Bibliography
Published online by Cambridge University Press: 01 September 2022
Edited by
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- The New Joyce Studies , pp. 268 - 291Publisher: Cambridge University PressPrint publication year: 2022
References
Adorno, Theodor W., Adorno, Gretel, and Tiedeman, Rolf. Aesthetic Theory. Minneapolis: University of Minnesota Press, 1997.Google Scholar
Angenot, Marc. “L’Intertextualité: Enquête sur l’émergence et la Diffusion d’un Champ Notionnel.” Revue des Sciences Humaines 189 no. LX (1983): 121–135.Google Scholar
Armah, Ayi Kwei. The Beautyful Ones Are Not Yet Born; A Novel. Boston: Houghton Mifflin, 1968.Google Scholar
Armstrong, Nancy and Montag, Warren. “‘The Figure in the Carpet.’” PMLA 132, no. 3 (May 2017): 613–619.Google Scholar
Atherton, James S. The Books at the Wake: A Study of Literary Allusions in James Joyce’s “Finnegans Wake.” London: Faber and Faber, 1959.Google Scholar
Attridge, Derek. “Finnegans Awake: The Dream of Interpretation.” James Joyce Quarterly 27, no. 1 (Fall 1989): 11–29.Google Scholar
Attridge, Derek and Howes, Marjorie Elizabeth. Semicolonial Joyce. Cambridge, UK: Cambridge University Press, 2000.Google Scholar
Aubert, Jacques and Jolas, Maria. Joyce and Paris, 1902 … 1920–1940 … 1975: Papers from the Fifth International James Joyce Symposium. Paris, June 16–20, 1975.Google Scholar
Auerbach, Eric. Scenes from the Drama of European Literature. Manchester: Manchester University Press, 1984.Google Scholar
Auerbach, Erich. Dante, Poet of the Secular World. Translated by Ralph Manheim. New York: New York Review Books, 2007.Google Scholar
Backus, Margot Gayle. Scandal Work: James Joyce, the New Journalism, and the Home Rule Newspaper Wars. Notre Dame: University of Notre Dame Press, 2013.Google Scholar
Backus, Margot and Valente, Joseph. “The Land of Spices, The Enigmatic Signifier, and The Stylistic Invention of Lesbian (In)Visibility.” Irish University Review 43, no. 1 (Spring–Summer 2013): 55–73.Google Scholar
Bakhtin, Mikhail Mikhailovich. Rabelais and His World. Translated by Helene Iswolksy. Bloomington: Indiana University Press, 1984.Google Scholar
Barber, Karin. The Anthropology of Texts, Persons and Publics. Cambridge, UK: Cambridge University Press, 2009.Google Scholar
Baron, Scarlett. ‘Strandentwining Cable’: Joyce, Flaubert, and Intertextuality. Oxford: Oxford University Press, 2012.Google Scholar
Bataille, Georges. “Hegel, Death and Sacrifice.” Translated by Jonathan Strauss. In The Bataille Reader, edited by Botting, Fred and Wilson, Scott. Oxford: Blackwell, 1997: 279–295.Google Scholar
Beck, Harald. “Edward FitzGerald at Sea: Oxen Notesheet 17.” James Joyce Online Notes 5 (September 2013), www.jjon.org/joyce-s-allusions/fitzgeraldGoogle Scholar
Beckett, Samuel. Our Exagmination Round His Factification for Incamination of Work in Progress. London: Faber and Faber, 1961.Google Scholar
Beckett, Samuel. “Dante … Bruno … Vico … Joyce.” In Disjecta: Miscellaneous Writings and a Dramatic Fragment, edited by Cohn, Ruby, 19–34. London: Calder, 1983.Google Scholar
Beckett, Samuel. The Letters of Samuel Beckett, Vol. I, 1929–1940, edited by Fehsenfeld, Martha Dow and Overbeck, Lois More. Cambridge, UK: Cambridge University Press, 2009.Google Scholar
Begnal, Michael H. Joyce and the City: The Significance of Place. Syracuse: Syracuse University Press, 2002.Google Scholar
Beja, Morris and Fogarty, Anne. Bloomsday 100: Essays on Ulysses. Florida James Joyce Series. Gainesville: University Press of Florida, 2009.Google Scholar
Belk, Patrick Scott. Empires of Print: Adventure Fiction in the Magazines, 1899–1919, Vol. 1. London: Routledge, 2017.Google Scholar
Bell, Michael. “James Joyce’s Ulysses: Trieste-Zurich-Paris 1914–1922.” In Literature, Modernism, and Myth: Belief and Responsibility in the Twentieth Century, edited by Bell, Michael, 67–93. Cambridge, UK: Cambridge University Press, 1997.Google Scholar
Benéjam, Valérie. “A Letter from Louis Gillet.” James Joyce Quarterly 48, no. 4 (Summer 2011): 745–750.Google Scholar
Benjamin, Walter. “The Task of the Translator.” Translated by Harry Zohn. In Selected Writings, Vol. 1, edited by Bullock, Marcus and Jennings, Michael W., 253–263. Cambridge, MA: Harvard University Press, 1996.Google Scholar
Benjamin, Walter. “The Work of Art in the Age of Its Reproducibility.” Second version, Translated by Edmund Jephcott and Harry Zohn. In Selected Writings, edited by Eiland, Howard and Jennings, Michael W., Vol. 3, 101–134. Cambridge, MA: Harvard University Press, 2002.Google Scholar
Benjamin, Walter. “The Work of Art in the Age of Its Reproducibility.” Third version. Translated by Edmund Jephcott and Harry Zohn. In Selected Writings, edited by Eiland, Howard and Jennings, Michael W., Vol. 4, 251–283. Cambridge, MA: Harvard University Press, 2003.Google Scholar
Bhabha, Homi. “Of Mimicry and Man: The Ambivalence of Colonial Discourse.” October no. 28 (Spring 1984): 125–133.Google Scholar
Birmingham, Kevin. The Most Dangerous Book: The Battle for James Joyce’s Ulysses. New York: Penguin, 2014.Google Scholar
Blanchot, Maurice. The Writing of the Disaster. Translated by Ann Smock. Lincoln: University of Nebraska Press, 1986.Google Scholar
Boehmer, Elleke. Empire, the National, and the Postcolonial, 1890–1920. Oxford: Oxford University Press, 2002.Google Scholar
Bogues, Ronald. “Minor Writing and Minor Literature.” symplokē 5, nos. 1/2 (1997): 109.Google Scholar
Bolaño, Roberto and Porta, Antoni García. Consejos de un discípulo de Morrison a un fanático de Joyce seguido de Diario de bar. Barcelona: Acantilado, 2008.Google Scholar
Bonapfel, Elizabeth M. and Conley, Tim. Doubtful Points: Joyce and Punctuation. European Joyce Studies, no. 23. Amsterdam: Rodopi, 2014.Google Scholar
Borges, Jorge Luis and Weinberg, Eliot. Selected Non-Fictions. New York: Viking, 1999.Google Scholar
Bornstein, George. Material Modernism: The Politics of the Page. Cambridge: Cambridge University Press, 2001.Google Scholar
Boscagli, Maurizia and Duffy, Enda. Joyce, Benjamin and Magical Urbanism. European Joyce Studies, no. 21. Amsterdam: Rodopi, 2011.Google Scholar
Bosinelli, Bollettieri, Rosa Maria, Vaglio, Carla Marengo, and van Boheemen, Christine. The Languages of Joyce Selected Papers from the 11th International James Joyce Symposium, Venice, 12–18 June 1988. Philadelphia: J. Benjamins, 1992.Google Scholar
Bottici, Chiara. A Philosophy of Political Myth. Cambridge, UK: Cambridge University Press, 2007.Google Scholar
Bottici, Chiara. Images Beyond Imagination and the Imaginary. New York: Columbia University Press, 2019.Google Scholar
Bottici, Chiara. Imagining Europe: Myth, Memory, and Identity, Imaginal Politics. Cambridge, UK: Cambridge University Press, 2013.Google Scholar
Bowers, Fredson. Textual and Literary Criticism. Cambridge, UK: Cambridge University Press, 1966.Google Scholar
Brannigan, John. Race in Modern Irish Literature and Culture. Edinburgh: Edinburgh University Press, 2009.Google Scholar
Brannon, Julie. Who Reads Ulysses? The Rhetoric of the Joyce Wars and the Common Reader. Studies in Major Literary Authors, 19. New York and London: Routledge, 2003.Google Scholar
Brazeau, Robert and Gladwin, Derek. Eco-Joyce: The Environmental Imagination of James Joyce. Cork: Cork University Press, 2014.Google Scholar
Briggs, Austin. “The Fell Stop at the End of ‘Ithaca’: Thirteen Ways – and Then Some – of Looking at a Black Dot.” Joyce Studies Annual 7 (1996): 125–144.Google Scholar
Brivic, Sheldon. Joyce Through Lacan and Žižek: Explorations. New Directions in Irish and Irish American Literature. New York: Palgrave Macmillan, 2008.Google Scholar
Brockman, William S. “Press Cuttings: From ‘Noise about Joyce’ to ‘Tress Clippings.’” Genetic Joyce Studies 16 (Spring 2016), www.geneticjoycestudies.org/articles/GJS16/GJS16_BrockmanGoogle Scholar
Brockman, William S. The James Joyce Checklist. Harry Ransom Center. n.d. https://norman.hrc.utexas.edu/JamesJoyceChecklist/Google Scholar
Brooker, Joseph. Joyce’s Critics: Transitions in Reading and Culture. Madison: University of Wisconsin Press, 2004.Google Scholar
Brown, John L. “Ulysses into French.” Library Chronicle n.s., no. 20–21 (1982): 29–59.Google Scholar
Brown, Richard. “Addenda and Corrigenda to Ellmann’s The Consciousness of Joyce.” James Joyce Quarterly 17, no. 3 (Spring 1980): 313–317.Google Scholar
Brown, Richard. Joyce, “Penelope” and the Body. European Joyce Studies 17. Amsterdam: Rodopi, 2006.Google Scholar
Büchler, Marco, Burns, Philip R., Müller, Martin, Franzini, Emily, and Franzini, Greta, “Towards a Historical Text Re-Use Detection.” In Text Mining, Theory and Applications of Natural Language Processing, edited by Biemann, Chris and Mehler, Alexander, 221–238. Cham: Springer, 2014.Google Scholar
Büchler, Marco, Geßner, Annette, Berti, Monica and Eckart, Thomas., “Measuring the Influence of a Work by Text Re-Use,” Bulletin of the Institute of Classical Studies, Supplement, no. 122 (2013): 63–79.Google Scholar
Budgen, Frank. James Joyce and the Making of Ulysses. Bloomington: Indiana University Press, 1960.Google Scholar
Bulson, Eric Jon. Little Magazine, World Form. New York: Columbia University Press, 2017.Google Scholar
Burgess, Anthony. “Foreword.” In James Joyce, A Shorter Finnegans Wake,ed. A. Burgess. New York: Viking, 1968.Google Scholar
Burkdall, Thomas L. Joycean Frames: Film and the Fiction of James Joyce. Studies in Major Literary Authors. New York: Routledge, 2001.Google Scholar
Burns, Edward, Dydo, Ella E., and Rice, William, eds., The Letters of Gertrude Stein and Thornton Wilder. New Haven: Yale University Press, 2006.Google Scholar
Caracciolo, Marco. The Experientiality of Narrative: An Enactivist Approach. Berlin: De Gruyter, 2014.Google Scholar
Carney, Matthew. “The Shadow Modernism of Weird Tales: Experimental Pulp Fiction in the Age of Modernism Reflection.” PhD diss., Case Western Reserve University, 2014.Google Scholar
Carr, Daphne. “The Reader Critic.” Little Review: A Magazine of the Arts 5, no. 1 (May 1918): 64.Google Scholar
Casanova, Pascale. The World Republic of Letters. Cambridge, MA: Harvard University Press, 2004.Google Scholar
Castle, Gregory. “Postcolonialism.” In James Joyce in Context, edited by McCourt, John, 99–111. Cambridge, UK: Cambridge University Press, 2009.Google Scholar
Chace, William. “Ulysses and Us: The Art of Everyday Life in Joyce’s Masterpiece (review).” In Common Knowledge, 17, no. 1 (Winter 2011), 193.Google Scholar
Cheadle, Norman. “Ulysses in Buenosayres: Leopoldo Marechal’s Encyclopedia Argentina.” James Joyce Quarterly 55, no. 1–2 (2018): 135–51.Google Scholar
Cheng, Vincent J. Joyce, Race, and Empire. Cambridge, UK: Cambridge University Press, 1995.Google Scholar
Cheng, Vincent J. Amnesia and the Nation: History, Forgetting, and James Joyce. New Directions in Irish and Irish American Literature. Cham: Palgrave Macmillan, 2018.Google Scholar
Cheng, Vincent J., Devlin, Kimberly J., and Norris, Margot. Joycean Cultures/Culturing Joyce. University of Delaware Press, 1998.Google Scholar
Cixous, Hélène. “The Pleasure Reinciple or Paradox Lost.” In Volleys of Humanity: Essays 1972–2009, edited by Prenowitz, Eric, 75–84. Edinburgh: Edinburgh University Press, 2011.CrossRefGoogle Scholar
Clark, Tim. Ecocriticism on the Edge: The Anthropocene as a Threshold Concept. London: Bloomsbury, 2015.Google Scholar
Clayton, Jay and Rothstein, Eric, “Figures in the Corpus: Theories of Influence and Intertextuality.” In Influence and Intertextuality in Literary History, edited by Clayton, Jay and Rothstein, Eric, 37–60. Madison: University of Wisconsin Press, 1991.Google Scholar
Cody, Louisa Frederici and Cooper, Courtney Ryley. Memories of Buffalo Bill. New York; London: D. Appleton and Co., 1919.Google Scholar
Cohen, Debra Rae, Coyle, Michael, and Lewty, Jane. Broadcasting Modernism. Gainesville: University Press of Florida, 2009.Google Scholar
Conley, Tim. Joyces Mistakes: Problems of Intention, Irony, and Interpretation. Toronto and Buffalo: University of Toronto Press, 2003.Google Scholar
Conley, Tim. Joyce’s Disciples Disciplined: A Re-Exagmination of the “Exagmination” of “Work in Progress.” Dublin: University College Dublin Press, 2010.Google Scholar
Conley, Tim. Useless Joyce: Textual Functions, Cultural Appropriations. Toronto: University of Toronto Press, 2017.Google Scholar
Connor, Steven. Beckett, Modernism, and the Material Imagination. Cambridge, UK: Cambridge University Press, 2014.Google Scholar
Cortázar, Julio. “Politics and the Intellectual in Latin America.” In The Final Island: The Fiction of Julio Cortázar, edited by Alazraki, Jaime and Ivask, Ivar, 37–44. Norman: University of Oklahoma Press, 1976.Google Scholar
Cortázar, Julio. “Acerca de la situación del intelectual latinoamericano.” In Último Round, 2 vols., 265–280. Mexico: Siglo Veintiuno, 1980.Google Scholar
Cortázar, Julio. Cartas, edited by Bernárdez, Aurora, 3 vols. Buenos Aires: Alfaguara, 2000.Google Scholar
Cortázar, Julio and Picón-Garfield, Evelyn. Cortázar por Cortázar. Jalapa, Mexico: Universidad Veracruzana, 1978.Google Scholar
Cossary, Albert Laziness in the Fertile Valley, translated by Goyen, William. New York: New Directions, 2013.Google Scholar
Crispi, Luca. Joyce’s Creative Process and the Construction of Characters in “Ulysses”: Becoming the Blooms. Oxford: Oxford University Press, 2015.Google Scholar
Crispi, Luca and Crowley, Ronan. “The Ulysses Proof^finder: Proofs by Episode.” Genetic Joyce Studies 8 (Spring 2008). www.geneticjoycestudies.orgGoogle Scholar
Crispi, Luca and Slote, Sam. How Joyce Wrote Finnegans Wake: A Chapter-by-Chapter Genetic Guide. Irish Studies in Literature and Culture. Madison: University of Wisconsin Press, 2007.Google Scholar
Crowley, Ronan. “Dial M for Marianne: The Dial’s Refusals of Work in Progress,” Genetic Joyce Studies, Issue 15 (Spring 2015), www.geneticjoycestudies.org/articles/GJS15/GJS15_Crowley_DialMGoogle Scholar
Crowley, Ronan and Van Hulle, Dirk. New Quotatoes: Joycean Exogenesis in the Digital Age. European Joyce Studies, no. 25. Amsterdam: Rodopi, 2016.Google Scholar
Culleton, Claire. “‘The Thin End of the Wedge’: How Things Start in Dubliners.” In Rethinking Joyce’s Dubliners, edited by Culleton, Claire and Scheible, Ellen, 9–31. Cham, Switzerland: Springer Nature, 2017.Google Scholar
Daiches, David. The Novel in the Modern World. Chicago: University of Chicago Press, 2006.Google Scholar
Dalton, Jack P. “Advertisement for the Restoration.” In Twelve and a Tilly: Essays on the Occasion of the 25th Anniversary of Finnegans Wake, edited by Dalton, Jack P. and Hart, Clive, 119–137. London: Faber and Faber, 1965.Google Scholar
Damrosch, David. What Is World Literature? Princeton: Princeton University Press, 2003.Google Scholar
Damrosch, David. “World Literature in a Postcanonical, Hypercanonical Age.” In Comparative Literature in an Age of Globalization, edited by Saussy, Haun, 43–53. Baltimore, MD: Johns Hopkins University Press, 2006.Google Scholar
Davison, Neil R. “‘Cyclops,’ Sinn Féin, and ‘the Jew’: An Historical Reconsideration.” Journal of Modern Literature 19, no. 2(Autumn 1995): 245–257.Google Scholar
Davison, Neil R. James Joyce, “Ulysses,” and the Construction of Jewish Identity: Culture, Biography, and “the Jew” in Modernist Europe. New York: Cambridge University Press, 1996.Google Scholar
Davison, Sarah. “Oxtail Soup: Dialects of English in the Tailpiece of the ‘Oxen of the Sun’ Episode of Ulysses.” Genetic Joyce Studies 14 (Spring 2014). www.geneticjoycestudies.orgGoogle Scholar
de Biasi, Pierre-Marc. “What is a Literary Draft? Toward a Functional Typology of Genetic Documentation.” Yale French Studies 89 (1996): 26–58.Google Scholar
de Man, Paul. The Resistance to Theory. Minneapolis: The University of Minnesota Press, 1986.Google Scholar
Deane, Seamus. “Joyce the Irishman.” In The Cambridge Companion to James Joyce, edited by Attridge, Derek, 31–53. Cambridge, UK: Cambridge University Press, 1990.Google Scholar
Deane, Vincent, Ferrer, Daniel, and Lernout, Geert. The Finnegans Wake Notebooks at Buffalo. Turnhout, Belgium: Brepols, 2001–2004.Google Scholar
Debray-Genette, Raymonde. “Génétique et poétique: esquisse de méthode.” Littérature 28 (1977): 19–39.Google Scholar
Deleuze, Gilles. Essays Critical and Clinical. Translated by Smith, Daniel W. and Greco, Michael A.. Minneapolis: Minnesota University Press, 1997.Google Scholar
Delueze, Gilles and Guattari, Felix, Franz Kafka: Toward a Minor Literature. Translated by Dana Polan. Minneapolis: Minnesota University Press, 1986.Google Scholar
Deleuze, Gilles, and Guattari, Felix. A Thousand Plateaus: Capitalism and Schizophrenia. London and New York: Bloomsbury, 2015.Google Scholar
Deming, Robert H. ed., James Joyce: The Critical Heritage, 2 vols. London: Routledge, 1970.Google Scholar
Derrida, Jacques. “Two Words for Joyce.” Translated by Geoff Bennington. In Derrida and Joyce: Texts and Contexts, edited by Mitchell, Andrew J. and Slote, Sam, 22–40. Albany: State University of New York Press, 2013.Google Scholar
Dettmar, Kevin J. H., and Watt, Stephen. Marketing Modernisms: Self-Promotion, Canonization, Rereading Ann Arbor: University of Michigan Press, 1996.Google Scholar
Doyle, Laura. “Races and Chains: The Sexuo-Racial Matrix in Ulysses.” In Joyce: The Return of the Repressed, edited by Friedman, Susan Stanford, 149–189. Ithaca, London: Cornell University Press, 1993.Google Scholar
Doyle, Laura and Winkiel, Laura. Geomodernisms: Race, Modernism, Modernity. Bloomington: Indiana University Press, 2005.Google Scholar
Drouin, Jeff. James Joyce, Science, and Modernist Print Culture. New York: Routledge, 2015.Google Scholar
Duffy, Edna. The Subaltern “Ulysses.” Minneapolis: University of Minnesota Press, 1994.Google Scholar
Duszenko, Andrzej. “The Joyce of Science: Quantum Physics in Finnegans Wake,” Irish University Review 24, no. 2 (1994): 272–282.Google Scholar
Duszenko, Andrzej. “The Relativity in Finnegans Wake.” James Joyce Quarterly 32, no. 1 (1994): 61–70,Google Scholar
Duszenko, Andrzej. “Abnihilization of the Etym: Joyce, Rutherford, and Particle Physics,” Irish University Review 46, no. 2 (2016): 275–286.Google Scholar
Earle, David, M. All Man!: Hemingway, 1950s Men’s Magazines, and the Masculine Persona. Kent, OH: Kent State, 2009.Google Scholar
Earle, David M. “The Modernist Genre Novel.” In A History of the Modernist Novel, edited by Castle, Gregory, 345–368. Cambridge University Press, 2015.Google Scholar
Earle, David M. “Conrad Under Wraps: Reputation, Pulp Indeterminacy, and the 1950 Signet Edition of Heart of Darkness.” In Studia Neophilologica 85 no. 1(2013), 41–57.Google Scholar
Earle, David M. “Faulkner and the Paperback Trade.” In William Faulkner in Context, edited by Matthews, John T., 231–246. NY: Cambridge University Press, 2015.Google Scholar
Earle, David M. Re-Covering Modernism. Burlington, VT: Ashgate Publishing, 2009; New York: Routledge, 2016.Google Scholar
Eburne, Jonathan. “Dante, Bruno, Vico, S.Nob: The Wake in Mexico.” James Joyce Quarterly 52, no. 2 (2015): 329–349.Google Scholar
Ebury, Katherine. “‘In the midst of its enemies’: Animal Pain and Capital Punishment in Beckett.” Society and Animals 25, no. 5 (2017): 436–455.Google Scholar
Ebury, Katherine. “Becoming-Animal in the Epiphanies: Joyce Between Fiction and Non-Fiction.” In Joyce’s Non-Fiction Writings: Outside His Jurisfiction, edited by Ebury, Katherine and Fraser, James Alexander, 175–194. Houndsmills: Palgrave, 2018.Google Scholar
Eliot, T. S. “Ulysses, Order and Myth.” In James Joyce: The Critical Heritage, edited by Deming, R. H., 2 vols. 268–271. New York: Routledge and Kegan Paul, 1970.Google Scholar
Eliot, T. S. The Letters of T. S. Eliot, edited by Eliot, Valerie and Haughton, Hugh. New Haven: Yale University Press, 2011.Google Scholar
Ellmann, Richard. “Joyce’s Naturalism.” The Sewanee Review 63, no. 4 (Winter 1955): 567–575.Google Scholar
Faerber, Thomas and Luchsinger, Markus. Introduced by Fritz Senn. Joyce in Zürich. Zürich: Unionsverlag 1988.Google Scholar
Falconer, Graham. “Genetic Criticism.” Comparative Literature 45, no. 1 (Winter 1993): 1–21.Google Scholar
Fargnoli, A. Nicholas. James Joyce’s Catholic Moments. Joyce Studies 2004, no. 10. Dublin: National Library of Ireland, 2004.Google Scholar
Fernández Vicente, Olga, Pereira, María Del Mar Boillos, Fernández, Richard Jorge, and Billelabeitia, Paulo Kortazar. Joyce’s Heirs. Joyce’s Imprint on Recent Global Literatures. Bilbao: Servicio Editorial de la Universidad del País, Vasco/Euskal Herriko Unibertsitatearen Argitalpen Zerbitzua, 2019.Google Scholar
Ferraris, Maurizio. Documentality: Why It Is Necessary to Leave Traces. Translated by Richard Davis. New York: Fordham University Press, 2012.Google Scholar
Ferrer, Daniel. “Clementis’s Cap: Retroaction and Persistence in the Genetic Process.” Yale French Studies 89 (1996): 223–236.Google Scholar
Ferrer, Daniel. “The Open Space of the Draft Page: James Joyce and Modern Manuscripts.” In The Iconic Page in Manuscript, Print, and Digital Culture, edited by Bornstein, George and Tinkle, Theresa, 249–268. Ann Arbor: University of Michigan Press, 1998.Google Scholar
Ferrer, Daniel. “Introduction: ‘Un imperceptible trait de gomme de tragacanthe…’” In Bibliothèques d’écrivains, edited by D’Iorio, Paolo and Ferrer, Daniel, 171–193. Paris: CNRS Editions, 2001.Google Scholar
Ferrer, Daniel. “Quelques remarques sur le couple intertextualité-genèse.” In La Création en Acte: Devenir de la Critique Génétique, edited by Gifford, Paul and Ferrer, Daniel, 205–216. Amsterdam: Rodopi, 2007.Google Scholar
Ferrer, Daniel and Rabaté, Jean-Michel. “Paragraphs in Expansion: James Joyce,” in Genetic Criticism: Texts and Avant-textes, edited by Deppman, Jed, Ferrer, Daniel, and Groden, Michael, 132–150. Philadelphia: University of Pennsylvania Press, 2004.Google Scholar
Ferrero, Guglielmo. L’Europa giovane: Studi e viaggi nei paesi del Nord. Milano: Treves, 1898.Google Scholar
Ferrero, Guglielmo. Militarism: A Contribution to the Peace Crusade. Boston: Page and Company, 1903.Google Scholar
Ferriter, Diarmaid. Occasions of Sin: Sex and Society in Modern Ireland. London: Profile Books Ltd., 2009.Google Scholar
Fiddian, Robin. “James Joyce and Spanish-American Fiction: A Study of the Origins and Transmission of Literary Influence.” Bulletin of Hispanic Studies 66, no. 1 (1989): 23–39.Google Scholar
Finney, Michael. “Eugene Jolas, transition, and the Revolution of the Word.” In In the Wake of the Wake, edited by Hayman, David, and Anderson, Elliott, 39–53. Madison: University of Wisconsin Press, 1978.Google Scholar
Fischer, Andreas. James Joyce in Zurich: A Guide. Cham: Palgrave Macmillan, 2020.CrossRefGoogle Scholar
Fish, Stanley Eugène. Is There a Text in This Class?: The Authority of Interpretive Communities. Cambridge, MA: Harvard University Press, 1980.Google Scholar
FitzGerald, Edward. Sea Words and Phrases along the Suffolk Coast. Lowestoft: Samuel Tymms, 1869.Google Scholar
Flanders, Julia. “The Body Encoded: Questions of Gender and the Electronic Text.” In Electronic Text: Investigations in Method and Theory, edited by Sutherland, K., 127–144. Oxford, UK: Clarendon Press, 1997.Google Scholar
Flood, Alison. “Plagiarism software pins down new source for Shakespeare’s plays.” The Guardian. 9 February 2018.Google Scholar
Flynn, Catherine. James Joyce and the Matter of Paris. Cambridge, UK: Cambridge University Press, 2019.Google Scholar
Fogarty, Anne, and Martin, Timothy Peter. Joyce on the Threshold. Gainesville: University Press of Florida, 2005.Google Scholar
Fogarty, Anne and O’Rourke, Fran. Voices on Joyce. Dublin: University College Dublin Press, 2015.Google Scholar
Fordham, Finn. “The Universalization of Finnegans Wake and the Real HCE.” In Joyce, Ireland, Britain, edited by Gibson, Andrew and Platt, Len, 198–211. Gainesville: University Press of Florida, 2006.Google Scholar
Fordham, Finn. Lots of Fun at Finnegans Wake: Unravelling Universals. Oxford: Oxford University Press, 2007.Google Scholar
Fordham, Finn. “Joyce in the Shadow of War and Fascism: A Review of Finnegans Wake by Mario Praz (1939).” Joyce Studies in Italy (James Joyce Italian Foundation, Rome) 19 (2017): 301–22.Google Scholar
Fordham, Finn and Sakr, Rita. James Joyce and the Nineteenth-Century French Novel. European Joyce Studies, no. 19. Amsterdam: Rodopi, 2011.Google Scholar
Fraser-Harris, D. F. Morpheus, or: The Future of Sleep. London: Kegan Paul, Trench, Trubner & Co. / New York: E. P. Dutton, 1928.Google Scholar
Frawley, Oona and O’Callaghan, Katherine. Memory Ireland, Volume 4: James Joyce and Cultural Memory. Syracuse: Syracuse University Press, 2014.Google Scholar
Friedman, Susan Stanford. “Weavings: Intertextuality and the (Re)Birth of the Author.” In Influence and Intertextuality in Literary History, edited by Clayton, Jay and Rothstein, Eric, 146–180. Madison: The University of Wisconsin Press, 1991.Google Scholar
Friedman, Susan Stanford. “Periodizing Modernism: Postcolonial Modernities and the Space/Time Borders of Modernist Studies,” Modernism/modernity 13, no. 3 (2006): 432Google Scholar
Friedman, Susan Stanford. Planetary Modernism: Provocations on Modernity Across Time. New York: Columbia University Press, 2015.Google Scholar
Frye, Northrop. “Quest and Cycle in Finnegans Wake.” The James Joyce Review 1 (1957): 39–47.Google Scholar
Gabler, Hans Walter. “The Synchrony and Diachrony of Texts: Practice and Theory of the Critical Edition of James Joyce’s Ulysses.” In Text 1 (Ann Arbor: Michigan, 1981 [published 1984]): 305–336.Google Scholar
García, Márquez, Gabriel. “The Solitude of Latin America: Nobel Address 1982.” Translated by Richard Cardwell. In Gabriel García Márquez: New Readings, edited by McGuirk, Bernard and Cardwell, Richard, 207–211. Cambridge, UK: Cambridge University Press, 1987.Google Scholar
Lernout, Geert and Van Mierlo, Wim. The Reception of James Joyce in Europe. London: Thoemmes Continuum, 2004.Google Scholar
Genette, Gérard. Palimpsestes: La Littérature au second degré. Paris: Editions du Seuil, 1982.Google Scholar
Gibbons, Luke Joyce’s Ghosts: Ireland, Modernism, and Memory. Chicago: University of Chicago Press, 2015.Google Scholar
Gibson, Andrew. Joyce’s Revenge: History, Politics, and Aesthetics in Ulysses. Oxford: Oxford University Press, 2002.Google Scholar
Gibson, Andrew. “The Reception of James Joyce in Europe (review).” Comparative Critical Studies 3, no. 3 (2006): 393–401.Google Scholar
Gibson, Andrew and Platt, Len. Joyce, Ireland, Britain. Gainesville: University Press of Florida, 2007.Google Scholar
Gibson, Philip. The Strong Spirit: History, Politics and Aesthetics in the Writings of James Joyce, 1898–1915. Oxford: Oxford University Press, 2013.Google Scholar
Gifford, Don and Seidman, Robert J.. “Ulysses” Annotated. Berkeley: University of California Press, 1988.Google Scholar
Gignoux, Anne-Claire. “De l’intertextualité à la Récriture.” Cahier de Narratologie 13 (2006), https://journals.Openedition.org/narratologie/329Google Scholar
Gillespie, Michael Patrick. Ulysses and the American Reader. Joyce Studies 2004, 2. Dublin: National Library of Ireland, 2004.Google Scholar
Gillespie, Michael Patrick and Bradford Stocker, Erik. James Joyce’s Trieste Library: A Catalogue of Materials at the Harry Ransom Humanities Research Center, the University of Texas at Austin. Austin: The Center, 1986.Google Scholar
Gillespie, Michael Patrick and Fargnoli, Nicholas A.. Ulysses in Critical Perspective. Florida James Joyce Series. Gainesville: University Press of Florida, 2006.Google Scholar
Gillespie, Michael Patrick and Gillespie, Paula F.. Recent Criticism of James Joyce’s Ulysses: An Analytical Review. Rochester: Camden House, 2000.Google Scholar
Gilroy, Paul. The Black Atlantic: Modernity and Double-Consciousness. Cambridge: Harvard University Press, 1995.Google Scholar
Golding, Alan. “The Dial, The Little Review, and the Dialogics of Modernism,” in Little Magazines and Modernism: New Approaches, edited by Churchill, Suzanne W. and McKible, Adam, 67–82. Aldershot: Ashgate, 2007.Google Scholar
Goldman, Arnold. The Joyce Paradox: Form and Freedom in his Fiction. Evanston, IL: Northwestern University Press, 1966.Google Scholar
Goldman, Jonathan. Joyce and the Law. Florida James Joyce Series. Gainesville: University Press of Florida, 2017.Google Scholar
Goldman, Jonathan. Modernism Is the Literature of Celebrity. Austin: University of Texas Press, 2011.Google Scholar
González, Manuel Pedro. “El Ulysses cuarenta años después.” In Ensayos críticos, 5–21. Caracas: Universidad Central de Venezuela, 1963.Google Scholar
González, Manuel Pedro. “La novela hispanoamericana en el contexto de la internacional.” In Coloquio sobre la literatura hispanoamericana, edited by Alegría, Fernando et al., 5–21. Mexico: Tezontle, 1967.Google Scholar
Gordon, Ambrose. “Dublin and Buenos Aires, Joyce and Marechal.” Comparative Literature Studies 19, no. 2 (1982): 208–219.Google Scholar
Gordon, John. Joyce and Reality: The Empirical Strikes Back. Irish Studies. Syracuse: Syracuse University Press, 2004.Google Scholar
Gordon, John. “Gaslight, Ghostlight, Golliwog, Gaslight.” James Joyce Quarterly 46, no. 1 (Fall 2008): 19–37.Google Scholar
Gottfried, Roy. Joyce’s Misbelief. Florida James Joyce Series. Gainesville: University Press of Florida, 2008.Google Scholar
Graves, Robert, and Hodge, Alan. The Reader over Your Shoulder: A Handbook for Writers of English Prose. New York: Macmillan, 1961.Google Scholar
Grusin, Richard A. The Nonhuman Turn Minneapolis: University of Minnesota Press, 2015.Google Scholar
Guillory, John. Cultural Capital: The Problem of Literary Canon Formation. Chicago: University of Chicago Press, 1993.Google Scholar
Gunn, Ian, Hart, Clive, and Beck, Harald. James Joyce’s Dublin: A Topographical Guide to the Dublin of Ulysses. New York: Thames & Hudson, 2004.Google Scholar
Hanaway-Oakley, Cleo. James Joyce and the Phenomenology of Film. Oxford: Oxford University Press, 2017.Google Scholar
Hardiman, Adrian. Joyce in Court: James Joyce and the Law. London: Head of Zeus, 2017.Google Scholar
Harker, Jaime. Middlebrow Queer: Christopher Isherwood in America. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Harker, Jaime. “Pulp Isherwood.” In The American Isherwood, edited by Berg, James J. and Freeman, Chris, 250–272. University of Minnesota Press, 2014.Google Scholar
Harrison, Jane Ellen. Mythology. London: George C. Harrap / New York: Longmans, Green and Co., 1924.Google Scholar
Hart, Kevin Andrew. “The Knower and the Known: Problems of Epistemology and Social Science in Popular Detective and Modernist Fiction.” PhD diss., UCSD, 2018.Google Scholar
Hassett, Joseph M. The “Ulysses” Trials: Truth and Beauty Meet the Law. Dublin: Lilliput, 2016.Google Scholar
Hawkins, Hunt. “Joyce as a Colonial Writer.” College Language Association 35, no. 4 (1992): 400–410.Google Scholar
Hayman, David. “Ulysses”: The Mechanics of Meaning, revised edition. Madison: University of Wisconsin Press, 1982.Google Scholar
Henkes, Robbert-Jan. “2 More Weeks in the Life of James Joyce as Gleaned from his 1923 Notebook VI.B.2 Nativities.” Genetic Joyce Studies 14 (Spring 2014). www.geneticjoycestudies.orgGoogle Scholar
Henkes, Robbert-Jan, and Braslasu, Viviana-Mirela. “The Lost Notebook VI.D.2: A Preliminary Digital Genetic Edition.” Genetic Joyce Studies 19 (2019): 99.Google Scholar
Herr, Cheryl. Joyce’s Anatomy of Culture. Urbana and Chicago: University of Illinois Press, 1986.Google Scholar
Hope, Jonathan and Witmore, Michael. “The Very Large Textual Object: A Prosthetic Reading of Shakespeare.” Early Modern Literary Studies 9, no. 3 (January 2004): 1–36.Google Scholar
Horkheimer, Max and Adorno, Theodor W.. Dialectic of Enlightenment. Translated by Edmund Jephcott. Stanford: Stanford University Press, 2002.Google Scholar
Houghton Library, Harvard University, James Joyce Ulysses Placards.Google Scholar
Howes, Marjorie Elizabeth. “Tradition, Gender, and Migration in ‘The Dead,’ or: How Many People Has Gretta Conrad Killed?” The Yale Journal of Criticism 15, no. 1 (Spring 2002): 149–171.Google Scholar
Hudis, Norman. “Mr. James Joyce’s Eyrawyggla Saga.” In The Hampstead & Highgate Express, May 12, 1939.Google Scholar
Hudis, Norman, and Rogers, Peter. No Laughing Matter. Clacton on Sea: Apex Publishing Ltd, 2011.Google Scholar
Humphreys, Susan L. “Ferrero Etc.: James Joyce’s Debt to Guglielmo Ferrero.” James Joyce Quarterly 16, no.3 (Spring 1979): 239–51.Google Scholar
Hutton, Clare. Serial Encounters: Ulysses and The Little Review. Oxford: Oxford University Press, 2019.Google Scholar
Huysmans, Joris-Karl. “Preface, Written Twenty Years After the Novel,” Against Nature (A Rebours). Translated by Robert Baldick. London: Penguin Classics, 2003.Google Scholar
Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1986.Google Scholar
Igoe, Vivian. The Real People of Joyce’s Ulysses: A Biographical Guide. Dublin: University College Dublin Press, 2016. James Joyce Online Notes, www.jjon.orgGoogle Scholar
Intellectual Property Office. Government Response to the Consultation on Reducing the Duration of Copyright in Certain Unpublished Works. London: UK Intellectual Property Office, 2015.Google Scholar
Irwin, William. “Against Intertextuality.” Philosophy and Literature 28, no. 2 (2004): 227–242.Google Scholar
Jameson, Fredric. Fables of Aggression: Wyndham Lewis, the Modernists as Fascist. Berkeley: University of California Press, 1979.Google Scholar
Janusko, Robert. “The Sources and Structure of the ‘Oxen of the Sun’ Episode of James Joyce’s Ulysses,” PhD diss., Kent State University, 1967.Google Scholar
Jauss, Hans Robert. “Literary History as a Challenge to Literary Theory.” Translated by Elizabeth Benzinger. New Literary History 2, no. 1 (Autumn, 1970): 7–37.Google Scholar
Jolas, Eugene. “The Revolution of Language and James Joyce.” transition 11 (February 1928), 109–116.Google Scholar
Jolas, Eugene. “transition and Its Comtemporaries: Some Opinions.” transition 18 (November 1929), 289.Google Scholar
Jolas, Eugene. “Homage to James Joyce – James Joyce at the Half Century,” transition 21 (March 1932): 247–53.Google Scholar
Jolas, Eugene. “Elucidation of James Joyce’s Monomyth: Explication of Finnegans Wake,” in Eugène Jolas: Critical Writings, 1924–1951, edited by Kiefer, Klaus H. and Rumold, Rainer. Evanston: Northwestern University Press, 2009: 405–420.Google Scholar
Jolas, Eugene, Kramer, Andreas, and Rumold, Rainer. Man from Babel. New Haven, CT: Yale University Press, 1998.Google Scholar
Joyce, James. Odysseus. Translated by Thomas Warburton. Stockholm: Albert Bonniers, 1953.Google Scholar
Joyce, James. “Communication de M. James Joyce sur le Droit Moral des Écrivains.” In The Critical Writings of James Joyce, edited by Mason, Ellsworth and Ellmann, Richard, 274–275. New York: Viking, 1964.Google Scholar
Joyce, James. Joyce’s “Ulysses” Notesheets in the British Museum, edited by Herring, Phillip F.. Charlottesville: University Press of Virginia, 1972.Google Scholar
Joyce, James. A Portrait of the Artist as a Young Man, edited by Johnson, Jeri. Oxford: Oxford University Press, 2000.Google Scholar
Joyce, James. The Restored Finnegans Wake, edited by Rose, Danis and O’Hanlon, John. London: Penguin Classics, 2012.Google Scholar
Joyce, James. The Little Review “Ulysses.” edited by Gaipa, Mark, Latham, Sean, and Scholes, Robert. New Haven: Yale University Press, 2015.Google Scholar
Joyce, James. Uilséas. Translated by Séamas Ó hInnéirghe and Breasal Uilsean. Belfast: Foillseacáin Inis Gleoire, 1991.Google Scholar
Joyce, James. Ulisse. Translated by J. Salas Subirat. Buenos Aires: Santiago Rueda, 1959.Google Scholar
Joyce, James. Ulisse. Translated by Giulio de Angelis. Consulenti: Glauco Cambon, 1960.Google Scholar
Joyce, James. Ulisse. Translated by Bona Flecchia. Florence: Shakespeare and Company, 1995.Google Scholar
Joyce, James. Ulysse, Translated by Auguste Morel, Stuart Gilbert, Valery Larbaud, in Œuvres complètes, vol. 2, edited by Aubert, Jacques. Paris: Gallimard, 1995.Google Scholar
Joyce, James. Ulysses. Translated by Hans Wollschläger, revised by Harald Beck, Ruth Frehner, and Ursula Zeller. Frankfurt: Suhrkamp, 2018.Google Scholar
Joyce, James and Herring, Phillip F.. Joyce’s Notes and Early Drafts for “Ulysses”: Selections from the Buffalo Collection. Charlottesville: University Press of Virginia, 1977.Google Scholar
Joyce, James and Levin, Harry. Ulysses: a Facsimile of the Manuscript. New York: Octagon Books, 1975.Google Scholar
Joyce, James, Beach, Sylvia, Banta, Melissa, and Silverman, Oscar A.. James Joyce’s Letters to Sylvia Beach, 1921–1940. Bloomington: Indiana University Press, 1987.Google Scholar
Joyce, Simon. Modernism and Naturalism in British and Irish Fiction, 1880–1930. Cambridge, UK: Cambridge University Press, 2015.Google Scholar
Kenner, Hugh. “Joyce and Ibsen’s Naturalism.” The Sewanee Review 59, no. 1 (Winter, 1951): 75–96.Google Scholar
Kershner, R. B. Joyce, Bakhtin, and Popular Literature: Chronicles of Disorder. Chapel Hill: University of North Carolina Press, 1989 (2nd edition 1992).Google Scholar
Kershner, R. B. Joyce and Popular Culture. Gainesville: University Press of Florida, 1996.Google Scholar
Kershner, R. Brandon. Cultural Studies of James Joyce. European Joyce Studies, no. 15. Amsterdam and New York: Rodopi, 2003.Google Scholar
Kershner, R. Brandon. The Culture of Joyce’s Ulysses. New Directions in Irish and Irish American Literature. New York: Palgrave Macmillan, 2010.Google Scholar
Kiberd, Declan. Inventing Ireland: The Literature of the Modern Nation. London: Vintage, 1996.Google Scholar
Kiberd, Declan. Ulysses and Us: The Art of Everyday Life in Joyce’s Masterpiece. New York: W.W. Norton, 2009.Google Scholar
Kiczek, Justin. “Joyce in Transit: The ‘Double Star’ Effect of Ulysses.” James Joyce Quarterly, 48, no. 2 (2011): 291–304.Google Scholar
Kilfeather, Siobhán and Walshe, Eibhear. “Contesting Ireland: The Erosion of heterosexual Consensus: 1941–2001” in The Field Day Anthology of Irish Writing: Volume IV: Irish Women’s Writing and Tradition, edited by Bourke, Angela, 1039–1087. New York: New York University Press, 2002.Google Scholar
Kirschenbaum, Matthew. “The.txtual Condition: Digital Humanities, Born-Digital Archives, and the Future Literary.” Digital Humanities Quarterly 7, no. 1 (2013).Google Scholar
Kristeva, Julia. “The Bounded Text.” In Desire in Language, edited by Roudiez, Leon S., Translated by by Thomas Gora, Alice Jardine, and Leon S. Roudiez, 36–63. New York: Columbia University Press, 1980.Google Scholar
La Casse, Christopher J. “From the Historical Avant-Garde to Highbrow Coterie Modernism: The Little Review’s Wartime Advances and Retreats.” Criticism 57, no. 4 (Fall 2015): 581–608.Google Scholar
Lacivita, , “Polar Exploration in Finnegans Wake,” Joyce Studies Annual 1 (2013): 312–326.Google Scholar
Lacivita, , “Trouble in Paradise: Violence and the Phoenix Park in Finnegans Wake,” James Joyce Quarterly 51, no. 2–3 (2014): 317–331.Google Scholar
Lacivita, Alison. The Ecology of Finnegans Wake. Gainesville: University Press of Florida, 2015.Google Scholar
Lagerkatalog von Simmel & Co. Buchhandlung und Antiquariat insbesondere für klassische Philologie und Linguistik in Leipzig Rossstrasse 18, no. 229. Leipzig: Simmel & Co., 1910.Google Scholar
Lanigan, Liam. James Joyce, Urban Planning, and Irish Modernism: Dublins of the Future. Houndmills: Palgrave Macmillan, 2014.Google Scholar
Lappin, Linda. “Jane Heap and Her Circle,” Prairie Schooner 78, no. 4 (Winter 2004): 5–25.Google Scholar
Latham, Sean and Rogers, Gayle. Modernism: Evolution of an Idea. London: Bloomsbury, 2015.Google Scholar
Latham, Sean and Scholes, Robert. “The Changing Profession: The Rise of Periodical Studies.” PMLA 121, no. 2 (March 2006): 517–531.Google Scholar
Lawrence, Karen. Who’s Afraid of James Joyce? Gainesville: University Press of Florida, 2010.Google Scholar
Lawless, Emily. The Story of Ireland. New York: Putnam , and London: T. Fisher Unwin, 1888.Google Scholar
Le Bihan, Adrien. James Joyce travesti par trois clercs parisiens: un essai. Barcelona: Cherche-Bruit, 2011.Google Scholar
Leonard, Garry Martin. Advertising and Commodity Culture in Joyce. Gainesville: University Press of Florida, 1998.Google Scholar
Lernout, Geert. “The Finnegans Wake Notebooks and Radical Philology.” In Probes: Genetic Studies in Joyce, edited by Hayman, David and Slote, Sam, 19–48. Amsterdam: Rodopi, 1995.Google Scholar
Lernout, Geert. James Joyce, Reader. Joyce Studies, no. 13. Dublin: National library of Ireland, 2004.Google Scholar
Levine, Suzanne Jill. “Notes to Borges’s Notes on Joyce: Infinite Affinities.” Comparative Literature 49, no. 4 (1997): 344–359.Google Scholar
Levitt, Morton. Modernist Survivors: The Contemporary Novel in England, the United States, France, and Latin America. Columbus: Ohio State University Press, 1987.Google Scholar
Lionnet, Françoise and Shih, Shu-mei. Minor Transnationalism. Durham: Duke University Press, 2005.Google Scholar
Litz, A. Walton. The Art of James Joyce: Method and Design in “Ulysses” and “Finnegans Wake.” London; New York: Oxford University Press, 1961.Google Scholar
Lowe-Evans, Mary. Catholic Nostalgia in Joyce and Company. Florida James Joyce Series. Gainesville: University Press of Florida, 2008.Google Scholar
MacManus, Seumas. The Story of the Irish Race: A Popular History of Ireland. New York: Chartwell Books, 2018.Google Scholar
Maddox, Brenda. Nora: The Real Life of Molly Bloom. Boston and New York: Houghton Mifflin-Mariner, 2000.Google Scholar
Mahaffey, Vicki. Collaborative Dubliners: Joyce in Dialogue. Syracuse: Syracuse University Press, 2012.Google Scholar
Mak, Cliff. “Joyce’s Indifferent Animals: Boredom and the Subversion of Fables in Finnegans Wake.” Modernist Cultures 11, no. 2 (2016): 179–205.Google Scholar
Mao, Doug and Walkowitz, Rebecca L.. “The New Modernist Studies.” PMLA, 123, no. 3 (2008): 737–748.Google Scholar
Marechal, Leopoldo. Adán Buenosayres, edited by Lafforge, Jorge and Colla, Fernando. Madrid: ALLCA XX, 1997.Google Scholar
Martin, Gerald. Journeys through the Labyrinth: Latin American Fiction in the Twentieth Century. London: Verso, 1989.Google Scholar
Maupassant, Guy de. The Complete Works of Guy de Maupassant, Volume 3. New York: Pearson Publishing Company, 1910.Google Scholar
Mayo, Michael. James Joyce and the Jesuits. Cambridge, UK: Cambridge University Press, 2020.Google Scholar
McArthur, Ian. “Mutant Units in the C Notebooks.” A Finnegans Wake Circular 2, no. 4 (1987): 76–77.Google Scholar
McCourt, John. The Years of Bloom: James Joyce in Trieste, 1904–1920. Madison: University of Wisconsin Press, 2000.Google Scholar
McCourt, John. James Joyce in Context. Cambridge, UK: Cambridge University Press, 2009.Google Scholar
McCourt, John. Roll Away the Reel World: James Joyce and Cinema. Cork: Cork University Press, 2010.Google Scholar
McCrea, Barry. In the Company of Strangers: Family and Narrative in Dickens, Conan Doyle, Joyce, and Proust. New York: Columbia University Press, 2011.Google Scholar
McMillan, Dougald, and Stein, Gertrude. Transition: the History of a Literary Era 1927–1938 London: Calder and Boyars, 1975.Google Scholar
Mecsnóber, Tekla. Rewriting Joyce’s Europe: The Politics of Language and Visual Design. Gainesville: University Press of Florida, 2021.Google Scholar
Minamitami, Yoshimi. “Joyce’s ‘Force’ and his Tuskers as Modern Animals.” Humanities 6, no. 3 (2017) https://doi.org/10.3390/h6030045Google Scholar
Moretti, Franco. “The Slaughterhouse of Literature.” Modern Language Quarterly 61, no. 1 (March 2000): 207–227.Google Scholar
Morrison, Mark S. The Public Face of Modernism: Little Magazines, Audiences, and Reception, 1905–1920. Madison: University of Wisconsin Press, 2000.Google Scholar
Morrissey, L. J. “Joyce’s Revision of ‘The Sisters’: From Epicleti to Modern Fiction.” James Joyce Quarterly 24, no. 1 (Fall, 1986): 33–54.Google Scholar
Morton, Timothy. “Text as Ecology, Ecology as Text.” Oxford Literary Review 32, no. 1 (2010): 1–17.Google Scholar
Morton, Timothy. Hyperobjects: Philosophy and Ecology After The End of The World. Minneapolis: University of Minnesota Press, 2013.Google Scholar
Mullen, Patrick. The Poor Bugger’s Tool: Irish Modernism, Queer Labor, and Postcolonial History. Oxford: Oxford University Press, 2012.Google Scholar
Mullin, Katherine. James Joyce, Sexuality and Social Purity. Cambridge, UK: Cambridge University Press, 2003.Google Scholar
Mullin, Katherine. “Joyce through the Little Magazines.” In A Companion to James Joyce, edited by Brown, Richard, 374–389. Oxford: Blackwell, 2008.Google Scholar
Nash, John. James Joyce and The Act of Reception: Reading, Ireland, Modernism. Cambridge University Press, 2006.Google Scholar
Nash, John. James Joyce in the Nineteenth Century. New York: Cambridge University Press, 2013.Google Scholar
Nicolson, Harold. “People and Things.” The Spectator (London. 1828) 162, no. 5786 (1939): 851.Google Scholar
Norris, Margot. “Stifled Back Answers: The Gender Politics of Art in Joyce’s ‘The Dead.” Modern Fiction Studies 35, no.3 (1989): 479–503.Google Scholar
Norris, Margot. “Not The Girl She Was at All: Women in ‘The Dead,’” In The Dead: Complete, Authoritative Text with Biographical and Historical Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives. James Joyce and Daniel R. Schwarz, 190–205. Boston: Bedford Books of St. Martin’s Press, 1994.Google Scholar
Norris, Margot. Suspicious Readings of Joyce’s Dubliners. Philadelphia: University of Pennsylvania Press, 2003.Google Scholar
Norris, Margot. Virgin and Veteran Readings of Ulysses. New York: Palgrave Macmillan, 2011.Google Scholar
Norris, Margot. “The Animals of James Joyce’s Finnegans Wake.” MFS: Modern Fiction Studies 60, no. 3 (Fall 2014): 527–543.Google Scholar
North, Michael. Reading 1922: A Return to the Scene of the Modern. Oxford: Oxford University Press, 2001.Google Scholar
Novillo-Corvalán, Patricia. Borges and Joyce: An Infinite Conversation. Oxford: Modern Humanities Research Association and Routledge, 2011.Google Scholar
Novillo-Corvalán, Patricia. Modernism and Latin America: Transnational Networks of Literary Exchange. New York: Routledge, 2018.Google Scholar
Ó Gallchoir, Clíona. “Whiteness and the Racialization of Irish Identity in Celtic Tiger Children’s Fiction.” Breac (August 25, 2016). https://breac.nd.edu/articles/whiteness-and-the-racialization-of-irish-identity-in-celtic-tiger-childrens-fiction/Google Scholar
Gráda, Ó, Cormac. Jewish Ireland in the Age of Joyce: A Socioeconomic History. Princeton and Oxford: Princeton University Press, 2006.Google Scholar
O Hehir, Brendan. Gaelic Lexicon for “Finnegans Wake.” Berkeley: University of California Press, 1967.Google Scholar
O’Callaghan, , Katherine. “Review: Eco-Joyce.” Irish Studies Review 23, no.4 (2015): 508–510.Google Scholar
O’Connor, Ulick. The Joyce We Knew: Memoirs of Joyce. Dingle, Ireland: O’Brien Press, 2004.Google Scholar
O’Growney, Eugene. Revised Simple Lessons in Irish. New York: Gael Publishing Co., 1902.Google Scholar
Orr, Leonard. Joyce, Imperialism and Colonialism. New York: Syracuse University Press, 2008.Google Scholar
Osborne, Roger. “The Publication of Victory in Munsey’s Magazine and the London Star.” Conradiana 41, no. 2–3 (Fall / Winter 2009): 267–288.Google Scholar
Osteen, Mark. The Economy of Ulysses: Making Both Ends Meet. Syracuse, N.Y: Syracuse University Press, 1995.Google Scholar
Parsons, Cóilín. The Ordnance Survey and Modern Irish Literature. Oxford: Oxford University Press, 2016.Google Scholar
Pearson, Nels. “Death Sentences: Silence, Colonial Memory and the Voice of the Dead in Dubliners.” European Joyce Studies 16. Beckett, Joyce, and the Art of the Negative (2005): 141–170.Google Scholar
Perec, Georges. Life a User’s Manual. Translated by David Bellos. Boston: David R. Godine, 1987.Google Scholar
Piglia, Ricardo. The Absent City. Translated by Sergio Waisman. Durham: Duke University Press, 2000.Google Scholar
Platt, Len. Joyce, Race and Finnegans Wake. Cambridge, UK: Cambridge University Press, 2007.Google Scholar
Plock, Vike Martina. Joyce, Medicine, and Modernity. Florida James Joyce Series. Gainesville: University Press of Florida, 2010.Google Scholar
Plock, Vike Martina. “Bodies.” In The Cambridge Companion to Ulysses, edited by Latham, Sean, 184–199. Cambridge, UK: Cambridge University Press, 2014.Google Scholar
Poincaré, Henri. The Value of Science: Essential Writings of Henri Poincaré. New York: Modern Library, 2001.Google Scholar
Pound, Ezra. Pound/Joyce: The Letters of Ezra Pound to James Joyce, with Pound’s Essays on Joyce, edited by Read, Forrest. New York: New Directions, 1967.Google Scholar
Power, Tristan. “Joyce’s Ulysses Library.” Studies in Bibliography 60 (2018): 229–250.Google Scholar
Price, Brian L., Salgado, César A., and Schwartz, John Pedro. TransLatin Joyce: Global Transmissions in Ibero-American Literature. New York: Palgrave Macmillan, 2014.Google Scholar
Quackenbos, John Duncan. Practical Rhetoric. New York; Cincinnati; Chicago: American Book Company, 1896.Google Scholar
Quayson, Ato. Oxford Street, Accra: City Life and the Itineraries of Transnationalism. Durham, NC: Duke University Press, 2014.Google Scholar
Rabaté, Jean-Michel. James Joyce and the Politics of Egoism. Cambridge: Cambridge University Press, 2001.Google Scholar
Rabaté, Jean-Michel. “Gender and Modernism: The Freewoman (1911–12), The New Freewoman (1913), and The Egoist (1914–19).” The Oxford Critical and Cultural History of Modernist Magazines, edited by Brooker, Peter, Thacker, Andrew I., 269–289. Britain and Ireland 1880–1955. Oxford: Oxford University Press, 2009.Google Scholar
Rainey, Lawrence S. Institutions of Modernism: Literary Elites and Public Culture. New Haven: Yale University Press, 1999.Google Scholar
Raisor, Philip. “Grist for the Mill: James Joyce and the Naturalists.” Contemporary Literature, 15, no. 4 (Autumn, 1974): 457–473.Google Scholar
Rancière, Jacques, and Swenson, James. Mute Speech: Literature, Critical Theory, and Politics. New York: Columbia University Press, 2011.Google Scholar
Rando, David. “The Cat’s Meow: Ulysses, Animals, and the Veterinary Gaze.” James Joyce Quarterly 46, no. 3–4 (Spring 2009): 529–543.Google Scholar
Reizbaum, Marilyn. James Joyce’s Judaic Other. Stanford: Stanford University Press, 1999.Google Scholar
Rhys, Jean, Brontë, Charlotte, and Danticat, Edwidge. Wide Sargasso Sea. New York: W. W. Norton & Company, 2016.Google Scholar
Rice, Thomas Jackson. Joyce, Chaos, and Complexity. Urbana: University of Illinois Press, 1997.Google Scholar
Rice, Thomas J. “Subtle Reflections of/upon Joyce in/by Borges.” Journal of Modern Literature 24, no. 1 (2000): 47–62.Google Scholar
Riffaterre, Michael. “Un faux problème: l’érosion intertextuelle.” In Le Signe et le texte: Etudes sur l’écriture au XVIe siècle en France, edited by Kritzman, Laurence D., 51–59. Lexington: French Forum, 1990.Google Scholar
Riffaterre, Michael. “Contraintes intertextuelles.” In Texte(s) et Intertexte(s), edited by Le Calvez, Eric and Canova-Green, Marie-Claude, 35–53. Amsterdam: Rodopi, 1997.Google Scholar
Rilke, Rainer Maria. Wartime Letters 1914–1921. Translated by M. D. Herder Norton. New York: W. W. Norton, 1940.Google Scholar
Robinson, James. Joyce’s Dante: Exile, Memory, and Community. Cambridge, UK: Cambridge University Press, 2016.Google Scholar
Rodríguez, Monegal, Emir. El boom de la novela latinoamericana; ensayo. Caracas: Editorial Tiempo Nuevo, 1972.Google Scholar
Rose, Danis. “Preface” to Joyce, James Ulysses, A Reader’s Edition. London: Picador, 1998.Google Scholar
Rosenhan, Claudia. “‘Grace’ and the Idea of ‘the Irish Jew.’” James Joyce Quarterly 47, no. 1 (2009): 71–86.Google Scholar
Rubenstein, Michael. Public Works: Infrastructure, Irish Modernism, and the Postcolonial. Notre Dame: University of Notre Dame Press, 2010.Google Scholar
Ruggieri, Franca. Joyce’s Victorians. Joyce Studies in Italy, no. 9. Rome: Bulzoni Editore, 2006.Google Scholar
Ruggieri, Franca and Terrinoni, Enrico. Why Read Joyce in the 21st Century? Joyce Studies in Italy, no. 13. Rome: Edizioni Q, 2012.Google Scholar
Saint-Amour, Paul K. The Copywrights: Intellectual Property and the Literary Imagination. Ithaca, NY: Cornell University Press, 2003.Google Scholar
Saint-Amour, Paul K. Modernism and Copyright. New York: Oxford University Press, 2011.Google Scholar
Saxe, John Godfrey. “The Blind Men and the Elephant.” In Clever Stories of Many Nations. Boston: Ticknor and Fields, 1865: 59–64.Google Scholar
Scholes, Robert. The Cornell Joyce Collection: A Catalogue. Ithaca: Cornell University Press, 1961.Google Scholar
Scholes, Robert. “Joyce and the Epiphany: The Key to the Labyrinth?” The Sewanee Review 72, no. 1 (Winter, 1964): 65–77.Google Scholar
Scholes, Robert, and Joyce, James. The Cornell Joyce Collection: A Catalogue. Ithaca, NY: Cornell University Press, 1961.Google Scholar
Scholes, Robert and Kain, Richard, The Workshop of Daedalus: James Joyce and the Raw Materials for A Portrait of the Artist as a Young Man. Evanston, IL: Northwestern University Press, 1965.Google Scholar
Schwarze, Tracey Teets. Joyce and the Victorians. Florida James Joyce Series. Gainesville: University Press of Florida, 2002.Google Scholar
Seidel, Michael. Epic Geography: James Joyce’s Ulysses (1976). Princeton University Press, 2014.Google Scholar
Senn, Fritz. “Righting Ulysses.” In James Joyce: New Perspectives, edited by MacCabe, Colin, 3–28. Bloomington: Indiana University Press, 1982.Google Scholar
Senn, Fritz. “Foreign Readings.” In Joyce’s Dislocutions: Essays on Reading As Translation, edited by Riquelme, John-Paul, 41–44. Baltimore: The Johns Hopkins University Press, 1984.Google Scholar
Senn, Fritz. “Gnomon Inverted.” In ReJoycing: New Readings of Dubliners, edited by Bosinelli, Rosa Bollettieri and Mosher Jr., Harold F., 249–257. University Press of Kentucky, 1998.Google Scholar
Senn, Fritz. “From Zürich to Forlì: How Some of It All Began.” The Benstock Library as a Mirror of Joyce, edited by Bosinelli, Rosa Maria Bollettieri and Ruggieri, Franca, 21–34. Joyce Studies in Italy, no. 7. Rome: Bulzoni Editore, 2002.Google Scholar
Senn, Fritz. Joycean Murmoirs: Fritz Senn on James Joyce, edited by O’Neill, Christine. Dublin: Lilliput Press, 2007.Google Scholar
Senn, Fritz. Ulyssean Close-ups. Piccola Biblioteca Joyciana, no. 2. Rome: Bulzoni Editore, 2007.Google Scholar
Senn, Fritz. Portals of Recovery, edited by Erika Mihálycsa. Joyciana, Piccola Biblioteca, 14. Rome: Bulzoni Editore, 2017.Google Scholar
Shakespeare, William. The Cambridge Shakespeare, edited by Clark, William George and Wright, William Aldis. Cambridge, UK: Cambridge University Press, 2009.Google Scholar
Shaw, Donald L. “When Was Modernism in Spanish America.” Bulletin of Spanish Studies 79, no. 2–3 (2002): 395–409Google Scholar
Shaw, Donald L. “More about Modernism in Spanish America.” A Contracorriente 4, no. 2 (2007): 143–152.Google Scholar
Sherry, Vincent B. James Joyce’s Ulysses, 2nd ed. Cambridge, UK: Cambridge University Press, 2004.Google Scholar
Shloss, Carol. “Copyright and the Joyce Estate: Legal Issues, Moral Issues, and Unresolved Issues in the Publication of Lucia Joyce: To Dance in the Wake.” Joyce Studies Annual 2008 (2008): 22–33.Google Scholar
Shloss, Carol Loeb. “Joyce, Jung and Carola Giedion-Welcker: Ulysses in Zürich, 1928–32.” In A Collideorscape of Joyce: Festschrift for Fritz Senn, edited by Frehner, Ruth, Zeller, Ursula, 215–227. Dublin: Lilliput Press, 1998.Google Scholar
Shloss, Carol Loeb. Lucia Joyce: To Dance in the Wake. New York: Farrar, Straus and Giroux, 2003.Google Scholar
Shloss, Carol Loeb. “Privacy and the Misuse of Copyright: The Case of Shloss v. the Estate of James Joyce.” Modernism and Copyright, edited by Saint-Amour, Paul K., 243–259. Oxford: Oxford University Press, 2011.Google Scholar
Sicker, Philip. Ulysses, Film and Visual Culture. Cambridge, UK: Cambridge University Press, 2018.Google Scholar
Sigler, Amanda. “Archival Errors: Ulysses in the Little Review.” In Errears and Erroriboose: Joyce and Error, edited by Creasy, Matthew, 73–87. Amsterdam: Rodopi, 2011.Google Scholar
Silet, Charles L. P. transition: An Author Index. New York: The Whitston Publishing Company, 1980.Google Scholar
Singleton, Mark. “Lure of the Fallen Seraphim: Sovereignty and Sacrifice in James Joyce and Georges Bataille.” James Joyce Quarterly 44, no. 2 (Winter 2007): 303–322.Google Scholar
Slocum, John J. and Cahoon, Herbert. A Bibliography of James Joyce (1953) Westport, CT: Greenwood, 1971.Google Scholar
Slote, Sam. Ulysses in the Plural: The Variable Editions of Joyce’s Novel. Joyce Studies 2004, no. 5. Dublin: National Library of Ireland, 2004.Google Scholar
Slote, Sam. “Garryowen and the Bloody Mangy Mongrel of Irish Modernity,” James Joyce Quarterly 46, no. 3–4 (Spring 2009): 545–557.Google Scholar
Slote, Sam. “Derrida and the Phantom Yeses of Ulysse.” In Retranslating Joyce for the 21st Century. European Joyce Studies 30, edited by Wawrzycka, Jolanta and Mihálycsa, Erika, 308–318. Leiden: Brill Rodopi, 2020.Google Scholar
Smyth, Gerry. Music and Sound in the Life and Literature of James Joyce: Joyces Noyces. Palgrave Studies in Music and Literature. Cham: Palgrave Macmillan, 2020.Google Scholar
Soyinka, Wole. Myth, Literature, and the African World. Cambridge: Cambridge University Press, 1990.Google Scholar
Spender, Stephen, and Goldsmith, John. Journals, 1939–1983. London: Faber and Faber, 1985.Google Scholar
Spinks, Lee. James Joyce: A Critical Guide. Edinburgh: Edinburgh University Press, 2009.Google Scholar
Spoo, Robert. “Copyright Protectionism and its Discontents: The Case of James Joyce’s Ulysses in America.” Yale Law Journal 109 (1998): 633–667.Google Scholar
Spoo, Robert. “Joyce’s Works in Copyright and in the Public Domain.” https://joycefoundation.utulsa.edu/home/joyce-copyright/joyce-works-copyright-public-domain/Google Scholar
Spoo, Robert. “Three Myths for Aging Copyrights: Tithonus, Dorian Gray, Ulysses.” Cardozo Arts and Entertainment Law Journal 31 (2012): 77–112.Google Scholar
Spoo, Robert. Without Copyrights: Piracy, Publishing, and the Public Domain. New York: Oxford University Press, 2013.Google Scholar
Spoo, Robert. “The Uncoordinated Public Domain.” Cardozo Arts and Entertainment Law Journal 35 (2016): 107–151.Google Scholar
Spoo, Robert. “The Lawful Piracy of James Joyce’s Poems.” In Forgotten Intellectual Property Lore: Creativity, Entrepreneurship and Intellectual Property, edited by Ghosh, Shubha, 31–53. Cheltenham, UK: Edward Elgar, 2020.Google Scholar
Suhr-Systsma, Nathan. Poetry, Print, and the Making of Postcolonial Literature. Cambridge, UK: Cambridge University Press, 2017.Google Scholar
Thurston, Luke. James Joyce and the Problem of Psychoanalysis. Cambridge, UK: Cambridge University Press, 2004.Google Scholar
Vachha, P. B. Famous Judges, Lawyers and Cases of Bombay: A Judicial History of Bombay During the British Period. Bombay: NM Tripathi Private, Ltd., 1962.Google Scholar
Valente, Joseph. The Myth of Manliness in Irish Nationalist Culture, 1880–1922. Champagna-Urbane: University of Illinois Press, 2011.Google Scholar
Van, Boheemen-Saaf, Christine and Colleen Lamos. Masculinities in Joyce: Postcolonial Constructions. European Joyce Studies, no. 10. Amsterdam and Atlanta: Rodopi, 2001.Google Scholar
Van Caspel, Paul. Bloomers on the Liffey. Baltimore, MD: The Johns Hopkins University Press, 1986.Google Scholar
Van Delden, Maarten. “The Spanish-American Novel and European Modernism.” In Modernism, edited by Eysteinsson, Astradur and Liska, Vivian, vol 2, 947–965. Amsterdam: Johns Benjamins, 2007.Google Scholar
Van Hulle, Dirk. James Joyce’s “Work in Progress”: Pre-Book Publications of “Finnegans Wake” Fragments. New York: Routledge, 2016.Google Scholar
Van Hulle, Dirk. “Morpheus in Joyce’s Notebook VI.B.22.” Genetic Joyce Studies 20 (2020).Google Scholar
Van Hulle, Dirk and Mierlo, Wim Van. Reading Notes. Variants, 2/3. Amsterdam and New York: Rodopi, 2004.Google Scholar
Van Mierlo, Chrissie. “‘Oxen of the Sun’ Notesheet 17: Commentary and Annotations with a New List of Sources, and Transcriptions or Oxtail Soup: The Ingredients.” Genetic Joyce Studies 14 (Spring 2014). www.geneticjoycestudies.orgGoogle Scholar
Van Mierlo, Chrissie. James Joyce and Catholicism: The Apostate’s Wake. Historicizing Modernism. London: Bloomsbury Academic, 2017.Google Scholar
Vanderham, Paul. James Joyce and Censorship: The Trials of Ulysses. New York: New York University Press, 1997.Google Scholar
Vaughn, Matthew. “Radical Pulp: Popular Print Culture and the Anxiety of Modernist Authorship.” PhD diss., Tulsa, 2012.Google Scholar
Venegas, José Luis. Decolonizing Modernism: James Joyce and the Development of Spanish American Fiction. Oxford: Modern Humanities Research Association and Routledge, 2010.Google Scholar
Verene, Donald Phillip. Knowledge of Things Human and Divine: Vico’s New Science and “Finnegans Wake.” New Haven, CT: Yale University Press, 2003.Google Scholar
Virgil, , The Æneid of Virgil, Translated into English Verse. Translated by John Conington. London: Longmans, Green, 1866.Google Scholar
Waisman, Sergio Gabriel. “Borges Reads Joyce: The Role of Translation in the Creation of Texts.” Variaciones Borges (2000): 59–73.Google Scholar
Weiss, Timothy. “The ‘Black Beast’ Headline: The Key to an Allusion in Ulysses.” James Joyce Quarterly 19, no. 2 (Winter, 1982): 183–186.Google Scholar
West, Emma. “The High and Lows of Modernism: A Cultural Deconstruction.” PhD diss., Cardiff, 2017.Google Scholar
West, Michael and Hendricks, William. “The Genesis and Significance of Joyce’s Irony in ‘A Painful Case,’” ELH 44, no. 4 (Winter, 1977): 701–727.Google Scholar
West, Thomas G. “Schopenhauer, Huysmans and French Naturalism.” Journal of European Studies 1, no. 1 (March 1971): 313–324.Google Scholar
Whitebook, Joel. “Making Sense of the Death Instinct.” In Freud: An Intellectual Biography, edited by Flem, Lydia, 343–377. Cambridge, UK: Cambridge University Press, 2017.Google Scholar
Wicke, Jennifer. Advertising Fictions: Literature, Advertisement & Social Reading New York: Columbia University Press, 1988.Google Scholar
Williams, Raymond L. “Modernist Continuities: The Desire To Be Modern in Twentieth-Century Spanish American Fiction.” Bulletin of Spanish Studies 79, no. 2–3 (2002): 369–393.Google Scholar
Williams, Trevor. Reading Joyce Politically. Gainesville: University Press of Florida, 1997.Google Scholar
Wilson, Edmund. “The Dream of H. C. Earwicker.” In James Joyce: Two Decades of Criticism, edited by Givens, Seon. New York: Vanguard Press, 1963: 324–342.Google Scholar
Witen, Michelle. James Joyce and Absolute Music. Historicizing Modernism. London: Bloomsbury Academic, 2018.Google Scholar
Wolfson, Susan J. “First Acquaintance & ‘Quaint Allusion.’” ELH 79, no. 2 (Summer 2012): 261–288.Google Scholar
Wollaeger, Mark. “Ulysses, Gabler, and Kidd: The Personal Note.” Studies in the Novel 51, no.1 (Spring 2019): 86–97.Google Scholar
Wollaeger, Mark and Eatough, Matt. The Oxford Handbook of Global Modernisms. Oxford: Oxford University Press, 2013.Google Scholar
Yanella, Philip R. “James Joyce to The Little Review: Ten Letters.” Journal of Modern Literature 1, no. 3 (March 1971): 393–398.Google Scholar
Yazell, Bryan. “Irish Israelism: Reconsidering the Politics of Race and Belonging in “Cyclops.” James Joyce Quarterly 53, no. 3–4 (Spring-Summer 2016): 269–285.Google Scholar
Zola, Émile. The Experimental Novel. Translated by Belle M. Sherman. New York: Cassell Publishing Co.,1893.Google Scholar
Zola, Émile. L’Assommoir. Translated by Margaret Mauldon. Oxford: Oxford World’s Classics, 1995.Google Scholar
Zola, Émile. Thérèse Racquin. Translated by Andrew Rothwell. Oxford: Oxford University Press, 2008.Google Scholar