Book contents
- Frontmatter
- Contents
- Translator's Preface
- Acknowledgments
- Introduction
- Part I Neue Gedichte / New Poems
- Early Apollo
- Girl's Lament
- Love Song
- Eranna to Sappho
- Sappho to Eranna
- Sappho to Alcaeus
- Epitaph of a Young Girl
- Oblation
- Eastern Aubade
- Abishag
- David Sings before Saul
- Joshua's Gathering
- The Prodigal Son's Departure
- The Mount of Olives
- Pietà
- The Women's Song to the Poet
- The Death of the Poet
- Buddha
- L'Ange du Méridien
- The Cathedral
- The Portal
- The Rose Window
- The Capital
- God in the Middle Ages
- Morgue
- The Prisoner
- The Panther
- The Gazelle
- The Unicorn
- St. Sebastian
- The Donor
- The Angel
- Roman Sarcophagi
- The Swan
- Childhood
- The Poet
- The Lace
- A Woman's Fate
- The Convalescent
- The Grown-Up
- Tanagra
- The Woman Going Blind
- In a Strange Park
- Parting
- Death Experience
- Blue Hydrangea
- Before the Summer Rain
- In the Drawing Room
- Final Evening
- Youthful Portrait of My Father
- Self-Portrait from the Year 1906
- The King
- Resurrection
- The Standard-Bearer
- The Last Count of Brederode Evades Turkish Captivity
- The Courtesan
- The Stairs of the Orangerie
- The Marble Cart
- Buddha
- Roman Fountain
- The Carousel
- Spanish Dancer
- The Tower
- The Square
- Quai du Rosaire
- Béguinage
- The Procession of the Virgin Mary
- The Island
- Tombs of the Hetaerae
- Orpheus. Eurydice. Hermes
- Alcestis
- Birth of Venus
- The Bowl of Roses
- Part II Der neuen Gedichte anderer Teil / The New Poems: The Other Part
- Index of Titles and First Lines in German
- Index of Titles and First Lines in English
St. Sebastian
from Part I - Neue Gedichte / New Poems
Published online by Cambridge University Press: 05 July 2016
- Frontmatter
- Contents
- Translator's Preface
- Acknowledgments
- Introduction
- Part I Neue Gedichte / New Poems
- Early Apollo
- Girl's Lament
- Love Song
- Eranna to Sappho
- Sappho to Eranna
- Sappho to Alcaeus
- Epitaph of a Young Girl
- Oblation
- Eastern Aubade
- Abishag
- David Sings before Saul
- Joshua's Gathering
- The Prodigal Son's Departure
- The Mount of Olives
- Pietà
- The Women's Song to the Poet
- The Death of the Poet
- Buddha
- L'Ange du Méridien
- The Cathedral
- The Portal
- The Rose Window
- The Capital
- God in the Middle Ages
- Morgue
- The Prisoner
- The Panther
- The Gazelle
- The Unicorn
- St. Sebastian
- The Donor
- The Angel
- Roman Sarcophagi
- The Swan
- Childhood
- The Poet
- The Lace
- A Woman's Fate
- The Convalescent
- The Grown-Up
- Tanagra
- The Woman Going Blind
- In a Strange Park
- Parting
- Death Experience
- Blue Hydrangea
- Before the Summer Rain
- In the Drawing Room
- Final Evening
- Youthful Portrait of My Father
- Self-Portrait from the Year 1906
- The King
- Resurrection
- The Standard-Bearer
- The Last Count of Brederode Evades Turkish Captivity
- The Courtesan
- The Stairs of the Orangerie
- The Marble Cart
- Buddha
- Roman Fountain
- The Carousel
- Spanish Dancer
- The Tower
- The Square
- Quai du Rosaire
- Béguinage
- The Procession of the Virgin Mary
- The Island
- Tombs of the Hetaerae
- Orpheus. Eurydice. Hermes
- Alcestis
- Birth of Venus
- The Bowl of Roses
- Part II Der neuen Gedichte anderer Teil / The New Poems: The Other Part
- Index of Titles and First Lines in German
- Index of Titles and First Lines in English
Summary
Just like someone lying down, he stands,
hung there by his huge will. He's somewhere other:
far-off, as if he were a nursing mother;
bound up tight in his own wreathen bands.
And the arrows coming — now and now
(as if self-willed, out of his loins they spring,
their free ends made of iron quivering).
Darkly, though, he smiles, unhurt somehow.
Only once does massive sorrow grow:
till his eyes see something mean and low,
they lie wide open, filled with pain. But then,
scorning them, he lets those killers go
who meant this beauty not to live again.
Der Stifter
Das war der Auftrag an die Malergilde.
Vielleicht daß ihm der Heiland nie erschien;
vielleicht trat auch kein heiliger Bischof milde
an seine Seite wie in diesem Bilde
und legte leise seine Hand auf ihn.
Vielleicht war dieses alles: so zu knien (so wie es alles ist was wir erfuhren):
zu knien: daß man die eigenen Konturen,
die auswärtswollenden, ganz angespannt
im Herzen hält, wie Pferde in der Hand.
Daß wenn ein Ungeheueres geschähe,
das nicht versprochen ist und nieverbrieft,
wir hoffen könnten, daß es uns nicht sähe
und näher käme, ganz in unsre Nähe,
mit sich beschäftigt und in sich vertieft.
- Type
- Chapter
- Information
- New Poems , pp. 65 - 66Publisher: Boydell & BrewerPrint publication year: 2015