century. The most significant of these were the increasing dominance of lay workshops over the scriptoria of religious houses; the rise of a commercialised book trade; and the emergence of veritable publishing houses in the major centres of European book production. The period none the less witnessed something of a revival in the copying of liturgical and devotional books by religious communities. It was also to see an invasion of the market by books produced by the new process of printing with movable type, and the eclipse of those book producers and dealers who did not adapt to the new techniques.

To satisfy the increasing demands of literate lay people, as well as the clergy, a more sophisticated organisation of the book trade was required. The single scribe, working alone, was still to be found, but he formed only one element in the complex process of book production. A structure dominated by entrepreneurs and middlemen was emerging and ‘in the [later] Middle Ages true publishing houses existed, in the modern sense of the word’. The best known of these were to be found in the Low Countries and in northern Italy, but there were comparable establishments in England, France and Germany.

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 1998

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Bühler, C. (1960), The fifteenth-century book. The scribes, the painters, the decorators, Philadelphia
Backhouse, J. (1979), The illuminated manuscript, Oxford
Blake, N.F. (1976), Caxton. England’s first publisher, London
Clair, C. (1976), A history of European printing, London
Clough, C.H. (1973), ‘Federigo da Montefeltro’s patronage of the arts, 1468– 1482’, Journal of the Warburg and Courtauld Institutes 36 Google Scholar
Clough, C.H. (1981), The duchy of Urbino in the Renaissance, London
Delaissé, L.M.J. (1968), A century of Dutch manuscript illumination, Berkeley
Delaissé, L.M.J. et al. (1959), La miniature flamande. Le mécénat de Philippe le Bon, Brussels
Du Boulay, F.R.H. (1983), Germany in the later Middle Ages, London
Garzelli, A. and Mare, A.C. (1985), Miniatura fiorentina del Rinascimento, 1440– 1525, Florence
Goodman, A. and MacKay, A. (1990), The impact of humanism on western Europe, London
Harthan, J. (1977), Books of hours and their owners, Oxford
Ijsewijn, J. (1975), ‘The coming of humanism to the Low Countries’, in Oberman, H.A., and Brady, T.A., (eds.), Itinerarium italicum. The profile of the Italian Renaissance in the mirror of its European transformations, Leiden Google Scholar
Kempers, B. (1992), Painting, power and patronage. The rise of the professional artist in Renaissance Italy, London
Kempis, Thomas (1906), The chronicle of the canons regular of Mount St Agnes, trans. Arthur, J.P., London
Le livre illustré en occident (exhib. catal., Bibliothèque Royale), Brussels
Lemaire, C. and Schryver, A. (1981), Vlaamse kunst op perkament (exhib. catal.) Bruges
Marrow, J.H. et al. (1989), The golden age of Dutch manuscript painting, Stuttgart and Zurich
Martens, M.P.J. et al. (1992), Lodewijk van Gruuthuse. Mecenas en Europees Diplomat, ca. 1427– 1492, Bruges
Painter, G.D. (1962), Catalogue of books printed in the XVth century now in the British Museum, London
Post, R.R. (1968), The Modern Devotion. Confrontation with Reformation and humanism, Leiden
Thomas à Kempis et la dévotion moderne (1971) (exhib. catal.), Brussels

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×