Book contents
- Frontmatter
- Contents
- List of Illustrations
- Prefaces
- Chapter 1 Introduction
- Chapter 2 The Origins of the Poem
- Chapter 3 Some Unproven Premises
- Chapter 4 Dating of the Poem
- Chapter 5 Archaeological Delimination
- Chapter 6 Results of Primary Analysis, Step 1
- Chapter 7 The Name Geatas
- Chapter 8 Other Links to Eastern Sweden
- Chapter 9 Elements of Non-Christian Thinking
- Chapter 10 Poetry in Scandinavia
- Chapter 11 The Oral Structure of the Poem
- Chapter 12 Results of Primary Analysis, Step 2
- Chapter 13 Gotland
- Chapter 14 Heorot
- Chapter 15 Swedes and Gutes
- Chapter 16 The Horsemen around Beowulf’s Grave
- Chapter 17 Some Linguistic Details
- Chapter 18 From Scandinavia to England
- Chapter 19 Transmission and Writing Down in England
- Chapter 20 Allegorical Representation
- Chapter 21 Beowulf and Guta saga
- Chapter 22 Chronology
- Chapter 23 Retrospective Summary
- Bibliography
Chapter 5 - Archaeological Delimination
Published online by Cambridge University Press: 20 November 2024
- Frontmatter
- Contents
- List of Illustrations
- Prefaces
- Chapter 1 Introduction
- Chapter 2 The Origins of the Poem
- Chapter 3 Some Unproven Premises
- Chapter 4 Dating of the Poem
- Chapter 5 Archaeological Delimination
- Chapter 6 Results of Primary Analysis, Step 1
- Chapter 7 The Name Geatas
- Chapter 8 Other Links to Eastern Sweden
- Chapter 9 Elements of Non-Christian Thinking
- Chapter 10 Poetry in Scandinavia
- Chapter 11 The Oral Structure of the Poem
- Chapter 12 Results of Primary Analysis, Step 2
- Chapter 13 Gotland
- Chapter 14 Heorot
- Chapter 15 Swedes and Gutes
- Chapter 16 The Horsemen around Beowulf’s Grave
- Chapter 17 Some Linguistic Details
- Chapter 18 From Scandinavia to England
- Chapter 19 Transmission and Writing Down in England
- Chapter 20 Allegorical Representation
- Chapter 21 Beowulf and Guta saga
- Chapter 22 Chronology
- Chapter 23 Retrospective Summary
- Bibliography
Summary
THIS CHAPTER WILL to some extent repeat what has been said before, but as its aim is different and the question is crucial to our interpretation of the poem, this is unavoidable.
The archaeological references in Beowulf are often described in fairly general terms, and almost always for purposes other than my present one. A clearer archaeological picture will emerge if we note not only what specific material culture the poem represents, but also what elements are not known from Scandinavia and England during the period in which its events unfold.
Neck and Arm Rings
As we have already noted, a thread running through Beowulf is all the talk of rings and of princes who generously distribute them, or at least ought to do so. Rings are spoken of no fewer than forty-four times, in most cases as bēag or bēah,but also as hrinġ.In four cases at least, there are explicit references to neck rings.
Hilda Ellis Davidson has suggested that healsbēaga mǣst,“the greatest of neck rings,” which Queen Wealhtheow presents to Beowulf, is a reference to the brēostġewǣde mentioned a little later in the text, which in that case should be interpreted as a chest adornment rather than a mail shirt. Davidson is reminded of the large Swedish gold collars from the Migration Period, from Möne, Ålleberg, and Färjestad, made up of seven, five, and three gold rings respectively, covered with filigree (Pesch 2015a), and serving as large chest ornaments (Davidson 1980, 358). The suggestion is interesting, but the connection made is hardly incontrovertible.
Neck and arm rings occur in large numbers in Scandinavian finds from the late Roman and Migration periods. Significantly, they are only ever made from gold. Similarly, Beowulf makes no mention of any other metal than gold being used for rings.
Equally noteworthy is the fact that there is not a single definite find anywhere in the Nordic region of a true neck or arm ring of gold from the early Migration/VendelPeriod that followed, and hardly any of such rings made from any other metal either.
What, then, of the gold collars just mentioned? From the West Mound at Old Uppsala there is a small face mask of gold filigree that is almost identical to those on the collar from Möne in Västergötland (Pesch 2015b, 263, 283).
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- The Nordic Beowulf , pp. 27 - 36Publisher: Amsterdam University PressPrint publication year: 2022