Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-745bb68f8f-g4j75 Total loading time: 0 Render date: 2025-01-31T05:00:01.823Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  30 January 2025

Edited by
Alison Chapman
Alison Chapman
Affiliation:
University of Victoria, British Columbia
Get access
Type
Chapter
Information
Nineteenth-Century Literature in Transition: The 1870s , pp. 295 - 324
Publisher: Cambridge University Press
Print publication year: 2025

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abberley, Will, et al. Modern British Nature Writing, 1789–2020: Land Lines (Cambridge: Cambridge University Press, 2022).CrossRefGoogle Scholar
Ablow, Rachel. ‘“One Flesh”, One Person, and the 1870 Married Women’s Property Act’, in Dino Franco Felluga, ed., BRANCH: Britain, Representation and Nineteenth-Century History, website.Google Scholar
Adams, Henry. The Education of Henry Adams, ed. Nadel, Ira (Oxford: Oxford University Press, 1999).Google Scholar
Addey, Elizabeth. ‘Long Ago’, Household Words 18 (20 November 1859): 540–1.Google Scholar
Advertisement, The Illustrated London News 58 (4 March 1871): 218.Google Scholar
Alderson, Brian. ‘Appendix 1: Some Additional Notes on Victorian and Edwardian Times’, in Harvey Darton, F. J., ed., Children’s Books in England: Five Centuries of Social Life, 3rd ed., rev. Alderson (Cambridge: Cambridge University Press, 1982), pp. 316–31.Google Scholar
Alderson, Brian. ‘Picture Book Anatomy’, review of Words about Pictures: The Narrative Art of Children’s Picture Books, by Perry Nodelman, Lion and the Unicorn 14.2 (1990): 108–14.Google Scholar
Alderson, Brian. Sing a Song for Sixpence: The English Picture-Book Tradition and Randolph Caldecott (Cambridge: Cambridge University Press, 1986).Google Scholar
Alfano, Veronica. The Lyric in Victorian Memory: Poetic Remembering and Forgetting from Tennyson to Housman (Basingstoke: Palgrave Macmillan, 2017).CrossRefGoogle Scholar
Alfano, Veronica. ‘Morris and Masculinity: Re-Reading “Riding Together”’, Journal of Pre-Raphaelite Studies 29 (2020): 27–47.Google Scholar
Alfano, Veronica. Ali-Baba and the Forty Thieves (London: Dean and Son, [ca. 1879]).Google Scholar
Allen, Emily, and Felluga, Dino Franco. Novel-Poetry: The Shape of the Real and the Problem of Form (Oxford: Oxford University Press, forthcoming).CrossRefGoogle Scholar
Allen, Grant. Physiological Aesthetics (London: Henry S. King, 1877).Google Scholar
Allingham, H., and Radford, D., eds., A Diary (London: Macmillan, 1907).Google Scholar
Allingham, William. In Fairyland: A Series of Pictures from the Elf-World, illustr. Richard Doyle (London: Longman, Green, Reader, and Dyer, 1870).Google Scholar
Altick, Richard D. ‘Anachronisms in Middlemarch: A Note’, Nineteenth-Century Fiction 33.3 (1978): 366–72.CrossRefGoogle Scholar
Altick, Richard D. The English Common Reader: A Social History of the Mass Reading Public, 1800–1900, 2nd ed. (Columbus: Ohio State University Press, 1998).Google Scholar
Altick, Richard D. The Presence of the Present: Topics of the Day in the Victorian Novel (Columbus: Ohio State UP, 1991).Google Scholar
Altick, Richard D. The Shows of London (Cambridge, MA: Belknap Press of Harvard University Press, 1978).Google Scholar
‘Among the Books of Seventy-One’, Temple Bar 34 (December 1871): 97–112.Google Scholar
The Annual Register (London: Rivingtons, 1871–3, 1879).Google Scholar
Arac, Jonathan. ‘Why Should Marxist Critics Fight Over George Eliot?’, Modern Language Quarterly 77.4 (2016): 581–9.CrossRefGoogle Scholar
‘Architecture of London’, Monthly Chronicle 1 (May 1838): 258–71.Google Scholar
Ardis, Ann L. New Women, New Novels: Feminism and Early Modernism (New Brunswick, NJ: Rutgers University Press, 1990).CrossRefGoogle Scholar
Armstrong, Nancy. How Novels Think: The Limits of Individualism from 1719–1900 (New York: Columbia University Press, 2006).Google Scholar
Arnold, Matthew. ‘The Function of Criticism at the Present Time’, Essays in Criticism (London: Macmillan, 1865), pp. 1–41.Google Scholar
Arnold, Matthew. ‘The Functions of Criticism at the Present Time’, National Review 1 (November 1864): 230–51.Google Scholar
Arnold, Matthew. ‘The Literary Influence of Academies’, Essays in Criticism, first series (London: Macmillan, 1902), pp. 42–79.Google Scholar
Arnold, Matthew. ‘The Literary Influence of Academies’, Essays in Criticism, ed. Miles, Clement (Oxford: Clarendon Press, 1918), pp. 37–63.Google Scholar
Arnold, Matthew. ‘On the Modern Element in Literature,’ in Houghton, Walter E. and Robert Stange, G., eds., Victorian Poetry and Poetics, second edition (New York: Houghton Mifflin, 1968), pp. 495–504.Google Scholar
Atkinson, Damian. ‘James Payn (1830–1898)’, Oxford Dictionary of National Biography, (4 October 2008), web.Google Scholar
Atwood, Sara. Ruskin’s Educational Ideals (Farnham: Ashgate, 2011).Google Scholar
Austin, Alfred. The Poetry of the Period (London: Bentley, 1870).Google Scholar
Axon, William E. ‘The Universal Catalogue of Printed Books’, Academy 364 (1879): 369.Google Scholar
‘Ayrshire Weekly News and Galloway Press’, Ayrshire Weekly News and Galloway Press (5 April 1879): 4.Google Scholar
Babes in the Wood, illustr. Randolph Caldecott ([London]: George Routledge and Sons, [1879]).Google Scholar
Badiou, Alain. Being and Event, trans. Oliver, Feltham (London: Continuum, 2005).Google Scholar
Badiou, Alain. Metapolitics, trans. Barker, Jason (London: Verso, 2005).Google Scholar
Badiou, Alain. Saint Paul: The Foundation of Universalism, trans. Brassier, Ray (Stanford: Stanford University Press, 2003).Google Scholar
Bailey, John Cann. ‘The Eighteen Seventies’, Times Literary Supplement (27 June 1929): 511.Google Scholar
Bak, Meredith A. Playful Visions: Optical Toys and the Emergence of Children’s Media Culture (Boston: MIT Press, 2020).CrossRefGoogle Scholar
Baker, Geoffrey. Realism’s Empire: Empiricism and Enchantment in the Nineteenth-Century Novel (Columbus, OH: The Ohio State University Press, 2009).Google Scholar
Banham, Rob. ‘Industrialization of the Book 1800–1900’, in Eliot, Simon and Rose, Jonathan, eds., A Companion to the History of the Book (Oxford: Wiley-Blackwell, 2009), pp. 271–90.Google Scholar
Barker, Mary Anne. Station Life in New Zealand (Cambridge: Cambridge University Press, 2011).CrossRefGoogle Scholar
Barrell, John. ‘Geographies of Hardy’s Wessex’, in Snell, K. D. M., ed., The Regional Novel in Britain and Ireland, 1800–1990 (Cambridge: Cambridge University Press, 1998), pp. 99–118.CrossRefGoogle Scholar
Bassett, Troy J. The Rise and Fall of the Victorian Three-Volume Novel (London: Palgrave, 2020).CrossRefGoogle Scholar
Bassett, Troy J. Beauty and the Beast, illustr. Walter Crane (London: George Routledge and Sons, [1874]).Google Scholar
Beer, Gillian. Alice in Space (Chicago: University of Chicago Press, 2016).CrossRefGoogle Scholar
Beer, Gillian. ‘“Authentic Tidings of Invisible Things”: Vision and the Invisible in the Later Nineteenth Century’, in Brennan, Teresa and Jay, Martin, eds., Vision in Context: Historical and Contemporary Perspectives on Sight (London: Routledge, 1996), pp. 83–99.Google Scholar
Beer, Gillian. Darwin’s Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction, 3rd ed. (Cambridge: Cambridge University Press, 2009).CrossRefGoogle Scholar
Beetham, Margaret. ‘Time: Periodicals and the Time of the Now’, Victorian Periodicals Review 48.3 (Fall 2015): 323–42.CrossRefGoogle Scholar
Begbie, A. J. ‘An Apology’, Dark Blue 1 (March 1871): 96.Google Scholar
Belich, James. Replenishing the Earth: The Settler Revolution and the Rise of the Anglo-World, 1783–1939 (Oxford: Oxford University Press, 2009).CrossRefGoogle Scholar
Beller, Anne-Marie. ‘“The Fashions of the Current Season”: Recent Critical Work on Victorian Sensation Fiction’, Victorian Literature and Culture 45.2 (June 2017): 461–73.CrossRefGoogle Scholar
Beller, Anne-Marie. ‘Mary Elizabeth Braddon’s Joshua Haggard’s Daughter’, in Gilbert, ed., A Companion to Sensation Fiction, pp. 172–83.CrossRefGoogle Scholar
Beller, Anne-Marie, and MacDonald, Tara, eds., Rediscovering Victorian Women Sensation Writers (London: Routledge, 2014).Google Scholar
Benjamin, Walter. ‘Theses on the Philosophy of History’, Arendt, Hannah, ed., Illuminations: Essays and Reflections, trans. Zohn, Harry (New York: Schocken Books, 1968).Google Scholar
Berlin, Isaiah. Personal Impressions (London: Vintage, 1998).Google Scholar
Bermingham, Ann. Landscape and Ideology: The English Rustic Tradition, 1740–1860 (London: Thames and Hudson, 1986).Google Scholar
Beveridge, Peter. The Aborigines of Victoria and Riverina, as Seen by Peter Beveridge (Melbourne: Hutchinson, 1889).Google Scholar
Bigge, John Thomas. Report of the Commissioner of Inquiry on the State of Agriculture and Trade in the Colony of New South Wales (London: House of Commons, 1823).Google Scholar
Birch, Dinah. Our Victorian Education (Oxford: Blackwell, 2008).Google Scholar
Birch, Dinah. ‘The Scholar Husband’, Essays in Criticism 54 (2004): 205–15.CrossRefGoogle Scholar
Bird, Isabella. Six Months among the Palm Groves, Coral Reefs, and Volcanoes of the Sandwich Islands: The Hawaiian Archipelago (Cambridge: Cambridge University Press, 2010).Google Scholar
Blin-Cordon, Peggy. ‘High Culture and Popular Culture in Far from the Madding Crowd/Culture Savante et Culture Populaire Dans Far from the Madding Crowd’, FATHOM: A French e-Journal of Thomas Hardy Studies 3 (2016), web.Google Scholar
Blind, Mathilde. ‘The Song of the Willi. A Ballad’, Dark Blue 1 (August 1871): 741–5.Google Scholar
Boas, Frederick S. ‘Critics and Criticism in the “Seventies”’, in Granville-Barker, Harley, ed., The Eighteen-Seventies: Essays by the Royal Society of Literature (Cambridge: Cambridge University Press, 1929), pp. 196–214.Google Scholar
Boes, Tobias. Formative Fictions: Nationalism, Cosmopolitanism and the Bildungsroman (Ithaca: Cornell University Press, 2012).CrossRefGoogle Scholar
Boldrewood, Rolf. The Squatter’s Dream: A Story of Australian Life (London: Macmillan, 1890).Google Scholar
Boos, Florence S. ‘The Education Act of 1870: Before and After’, BRANCH: Britain, Representation and Nineteenth-Century History. Ed. Dino Franco Felluga. Extension of Romanticism and Victorianism on the Net, web (April 2015).Google Scholar
Boumelha, Penny. ‘“Wild Regions of Obscurity”: Narrative in The Return of the Native’, in Wilson, Keith, ed., A Companion to Thomas Hardy (Malden: Wiley-Blackwell, 2010), pp. 254–66.Google Scholar
Bourne Taylor, Jenny. In the Secret Theatre of Home: Wilkie Collins, Sensation Narrative, and Nineteenth-Century Psychology (London & New York: Routledge & Kegan Paul 1988).Google Scholar
Bourrier, Karen. Mapping Victorian Literary Sociability, web.Google Scholar
Bourrier, Karen. Victorian Bestseller: The Life of Dinah Craik (Ann Arbor, MI: University of Michigan Press, 2019).CrossRefGoogle Scholar
Boyle, Thomas. Black Swine in the Sewers of Hampstead: Beneath the Surface of Victorian Sensationalism (London: Hodder & Stoughton; New York: Viking, 1989).Google Scholar
Bradley, Ian (ed.). The Complete Annotated Gilbert & Sullivan (Oxford University Press, 2001).Google Scholar
Brake, Laurel, and Demoor, Marysa, eds., Dictionary of Nineteenth-Century Journalism in Great Britain and Ireland (Ghent and London: Academia Press and The British Library, 2009).Google Scholar
BRANCH (Britain, Representation, and Nineteenth-Century History), website.Google Scholar
Brantlinger, Patrick. ‘What Is “Sensational” about the “Sensation Novel”?’ Nineteenth Century Fiction 37.1 (June 1982): 1–28.CrossRefGoogle Scholar
‘Bret Harte’s Condensed Novels’, Judy (31 May 1871): 60–1.Google Scholar
Briggs, Julia. ‘Speaking Likenesses: Hearing the Lesson’, in Arseneau, Mary, Harrison, Antony H., and Kooistra, Lorraine Janzen, eds., The Culture of Christina Rossetti: Female Poetics and Victorian Contexts (Athens: Ohio University Press, 1999), pp. 212–31.Google Scholar
Brilmyer, S. Pearl. ‘Plasticity, Form, and the Matter of Character in Middlemarch’, Representations 130, (2015): 60–83.CrossRefGoogle Scholar
Brilmyer, S. Pearl. The Science of Character: Human Objecthood and the Ends of Victorian Realism (Chicago: University of Chicago Press, 2022).Google Scholar
Bristow, Joseph. ‘Whether “Victorian” Poetry: A Genre and Its Period’, Victorian Poetry 42.1 (2004): 81–109.CrossRefGoogle Scholar
Bristow, Joseph. ‘Why “Victorian”? A Period and Its Problems’, Literature Compass 1.1 (January 2003–December 2004): 1–16.CrossRefGoogle Scholar
‘The British Museum: New One Hundred and Fifty Three Volume Catalogue’, Gentleman’s Magazine 33 (1850): 397–402.Google Scholar
‘The British Museum Library – How to Use It’, Illustrated London News 29 (27 December 1856): 657.Google Scholar
Brooks, Peter. Reading for the Plot: Design and Intention in Narrative (Cambridge, MA: Harvard University Press, 1992).Google Scholar
Brooks, Shirley. ‘Poetic Classics for Prosaic Readers’, Punch 64 (25 January 1873): 31.Google Scholar
Brown, Alan Willard. The Metaphysical Society: Victorian Minds in Crisis, 1869–1880 (New York: Columbia University Press, 1973).Google Scholar
Brown, Lucy. Victorian News and Newspapers (Oxford: Clarendon, 1985).Google Scholar
Brown, Susan. ‘Economical Representations: Dante Gabriel Rossetti’s “Jenny”, Augusta Webster’s “A Castaway”, and the Campaign Against the Contagious Diseases Acts’, Victorian Review 17.1 (1991): 78–95.CrossRefGoogle Scholar
Brown, Susan, Clements, Patricia, and Grundy, Isobel, eds., ‘9 August 1870: The First Married Women’s Property Act’, Orlando: Women’s Writing in the British Isles from the Beginnings to the Present, Cambridge University Press, 2022, web.Google Scholar
Brown, Susan, Clements, Patricia, and Grundy, Isobel, eds., ‘Annie Besant Profile’, in Orlando: Women’s Writing in the British Isles from the Beginnings to the Present, Cambridge University Press, 2022, web.Google Scholar
Brown, Susan, Clements, Patricia, and Grundy, Isobel, eds., ‘Josephine Butler Profile’ Orlando: Women’s Writing in the British Isles from the Beginnings to the Present, Cambridge University Press, 2022, web.Google Scholar
Brown, Susan. Clements, Patricia, and Grundy, Isobel, eds., Orlando: Women’s Writing in the British Isles from the Beginnings to the Present, Cambridge University Press, 2022, web.Google Scholar
Browning, Elizabeth Barrett. The Complete Works of Elizabeth Barrett Browning, ed. Porter, Charlotte and Clarke, Helen A., 6 vols. (New York: Thomas Y. Crowell & Co., 1900).Google Scholar
Browning, Robert. ‘Hervé Riel’, The Cornhill Magazine series 1, 23 (March 1871): 257–60.Google Scholar
Buchanan, Robert. The Fleshly School of Poetry, and Other Phenomena of the Day (London: Strahan, 1872).Google Scholar
Buchanan, Robert (as Thomas Maitland). ‘The Fleshly School of Poetry: Mr. D. G. Rossetti’, Contemporary Review 18 (October 1871): 334–50.Google Scholar
Buchanan, Robert. God and the Man (London: Spottiswoode and Co, 1881).Google Scholar
Buckley, Jerome H. Seasons of Youth: The Bildungsroman from Dickens to Golding (Cambridge MA: Harvey University Press, 1974).CrossRefGoogle Scholar
Bürger, Peter. Theory of the Avant-Garde, trans. Shaw, Michael (Manchester University Press, 1984).Google Scholar
Butler, Samuel. Erewhon, or, Over the Range, ed. Mudford, Peter (London: Penguin, 1970).Google Scholar
Byron, . Byron: A Critical Edition of the Major Works, ed. McGann, Jerome J. (Oxford: Oxford University Press, 1986).Google Scholar
Byron, Glennis. Dramatic Monologue (London: Taylor & Francis Group, 2003).Google Scholar
Carlisle, Janice. ‘High Victorianism’, in Flint, Kate, ed., The Cambridge History of Victorian Literature, vol. 5 (Cambridge: Cambridge University Press, 2012), pp. 102–23.Google Scholar
Carlyle, Thomas. Latter-Day Pamphlets (London: Chapman and Hall, 1850).Google Scholar
Carlyle, Thomas. ‘Shooting Niagara: And After?’, in Traill, Henry Duff, ed., The Works of Thomas Carlyle, vol. 5 (Cambridge: Cambridge University Press, 2010), pp. 1–49.Google Scholar
Carroll, Lewis. ‘Alice’s Adventures in Wonderland’, and ‘Through the Looking-Glass, and What Alice Found There’, ed. Hunt, Peter (Oxford: Oxford University Press, 2009).Google Scholar
Carroll, Lewis. The Hunting of the Snark: An Agony in Eight Fits, in Woollcott, Alexander, ed., The Complete Works of Lewis Carroll (Harmondsworth: Penguin, 1988), pp. 677–700.Google Scholar
Carroll, Lewis. Through the Looking-Glass, and What Alice Found There (London: Macmillan, 1872), Archive.org.Google Scholar
Cassidy, John A. ‘Robert Buchanan and the Fleshly Controversy’, PMLA 67 (1952): 65–93.Google Scholar
Robert, Chambers, ed. Chambers’s Cyclopædia of English Literature. 2nd ed. (London: W. & R. Chambers, 1858–60).Google Scholar
Chandraskehar, S., ed. ‘A Dirty, Filthy Book’: The Writings of Charles Knowlton and Annie Besant on Reproductive Physiology and Birth Control and an Account of the Bradlaugh-Besant Trial, (Berkeley: University of California Press, 1981).Google Scholar
Chapman, Alison. ‘Filler Poems: Synecdoche and the Serial Rhythms of Victorian Poetry’, in Behlman, Lee and Moy, Olivia Loksing, eds., Victorian Verse: The Poetics of Everyday Life (Basingstoke: Palgrave Macmillan, 2023), pp. 43–62.Google Scholar
Chapman, Alison. ‘Internationalising the Sonnet: Toru Dutt’s “Sonnet—Baugmaree”’, Victorian Literature and Culture 42 (2014): 595–608.CrossRefGoogle Scholar
Chapman, Alison. ‘Placing Tennyson, Tennyson’s Place: Memory, Elegy, and Geography in “Frater Ave atque Vale”’, Victorian Poetry 59.2 (Summer 2023): 243–58.Google Scholar
Chapman, Alison, ed., and the DVPP team. Digital Victorian Periodical Poetry Project, Edition 0.98.6beta, University of Victoria, 5 April 2023, website.Google Scholar
Chaplin, A. H. GK: 150 Years of the General Catalogue of Printed Books in the British Museum (Aldershot: Scolar Press, 1987).Google Scholar
Chase, Cynthia. ‘The Decomposition of Elephants: Double-Reading Daniel Deronda’, PMLA 93.2 (1978): 215–27.Google Scholar
‘Chats on the Mags’, Fun 31 (11 March 1871): 106.Google Scholar
Chatterjee, Ronjaunee. ‘Precarious Lives: Christina Rossetti and the Form of Likeness’, Victorian Literature and Culture 45.4 (2017): 745–62.CrossRefGoogle Scholar
Chatterjee, Ronjaunee, Christoff, Alicia Mireless, and Wong, Amy R., ‘Undisciplining Victorian Studies’, Victorian Studies 62.2 (Spring 2020): 369–91.CrossRefGoogle Scholar
‘Cheap Sensation’, Once a Week 11.286 (21 June 1873): 547–9.Google Scholar
Christ, Carol T. Victorian and Modern Poetics (University of Chicago Press, 1984).Google Scholar
The Christmas Bookseller (London: The Office, 1880)Google Scholar
Cohen, Michael. ‘E. C. Stedman and the Invention of Victorian Poetry’, Victorian Poetry 43.2 (2005): 165–88.CrossRefGoogle Scholar
Cohen, William A. Embodied: Victorian Literature and the Senses (Minneapolis: University of Minnesota Press, 2009).Google Scholar
Coleridge, Gilbert. ‘Wanted—A Style’, National Review 17 (July 1891): 712–18.Google Scholar
Collier, William Francis. History of English Literature, in a Series of Biographical Sketches (London: T. Nelson and Sons, 1861).Google Scholar
Collini, Stefan. Absent Minds: Intellectuals in Britain (Oxford: Oxford University Press, 2006).Google Scholar
Collini, Stefan. Common Writing: Essays on Literary Culture and Public Debate, (Oxford: Oxford University Press, 2016).CrossRefGoogle Scholar
Collins, Thomas J., and Rundle, Vivienne J., eds., Broadview Anthology of Victorian Poetry and Poetic Theory (Peterborough: Broadview Press, 1999).Google Scholar
Collins, Wilkie. ‘The Unknown Public’, Household Words 18.439 (21 August 1858), 217–22.Google Scholar
Colvin, Sidney. ‘Sing-Song: A Nursery-Rhyme Book’, The Academy (January 1872): 23–4.Google Scholar
Connor, Steven. Dumbstruck: A Cultural History of Ventriloquism (Oxford: Oxford University Press, 2000).CrossRefGoogle Scholar
‘Conversation’, The London Reader 25 (14 August 1875): 364.Google Scholar
‘Conversation’, The Examiner, 3662 (6 April 1878): 429.Google Scholar
‘Conversation’, The Leisure Hour 1228 (10 July 1875): 442–5.Google Scholar
Cooper, C. H. ‘The Bellman and His History’, Notes and Queries 80 (10 May 1851): 377.CrossRefGoogle Scholar
COVE (Collaborative Organization for Virtual Education), website.Google Scholar
Craigie, Robertson James. ‘ART. V: 1. Scenes of Clerical Life’, Quarterly Review 108.216 (October 1860): 469–99.Google Scholar
Craik, Dinah. A Brave Lady (London: Hurst and Blackett, [1870]).Google Scholar
Craik, George L. A Compendious History of English Literature, and of the English Language, from the Norman Conquest. With Numerous Specimens (London: Griffin, Bohn, 1861).Google Scholar
Craik, George L. A Manual of English Literature, and of the History of the English Language, from The Norman Conquest; with Numerous Specimens (London: Griffin, Bohn, 1863).Google Scholar
Crane, Walter. An Artist’s Reminiscences (London: Methuen, 1907).Google Scholar
Crane, Walter. The Baby’s Opera: A Book of Old Rhymes with New Dresses (London: Frederick Warne, [1876]).Google Scholar
Crane, Walter. King Luckieboy’s Party (London: G. Routledge and Sons, [1871]).Google Scholar
Crane, Walter. Of the Decorative Illustration of Books Old and New (London: George Bell and Sons, 1896).Google Scholar
Craven, David. ‘Ruskin vs. Whistler: The Case Against Capitalist Art’, Art Journal 37 (1977–8): 139–43.CrossRefGoogle Scholar
Crook, J. Mordaunt. The Dilemma of Style: Architectural Ideas from the Picturesque to the Post-Modern (University of Chicago Press, 1987).Google Scholar
Crowell, Norton B. Alfred Austin: Victorian (Albuquerque: University of New Mexico Press, 1953).Google Scholar
Csiszar, Alex. The Scientific Journal: Authorship and the Politics of Knowledge in the Nineteenth Century (Chicago, IL: Chicago University Press, 2018).CrossRefGoogle Scholar
Culler, Jonathan. Theory of the Lyric (Cambridge, MA: Harvard University Press, 2015).CrossRefGoogle Scholar
The Curran Index, website.Google Scholar
Curl, James. Classical Architecture: An Introduction to Its Vocabulary and Essentials (New York: W. W. Norton, 2003).Google Scholar
Cvetkovich, Ann. Mixed Feelings: Feminism, Mass Culture, and Victorian Sensationalism (New Brunswick: Rutgers University Press, 1992).CrossRefGoogle Scholar
‘The Dark Blue’, The Publishers’ Circular (15 February 1871): 105–6.CrossRefGoogle Scholar
Darwin, Charles. The Descent of Man, and Selection in Relation to Sex, 2 vols. (London: John Murray, 1871).Google Scholar
Darwin, Charles. The Descent of Man, and Selection in Relation to Sex (Princeton: Princeton University Press, 1981).CrossRefGoogle Scholar
Darwin Correspondence Project, website.Google Scholar
Davidoff, Leonore. Thicker than Water: Siblings and Their Relations, 1780–1920 (Oxford University Press, 2012).Google Scholar
Dawson, Gowan. ‘Intrinsic Earthliness: Science, Materialism, and the Fleshly School of Poetry’, Victorian Poetry 41 (2003): 113–30.CrossRefGoogle Scholar
Dean’s New Moveable Book of the Popular Performance of Galanti Show (London: Dean and Son, [1861]).Google Scholar
Dellamora, Richard. Masculine Desire: The Sexual Politics of Victorian Aestheticism (Chapel Hill: University of North Carolina Press, 1990).Google Scholar
Demoor, Marysa. ‘Athenæum (1828–1921)’, in Brake, Laurel and Demoor, Marysa, eds., The Dictionary of Nineteenth-Century Journalism (Gent and London: Academia Press and The British Library, 2009), pp. 26–8.Google Scholar
Demoor, Marysa. Their Fair Share: Women, Power, and Criticism in the Athenæum, from Millicent Garrett Fawcett to Katherine Mansfield, 1870–1920 (London: Routledge, 2000).Google Scholar
Denney, Colleen. At the Temple of Art: The Grosvenor Gallery, 1877–1900 (Madison: Farleigh Dickinson University Press, 2000).Google Scholar
Despotopoulou, Anna. ‘Nowhere or Somewhere? (Dis)locating Gender and Class Boundaries in Christina Rossetti’s Speaking Likenesses’, Review of English Studies 61 (2010): 414–34.CrossRefGoogle Scholar
, D. G. R. ‘A Border Song’, Once a Week series 1, 2 (14 January 1860): 66.Google Scholar
Diamonds and Toads, illustr. Greenaway, Kate (London: F. Warne, [ca. 1868]).Google Scholar
Diedrich, James. Mathilde Blind: Late-Victorian Culture and the Woman of Letters (University of Virginia Press, 2016).Google Scholar
Dieleman, Karen. ‘Evolution and the Struggle of Love in Emily Pfeiffer’s Sonnets’, Victorian Poetry 54.3 (2016): 297–324.CrossRefGoogle Scholar
Dingsdale, Ann. ‘Kensington Society (act. 1865–1868).’ Oxford Dictionary of National Biography (24 May 2007), accessed 6 May 2022.Google Scholar
Dobson, H. A. [Austin]. Civil Service Handbook of English Literature (London: Lockwood & Co., 1874).Google Scholar
Douglas-Fairhurst, Robert. The Story of Alice: Lewis Carroll and the Secret History of Wonderland (London: Harvill Secker, 2015).CrossRefGoogle Scholar
Dowden, Edward. ‘Victorian Literature’, Fortnightly Review 41 (June 1887): 835–67.Google Scholar
Dowling, Linda. The Vulgarization of Art: The Victorians and Aesthetic Democracy (Charlottesville: University Press of Virginia, 1996).Google Scholar
Drew, Philip. ‘Richard Jefferies and the English Countryside’, Victorian Studies 11.2 (1967): 181–206.Google Scholar
Du Maurier, George. ‘A Suggestion’, Punch 74 (20 April 1878): 178.Google Scholar
Duncan, Ian. ‘The Provincial or Regional Novel’, in Brantlinger, Patrick and Thesing, William, eds., A Companion to the Victorian Novel (Oxford: Blackwell, 2002), pp. 318–35.Google Scholar
Dupuy, Jean-Pierre. The Mark of the Sacred, trans. DeBevoise, M. B. (Stanford: Stanford University Press, 2013).Google Scholar
Dupuy, Jean-Pierre. A Short Treatise on the Metaphysics of Tsunamis, trans. DeBevoise, M. B. (East Lansing: Michigan State University Press, 2015).Google Scholar
Dutt, Govin Chunder, Chunder Dutt, Greece, Chunder Dutt, Hur, and Chunder Dutt, Omesh. The Dutt Family Album (London: Longmans, Green, 1870).Google Scholar
Dutt, Toru. A Sheaf Gleaned in French Fields (Bhowanipore: Saptahik Sambad Press, 1876).Google Scholar
Eastlake, Charles. Hints on Household Taste in Furniture, Upholstery, and other Details (London: Longmans, Green, 1868).Google Scholar
Edwards, P. D. Some Mid-Victorian Thrillers; The Sensation Novel, its Friends and its Foes (St. Lucia: Queensland Press, 1971).Google Scholar
Eliot, George. Daniel Deronda, ed. Hardy, Barbara (New York: Penguin Classics, 1988).Google Scholar
Eliot, George. Daniel Deronda (New York: Oxford World’s Classics, 2014).CrossRefGoogle Scholar
Eliot, George. Impressions of Theophrastus Such (London: William Blackwood and Sons, 1879).Google Scholar
Eliot, George. Middlemarch: A Study of Provincial Life, 3 vols (Edinburgh: Blackwood, 1871–2).Google Scholar
Eliot, George. Middlemarch, ed. Harvey, W. J. (London: Penguin, 1985).Google Scholar
Eliot, George. Middlemarch (New York: Oxford World’s Classics, 1998).Google Scholar
Eliot, George. Middlemarch: A Study of Provincial Life, ed. Carroll, David (Oxford: Oxford University Press, 2019).CrossRefGoogle Scholar
Eliot, George. Scenes of Clerical Life, ed. Noble, Thomas A. (Oxford: Oxford University Press, 2000).Google Scholar
Eliot, George. Selected Essays, Poems and other Writings, ed. Byatt, A. S. (London: Penguin, 1990).Google Scholar
Eliot, Simon. ‘The British Book Market 1800–1890,’ in Eliot, Simon and Rose, Jonathan, eds., A Companion to the History of the Book (Oxford: Wiley-Blackwell, 2009), pp. 291–302.Google Scholar
Erskine, John. The Moral Obligation to Be Intelligent, and Other Essays (New York: Duffield, 1915).Google Scholar
Esty, Jed. Unseasonable Youth: Modernism, Colonialism and Fictions of Development (Oxford: Oxford University Press, 2013).Google Scholar
‘Etc.’, The Overland Monthly 8 (1872): 191–6.Google Scholar
Fantina, Richard. Victorian Sensational Fiction: The Daring Work of Charles Reade (London: Palgrave Macmillan, 2010).CrossRefGoogle Scholar
Faulkner, Laura. ‘“That’s convenient, not to say odd”: Coincidence, Causality, and Hardy’s Inconsistent Inconsistency’, Victorian Review 37.1 (Spring 2011): 92–107.CrossRefGoogle Scholar
Faulkner, Peter. ‘The Odd Man Out: Morris Among the Aesthetes’, The Journal of the Decorative Arts Society 1850 to the Present 34 (2010): 76–91.Google Scholar
Fausset, Hugh I. ‘The Eighteen Seventies’, The Bookman 76 (September 1929): 304–5.Google Scholar
Fawcett, Millicent Garrett. ‘The Story of the Opening of University Education to Women’, in Terras, Melissa and Crawford, Elizabeth, eds., Millicent Garrett Fawcett: Selected Writings (London: UCL Press, 2022), pp. 156–77.Google Scholar
Felluga, Dino Franco. ‘The Eventuality of the Digital’, 19: Interdisciplinary Studies in the Long Nineteenth Century 21 (2015), web.Google Scholar
Felluga, Dino Franco. ‘Going a Step Further than Open Access and Open Source: COVE and the Promise of Open Assembly’, Victorians Institute Journal 49 (2022): 198–209.CrossRefGoogle Scholar
Felluga, Dino Franco, and Rettenmaier, David. ‘Can Victorian Studies Reclaim the Means of Production? Saving the (Digital) Humanities’, Journal of Victorian Culture 24.3 (July 2019): 331–43.CrossRefGoogle Scholar
Felluga, Dino Franco, Jacob, Priyanka A., and Nesvet, Rebecca. ‘COVE and Open Assembly: How to Deal with the Structural Racism of the Traditional Print Anthology’, Teaching in ‘The New Classroom’ forum, Victorian Review 49.1 (Spring 2023), forthcomingGoogle Scholar
Field, Hannah. Playing with the Book: Victorian Movable Picture Books and the Child Reader (Minneapolis: University of Minnesota Press, 2019).CrossRefGoogle Scholar
Field, Hannah. ‘The Victorian Picturebook’, in Coats, Karen, Stevenson, Deborah, and Yenika-Agbaw, Vivian, eds., A Companion to Children’s Literature (Oxford: Blackwell, 2022), pp. 39–57.CrossRefGoogle Scholar
Fielding, Henry. ‘An Essay on Conversation’, The Works of Henry Fielding Esq., new edition, 8 vols (London: Strachan, et al., 1771), viii.116.Google Scholar
Fielding, Penny, and Taylor, Andrew. ‘Introduction: Knowledge Made for Cutting’, The Nineteenth-Century Literature in Transition: The 1880s (Cambridge: Cambridge University Press, 2019), pp. 1–14.CrossRefGoogle Scholar
Flint, Kate. ‘The Materiality of Middlemarch’, in Chase, Karen, ed., Middlemarch in the 21st Century (Oxford: Oxford University Press, 2006), pp. 65–86Google Scholar
Flint, Kate. ‘Sensation’, in Flint, Kate, ed., The Cambridge History of Victorian Literature (Cambridge University Press, 2012), pp. 220–42.CrossRefGoogle Scholar
Forman, Henry Buxton. ‘The “Fleshly School” Scandal’, Tinsleys’ Magazine 10 (February 1872): 89–102.Google Scholar
Forman, Henry Buxton. Our Living Poets: An Essay in Criticism (London: Tinsley, 1871).Google Scholar
Forster, E. M. A Room with a View (Norfolk, CT: New Directions, 1922).Google Scholar
Fredeman, William E., et. al., eds., The Correspondence of Dante Gabriel Rossetti, 10 vols. (Woodbridge, Suffolk: D. S. Brewer, 2002–15).Google Scholar
Frederickson, Kathleen. ‘British Writers on Population, Infrastructure, and the Great Indian Famine of 1876–8’, BRANCH: Britain, Representation and Nineteenth-Century History, ed. Dino Franco Felluga, Extension of Romanticism and Victorianism on the Net, web.Google Scholar
Freedgood, Elaine. The Ideas in Things: Fugitive Meaning in the Victorian Novel (Chicago: University of Chicago Press, 2006).CrossRefGoogle Scholar
Freedman, Jonathan. Professions of Taste: Henry James, British Aestheticism, and Commodity Culture (Stanford University Press, 1990).CrossRefGoogle Scholar
Freund, John Christian. ‘Address to the Public’, Dark Blue 2 (February 1872): iii–v.Google Scholar
Friedman, Dustin. Before Queer Theory: Victorian Aestheticism and the Self (Baltimore: Johns Hopkins University Press, 2019).CrossRefGoogle Scholar
‘From Our London Correspondent’, Hampshire Independent (5 April 1879): 5.Google Scholar
Frost, Mark. The Lost Companions and John Ruskin’s Guild of St George: A Revisionary History (New York: Anthem, 2014).Google Scholar
Gabriele, Alberto. Reading Popular Culture in Victorian Print: Belgravia and Sensation (New York: Palgrave Macmillan, 2009).CrossRefGoogle Scholar
Gagnier, Regenia. Idylls of the Marketplace: Oscar Wilde and the Victorian Public (Stanford University Press: 1986).Google Scholar
Gallagher, Catherine. ‘The Rise of Fictionality’, in Moretti, Franco, ed., The Novel, 2 vols. (Princeton: Princeton University Press, 2006), 1: 336–63.Google Scholar
‘Gallery of Illustration’, Athenaeum 2258 (4 February 1871): 151.Google Scholar
‘Gallery of Illustration’, Examiner 3288 (4 February 1871): 125.Google Scholar
‘Gallery of Illustration’, The Musical Times 15.337 (1 March 1871): 10.Google Scholar
Gardner, Martin. The Annotated Alice (Harmondsworth: Penguin, 1970).Google Scholar
Gardner, Victoria. The Business of News in England, 1760–1820 (Houndmills: Palgrave Macmillan, 2016).CrossRefGoogle Scholar
Garnett, Richard. Essays in Librarianship and Bibliography (London: George Allen, 1899).Google Scholar
Garnett, Richard. ‘Literature’, in Ward, Thomas Humphry, ed., The Reign of Queen Victoria: A Survey of Fifty Years of Progress (London: Smith, Elder, 1887), II: 445–95.Google Scholar
Garrison, Laurie. Science, Sexuality, and Sensation Novels: Pleasures of the Senses (New York: Palgrave Macmillan, 2011).CrossRefGoogle Scholar
Gascoigne, Bamber. Milestones in Colour Printing, 1487–1859 (Cambridge: Cambridge University Press, 1997).Google Scholar
Gay, Hannah. ‘Clock Synchrony, Time Distribution and Electrical Timekeeping in Britain 1880–1925’, Past & Present 181 (November 2003): 107–40.CrossRefGoogle Scholar
Gibson, Mary Ellis. Indian Angles: English Verse in Colonial India from Jones to Tagore (Athens: Ohio University Press, 2011).CrossRefGoogle Scholar
Gibson, Mary Ellis, ed. Anglophone Poetry in Colonial India, 1780–1913: A Critical Anthology (Athens: Ohio University Press, 2011).CrossRefGoogle Scholar
Giddens, Eugene, and Jaques, Zoe. Lewis Carroll’s ‘Alice’s Adventures in Wonderland’ and ‘Through the Looking-Glass’: A Publishing History (Farnham: Ashgate, 2013).Google Scholar
Gilbert, Pamela K. ‘Braddon and Victorian Realism: Joshua Haggard’s Daughter’, in Tromp, Gilbert, and Haynie, eds., Beyond Sensation: Mary Elizabeth Braddon in Context, pp. 183–95.Google Scholar
Gilbert, Pamela K., ed. A Companion to Sensation Fiction (Oxford: Wiley-Blackwell, 2011).CrossRefGoogle Scholar
Gilpin, William. Observations on the River Wye, and Several Parts of South Wales, &c., Relative Chiefly to Picturesque Beauty; Made in the Summer of the Year 1770 (Cambridge: Cambridge University Press, 2013).Google Scholar
Gilpin, William. Remarks on Forest Scenery, and Other Woodland Views, (Relative Chiefly to Picturesque Beauty), 2 vols (London: Blamire, 1791).Google Scholar
Glendinning, Victoria. Trollope (London: Hutchinson, 1992).Google Scholar
Goldsmith, Oliver. An Elegy on the Death of a Mad Dog, illustr. Randolph Caldecott ([London]: George Routledge and Sons, [1879]).Google Scholar
Gosse, Edmund. ‘A Book of Verse from India’, The Examiner 3578 (26 August 1876): 966–7.Google Scholar
Graham, Richard D. The Masters of Victorian Literature 1837–1897 (Simpkin, Marshall, 1897).Google Scholar
Granville-Barker, Harley, ed. The Eighteen-Seventies: Essays by Fellows of the Royal Society of Literature (Cambridge: Cambridge University Press, 1929).Google Scholar
Gray, Erik. The Art of Love Poetry (Oxford University Press, 2017).Google Scholar
Greenaway, Kate. Under the Window: Pictures and Rhymes for Children (London: George Routledge and Sons, [1879]).Google Scholar
Grenby, M. O. The Child Reader, 1700–1840 (Cambridge: Cambridge University Press, 2011).Google Scholar
Griffiths, Devin. The Age of Analogy: Science and Literature Between the Darwins (Baltimore: Johns Hopkins University Press, 2016).Google Scholar
Grossman, Richard H., and Wright, Andrew, ‘Anthony Trollope’s Libraries’, Nineteenth-Century Fiction 31.1 (1976): 48–64.CrossRefGoogle Scholar
Haeckel, Ernst. The History of Creation, or, The Development of the Earth and Its Inhabitants by the Action of Natural Causes, trans. Lankester, E. Ray, 2 vols (London: King, 1876).Google Scholar
Hager, Kelly. ‘Chipping Away at Coverture: The Matrimonial Causes Act of 1857’, in Dino Franco Felluga (ed.), BRANCH: Britain, Representation and Nineteenth-Century History, accessed 18 July 2023.Google Scholar
Haight, Gordon S., ed. The George Eliot Letters, 9 vols. (New Haven: Yale University Press, 1954–78).Google Scholar
Hales, John W. ‘Victorian Literature’, Gentleman’s Magazine 264 (April 1888): 400–14, (May 1888): 460–74.Google Scholar
Hall, Catherine, McClelland, Keith, and Rendall, Jane. Defining the Victorian Nation: Class, Race, Gender and the Reform Act of 1867 (Cambridge: Cambridge University Press, 2000).Google Scholar
Hall, N. John. Trollope: A Biography (Oxford: Clarendon Press, 1991).Google Scholar
Hamilton, Walter. The Aesthetic Movement in England (London: Reeves & Turner, 1882).Google Scholar
Hardy, Thomas. Far from the Madding Crowd, ed. Falck-Yi, Suzanne B. (Oxford: Oxford University Press, 2002).Google Scholar
Hardy, Thomas. The Return of the Native, ed. Slade, Tony (London: Penguin, 1999).Google Scholar
Hardy, Thomas. Under the Greenwood Tree, or, The Mellstock Quire: A Rural Painting of the Dutch School, ed. Gatrell, Simon (Oxford: Oxford University Press, 2013).CrossRefGoogle Scholar
Harrison, Antony H., ed. The Letters of Christina Rossetti, 3 vols. (Charlottesville: University Press of Virginia, 1997–2000).Google Scholar
Harrison, Kimberly, and Fantina, Richard, eds., Victorian Sensations: Essays on a Scandalous Genre (Columbus: The Ohio State University Press, 2006).Google Scholar
Harte, Bret, Sensation Novels Condensed (London: John Camden Hotten, 1871).Google Scholar
Heller, Tamar, ‘Recent Work on Victorian Gothic and Sensation Fiction’, Victorian Literature and Culture 24.2 (1996): 349–66.CrossRefGoogle Scholar
Helsinger, Elizabeth K. Poetry and the Pre-Raphaelite Arts: Dante Gabriel Rossetti and William Morris (New Haven: Yale University Press, 2008).Google Scholar
Helsinger, Elizabeth K., Poetry and the Thought of Song in Nineteenth-Century Britain (Charlottesville: University of Virginia Press, 2015).Google Scholar
Hext, Kate. Walter Pater: Individualism and Aesthetic Philosophy (Edinburgh University Press, 2013).Google Scholar
Heyck, T. W. The Transformation of Intellectual Life in Victorian England (New York: St Martin’s Press, 1982).Google Scholar
Higonnet, Margaret R. ‘Orality onto Paper and into Action’, in Saussy, Haun and Gillespie, Gerald, eds., Intersections, Interferences, Interdisciplines: Literature with Other Arts (Brussels: Peter Lang, 2014), pp. 125–38.Google Scholar
Hilton, Boyd. ‘Disraeli, English Culture, and the Decline of the Industrial Spirit’, in Brockliss, Laurence and Eastwood, David, eds., A Union of Multiple Identities: The British Isles 1750–1850 (Manchester: Manchester University Press 1997), pp. 44–59.Google Scholar
Hobbs, Andrew. ‘Case Study 23: William Saunders and the Industrial Supply of News in the Late Nineteenth Century’, in Finkelstein, David (ed.), The Edinburgh History of the British and Irish Press, Volume 2: Expansion and Evolution, 1800–1900, 2 vols (Edinburgh: Edinburgh University Press, 2020), pp. 736–42.Google Scholar
Hobbs, Andrew. ‘Five Million Poems, or the Local Press as Poetry Publisher, 1800–1900’, Victorian Periodicals Review 45.4 (2012): 488–92.CrossRefGoogle Scholar
Hobbs, Andrew. A Fleet Street in Every Town: The Provincial Press in England, 1855–1900 (Cambridge: Open Book Publishers, 2018).CrossRefGoogle Scholar
Hollander, John. ‘The Poetry of Nonsense: Carroll’s Quest Romance’, The Work of Poetry (New York: Columbia University Press, 1997), pp. 200–10.Google Scholar
Hood, Tom. ‘Petty Parnassus’, Dark Blue 1 (April 1871): 228–33.Google Scholar
Hood, Tom. ‘Thackeray and His Female Characters’, Englishwomen’s Domestic Magazine (1 February 1864): 157–64.Google Scholar
Hopkins, Gerard Manley. The Poetical Works of Gerard Manley Hopkins, ed. Mackenzie, Norman H. (Oxford: Clarendon Press, 1990).Google Scholar
Horne, Richard Hengist. Orion: An Epic Poem (London: Ellis and Green, 1872).Google Scholar
Houghton, Walter E., and Robert Stange, G., eds., Victorian Poetry and Poetics (Boston: Houghton Mifflin, 1968).Google Scholar
Houston, Natalie M. ‘Towards a New History: Fin-de-Siècle Women Poets and the Sonnet’, in Chapman, Alison, ed., Victorian Women Poets (D. S. Brewer, 2003), pp. 145–64.Google Scholar
Howes, Craig. ‘Hood, Thomas [Tom] (1835–1874)’, The Oxford Dictionary of National Biography, website.Google Scholar
Hughes, Linda K. The Cambridge Introduction to Victorian Poetry (Cambridge, Cambridge University Press, 2010).CrossRefGoogle Scholar
Hughes, Linda K. ‘1870’, in Tucker, Herbert F., ed., A New Companion to Victorian Literature and Culture (Oxford: Wiley, 2014), pp. 35–51.CrossRefGoogle Scholar
Hughes, Linda K., and Phyllis, Weliver, eds., Victorian Poetry and the Salon. Special issue of Victorian Poetry 60.2 (Summer 2022).Google Scholar
Hughes, M. Vivian, A London Family, 1870–1900 (London: Geoffrey Cumberledge, 1947).Google Scholar
Hughes, Winifred, The Maniac in the Cellar: Sensation Novels of the 1860s (Princeton: Princeton University Press, 1980).Google Scholar
Hunt, William. Then and Now; Or, Fifty Years of Newspaper Work (Hull and London: Hamilton, Adams, and Co., 1887).Google Scholar
Hunter, J. Paul. ‘Seven Reasons for Rhyme’, in Clymer, Lorna, ed., Ritual, Routine, and Regime: Repetition in Early Modern British and European Cultures (University of Toronto Press, 2006), pp. 172–98.Google Scholar
Hutton, Richard Holt. Essays Theological and Literary 2nd ed. (London: Macmillan, 1880).Google Scholar
James, Henry. ‘The Grosvenor Gallery’, in Sweeney, John L., ed., The Painter’s Eye: Notes and Essays on the Pictorial Arts (London: Rupert Hart-Davis, 1956), pp. 161–6.CrossRefGoogle Scholar
Jameson, Frederic. The Antimonies of Realism (London: Verso, 2013).Google Scholar
Jefferies, Richard. The Gamekeeper at Home: Sketches of Natural History and Rural Life (London: Smith, Elder, 1878),Google Scholar
Jefferies, Richard. Wild Life in a Southern County (London: Smith, Elder, 1879).CrossRefGoogle Scholar
Jevons, William Stanley, The Principles of Science: A Treatise on Logic and Scientific Method, 2 vols. (London: Macmillan, 1874).Google Scholar
Johnson, R. V. Aestheticism (London: Methuen, 1969).Google Scholar
Jones, Anna Maria. ‘On the Publication of Dark Blue, 1871–73’, BRANCH: Britain, Representation and Nineteenth-Century History, ed. Dino Franco Felluga, Extension of Romanticism and Victorianism on the Net, Web.Google Scholar
Jordan, John O., and Patten, Robert L., eds., ‘Introduction: Publishing History as Hypertext’, in Literature in the Marketplace: Nineteenth-Century British Publishing and Reading Practices (Cambridge: Cambridge University Press, 1995), pp. 1–18.Google Scholar
Kane, Brian. Sound Unseen: Acousmatic Sound in Theory and Practice (Oxford: Oxford University Press, 2014).CrossRefGoogle Scholar
Keane, Robert N. ‘D. G. Rossetti’s “Poems, 1870”: A Study in Craftsmanship’, Princeton University Library Chronicle 33 (1972): 193–209.CrossRefGoogle Scholar
Keep, Christopher. ‘Blinded by the Type: Gender and Information Technology at the Turn of the Century’, Nineteenth-Century Contexts 23.1 (2001): 149–73.CrossRefGoogle Scholar
Keep, Christopher. ‘The Introduction of the Sholes & Glidden Type-Writer, 1874’, BRANCH: Britain, Representation and Nineteenth-Century History (2013), web.Google Scholar
Kent, Susan Kingsley. Sex and Suffrage in Britain 1860–1914 (Taylor & Francis Group, 1990 [1987]).CrossRefGoogle Scholar
Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction (Oxford: Oxford University Press, 2000).CrossRefGoogle Scholar
Kipling, Rudyard, Something of Myself, for Friends Known and Unknown (London: Macmillan, 1937).Google Scholar
Knight, Mark, ‘Figuring out the Fascination: Recent Trends in Criticism on Victorian Sensation and Crime Fiction’, Victorian Literature and Culture 37.1 (2009): 323–33.CrossRefGoogle Scholar
Knoepflmacher, U. C., Ventures into Childland: Victorians, Fairy-Tales, and Femininity (Chicago: University of Chicago Press, 1998).Google Scholar
Kooistra, Lorraine Janzen, Christina Rossetti and Illustration: A Publishing History (Athens: Ohio University Press, 2002).Google Scholar
Kooistra, Lorraine Janzen. ‘The Dialogue of Text and Image in Rossetti’s Sing-Song’, Victorian Poetry 37.4 (1999): 465–92.Google Scholar
Kornbluh, Anna. Realizing Capital: Financial and Psychic Economies in Victorian Form (New York: Fordham University Press, 2014).Google Scholar
Kreilkamp, Ivan, Voice and the Victorian Storyteller (Cambridge: Cambridge University Press, 2005).CrossRefGoogle Scholar
Laing, Frederick A. History of English Literature for Junior Classes (London and Glasgow: William Collins, Sons, & Co., 1873)Google Scholar
Lang, Andrew. ‘Théophile Gautier’, Dark Blue 1 (March 1871): 26–35.Google Scholar
Lavery, Grace E. Quaint, Exquisite: Victorian Aesthetics and the Idea of Japan (Princeton University Press, 2019)Google Scholar
‘The Law and the Lady’, Examiner 3506 (10 April 1875): 414–5.Google Scholar
‘Law Books’, The Athenæum, 2474 (27 March 1875): 422.Google Scholar
Lawson, John, and Silver, Harold. A Social History of Education in England (London: Routledge, 1973).Google Scholar
Lear, Edward. ‘The Quangle Wangle’s Hat’, in Noakes, Vivien, ed., The Complete Nonsense of Edward Lear (London: Faber and Faber, 2001), pp. 252–4.Google Scholar
LeGette, Casie. Remaking Romanticism: The Radical Politics of the Excerpt (Houndmills, Basingstoke: Palgrave Macmillan, 2017).CrossRefGoogle Scholar
Leighton, Angela, Hearing Things: The Work of Sound in Literature (Cambridge, MA: Harvard University Press, 2018).Google Scholar
Leighton, Mary Elizabeth, and Surridge, Lisa. ‘Illustrating the Sensation Novel’, in Mangham, ed., The Cambridge Companion to Sensation Fiction, pp. 34–51.CrossRefGoogle Scholar
Lerer, Seth. Children’s Literature: A Reader’s History, from Aesop to Harry Potter (Chicago: University of Chicago Press, 2008).CrossRefGoogle Scholar
Lesjak, Carolyn. The Afterlife of Enclosure: British Realism, Character, and the Commons (Stanford: Stanford University Press, 2021).CrossRefGoogle Scholar
Levine, George. ‘Hardy and Darwin: An Enchanting Hardy?’, in Wilson, Keith, ed., A Companion to Thomas Hardy (Malden: Wiley-Blackwell, 2010), pp. 36–53Google Scholar
Levine, George. The Realistic Imagination (Chicago: University of Chicago Press, 1981).Google Scholar
Lewis, Jane, ed. Before the Vote Was Won: Arguments For and Against Women’s Suffrage (New York: Routledge, 1987).Google Scholar
Lightman, Bernard, and Zom, Bennett, eds., Victorian Culture and the Origin of Disciplines (London: Routledge, 2020).Google Scholar
Lightman, Bernard, and Zom, Bennett, ‘Literature’, Sun (15 June 1869): 2.Google Scholar
‘Literature and Democracy’, Macmillan’s Magazine 83 (April 1901): 401–9.Google Scholar
Littledale, R. F. ‘New Novels’ [review of Vixen by Mary Elizabeth Braddon], The Academy 358 (15 March 1879): 223–4.Google Scholar
Livesey, Ruth. ‘Felix Holt and the Politics of Middle England’, in Atkinson, Juliet and Cohn, Elisha, eds., The Oxford Handbook to George Eliot (Oxford: Oxford University Press, forthcoming 2024).Google Scholar
Livesey, Ruth. ‘Middleness: Provincial Fiction and the Aesthetics of Dull Life’, Journal of Victorian Culture 29 (2024): 25–36.CrossRefGoogle Scholar
Livesey, Ruth. Socialism, Sex, and the Culture of Aestheticism in Britain, 1880–1914 (Oxford University Press, 2007).CrossRefGoogle Scholar
‘Local News’, Burnley Advertiser (Saturday 5 April 1879): 5.Google Scholar
Lodge, Sara. Inventing Edward Lear (Cambridge: Harvard University Press, 2019).CrossRefGoogle Scholar
Loesberg, Jonathan, ‘The Ideology of Narrative Form in Sensation Fiction’, Representations 13 (Winter 1986): 115–38.CrossRefGoogle Scholar
Lokugé, Chandani, ed. Toru Dutt: Collected Prose and Poetry (New Delhi: Oxford University Press, 2006).Google Scholar
Lootens, Tricia. ‘Bengal, Britain, France: The Locations and Dislocations of Toru Dutt’, Victorian Literature and Culture 34 (2006): 573–90.CrossRefGoogle Scholar
Lootens, Tricia. Lost Saints: Silence, Gender, and Victorian Literary Canonization (Charlottesville: University Press of Virginia, 1996).Google Scholar
Lovell-Smith, Rose. ‘The Animals of Wonderland: Tenniel as Carroll’s Reader’, Criticism 45.4 (2003): 383–415.CrossRefGoogle Scholar
Lundin, Anne. ‘Under the Window and Afternoon Tea: “Twirling the Same Blade of Grass”’, Lion and the Unicorn 17.1 (1993): 45–56.CrossRefGoogle Scholar
Lyons, Sara. Algernon Swinburne and Walter Pater: Victorian Aestheticism, Doubt, and Secularisation (Oxford: Legenda, 2015).Google Scholar
MacDonald, Tara. ‘Bodily Sympathy, Affect, and Victorian Sensation Fiction’, in Ahern, Stephen, ed., Affect Theory and Literary Critical Practice (London: Palgrave, 2019), pp. 121–37.Google Scholar
Macdonald, Tara. ‘Sensation Fiction, Gender and Identity’, in Mangham, ed., The Cambridge Companion to Sensation Fiction, pp. 127–40.CrossRefGoogle Scholar
Macintyre, Stuart. A Concise History of Australia, 3rd ed. (Cambridge: Cambridge University Press, 2009).CrossRefGoogle Scholar
Macleane, Walter. ‘New Novels’ [review of The Law and the Lady by Wilkie Collins], The Academy 8.165 (3 July 1875): 7–8.Google Scholar
Magarey, A. T. ‘Australian Aborigines’ Water-Quest’, Papers Read Before the Royal Geographical Society of Australasia, (South Australian Branch) (Adelaide: Thomas, 1895).Google Scholar
‘Magazine Poetry’, The Examiner 3686 (21 September 1878): 1206–7.Google Scholar
Mangham, Andrew, ed. The Cambridge Companion to Sensation Fiction (Cambridge: Cambridge University Press, 2013).CrossRefGoogle Scholar
Mangham, Andrew. Violent Women and Sensation Fiction: Crime, Medicine and Victorian Popular Culture (Houndmills and New York: Palgrave Macmillan, 2007).CrossRefGoogle Scholar
Mansel, Henry. ‘Sensation Novels’, Quarterly Review 113.226 (April 1863): 481–514.Google Scholar
Marshall, Catherine, Lightman, Bernard, and England, Richard, eds., The Papers of the Metaphysical Society 1869–1880: A Critical Edition, 3 vols. (Oxford: Oxford University Press, 2015).CrossRefGoogle Scholar
Martin, Robert Bernard. Gerard Manley Hopkins: A Very Private Life (London: HarperCollins, 1991).Google Scholar
Martineau, Harriet. Autobiography, ed. Peterson, Linda (Peterborough, ON: Broadview Press, 2006).Google Scholar
Marzials, Theo. ‘The Sun of My Songs’, Dark Blue 1 (March 1871): 42–58.Google Scholar
Masaki, Tomoko. A History of Victorian Popular Picture Books: The Aesthetic, Creative, and Technological Aspects of the Toy Book through the Publications of the Firm of Routledge, 1852–1893 (Tokyo: Kazamashobo, 2006).Google Scholar
Massey, Gerald. ‘Last Poems and Other Works of Mrs. Browning’, North British Review 36 (May 1862): 514–34.Google Scholar
Maunder, Andrew, gen. ed. Varieties of Women’s Sensation Fiction, 1855–1890, 6 vols. (London: Pickering and Chatto, 2004).Google Scholar
Maxwell, James Clerk. ‘The Rede Lecture: The Telephone’, Nature 18 (6 June 1878): 159–63.Google Scholar
Mays, Kelly J. ‘How the Victorians Un-Invented Themselves: Architecture, the Battle of the Styles, and the History of the Term Victorian’, Journal of Victorian Culture 19.1 (2014): 1–23.CrossRefGoogle Scholar
McAleavey, Maia. The Bigamy Plot: Sensation and Convention in the Victorian Novel (New York: Cambridge University Press, 2015).CrossRefGoogle Scholar
McCormack, Kathleen. George Eliot in Society: Travels Abroad and Sundays at the Priory (Columbus: Ohio State University Press, 2013).Google Scholar
McCrimmon, Barbara. Power, Politics and Print: The Publication of the British Museum Catalogue, 1881–1900 (Hamden, Conn: Linnet Books, 1981).Google Scholar
McLean, Ruari, ed. The Reminiscences of Edmund Evans (Oxford: Clarendon Press, 1967).Google Scholar
Meisel, Martin. Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England (Princeton, NJ: Princeton University Press, 1983).Google Scholar
Mellor, Anne K. Mothers of the Nation: Women’s Political Writing in England, 1780–1830 (Bloomington: Indiana UP, 2000).CrossRefGoogle Scholar
‘Memories of the British Museum’, Illustrated Review 3 (1872): 494–5.Google Scholar
Mendlesohn, Farah. Rhetorics of Fantasy (Middletown, CT: Wesleyan University Press, 2008).Google Scholar
Mendelssohn, Michèle. Henry James, Oscar Wilde and Aesthetic Culture (Edinburgh University Press, 2007).Google Scholar
Merrill, Linda. A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin (Washington: Smithsonian Institution Press, 1992).Google Scholar
Meyer, Jed. ‘The Vivisection of the Snark’, Victorian Poetry 47.2 (2009): 429–48.Google Scholar
Midgley, Claire. Women Against Slavery: The British Campaigns, 1780–1870 (New York: Routledge, 1992).Google Scholar
Miller, Andrew H. ‘Lives Unled in Realist Fiction’, Representations 98.1 (2007): 118–34.CrossRefGoogle Scholar
Miller, Edmund. ‘Two Approaches to Lear’s Nonsense Songs’, Victorian Newsletter 44 (1973): 5–8.Google Scholar
Miller, Elizabeth Carolyn. Extraction Ecologies and the Literature of the Long Exhaustion (Princeton: Princeton University Press, 2021).Google Scholar
Miller, John MacNeill. ‘The Ecological Plot: A Brief History of Multispecies Storytelling, from Malthus to Middlemarch’, Victorian Literature and Culture 48.1 (2020): 155–85.CrossRefGoogle Scholar
Miller Casey, Ellen. ‘“Highly Flavoured Dishes” and “Highly Seasoned Garbage”: Sensation in the Athenaeum’, in Harrison and Fantina, pp. 3–14.Google Scholar
Miller Casey, Ellen. ‘“Other People’s Prudery”: Mary Elizabeth Bradden’, in Cox, Don Richard, ed., Sexuality and Victorian Literature (Knoxville: University of Tennessee Press, 1984), pp. 72–82.Google Scholar
Miller, J. Hillis. Reading for Our Time: Adam Bede and Middlemarch Revisited (Edinburgh: Edinburgh University Press, 2012).CrossRefGoogle Scholar
Miller, Stephen. Conversation: A History of a Declining Art (New Haven: Yale University Press, 2006).Google Scholar
‘Miscellaneous Notices’, John Bull 58 (28 September 1878): 623–4.Google Scholar
Mitchell, Sally. The Fallen Angel: Chastity, Class and Women’s Reading, 1835–1880 (Bowling Green: Bowling Green University Press, 1981).Google Scholar
Mitchell, Sally. The New Girl: Girl’s Culture in England, 1880–1915 (New York: Columbia University Press, 1995).Google Scholar
‘Modern Conversation’. Judy: Or the London Serio-Comic Journal (9 January 1878):128.Google Scholar
‘Modern Verse Writers’, Fraser’s Magazine 76 (November 1867): 670–78.Google Scholar
Montaigne, Michel de. ‘Of the Education of Children: To Madame Diane de Foix, Comtesse de Gurson’, in Hazlitt, W. C., ed., Essays of Michel de Montaigne, trans. Cotton, Charles, Project Gutenberg.Google Scholar
Montanaro, Ann R. Pop-Up and Movable Books: A Bibliography (Metuchen, NJ: Scarecrow Press, 1993).Google Scholar
‘The Month: Science and Arts’, Chambers’s Journal of Popular Literature, Science, and Arts 13 (1876): 558–60.Google Scholar
‘Monthly Mag-Pie. August’, Fun 20 (22 August 1874): 86.Google Scholar
Morley, John. ‘Mr. Pater’s Essays’, Fortnightly Review 76 (April 1873): 469–77.Google Scholar
Moretti, Franco. The Bourgeois: Between History and Literature (London: Verso 2013).Google Scholar
Moretti, Franco. The Way of the World: The Bildungsroman in European Culture (London: Verso, 1987).Google Scholar
Morley, Henry. First Sketch of English Literature (London and New York: Cassell, 1873).Google Scholar
Morris, William. The Collected Works, with introductions by Morris, May, volume 22 (London: Longmans, Green, 1914).Google Scholar
Morris, William, transl. ‘The Story of Frithiof the Bold’, Dark Blue 1 (March 1871): 26–35.Google Scholar
Morus, Iwan Rhys. ‘“The Nervous System of Britain”: Space, Time and the Electric Telegraph in the Victorian Age’, British Journal for the History of Science 33.4 (2000): 455–75.CrossRefGoogle Scholar
Mother Goose (London: Dean and Son, [ca. 1880]).Google Scholar
Mozley, J. R. ‘Modern English Poets’, Quarterly Review 126 (April 1869): 328–59.Google Scholar
Mullen, Mary. ‘Two Clocks: Aurora Leigh, Poetic Form, and the Politics of Timelines’, Victorian Poetry 51.1 (2013): 63–80.CrossRefGoogle Scholar
Mullin, Katherine. Working Girls: Fiction, Sexuality, and Modernity (Oxford: Oxford University Press, 2016).CrossRefGoogle Scholar
Mussell, James. ‘“Night Work or Night Play”: Periodicals, Archives, and Poole’s Index’, in Media (B)Orders Between Periodicals and Books. Miscellaneity and Classification in Nineteenth Century Magazines and Literature, Pfennig Magazin zur Journalliteratur 4 (2019): 34–43.Google Scholar
Mussell, James. ‘Trading in Death: Miscellaneity and Memory in the British Nineteenth-Century Press’, in Gretz, Daniela, Krause, Marcus, and Pethes, Nico, eds., Reading Miscellanies, Miscellaneous Readings: Interrelations between Medial Formats, Novel Structures, and Reading Practices in the Nineteenth Century (Hannover: Wehrhahn Verlag, 2022), pp. 141–64.Google Scholar
‘Nancy’, Saturday Review 36.944 (29 November 1873): 705–6.CrossRefGoogle Scholar
Nemesvari, Richard. ‘“Judged by a Purely Literary Standard”: Sensation Fiction, Horizons of Expectation, and the Generic Construction of Victorian Realism’, in Harrison and Fantina, pp. 15–28.Google Scholar
Nemesvari, Richard. Thomas Hardy, Sensationalism, and the Melodramatic Mode (New York: Palgrave Macmillan, 2011).CrossRefGoogle Scholar
New Puss in Boots: With Transforming Pictures, Capable of Numerous Metamorphoses (London: Dean and Son, [not before 1873]).Google Scholar
‘New Serial By Anthony Trollope’, Pall Mall Gazette 21 (January 1874): 16.Google Scholar
‘The Newest Thing in Wall-Papers’, Judy (11 December 1878): 233.Google Scholar
Newspaper Press Directory and Advertisers’ Guide, Containing Full Particulars Relative to Each Journal Published in the United Kingdom and the British Isles (C. Mitchell and Co.: 1872).Google Scholar
Newspaper Press Directory and Advertisers’ Guide, Containing Full Particulars Relative to Each Journal Published in the United Kingdom and the British Isles (C. Mitchell and Co.: 1877).Google Scholar
‘The Nineteenth Century: A Monthly Review’, John Bull 57 (17 February 1877): 97.Google Scholar
Nixon, Jude V. ‘Fathering Graces at Hampstead: Manley Hopkins’ “The Old Trees” and Gerard Manley Hopkins’ “Binsey Poplars”’, Victorian Poetry 44.2 (2006): 191–212.CrossRefGoogle Scholar
Vivien, Noakes, (ed.). Edward Lear: Selected Letters (Oxford: Oxford University Press, 1988).Google Scholar
Norcia, Megan A. ‘Playing Empire: Children’s Parlor Games, Home Theatricals, and Improvisational Play’, Children’s Literature Association Quarterly 29.4 (2004): 294–314.CrossRefGoogle Scholar
Norris, Alfred. ‘Autumn Time’, Chambers’s Journal series 4, 7 (27 October 1870): 688Google Scholar
Norton, John. ‘Importance of a Study of the Arts Subsidiary to Architecture. Architectural Association’, Builder 17 (26 February 1859): 149–50.Google Scholar
‘Novels of the Week’, Athenaeum 2211 (12 March 1870): 351–2.Google Scholar
‘Novels of the Week’ [review of Nancy by Rhoda Broughton], Athenaeum 2402 (8 November 1873): 592–3.Google Scholar
‘Novelties in Poetry and Criticism’, Fraser’s Magazine 5 (May 1872): 588–96.Google Scholar
Nuttall, A. D. Dead from the Waist Down: Scholars and Scholarship in Literature and the Popular Imagination (New Haven: Yale University Press, 2003).Google Scholar
O’Connell, Rachel. ‘Reparative Pater: Retreat, Ecstasy, and Reparation in the Writings of Walter Pater’, ELH 82.3 (2015): 969–86.CrossRefGoogle Scholar
O’Connor, K. F. ‘The Implications of Past Exploitation and Current Developments to the Conservation of South Island Tussock Grasslands’, New Zealand Journal of Ecology 5 (1982): 97–107.Google Scholar
‘October Poetry’, The Saturday Review 20 (7 October 1865): 447–8.Google Scholar
O’Gorman, Francis. ‘John Ruskin, via Elizabeth Gaskell, and the Working Classes’, The Gaskell Journal: The Journal of the Gaskell Society 34 (2020): 41–62.Google Scholar
O’Gorman, Francis. Review of Michael Wheeler’s The Athenæum: ‘More than just another London. Archiv für das Studium der neueren Sprachen und Literaturen, 259 (2022): 194–5.Google Scholar
O’Gorman, Francis. ‘Ruskin’s Mountain Gloom’ in Hanley, Keith and Dickinson, Rachel, eds., Ruskin and the Struggle for Coherence (Cambridge: Cambridge Scholars Press, 2007), pp. 123–50,Google Scholar
O’Gorman, Francis. ‘Swinburne’s Returns: The Endurance of Writing in Poems and Ballads, Second Series (1878)’, The Cambridge Quarterly 33 (2004): 197–216.CrossRefGoogle Scholar
O’Gorman, Francis. Victorian Poetry: An Annotated Anthology (Oxford: Wiley-Blackwell, 2004).Google Scholar
Oliphant, Margaret. ‘New Books’, Blackwood’s Edinburgh Magazine 697 (November 1873): 604–9.Google Scholar
Oliphant, Margaret. ‘Novels’, Blackwood’s Edinburgh Magazine 102.623 (September 1867): 257–80.Google Scholar
Oliphant, Margaret. ‘The Old Saloon. The Literature of the Last Fifty Years’, Blackwood’s Magazine 141 (June 1887): 737–61.Google Scholar
Oliphant, Margaret, ‘Sensational Novels’, Blackwood’s Edinburgh Magazine 91.558 (May 1862): 564–84.Google Scholar
Opie, Iona, and Opie, Peter. ‘Books that Come to Life’, in Hadfield, John, ed., Saturday Book 34 (1975): 61–4.Google Scholar
Opie, Iona, and Opie, Peter, eds., The Oxford Book of Narrative Verse (Oxford: Oxford University Press, 1983).Google Scholar
O’Shaughnessy, Arthur William Edgar. ‘Two Books of Criticism’, Athenaeum 2509 (27 November 1875): 706–7.Google Scholar
‘Our Library Table’, The Athenæum 2474 (27 March 1875): 422.Google Scholar
Packer, Lona Mosk, ed. The Rossetti-Macmillan Letters (Berkeley: University of California Press, 1963).CrossRefGoogle Scholar
‘The Palace of Art (New Version)’, Punch 72 (July 7, 1877): 305.Google Scholar
Palmer, Beth. Women’s Authorship and Editorship in Victorian Culture: Sensational Strategies (Oxford: Oxford University Press, 2011).CrossRefGoogle Scholar
Parkes, Adam. A Sense of Shock: The Impact of Impressionism on Modern British and Irish Writing (Oxford University Press, 2011).CrossRefGoogle Scholar
Pater, Walter. ‘Dante Gabriel Rossetti’, in Appreciations, With an Essay on Style (London: Macmillan, 1889), pp. 228–42.Google Scholar
Pater, Walter. ‘Poems by William Morris’, Westminster Review 34 (October 1868): 300–12.Google Scholar
Pater, Walter. The Renaissance: Studies in Art and Poetry (London: Macmillan, 1888).Google Scholar
Pater, Walter. Studies in the History of the Renaissance (London: Macmillan, 1873).Google Scholar
Pattison, Mark. Isaac Casaubon 1559–1614, 2nd ed. (Oxford: Clarendon, 1892).Google Scholar
Pattison, Robert. Tennyson and Tradition (Cambridge: Harvard University Press, 1979).CrossRefGoogle Scholar
Payn, James. ‘The Literary Calling and Its Future’, The Nineteenth Century 6 (December 1879): 985–98.Google Scholar
Peden, Robert. ‘Pastoralism and the Transformation of the Open Grasslands’, in Brooking, Tom and Pawson, Eric, eds., Seeds of Empire: The Environmental Transformation of New Zealand (London: Tauris, 2011), pp. 73–93.Google Scholar
Perren, Richard. Agriculture in Depression, 1870–1940 (Cambridge: Cambridge University Press, 1995).Google Scholar
Perry, Charles R. ‘Frank Ives Scudamore and the Post Office Telegraphs’, Albion 12.4 (1980): 350–67.CrossRefGoogle Scholar
Peterson, Linda. Becoming a Woman of Letters: Myths of Authorship and Facts of the Victorian Market (Princeton, NJ: Princeton University Press, 2009).CrossRefGoogle Scholar
Peterson, Linda. ‘The Feminist Origins of “Of Queens’ Gardens,”’ in Birch, Dinah and O’Gorman, Francis, eds., Ruskin and Gender (Basingstoke: Palgrave Macmillan, 2002), pp. 86–106.CrossRefGoogle Scholar
Peterson, Linda. Victorian Autobiography: The Tradition of Self-Representation (New Haven: Yale University Press, 1986).Google Scholar
Pettitt, Clare. ‘In-Between Times: Trollope’s Ordinal Numbers’, in Van Dam, Frederik, Skilton, David, and Graef, Ortwin, eds., The Edinburgh Companion to Anthony Trollope (Edinburgh: Edinburgh University Press, 2018), pp. 228–41.Google Scholar
Pfeiffer, Emily. Poems (London: Strahan, 1876).Google Scholar
Pfeiffer, Emily. ‘The Tyranny of Fashion’, Cornhill Magazine 38 (July 1878): 83–94.Google Scholar
Phillips, Adam. Becoming Freud: The Making of a Psychoanalyst (Jewish Lives) (New Haven: Yale University Press, 2014).Google Scholar
Phillips, Susan K. On the Seaboard and Other Poems (London: Macmillan and Co, 1878).Google Scholar
Picker, John M. Victorian Soundscapes (Oxford: Oxford University Press, 2003).CrossRefGoogle Scholar
Piggott, Mary. ‘How the Index Society Began – and Ended’, The Indexer 22.1 (2000): 33–5.CrossRefGoogle Scholar
‘Poetry’, The Examiner 3271 (8 October 1870): 645–6.Google Scholar
‘Poetry of the Month’, The Saturday Review 25 (18 January 1868): 76–7.Google Scholar
Polquin, Rachel. Beaver (London: Reaktion, 2015).Google Scholar
Poole, William Frederick. Index to Periodical Literature (Boston: James Osgood, 1882).Google Scholar
‘The Post Office and the Telegraphs’, Graphic 3 (1871): 162.Google Scholar
‘The Press Agencies’, Aberdeen Evening Express (7 December 1883): 3.Google Scholar
Prettejohn, Elizabeth. Art for Art’s Sake: Aestheticism in Victorian Painting (New Haven: Yale University Press, 2007).Google Scholar
Prettejohn, Elizabeth. ‘Introduction’, in Prettejohn, Elizabeth, ed., After the Pre-Raphaelites: Art and Aestheticism in Victorian England (Manchester University Press, 1999), pp. 1–16.Google Scholar
Prins, Yopie. ‘Voice Inverse’, Victorian Poetry 42.1 (2006): 47–51.Google Scholar
‘Printing History’, Poems (1870), The Rossetti Archive, web.Google Scholar
The Provincial Newspaper Society, 1836–1886: A Jubilee Retrospect (London: printed by Page, Pratt, and Turner, 1886).Google Scholar
‘Provincialism’, Cornhill Magazine 11.66 (June 1865): 673–81.Google Scholar
Purton, Valerie, ed. John Ruskin and Nineteenth-Century Education (London: Anthem, 2018).CrossRefGoogle Scholar
Pykett, Lyn. The ‘Improper’ Feminine: The Women’s Sensation Novel and the New Woman Writing (London and New York: Routledge, 1992).Google Scholar
Pykett, Lyn. ‘The Sensation Legacy’, in Mangham, ed., The Cambridge Companion to Sensation Fiction, pp. 210–23.CrossRefGoogle Scholar
Quilter, Harry. ‘The New Renaissance; or, The Gospel of Intensity’, Macmillan’s Magazine 42 (1880): 391–400.Google Scholar
Rackham, Oliver. The History of the Countryside (London: Dent, 1986).Google Scholar
Ranken, W. H. L. The Dominion of Australia: An Account of Its Foundations (London: Chapman and Hall, 1874).Google Scholar
Ray, Gordon N. The Illustrator and the Book in England from 1790 to 1914 (New York: Pierpont Morgan Library, 1991).Google Scholar
Readman, Paul. ‘Preserving the English Landscape, c. 1870–1914’, Cultural and Social History 5.2 (2008): 197–218.CrossRefGoogle Scholar
‘Recent Volumes of Verse’, Reader 4 (27 August 1864): 255–6.Google Scholar
Reeder, Jessie. The Forms of Informal Empire: Britain, Latin America, and Nineteenth-Century Literature (Baltimore, MD: Johns Hopkins Press, 2020).CrossRefGoogle Scholar
Reid-Walsh, Jacqueline. Interactive Books: Playful Media Before Pop-Ups (London: Routledge, 2018).Google Scholar
Rendall, Jane. ‘Langham Place Group (act. 1857–1866).’ Oxford Dictionary of National Biography (22 September 2005), accessed 19 July 2023.Google Scholar
‘Report of the Commissioners Appointed to Inquire into the Constitution and Government of the British Museum; with Minutes of Evidence’, Athenaeum 1176 (11 May 1850): 499–502.Google Scholar
‘Reported Death of Sir U. J. Kay-Shuttleworth, Bart., M.P.’, Burnley Gazette (12 April 1879): 6.Google Scholar
Review of A Compendious History of English Literature, by George L. Craik, Examiner 2821 (22 February 1862): 116–18.Google Scholar
Review of Speaking Likenesses, The Examiner 3487 (November 1874): 1304–5.Google Scholar
Reynolds, Kimberley. ‘Rewarding Reads? Giving, Receiving and Resisting Evangelical Reward and Prize Books’, in Briggs, Julia, Butts, Dennis, and Grenby, M. O., eds., Popular Children’s Literature in Britain (Aldershot: Ashgate, 2008), pp. 189–207.Google Scholar
Ricks, Christopher, ed. The New Oxford Book of Victorian Verse (Oxford University Press, 1990).Google Scholar
Robson, Catherine. Heart Beats: Everyday Life and the Memorized Poem (Princeton: Princeton University Press, 2012).Google Scholar
Rolls, Eric. ‘The Nature of Australia’, in Griffiths, Tom and Robin, Libby, eds., Ecology and Empire: Environmental History of Settler Societies (Carlton South: Melbourne University Press, 1997), pp. 35–45.Google Scholar
Rossetti, Christina G. The Complete Poems, ed. Crump, R. W. (Harmondsworth: Penguin, 2001).Google Scholar
Rossetti, Christina G. Sing-Song: A Nursery Rhyme Book, illus. Arthur Hughes (London: George Routledge and Sons, 1872).Google Scholar
Rossetti, Christina. Speaking Likenesses, illus. Arthur Hughes (London: Macmillan, 1874).Google Scholar
Rossetti, Dante Gabriel. ‘Down Stream’, illust. Ford Madox Brown, Dark Blue 2 (October 1871): 211–12.Google Scholar
Rossetti, Dante Gabriel. ‘On Life, Love, and Death. Sixteen Sonnets’, Fortnightly Review 11 (March 1869): 266–73.Google Scholar
Rossetti, Dante Gabriel. Poems (London: F. S. Ellis, 1870).Google Scholar
Rossetti, Dante Gabriel. ‘The Stealthy School of Criticism’, Athenaeum 2303 (December 1871): 792–4.Google Scholar
Rossetti, William Michael, ed. The Family Letters of Christina Georgina Rossetti (New York: Charles Scribner’s Sons, 1908).Google Scholar
Rossetti, William Michael. ‘Shelley’s Heart. To Edward John Trelawny’, Dark Blue 1 (March 1871): 35.Google Scholar
Rotunno, Laura. ‘Trial and Success: A Non-DH Savvy Professor Adopts COVE’, COVE, 2019, website.Google Scholar
The Royal Acting Punch and Judy, as Played before the Queen (London: Dean and Son, [not before 1879]).Google Scholar
Rubery, Matthew. ‘Thomas Edison’s Poetry Machine’, 19: Interdisciplinary Studies in the Long Nineteenth Century 18 (2014), web.Google Scholar
Ruskin, John, Ariadne Florentina: Six Lectures on Wood and Metal Engraving, in Cook, E. T. and Wedderburn, Alexander, eds., The Works of John Ruskin, vol. 12: Lectures on Landscape (London: George Allen, 1906).Google Scholar
Ruskin, John. ‘Fiction: Fair and Foul’, The Nineteenth Century 7, 8, 10 (June, August, September, November 1880; October 1881).Google Scholar
Ruskin, John. Fors Clavigera: Letters to the Workmen and Labourers of Great Britain (New York: Greenwood Press, 1968).Google Scholar
Ruskin, John. ‘Lectures on Landscape’, in Cook, E. T. and Wedderburn, Alexander, eds., The Works of John Ruskin, vol 22 (London: Allen, 1906), pp. 3–71.Google Scholar
Ruskin, John. The Library Edition of the Works of John Ruskin, ed. Cook, E. T. and Wedderburn, Alexander, 39 vols (London: Allen, 1903–12).Google Scholar
Ruskin, John. Modern Painters, vol. 3 (London: Smith and Elder, 1856).Google Scholar
Ruskin, John. ‘My Own Article on Whistler’, in Cook, E. T. and Wedderburn, Alexander, eds., The Works of John Ruskin, volume 24 (London: George Allen, 1907), pp. 585–7.Google Scholar
Russell, Charles W. ‘The Laureate and His School’, Dublin Review 2 (April 1864): 363–85.Google Scholar
Sadleir, Michael. Trollope: A Commentary (London: Constable, 1927).Google Scholar
Sala, George Augustus. ‘The Cant of Modern Criticism’, Belgravia 4 (November 1867): 45–55.Google Scholar
Sala, George Augustus. ‘On the ‘Sensational’ in Literature and Art’, Belgravia 4 (February 1868): 449–58.Google Scholar
Saville, John. Rural Depopulation in England and Wales, 1851–1951 (London: Routledge, 1957).Google Scholar
Schaffer, Talia. ‘Aestheticism and Sensation,’ in Gilbert, Pamela K., ed., A Companion to Sensation Fiction (Oxford: Wiley-Blackwell, 2011), pp. 614–26.Google Scholar
Schaffer, Talia. The Forgotten Female Aesthetes: Literary Culture in Late-Victorian England (University Press of Virginia, 2000).Google Scholar
Scholnick, Robert J. Edmund Clarence Stedman (Boston: Twayne, 1977).Google Scholar
Scully, Richard. ‘The Lion and the Unicorn: William Empson and Benjamin Disraeli Through William Empson’s Looking Glass’, International Journal of Comic Art 15.1 (2013): 323–37.Google Scholar
Sears, Albert C. ‘Mary Elizabeth Braddon and the ‘Combination Novel’: The Subversion of Sensational Expectation in Vixen’, in Harrison and Fantina, pp. 41–52.Google Scholar
Sengupta, Padmini Sathianadhan. Toru Dutt (New Delhi: Sahitya Akademi, 1968).Google Scholar
‘Sensation Novels’, The Illustrated Review 1.17 (June 1871): 578–9.Google Scholar
‘Sensation Novels Condensed’, Athenaeum 2279 (1 July 1871): 11–2.Google Scholar
, S. E. W. ‘Australia’, The Kiama Independent, and Shoalhaven Advertiser (30 October 1873): 4.Google Scholar
Shanley, Mary Lyndon. Feminism, Marriage and the Law in Victorian England (Princeton: Princeton University Press, 1989).Google Scholar
Sharp, Amy. Victorian Poets (London: Methuen, 1891).Google Scholar
Sharp, Elizabeth A., ed. Women Poets of the Victorian Era (London: Walter Scott, [1890]).Google Scholar
‘Sheep Numbers in New Zealand, 1851–2014’, Te Ara – The Encyclopedia of New Zealand, Manatū Taonga Ministry for Culture and Heritage, web.Google Scholar
Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing (Princeton: Princeton University Press, 1977).CrossRefGoogle Scholar
Small, Helen. ‘Artificial Intelligence: George Eliot, Ernst Kapp, and the Projections of Character’, 19: Interdisciplinary Studies in the Long Nineteenth Century 29 (2020), web.Google Scholar
Small, Helen, ed. The Public Intellectual (Oxford: Blackwell, 2002).CrossRefGoogle Scholar
Smith, George Barnett. ‘English Fugitive Songs and Lyrics’, Edinburgh Review 140 (1 October 1874): 355–82.Google Scholar
Spalding, William. The History of English Literature … Continued to 1870, 12th ed. (Edinburgh: Oliver and Boyd, 1872).Google Scholar
Sparks, Tabitha. ‘Realism after Sensation: Meredith, Hardy, Gissing’, in Gilbert, Pamela K., ed., A Companion to Sensation Fiction (Oxford: Wiley-Blackwell, 2011), pp. 603–13.Google Scholar
Spence, Rebecca. ‘“A Sigh of Sympathy”: Thomas Hardy’s Paralinguistic Aesthetics and Evolutionary Sympathy’, Victorian Literature and Culture 50.1 (2022): 117–39.CrossRefGoogle Scholar
Spencer, Herbert. ‘Progress: Its Law and Causes’, Westminster Review 67 (April 1857): 445–85.Google Scholar
Spielmann, M. H., and Layard, G. S.. Kate Greenaway (London: Adam and Charles Black, 1905).CrossRefGoogle Scholar
Stanley, Henry M. How I Found Livingstone: Travels, Adventures and Discoveries in Central Africa: Including an Account of Four Months’ Residence With Dr. Livingstone (New York: Scribner, Armstrong, 1872).Google Scholar
Stauffer, Robert C. ‘Haeckel, Darwin, and Ecology’, The Quarterly Review of Biology 32.2 (1957): 138–44.CrossRefGoogle Scholar
Stedman, Edmund C. ‘English Poetry of the Period’, North American Review 103 (July 1866): 221–40.Google Scholar
Stedman, Edmund C. ‘Tennyson and Theocritus’, Atlantic Monthly 28 (November 1871): 513–26.Google Scholar
Stedman, Edmund C. Victorian Anthology, 1837–1895. Selections Illustrating the Editor’s Critical Review of British Poetry in the Reign of Victoria (Boston: Houghton, Mifflin; Cambridge: Riverside, 1895).Google Scholar
Stedman, Edmund C. ‘Victorian Poets’, Scribner’s Monthly 5 (January 1873): 357–64.Google Scholar
Stedman, Edmund C. Victorian Poets (London: Chatto and Windus, 1876).Google Scholar
Stedman, Edmund C. Victorian Poets: Revised, and Extended, by a Supplementary Chapter, to the Fiftieth Year of the Period Under Review (Boston: Houghton, Mifflin; Cambridge: Riverside, 1887).Google Scholar
Stedman, Edmund C. ed. Poets of America (Boston: Houghton, Mifflin, 1885).Google Scholar
Stedman, Laura, and Gould, George M.. Life and Letters of Edmund Clarence Stedman (New York: Moffat, Yard, 1910).Google Scholar
Steer, Philip. ‘Climates of the Victorian Novel: Seasonality, Weather, and Regional Fiction in Britain and Australia’, PMLA 136.3 (2021): 370–85.Google Scholar
Steiner, George. Errata: An Examined Life: A Life in Ideas (London: Weidenfeld & Nicolson, 1997), e-book (2011).Google Scholar
Steiner, George. ‘F. R. Leavis’ [1962], Language and Silence: Essays 1958–1966, 2nd ed. (London: Faber, 1985), pp. 249–66.Google Scholar
Sterling, John. ‘Poems by Alfred Tennyson’, Quarterly Review 70 (September 1842): 385–414.Google Scholar
Sterne, Jonathan. The Audible Past: Cultural Origins of Sound Reproduction (Durham, NC: Duke University Press, 2003).Google Scholar
Stevens, Bethan. The Wood Engraver’s Self-Portrait: The Dalziel Archive and Victorian Illustration (Manchester: Manchester University Press, 2021).Google Scholar
Stoddard, Richard Henry, ed. The Late English Poets (New York: Bunce and Huntington, 1865).Google Scholar
Stoddart, Judith. Ruskin’s Culture Wars: ‘Fors Clavigera’ and the Crisis of Victorian Liberalism (Virginia: University of Virginia Press, 1998).Google Scholar
Sully, James. ‘The Basis of Musical Sensation’, Fortnightly Review 17 (April 1872): 428–43.Google Scholar
Surridge, Lisa. Bleak Houses: Marital Violence in Victorian Fiction (Athens OH: Ohio University Press, 2005).CrossRefGoogle Scholar
Susina, Jan. ‘“Like the fragments of coloured glass in a kaleidoscope”: Andrew Lang Mixes Up Richard Doyle’s “In Fairyland”’, Marvels and Tales 17.1 (2003): 100–19.CrossRefGoogle Scholar
Sutherland, John A. ‘Trollope at Work on The Way We Live Now’, Nineteenth-Century Fiction 37.3 (1982): 472–93.CrossRefGoogle Scholar
Swinburne, Algernon Charles. ‘The Devil’s Due’, The Examiner 3541 (11 December 1875): 1388.Google Scholar
Swinburne, Algernon Charles. ‘The End of a Month’, illustr. Simeon Solomon, Dark Blue 1 (April 1871): 217–20.Google Scholar
Swinburne, Algernon Charles. ‘A New Year’s Eve. Christina Rossetti Died December 29, 1894’, The Nineteenth Century 37 (February 1895): 367–8.Google Scholar
Swinburne, Algernon Charles. Notes on Poems and Reviews (London: Hotten, 1886).Google Scholar
Swinburne, Algernon Charles. ‘Threnody (Alfred, Lord Tennyson, October 6, 1892)’, The Nineteenth Century 33 (January 1893): 1–3.Google Scholar
Swinburne, Algernon Charles. William Blake: A Critical Essay (London: John Camden Hotten, 1868).Google Scholar
Symons, Arthur. ‘Introduction’, The Renaissance (New York: Modern Library, 1919), pp. xii-xxiv.Google Scholar
‘A Symphony in Bronze’, The Examiner 3696 (30 November 1878): 1516–7.Google Scholar
Szreter, Simon. Fertility, Class and Gender in Britain, 1860–1940 (New York: Cambridge University Press, 1996).CrossRefGoogle Scholar
Tannen, Deborah. The Argument Culture: Stopping America’s War of Words (New York: Ballantine Books, 1999).Google Scholar
Tate, Gregory. Nineteenth-Century Poetry and the Physical Sciences: Poetical Matter (London: Palgrave Macmillan, 2020).CrossRefGoogle Scholar
Taylor, Sedley. Sound and Music: A Non-Mathematical Treatise on the Physical Constitution of Musical Sounds and Harmony (London: Macmillan, 1873).Google Scholar
Taylor, William. ‘The Culture of “Environmentality” and the Exceptionality of the Countryside’, in Hewitt, Martin, ed., The Victorian World (London: Routledge, 2012), pp. 259–75.Google Scholar
‘Telegraph Time’, Fraser’s Magazine new series, 2 (1870): 19–30.Google Scholar
Tennyson, Alfred. ‘1865–1866, illustr. Frederic Leighton, Good Words 9.1 (March 1868): 144.Google Scholar
Tennyson, Alfred. ‘Prefatory Poem’, The Nineteenth Century series 1, 1 (March 1877): 1.Google Scholar
Tennyson, Alfred. ‘Tennyson and Browning’, Gentleman’s Magazine 7 (December 1871): 814–22.Google Scholar
Teukolsky, Rachel. The Literate Eye: Victorian Art Writing and Modernist Aesthetics (Oxford University Press, 2009).Google Scholar
‘Thackeray’, Reader 3 (2 January 1864): 3–4.Google Scholar
Thierauf, Doreen. ‘Daniel Deronda, Marital Rape, and the End of Reproduction’, Victorian Review 43.2 (2017): 247–69.CrossRefGoogle Scholar
Tillotson, Kathleen. ‘The Lighter Reading of the Eighteen-Sixties’, Introduction to The Woman in White, by Collins, Wilkie, Riverside Edition (Boston: Houghton Mifflin, 1969), pp. ix–xxvi.Google Scholar
The Tit-Bits Monster Book of Patriotic Poems (London: George Newnes, 1898).Google Scholar
Thomas, Julia. Pictorial Victorians: The Inscription of Values in Word and Image (Athens: Ohio University Press, 2004).Google Scholar
Thomas, Kate. Postal Pleasures: Sex, Scandal, and Victorian Letters (Oxford: Oxford University Press, 2012).Google Scholar
Thompson, Nicola. Reviewing Sex: Gender and the Reception of Victorian Novels (Houndmills: Macmillan, 1996).CrossRefGoogle Scholar
Thomson, William. ‘On Works of Fiction’, The Times, (2 November 1864): 9.Google Scholar
Thomson, William. ‘Prospectus of a New Journal’, Punch, or the London Charivari 43 (9 May 1863): 193.Google Scholar
‘The “Times” Newspaper’, Bow Bells 9 (9 September 1868): 150.Google Scholar
‘To the Rambler’, The Rambler 101 (5 March 1751): 252–7.Google Scholar
Traill, H. D. ‘Our Minor Poets’, Nineteenth Century 31 (January 1892): 61–72.Google Scholar
Traill, H. D. ‘The Queen’s Diamond Jubilee. I. – The Literature of the Victorian Era’, Fortnightly Review 61 (June 1897): 825–38.Google Scholar
Transforming Performers, with Surprise Pictures (London: Dean and Son, [ca. 1875]).Google Scholar
Trollope, Anthony. Australia and New Zealand, 2 vols (Cambridge: Cambridge University Press, 2013).Google Scholar
Trollope, Anthony, An Autobiography, 2 vols. (Edinburgh: William Blackwood and Sons, 1883).Google Scholar
Trollope, Anthony. An Autobiography, ed. Page, Frederick and Sadleir, Michael (Oxford: Oxford University Press, 1998).Google Scholar
Trollope, Anthony. An Autobiography, ed. Shrimpton, Nicholas (Oxford: Oxford World Classics, 2014).Google Scholar
Trollope, Anthony. The Eustace Diamonds (London: Chapman and Hall, 1872).Google Scholar
Trollope, Anthony. The Way We Live Now (London: Chapman and Hall, 1875).Google Scholar
Trollope, Anthony. The Way We Live Now, ed. O’Gorman, Francis (Oxford: Oxford Worlds Classics, 2016).CrossRefGoogle Scholar
Trollope, Anthony. ‘The Young Women at the London Telegraph Office’, Good Words 18 (1877): 377–88.Google Scholar
Tromp, Marlene, Gilbert, Pamela K., and Haynie, Aeron, eds., Beyond Sensation: Mary Elizabeth Braddon in Context (Albany: State University of New York Press, 2000).Google Scholar
Trower, Shelley. ‘Vibrations’, in Snaith, Anna, ed., Sound and Literature (Cambridge: Cambridge University Press, 2020), pp. 288–9.Google Scholar
Trumpener, Katie. ‘City Scenes: Commerce, Utopia, and the Birth of the Picture Book’, in Maxwell, Richard, ed., The Victorian Illustrated Book (Charlottesville: University of Virginia Press, 2002), pp. 332–84.Google Scholar
Tuer, Andrew W. Pages and Pictures from Forgotten Children’s Books (London: Leadenhall Press, 1898–9).Google Scholar
Turner, Charles. ‘My Timepiece’, illustr. John Leighton, Good Words vol. 11 (1 January 1870): 64.Google Scholar
Twyman, Michael. A History of Chromolithography: Printed Colour for All (London: British Library, 2013).Google Scholar
‘The Type Writer’, Times (25 April 1876): 6.Google Scholar
‘The Uses of Minor Poets’, The London Review 13 (20 October 1866): 429–40.Google Scholar
Vaidhyanathan, Siva. The Googlization of Everything (And Why We Should Worry) (Berkeley: University of California Press, 2011).CrossRefGoogle Scholar
Van Remoortel, Marianne. Women, Work and the Victorian Periodical: Living by the Press (Basingstoke: Palgrave Macmillan, 2015).CrossRefGoogle Scholar
‘Verses, Good and Bad’, The London Review 14 (20 April 1867): 463–4.Google Scholar
‘Vixen’, Examiner, 3707 (15 February 1879): 216–17.Google Scholar
‘Vixen’, Saturday Review 47.1218 (1 March 1879): 280–2.Google Scholar
von Helmholtz, Hermann. On the Sensations of Tone as a Physiological Basis for the Theory of Music, trans. Ellis, Alexander J. (London: Longmans, Green, 1875).Google Scholar
‘The Vote of Censure’ and ‘The Queen at Baveno’, Standard (2 April 1879): 2, 5.Google Scholar
Wagner, Tamara S. ‘The False Clues of Innocent Sensations: Aborting Adultery Plots in Rhoda Broughton’s Nancy (1873),’ in Beller and MacDonald, pp. 58–73.Google Scholar
Wakeman, Geoffrey, and Bridson, Gavin D. R.. A Guide to Nineteenth Century Colour Printers (Loughborough: Plough Press, 1975).Google Scholar
Walkowitz, Judith R. City of Dreadful Delight: Narratives of Sexual Danger in Late-Victorian London (London: Virago, 1992).CrossRefGoogle Scholar
Walkowitz, Judith R. Prostitution and Victorian Society: Women, Class, and the State (New York: Cambridge University Press, 1980).CrossRefGoogle Scholar
The Waterloo Directory of English Newspapers and Periodicals, 1800–1900, webGoogle Scholar
Webster, Augusta. Portraits and Other Poems, ed. Sutphin, Christine (Peterborough, ON: Broadview Press, 2000).Google Scholar
Weedon, Alexis. Victorian Publishing: The Economics of Book Production for a Mass Market, 1836–1916 (London: Routledge, 2006).Google Scholar
Wellesley Index to Victorian Periodicals, 1824–1900, website.Google Scholar
Mrs Wells, J. M. Darling Bright-Eyes Living Nursery Rhymes: Newly Treated with Moving Pictures (London: Dean and Son, [1879?]).Google Scholar
Mrs Wells, J. M., Little Folks Living Nursery Rhymes Moving Pictures (London: Dean and Son, [ca. 1880]).Google Scholar
Mrs Wells, J. M. Living Nursery Rhymes: Newly Treated with Moving Pictures (London: Dean and Son, [not before 1873]).Google Scholar
Wesling, Donald. ‘Ruskin and the Adequacy of Landscape’, Texas Studies in Literature and Language 9.2 (1967): 253–72.Google Scholar
Westwood, Cassie. ‘Humans and Other Nonsense Animals’, in Barton, Anna and Williams, James, eds., The Edinburgh Companion to Nonsense (Edinburgh: Edinburgh University Press, 2021), pp. 281–99.Google Scholar
Wheatley, Henry B. How to Make an Index (London: Elliot Stock, 1902).Google Scholar
Wheatley, Henry B. What Is an Index? (London: Index Society, 1878).Google Scholar
Wheeler, Michael. The Athenæum: ‘More than just another London club’ (New Haven: Yale University Press, 2020).Google Scholar
Whistler, James McNeill. The Gentle Art of Making Enemies (London: William Heinemann, 1890).Google Scholar
Whistler, James McNeill. Mr. Whistler’s ‘Ten O’Clock’ (London: Chatto and Windus, 1888).CrossRefGoogle Scholar
White, Hayden. The Content of the Form: Narrative Discourse and Historical Representation (Baltimore: Johns Hopkins University Press, 1990).CrossRefGoogle Scholar
White, Hayden. Metahistory: The Historical Imagination in Nineteenth-Century Europe (Baltimore: Johns Hopkins University Press, 1973).Google Scholar
Wilde, Oscar. The Critical Writings of Oscar Wilde, ed. Frankel, Nicholas (Harvard University Press, 2022).CrossRefGoogle Scholar
Wilde, Oscar. ‘The Critic as Artist’, Intentions (London: Methuen, 1921), pp. 95–217.Google Scholar
Wilde, Oscar. ‘The Grosvenor Gallery’, Dublin University Magazine 535 (July 1877): 118–26.Google Scholar
Williams, Carolyn. Transfigured World: Walter Pater’s Aesthetic Historicism (Ithaca: Cornell University Press, 1989).Google Scholar
Williams, James. Edward Lear (Liverpool: Liverpool University Press, 2018).Google Scholar
Williams, Raymond. The Country and the City (London: Chatto and Windus, 1973).Google Scholar
Williamson, Tom. The Transformation of Rural England: Farming and the Landscape 1700–1870 (Exeter: University of Exter Press, 2002).Google Scholar
Williamson, William Landram. William Frederick Poole and the Modern Library Movement (New York and London: Columbia University Press, 1963).CrossRefGoogle Scholar
Wolff, Robert Lee. Sensational Victorian: The Life & Fiction of Mary Elizabeth Braddon (New York & London: Garland, 1979).Google Scholar
Woods, Robert. The Demography of Victorian England and Wales (New York: Cambridge University Press, 2000).CrossRefGoogle Scholar
‘The Wool Industry – Looking Backward and Forward’, Year Book Australia, 2003, Commonwealth of Australia, web.Google Scholar
Wynne, Deborah. ‘Critical Responses to Sensation’, in Gilbert, Pamela K., ed., A Companion to Sensation Fiction (Oxford: Wiley-Blackwell, 2011), pp. 389–93.Google Scholar
Wynne, Deborah. ‘George Eliot’s Middlemarch and Dinah Mulock Craik’s A Brave Lady’, Notes and Queries 51.2 (June 2004): 160–2.CrossRefGoogle Scholar
Yan, Shu-Chaun. ‘Emotions, Sensations, and Victorian Working-class Readers’, Journal of Popular Culture 50. 2 (2017): 317–40.CrossRefGoogle Scholar
Zemka, Sue. Time and the Moment in Victorian Literature and Society (Cambridge: Cambridge University Press, 2011).CrossRefGoogle Scholar
Žižek, Slavoj. Event: A Philosophical Journey through a Concept (Brooklyn: Melville House, 2014).Google Scholar
Žižek, Slavoj. The Puppet and the Dwarf: The Perverse Core of Christianity (Cambridge, MA: MIT Press, 2003).CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Edited by Alison Chapman, University of Victoria, British Columbia
  • Book: Nineteenth-Century Literature in Transition: The 1870s
  • Online publication: 30 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781108954792.015
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Edited by Alison Chapman, University of Victoria, British Columbia
  • Book: Nineteenth-Century Literature in Transition: The 1870s
  • Online publication: 30 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781108954792.015
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Edited by Alison Chapman, University of Victoria, British Columbia
  • Book: Nineteenth-Century Literature in Transition: The 1870s
  • Online publication: 30 January 2025
  • Chapter DOI: https://doi.org/10.1017/9781108954792.015
Available formats
×