Book contents
- Frontmatter
- Contents
- Translator's Preface
- Acknowledgments
- Introduction
- Part I Neue Gedichte / New Poems
- Early Apollo
- Girl's Lament
- Love Song
- Eranna to Sappho
- Sappho to Eranna
- Sappho to Alcaeus
- Epitaph of a Young Girl
- Oblation
- Eastern Aubade
- Abishag
- David Sings before Saul
- Joshua's Gathering
- The Prodigal Son's Departure
- The Mount of Olives
- Pietà
- The Women's Song to the Poet
- The Death of the Poet
- Buddha
- L'Ange du Méridien
- The Cathedral
- The Portal
- The Rose Window
- The Capital
- God in the Middle Ages
- Morgue
- The Prisoner
- The Panther
- The Gazelle
- The Unicorn
- St. Sebastian
- The Donor
- The Angel
- Roman Sarcophagi
- The Swan
- Childhood
- The Poet
- The Lace
- A Woman's Fate
- The Convalescent
- The Grown-Up
- Tanagra
- The Woman Going Blind
- In a Strange Park
- Parting
- Death Experience
- Blue Hydrangea
- Before the Summer Rain
- In the Drawing Room
- Final Evening
- Youthful Portrait of My Father
- Self-Portrait from the Year 1906
- The King
- Resurrection
- The Standard-Bearer
- The Last Count of Brederode Evades Turkish Captivity
- The Courtesan
- The Stairs of the Orangerie
- The Marble Cart
- Buddha
- Roman Fountain
- The Carousel
- Spanish Dancer
- The Tower
- The Square
- Quai du Rosaire
- Béguinage
- The Procession of the Virgin Mary
- The Island
- Tombs of the Hetaerae
- Orpheus. Eurydice. Hermes
- Alcestis
- Birth of Venus
- The Bowl of Roses
- Part II Der neuen Gedichte anderer Teil / The New Poems: The Other Part
- Index of Titles and First Lines in German
- Index of Titles and First Lines in English
Alcestis
from Part I - Neue Gedichte / New Poems
Published online by Cambridge University Press: 05 July 2016
- Frontmatter
- Contents
- Translator's Preface
- Acknowledgments
- Introduction
- Part I Neue Gedichte / New Poems
- Early Apollo
- Girl's Lament
- Love Song
- Eranna to Sappho
- Sappho to Eranna
- Sappho to Alcaeus
- Epitaph of a Young Girl
- Oblation
- Eastern Aubade
- Abishag
- David Sings before Saul
- Joshua's Gathering
- The Prodigal Son's Departure
- The Mount of Olives
- Pietà
- The Women's Song to the Poet
- The Death of the Poet
- Buddha
- L'Ange du Méridien
- The Cathedral
- The Portal
- The Rose Window
- The Capital
- God in the Middle Ages
- Morgue
- The Prisoner
- The Panther
- The Gazelle
- The Unicorn
- St. Sebastian
- The Donor
- The Angel
- Roman Sarcophagi
- The Swan
- Childhood
- The Poet
- The Lace
- A Woman's Fate
- The Convalescent
- The Grown-Up
- Tanagra
- The Woman Going Blind
- In a Strange Park
- Parting
- Death Experience
- Blue Hydrangea
- Before the Summer Rain
- In the Drawing Room
- Final Evening
- Youthful Portrait of My Father
- Self-Portrait from the Year 1906
- The King
- Resurrection
- The Standard-Bearer
- The Last Count of Brederode Evades Turkish Captivity
- The Courtesan
- The Stairs of the Orangerie
- The Marble Cart
- Buddha
- Roman Fountain
- The Carousel
- Spanish Dancer
- The Tower
- The Square
- Quai du Rosaire
- Béguinage
- The Procession of the Virgin Mary
- The Island
- Tombs of the Hetaerae
- Orpheus. Eurydice. Hermes
- Alcestis
- Birth of Venus
- The Bowl of Roses
- Part II Der neuen Gedichte anderer Teil / The New Poems: The Other Part
- Index of Titles and First Lines in German
- Index of Titles and First Lines in English
Summary
Then suddenly the messenger was there
among them, pitched in like some new ingredient
for the bubbling, simmering wedding feast.
But no one drinking knew it; no one sensed
the secret entrance of the god, who wrapped
his godhood round him like a thick wet cloak,
and seemed just one of them — someone or other —
as he moved among them. Suddenly,
a guest, mid-sentence, saw the young host, now
no longer languid, leap up from reclining
as if he had been jerked. All over him,
in his whole being, an alien quality
was mirrored — that which terribly addressed him.
At that, as if the roiling noise had cleared,
silence was there, and only lees were left —
just turbid, mumbling dregs; a sediment
of falling babble rancid even now,
already reeking of its stagnant laughter.
And then they knew him for the slender god.
He stood there adamant and filled within
with all his mission, which they almost knew.
Yet when it was pronounced it was beyond
all knowing — knowledge none could ever grasp:
he now must die. But when? Within the hour.
But then his shell of fear was broken —
cracked in pieces — and from out of it
he stretched his hands to bargain with the god:
for years; for only one more year of youth;
for months; for weeks; for just a few more days;
oh, not for days, but only nights — just one!
a single night; for this one night; for this!
The god denied him and Admetus cried
out — screamed. He did not hold it in. He cried out
as his mother cried in bearing him.
Then she stepped up to him, an aged woman.
His father also came — his ancient father —
and both stood there, old, worn out, and perplexed,
beside their wailing son, who looked at them
more closely than ever, stopped, gulped, and said:
Vater,
liegt dir denn viel daran an diesem Rest,
an diesem Satz, der dich beim Schlingen hindert?
Geh, gieß ihn weg. Und du, du alte Frau,
- Type
- Chapter
- Information
- New Poems , pp. 157 - 162Publisher: Boydell & BrewerPrint publication year: 2015