Book contents
- Frontmatter
- Contents
- Translator's Preface
- Acknowledgments
- Introduction
- Part I Neue Gedichte / New Poems
- Early Apollo
- Girl's Lament
- Love Song
- Eranna to Sappho
- Sappho to Eranna
- Sappho to Alcaeus
- Epitaph of a Young Girl
- Oblation
- Eastern Aubade
- Abishag
- David Sings before Saul
- Joshua's Gathering
- The Prodigal Son's Departure
- The Mount of Olives
- Pietà
- The Women's Song to the Poet
- The Death of the Poet
- Buddha
- L'Ange du Méridien
- The Cathedral
- The Portal
- The Rose Window
- The Capital
- God in the Middle Ages
- Morgue
- The Prisoner
- The Panther
- The Gazelle
- The Unicorn
- St. Sebastian
- The Donor
- The Angel
- Roman Sarcophagi
- The Swan
- Childhood
- The Poet
- The Lace
- A Woman's Fate
- The Convalescent
- The Grown-Up
- Tanagra
- The Woman Going Blind
- In a Strange Park
- Parting
- Death Experience
- Blue Hydrangea
- Before the Summer Rain
- In the Drawing Room
- Final Evening
- Youthful Portrait of My Father
- Self-Portrait from the Year 1906
- The King
- Resurrection
- The Standard-Bearer
- The Last Count of Brederode Evades Turkish Captivity
- The Courtesan
- The Stairs of the Orangerie
- The Marble Cart
- Buddha
- Roman Fountain
- The Carousel
- Spanish Dancer
- The Tower
- The Square
- Quai du Rosaire
- Béguinage
- The Procession of the Virgin Mary
- The Island
- Tombs of the Hetaerae
- Orpheus. Eurydice. Hermes
- Alcestis
- Birth of Venus
- The Bowl of Roses
- Part II Der neuen Gedichte anderer Teil / The New Poems: The Other Part
- Index of Titles and First Lines in German
- Index of Titles and First Lines in English
The Courtesan
from Part I - Neue Gedichte / New Poems
Published online by Cambridge University Press: 05 July 2016
- Frontmatter
- Contents
- Translator's Preface
- Acknowledgments
- Introduction
- Part I Neue Gedichte / New Poems
- Early Apollo
- Girl's Lament
- Love Song
- Eranna to Sappho
- Sappho to Eranna
- Sappho to Alcaeus
- Epitaph of a Young Girl
- Oblation
- Eastern Aubade
- Abishag
- David Sings before Saul
- Joshua's Gathering
- The Prodigal Son's Departure
- The Mount of Olives
- Pietà
- The Women's Song to the Poet
- The Death of the Poet
- Buddha
- L'Ange du Méridien
- The Cathedral
- The Portal
- The Rose Window
- The Capital
- God in the Middle Ages
- Morgue
- The Prisoner
- The Panther
- The Gazelle
- The Unicorn
- St. Sebastian
- The Donor
- The Angel
- Roman Sarcophagi
- The Swan
- Childhood
- The Poet
- The Lace
- A Woman's Fate
- The Convalescent
- The Grown-Up
- Tanagra
- The Woman Going Blind
- In a Strange Park
- Parting
- Death Experience
- Blue Hydrangea
- Before the Summer Rain
- In the Drawing Room
- Final Evening
- Youthful Portrait of My Father
- Self-Portrait from the Year 1906
- The King
- Resurrection
- The Standard-Bearer
- The Last Count of Brederode Evades Turkish Captivity
- The Courtesan
- The Stairs of the Orangerie
- The Marble Cart
- Buddha
- Roman Fountain
- The Carousel
- Spanish Dancer
- The Tower
- The Square
- Quai du Rosaire
- Béguinage
- The Procession of the Virgin Mary
- The Island
- Tombs of the Hetaerae
- Orpheus. Eurydice. Hermes
- Alcestis
- Birth of Venus
- The Bowl of Roses
- Part II Der neuen Gedichte anderer Teil / The New Poems: The Other Part
- Index of Titles and First Lines in German
- Index of Titles and First Lines in English
Summary
Venice's sun will be the golden changer
my hair awaits — an alchemy that now
comes out in all its luster. See? Each brow
is like an arched Venetian bridge. Look how
they arc, to lead away from silent danger
in eyes that deal in secret with the black
canals (so that those waters rise, fall back,
and transform in them). He is on the rack
when once a man has seen me with my pet,
because my hand, in some distracted pauses,
rests on that dog — a hand untouched by fire,
invulnerable, bejewelled. And boys from higher
families — the best young hopes of wealthy houses —
are as if poisoned at these lips still wet.
Die Treppe der Orangerie
Versailles
Wie Könige die schließlich nur noch schreiten
fast ohne Ziel, nur um von Zeit zu Zeit
sich den Verneigenden auf beiden Seiten
zu zeigen in des Mantels Einsamkeit —:
so steigt, allein zwischen den Balustraden,
die sich verneigen schon seit Anbeginn,
die Treppe: langsam und von Gottes Gnaden
und auf den Himmel zu und nirgends hin;
als ob sie allen Folgenden befahl
zurückzubleiben, — so daß sie nicht wagen
von ferne nachzugehen; nicht einmal
die schwere Schleppe durfte einer tragen.
- Type
- Chapter
- Information
- New Poems , pp. 117 - 118Publisher: Boydell & BrewerPrint publication year: 2015