Book contents
- A New History of Theatre in France
- A New History of Theatre in France
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Notes on the Text
- Introduction
- Chapter 1 The Performing Arts in Fifteenth- and Sixteenth-Century France
- Chapter 2 Drama during the Wars of Religion
- Chapter 3 Drama before Standardization
- Chapter 4 Neo-Classical Tragedy
- Chapter 5 Molière, a Man of the Stage?
- Chapter 6 Theatres as Economic Concerns
- Chapter 7 Seventeenth-Century Printed Theatre
- Chapter 8 Non-Official Eighteenth-Century Stages
- Chapter 9 The Expanded Theatre of the French Revolution
- Chapter 10 Nineteenth-Century Melodrama, Vaudeville and Entertainment
- Chapter 11 New Approaches to Women Actors and Celebrity in Nineteenth-Century France
- Chapter 12 Extended Romanticism in the Extended Nineteenth Century
- Chapter 13 Poetry in Action, 1945–1968
- Chapter 14 Performance and Installation Art
- Chapter 15 Twentieth- and Twenty-First-Century Theatre Directing
- Chapter 16 Political Theatre in France (1954–2020)
- Chapter 17 Liberating Third World Theatre
- Chapter 18 Francophone Theatre-Makers in France
- Chapter 19 Migration in Modern and Contemporary Playwriting
- Chapter 20 An Interview with Éric Ruf
- Chapter 21 An Interview with Magali Mougel
- Chapter 22 An Interview with Phia Ménard
- Bibliography
- Index
Chapter 22 - An Interview with Phia Ménard
Published online by Cambridge University Press: 22 October 2024
- A New History of Theatre in France
- A New History of Theatre in France
- Copyright page
- Dedication
- Contents
- Illustrations
- Contributors
- Acknowledgements
- Notes on the Text
- Introduction
- Chapter 1 The Performing Arts in Fifteenth- and Sixteenth-Century France
- Chapter 2 Drama during the Wars of Religion
- Chapter 3 Drama before Standardization
- Chapter 4 Neo-Classical Tragedy
- Chapter 5 Molière, a Man of the Stage?
- Chapter 6 Theatres as Economic Concerns
- Chapter 7 Seventeenth-Century Printed Theatre
- Chapter 8 Non-Official Eighteenth-Century Stages
- Chapter 9 The Expanded Theatre of the French Revolution
- Chapter 10 Nineteenth-Century Melodrama, Vaudeville and Entertainment
- Chapter 11 New Approaches to Women Actors and Celebrity in Nineteenth-Century France
- Chapter 12 Extended Romanticism in the Extended Nineteenth Century
- Chapter 13 Poetry in Action, 1945–1968
- Chapter 14 Performance and Installation Art
- Chapter 15 Twentieth- and Twenty-First-Century Theatre Directing
- Chapter 16 Political Theatre in France (1954–2020)
- Chapter 17 Liberating Third World Theatre
- Chapter 18 Francophone Theatre-Makers in France
- Chapter 19 Migration in Modern and Contemporary Playwriting
- Chapter 20 An Interview with Éric Ruf
- Chapter 21 An Interview with Magali Mougel
- Chapter 22 An Interview with Phia Ménard
- Bibliography
- Index
Summary
In conversation with Estel Baudou’s performance, artist Phia Ménard offers insights into the key moments of the live performer’s career, from her training days to her international success. Describing herself as ‘undisciplined’, she explains how her work challenges the categories of circus, dance and theatre, in so doing pushing the boundaries of contemporary theatre. It is fitting to end this Introduction with Phia Ménard’s call for the invention of new formats and aesthetics, for the performance of ‘strange things’ and for a form of agitation that ‘feels like love’.
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- A New History of Theatre in France , pp. 404 - 410Publisher: Cambridge University PressPrint publication year: 2024