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Published online by Cambridge University Press: 18 February 2024
This study takes a novel approach, privileging opera arrangements over original operatic compositions, and the perspectives of amateur performers over those of composers. Several studies of opera arrangements from the era in question have already been published, which focus on particular composers or particular arrangement forms; and the emphasis lies on arrangements’ function as reception documents. This study differs in considering arrangements’ multiple functions, and ‘end users.
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