Book contents
- Norman Mailer in Context
- Norman Mailer in Context
- Copyright page
- Contents
- Notes on Contributors
- A Note on References and Abbreviations
- Introduction
- Part I Literary Influences
- Part II Form and Genre
- Chapter 4 New Journalism
- Chapter 5 Essays and Columns
- Chapter 6 The Novel
- Chapter 7 Criticism
- Chapter 8 Film
- Chapter 9 Modernism
- Chapter 10 Postmodernism
- Part III Political Contexts
- Part IV Philosophical and Cultural Contexts
- Part V Gender and Sexuality
- Part VI Profiles and Literary Biographies
- Part VII Mailer’s Legacy
- Primary Bibliography
- Selected Secondary Bibliography
- Index
Chapter 8 - Film
from Part II - Form and Genre
Published online by Cambridge University Press: 05 August 2021
- Norman Mailer in Context
- Norman Mailer in Context
- Copyright page
- Contents
- Notes on Contributors
- A Note on References and Abbreviations
- Introduction
- Part I Literary Influences
- Part II Form and Genre
- Chapter 4 New Journalism
- Chapter 5 Essays and Columns
- Chapter 6 The Novel
- Chapter 7 Criticism
- Chapter 8 Film
- Chapter 9 Modernism
- Chapter 10 Postmodernism
- Part III Political Contexts
- Part IV Philosophical and Cultural Contexts
- Part V Gender and Sexuality
- Part VI Profiles and Literary Biographies
- Part VII Mailer’s Legacy
- Primary Bibliography
- Selected Secondary Bibliography
- Index
Summary
Mailer’s interest in film dates back to his early career, when he went to Hollywood in a failed attempt to work on a screenplay with friend and mentor Jean Malaquais. Despite this failure, Mailer did return to filmmaking in the 1960s, ultimately making Wild 90, Beyond the Law, and Maidstone – three films that exemplify the kind of ambitious experimentation that defines so much of Mailer’s career. None of these films contain what could be considered a straightforward narrative; rather, Mailer instructed his actors to improvise around a theme while he let the camera run, later editing together hours of footage to create a more constrained piece. This chapter discusses Mailer’s journey to make these films, their reception, and the philosophy of cinema that influenced their creation, which Mailer outlines in his essay “Some Dirt in the Talk.”
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- Norman Mailer in Context , pp. 91 - 101Publisher: Cambridge University PressPrint publication year: 2021