Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-25T06:44:54.678Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  09 July 2024

Noam Reisner
Noam Reisner
Affiliation:
Tel-Aviv University
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Performing Ethics in English Revenge Drama
Wild Play
 , pp. 257 - 274
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Aeschylus, . Aeschylus: Agamemnon, Libation-Bearers, Eumenides, Fragments. Trans. Smith, Herbert Weir. Ed. Lloyd-Jones, Hugh. The Loeb Classical Library. Cambridge, MA: Harvard University Press, 1957Google Scholar
Bale, John. The Complete Plays of John Bale. Ed. Happe, Peter. 2 vols. Cambridge: D. S. Brewer, 1985Google Scholar
Beaumont, Francis, and Fletcher, John. Cupid’s Revenge. Ed. Bowers, Fredson. In Dramatic Works in the Beaumont and Fletcher Canon. Vol. 2. Cambridge: Cambridge University Press, 1970. 334–425Google Scholar
Chapman, George. Bussy D’Ambois. Ed. Evans, Maurice. New Mermaids. London: Ernest Benn, 1965Google Scholar
Chapman, George. The Plays of George Chapman: The Tragedies with Sir Gyles Goosecappe, a Critical Edition. Ed. Holaday, Allan. Cambridge: D. S. Brewer, 1987Google Scholar
Chapman, George. The Revenge of Bussy D’Ambois. Ed. Eisaman Maus, Katharine. In Four Revenge Tragedies. Oxford: Oxford University Press, 1995. 175–248Google Scholar
Chettle, Henry. The Tragedy of Hoffman or The Revenge for a Father. 1631. Ed. Jenkins, Harold. London: Malone Society, 1951Google Scholar
Chettle, Henry. The Tragedy of Hoffman, or The Revenge for a Father. Ed. Smith, Emma. In Five Revenge Tragedies: Kyd, Shakespeare, Marston, Chettle, Middleton. London: Penguin Classics, 2012. 243–324Google Scholar
Kyd, Thomas. The Spanish Tragedy. Ed. Bevington, David. Based on the edition by Philip Edwards. Revels Student Editions. Manchester: Manchester University Press, 1996Google Scholar
Kyd, Thomas. The Spanish Tragedy. Eds. Calvo, Clara and Tronch, Jesús. Arden Early Modern Drama. London: Bloomsbury, 2013Google Scholar
Kyd, Thomas. The Works of Thomas Kyd. Ed. Boas, Frederick S.. 1901. Rev. ed. Oxford: Oxford University Press, 1955Google Scholar
Marlowe, Christopher. Christopher Marlowe: The Complete Plays. Eds. Romany, Frank and Lindsey, Robert. London: Penguin, 2003Google Scholar
Marlowe, Christopher. Christopher Marlowe: Doctor Faustus, A- and B-texts (1604, 1616). Ed. Bevington, David and Rasmussen, Eric. Manchester: Manchester University Press, 1993Google Scholar
Marlowe, Christopher. The Complete Works of Christopher Marlowe, Volume 2: Dr Faustus. Ed. Gill, Roma. Oxford: Clarendon, 1990, 2003Google Scholar
Marlowe, Christopher. The Complete Works of Christopher Marlowe, Volume 4: The Jew of Malta. Ed. Gill, Roma. Oxford: Clarendon, 1995CrossRefGoogle Scholar
Marston, John. Antonio’s Revenge. Ed. Reavley Gair, W.. The Revels Plays. Manchester: Manchester University Press, 1978Google Scholar
Middleton, Thomas. The Revenger’s Tragedy. Eds. Jackson, MacDonald P.. In Taylor, Gary and Lavagnino, John, eds., Thomas Middleton: The Collected Works. Oxford: Oxford University Press, 2007, 2010. 543–93Google Scholar
Middleton, Thomas. The Revenger’s Tragedy. Ed. Minton, Gretchen E.. Arden Early Modern Drama. London: Bloomsbury, 2019Google Scholar
Pykerying, John. History of Horestes. Ed. Axton, Marie. In Three Tudor Classical Interludes. Cambridge: D. S. Brewer, 1982Google Scholar
Shakespeare, William. Hamlet. Ed. Hibbard, G. R.. The Oxford Shakespeare. Oxford: Oxford University Press, 1987Google Scholar
Shakespeare, William. Hamlet. Ed. Jenkins, Harold. The Arden Shakespeare. 1982. London: Methuen, 1997Google Scholar
Shakespeare, William. Hamlet. Eds. Thompson, Ann and Taylor, Neil. The Arden Shakespeare. 2006. Rev. ed. London: Bloomsbury, 2016Google Scholar
Shakespeare, William. Julius Caesar. Ed. Daniell, David. The Arden Shakespeare. London: Thomson Learning, 1998, 2000Google Scholar
Shakespeare, William. King Lear. Ed. Foakes, R. A.. The Arden Shakespeare. London: Thomson Learning, 1997Google Scholar
Shakespeare, William. Macbeth. Eds. Clark, Sandra and Mason, Pamela. The Arden Shakespeare. London: Bloomsbury, 2015Google Scholar
Shakespeare, William. Titus Andronicus. Ed. Wilson, J. Dover. Cambridge: Cambridge University Press, 1948Google Scholar
Shakespeare, William. Titus Andronicus. Ed. Maxwell, J. C.. The Arden Shakespeare. 1953. 3rd ed. London: Metheun, 1961Google Scholar
Shakespeare, William. Titus Andronicus. Ed. Bate, Jonathan. The Arden Shakespeare. 1995. Rev. ed. London: Bloomsbury, 2018CrossRefGoogle Scholar
Stoppard, Tom. Rosencrantz and Guildenstern Are Dead. London: Faber, 1967Google Scholar
Tourneur, Cyril. The Atheist’s Tragedy. Ed. Maus, Katherine Eisaman. In Four Revenge Tragedies. Oxford: Oxford University Press, 1995. 249–330Google Scholar
Aquinas, . Summa theologiae. 60 vols. General ed. Gilby, Thomas. London: Blackfriars, 1964–73Google Scholar
Aristotle, . Aristotle: The ‘Art of Rhetoric’. Ed. and trans. Freese, John Henry. The Loeb Classical Library. Cambridge, MA: Harvard University Press, 1926, 1959Google Scholar
Aristotle, . Poetics. Trans. Halliwell, Stephen. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1995Google Scholar
Augustine, . Augustine: De doctrina christiana. Ed. and trans. Green, R. P. H.. Oxford: Clarendon, 1995Google Scholar
Bacon, Francis. Francis Bacon: Essays. Amherst, NY: Prometheus Books, 1995Google Scholar
Baldwin, William, and Paulfreyman, Thomas. A Treatise of Morall Philosophie. London, 1584Google Scholar
Bataille, George. Erotism: Death & Sensuality. 1957. Trans. Dalwood, Mary. San Francisco: City Lights, 1986Google Scholar
Benjamin, Walter. ‘Critique of Violence’. Trans. Jephcott, Edmund. In Walter Benjamin. Reflections: Essays, Aphorism, Autobiographical Writings. Ed. Demetz, Peter. New York: Schocken Books, 1986. 277–300Google Scholar
Bonhoeffer, Dietrich. Ethics. Trans. Smith, Neville Horton. 1955. New York: Touchstone, 1995Google Scholar
Brecht, Bertolt. Brecht on Theatre: The Development of An Aesthetic. Ed. and trans. Willett, John. New York: Hill and Wang, 1964Google Scholar
Calvin, Jean. Calvin: Institutes of the Christian Religion. The Library of Christian Classics vol. 20. Ed. McNeill, John T.. Trans. Battles, Ford Lewis. 2 vols. Louisville, KY: John Knox Press, 1960Google Scholar
Charon, Pierre [Peter]. Of Wisdom. Trans. Leinard, Samson. London, 1608Google Scholar
Cicero, Marcus Tulius. De officiis with an English Translation. Trans. Miller, Walter. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1913Google Scholar
Cicero, Marcus Tulius. Marcus Tullius Ciceroes Thre Bokes of Duties, to Marcus his Sonne. Trans. Grimald, Nicholas. London, 1556Google Scholar
Cicero, Marcus Tulius. The thre bookes of Tyllyes offyces both in latyne tonge [et] in englysshe, lately translated by Roberte Whytinton poete laureate. Trans. Whittington, Robert. London, 1534Google Scholar
Crosse, Henry. Vertues Common-wealth: Or the High-Way to Honour. London, 1603Google Scholar
Day, Angel. The English Secretorie, Wherein is contayned, A Perfect method, for the inditing of all manner of Epistles and familiar letters. London, 1586Google Scholar
Donne, John. The Complete Poems of John Donne. Ed. Robbins, Robin. London: Pearson Education, 2010Google Scholar
Eliot, T. S. Selected Essays. 1932. 3rd ed. London: Faber and Faber, 1951Google Scholar
Epictetus, . Epictetus: Discourses Books III–IV, The Encheiridion. Trans. Oldfather, W. A.. Loeb Classical Library. 1928. Cambridge, MA: Harvard University Press, 2000Google Scholar
Erasmus, Desiderius. The Adages of Erasmus. Ed. Barker, William. Toronto: University of Toronto Press, 2001Google Scholar
Foucault, Michel. ‘Preface to Transgression’. In Bouchard, Donald F., ed., Michel Foucault: Language, Counter-Memory, Practice: Selected Essays and Interviews. Trans. Bouchard, Donald F. and Simon, Sherry. Oxford: Blackwell, 1977. 29–52Google Scholar
Freud, Sigmund. Civilization and Its Discontents. 1930. Trans. Strachey, James. In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume 21. London: Vintage, 2001. 57–146Google Scholar
Freud, Sigmund. The Complete Letters of Freud to Wilhelm Fliess 1887–1904. Trans. Strachey, James. 1966. In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume 42. London: Vintage, 2001Google Scholar
Freud, Sigmund. The Future of an Illusion. 1928. Trans. Strachey, James. The Penguin Freud Library, vol. 12. Reprinting the Standard Edition vol. 21, 1–56. London: Penguin, 1991Google Scholar
Freud, Sigmund. ‘Why War?’. Trans. Strachey, James. The Penguin Freud Library, vol. 12. Reprinting the Standard Edition vol. 21, 1–56, 1928. London: Penguin, 1991Google Scholar
Fulbecke, William. A Booke of Christian Ethicks or Moral Philosophie. London, 1587Google Scholar
Girard, René. Violence and the Sacred. 1972. Trans. Gregory, Patrick. Baltimore: Johns Hopkins University Press, 1977CrossRefGoogle Scholar
Golding, Arthur. Ovid: Metamorphoses. Ed. Forey, Madeleine. London: Penguin, 2002Google Scholar
Gosson, Stephen. Playes confuted in fiue actions prouing that they are not to be suffred in a Christian common weale. London: 1583Google Scholar
Heywood, Thomas. An Apology for Actors by Thomas Heywood, with A Refutation of the Apology for Actors by I. G. Ed. Freeman, Arthur. New York: Garland, 1973Google Scholar
Lacan, Jacques. Desire and Its Interpretation: The Seminar of Jacques Lacan, Book VI. Ed. Miller, Jacques-Alan. Trans. Fink, Bruce. Medford, MA: Polity, 2019Google Scholar
Lacan, Jacques. The Ethics of Psychoanalysis 1959–1960: The Seminar of Jacques Lacan Book VII. Ed. Miller, Jacques-Alain. Trans. Porter, Dennis. New York: Norton, 1992Google Scholar
Lipsius, Justus. Justus Lipsius: On Constancy. Trans. Sir Stradling, John. 1595. Ed. Sellars, John. Exeter: Bristol Phoenix Press, 2006Google Scholar
Machiavelli, Niccolò. The Discourses. Ed and trans. Walker, Leslie J.. 2 vols. London: Routledge & Kegan Paul, 1950Google Scholar
Machiavelli, Niccolò. The Prince. Trans. Bull, George. London: Penguin, 1961Google Scholar
Melanchthon, Philip. Commonplaces: Loci Communes 1521. Ed. and trans. Preus, Christian. St Louis, MO: Concordia, 2014Google Scholar
Milton, John. Milton: Paradise Lost. Ed. Fowler, Alastair. 2nd ed. Harlow: Longman, 1998Google Scholar
Montaigne, Michel De. The Complete Essays. Ed. and trans. Screech, M. A.. London: Penguin, 1987Google Scholar
Montaigne, Michel De. The Essayes or Morall, Politike and Millitarie Discourses of Lo: Michaell de Montaigne. Trans. Florio, John. London, 1603Google Scholar
Murdoch, Iris. Metaphysics as a Guide to Morals. London: Penguin, 1993Google Scholar
Overbury, Thomas. Sir Thomas Overbury his Wife. With additions of new characters, and many other wittie conceits neuer before printed. London, 1615Google Scholar
Peacham, Henry. The Garden of Eloquence (1593). Facsimile reproduction. Ed. Crane, William G.. Gainesville, FL: Scholars Facsimiles and Reprints, 1954Google Scholar
Perkins, William. A Golden Chaine, or The Description of Theologie, containing the order of the causes of Salvation and Damnation, according to Gods worde … London, 1591Google Scholar
Perkins, William. The Whole Treatise of The Cases of Conscience. London, 1602Google Scholar
Plato, . Plato with an English Translation, ii, Theaetetus, Sophist. Trans. Fowler, Harold North. Loeb Classical Library. London: G. P. Putnam’s Sons, 1928Google Scholar
Primaudaye, Pierre de La. The French Academie, Wherin is Discoursed the Institution of Maners, and Whatsoever Els Concerneth the Good and Happie Life of All Estates and Callings. Trans. B[owes], T[homas]. London, 1586Google Scholar
Puttenham, George. The Art of English Poesy: A Critical Edition. Eds. Whigham, Frank and Rebhorn, Wayne A.. Ithaca, NY: Cornell University Press, 2007Google Scholar
Quintilian, . Quintilian III: The Orator’s Education, Books 6–8. Ed. and trans. Russell, Donald A.. The Loeb Classical Library. Cambridge, MA: Harvard University Press, 2001Google Scholar
Rainolds, John. Th’overthrow of stage-playes. London, 1599Google Scholar
Reynolds, John. The Triumphs of Gods Revenge, against the crying, and execrable Sinne of Murther… the First Booke. London, 1621Google Scholar
Shakespeare, William. Shakespeare’s Poems. Eds. Duncan-Jones, Katherine and Woudhuysen, H. R.. London: Thomson Learning, 2007Google Scholar
Sidney, Philip. Sir Philip Sidney: A Critical Edition of the Major Works. Ed. Duncan-Jones, Katherine. Oxford: Oxford University Press, 1986Google Scholar
Spenser, Edmund. The Faerie Queene. Eds. Hamilton, A. C., Yamashita, Hiroshi and Suzuki, Toshiyuki. Longman Annotated English Poets. Harlow: Pearson Education, 2001Google Scholar
Virgil, . Virgil I: Eclogues, Georgics, Aeneid 1–6. Trans. Fairclough, H. R.. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1935Google Scholar
Wilson, Thomas. Thomas Wilson: The Art of Rhetoric (1560). Ed. Medine, Peter E.. University Park: Pennsylvania State University Press, 1994Google Scholar
Wittgenstein, Ludwig, ‘A Lecture on Ethics’. The Philosophical Review 74.1 (1965): 3–12CrossRefGoogle Scholar
Wittgenstein, Ludwig, Tractatus Logico-Philosophicus. 1921. Trans. Pears, D. F. and McGuiness, B. F.. London: Routledge, 1961Google Scholar

Secondary Sources

Aeschylus, . Aeschylus: Agamemnon, Libation-Bearers, Eumenides, Fragments. Trans. Smith, Herbert Weir. Ed. Lloyd-Jones, Hugh. The Loeb Classical Library. Cambridge, MA: Harvard University Press, 1957Google Scholar
Bale, John. The Complete Plays of John Bale. Ed. Happe, Peter. 2 vols. Cambridge: D. S. Brewer, 1985Google Scholar
Beaumont, Francis, and Fletcher, John. Cupid’s Revenge. Ed. Bowers, Fredson. In Dramatic Works in the Beaumont and Fletcher Canon. Vol. 2. Cambridge: Cambridge University Press, 1970. 334–425Google Scholar
Chapman, George. Bussy D’Ambois. Ed. Evans, Maurice. New Mermaids. London: Ernest Benn, 1965Google Scholar
Chapman, George. The Plays of George Chapman: The Tragedies with Sir Gyles Goosecappe, a Critical Edition. Ed. Holaday, Allan. Cambridge: D. S. Brewer, 1987Google Scholar
Chapman, George. The Revenge of Bussy D’Ambois. Ed. Eisaman Maus, Katharine. In Four Revenge Tragedies. Oxford: Oxford University Press, 1995. 175–248Google Scholar
Chettle, Henry. The Tragedy of Hoffman or The Revenge for a Father. 1631. Ed. Jenkins, Harold. London: Malone Society, 1951Google Scholar
Chettle, Henry. The Tragedy of Hoffman, or The Revenge for a Father. Ed. Smith, Emma. In Five Revenge Tragedies: Kyd, Shakespeare, Marston, Chettle, Middleton. London: Penguin Classics, 2012. 243–324Google Scholar
Kyd, Thomas. The Spanish Tragedy. Ed. Bevington, David. Based on the edition by Philip Edwards. Revels Student Editions. Manchester: Manchester University Press, 1996Google Scholar
Kyd, Thomas. The Spanish Tragedy. Eds. Calvo, Clara and Tronch, Jesús. Arden Early Modern Drama. London: Bloomsbury, 2013Google Scholar
Kyd, Thomas. The Works of Thomas Kyd. Ed. Boas, Frederick S.. 1901. Rev. ed. Oxford: Oxford University Press, 1955Google Scholar
Marlowe, Christopher. Christopher Marlowe: The Complete Plays. Eds. Romany, Frank and Lindsey, Robert. London: Penguin, 2003Google Scholar
Marlowe, Christopher. Christopher Marlowe: Doctor Faustus, A- and B-texts (1604, 1616). Ed. Bevington, David and Rasmussen, Eric. Manchester: Manchester University Press, 1993Google Scholar
Marlowe, Christopher. The Complete Works of Christopher Marlowe, Volume 2: Dr Faustus. Ed. Gill, Roma. Oxford: Clarendon, 1990, 2003Google Scholar
Marlowe, Christopher. The Complete Works of Christopher Marlowe, Volume 4: The Jew of Malta. Ed. Gill, Roma. Oxford: Clarendon, 1995CrossRefGoogle Scholar
Marston, John. Antonio’s Revenge. Ed. Reavley Gair, W.. The Revels Plays. Manchester: Manchester University Press, 1978Google Scholar
Middleton, Thomas. The Revenger’s Tragedy. Eds. Jackson, MacDonald P.. In Taylor, Gary and Lavagnino, John, eds., Thomas Middleton: The Collected Works. Oxford: Oxford University Press, 2007, 2010. 543–93Google Scholar
Middleton, Thomas. The Revenger’s Tragedy. Ed. Minton, Gretchen E.. Arden Early Modern Drama. London: Bloomsbury, 2019Google Scholar
Pykerying, John. History of Horestes. Ed. Axton, Marie. In Three Tudor Classical Interludes. Cambridge: D. S. Brewer, 1982Google Scholar
Shakespeare, William. Hamlet. Ed. Hibbard, G. R.. The Oxford Shakespeare. Oxford: Oxford University Press, 1987Google Scholar
Shakespeare, William. Hamlet. Ed. Jenkins, Harold. The Arden Shakespeare. 1982. London: Methuen, 1997Google Scholar
Shakespeare, William. Hamlet. Eds. Thompson, Ann and Taylor, Neil. The Arden Shakespeare. 2006. Rev. ed. London: Bloomsbury, 2016Google Scholar
Shakespeare, William. Julius Caesar. Ed. Daniell, David. The Arden Shakespeare. London: Thomson Learning, 1998, 2000Google Scholar
Shakespeare, William. King Lear. Ed. Foakes, R. A.. The Arden Shakespeare. London: Thomson Learning, 1997Google Scholar
Shakespeare, William. Macbeth. Eds. Clark, Sandra and Mason, Pamela. The Arden Shakespeare. London: Bloomsbury, 2015Google Scholar
Shakespeare, William. Titus Andronicus. Ed. Wilson, J. Dover. Cambridge: Cambridge University Press, 1948Google Scholar
Shakespeare, William. Titus Andronicus. Ed. Maxwell, J. C.. The Arden Shakespeare. 1953. 3rd ed. London: Metheun, 1961Google Scholar
Shakespeare, William. Titus Andronicus. Ed. Bate, Jonathan. The Arden Shakespeare. 1995. Rev. ed. London: Bloomsbury, 2018CrossRefGoogle Scholar
Stoppard, Tom. Rosencrantz and Guildenstern Are Dead. London: Faber, 1967Google Scholar
Tourneur, Cyril. The Atheist’s Tragedy. Ed. Maus, Katherine Eisaman. In Four Revenge Tragedies. Oxford: Oxford University Press, 1995. 249–330Google Scholar
Aquinas, . Summa theologiae. 60 vols. General ed. Gilby, Thomas. London: Blackfriars, 1964–73Google Scholar
Aristotle, . Aristotle: The ‘Art of Rhetoric’. Ed. and trans. Freese, John Henry. The Loeb Classical Library. Cambridge, MA: Harvard University Press, 1926, 1959Google Scholar
Aristotle, . Poetics. Trans. Halliwell, Stephen. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1995Google Scholar
Augustine, . Augustine: De doctrina christiana. Ed. and trans. Green, R. P. H.. Oxford: Clarendon, 1995Google Scholar
Bacon, Francis. Francis Bacon: Essays. Amherst, NY: Prometheus Books, 1995Google Scholar
Baldwin, William, and Paulfreyman, Thomas. A Treatise of Morall Philosophie. London, 1584Google Scholar
Bataille, George. Erotism: Death & Sensuality. 1957. Trans. Dalwood, Mary. San Francisco: City Lights, 1986Google Scholar
Benjamin, Walter. ‘Critique of Violence’. Trans. Jephcott, Edmund. In Walter Benjamin. Reflections: Essays, Aphorism, Autobiographical Writings. Ed. Demetz, Peter. New York: Schocken Books, 1986. 277–300Google Scholar
Bonhoeffer, Dietrich. Ethics. Trans. Smith, Neville Horton. 1955. New York: Touchstone, 1995Google Scholar
Brecht, Bertolt. Brecht on Theatre: The Development of An Aesthetic. Ed. and trans. Willett, John. New York: Hill and Wang, 1964Google Scholar
Calvin, Jean. Calvin: Institutes of the Christian Religion. The Library of Christian Classics vol. 20. Ed. McNeill, John T.. Trans. Battles, Ford Lewis. 2 vols. Louisville, KY: John Knox Press, 1960Google Scholar
Charon, Pierre [Peter]. Of Wisdom. Trans. Leinard, Samson. London, 1608Google Scholar
Cicero, Marcus Tulius. De officiis with an English Translation. Trans. Miller, Walter. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1913Google Scholar
Cicero, Marcus Tulius. Marcus Tullius Ciceroes Thre Bokes of Duties, to Marcus his Sonne. Trans. Grimald, Nicholas. London, 1556Google Scholar
Cicero, Marcus Tulius. The thre bookes of Tyllyes offyces both in latyne tonge [et] in englysshe, lately translated by Roberte Whytinton poete laureate. Trans. Whittington, Robert. London, 1534Google Scholar
Crosse, Henry. Vertues Common-wealth: Or the High-Way to Honour. London, 1603Google Scholar
Day, Angel. The English Secretorie, Wherein is contayned, A Perfect method, for the inditing of all manner of Epistles and familiar letters. London, 1586Google Scholar
Donne, John. The Complete Poems of John Donne. Ed. Robbins, Robin. London: Pearson Education, 2010Google Scholar
Eliot, T. S. Selected Essays. 1932. 3rd ed. London: Faber and Faber, 1951Google Scholar
Epictetus, . Epictetus: Discourses Books III–IV, The Encheiridion. Trans. Oldfather, W. A.. Loeb Classical Library. 1928. Cambridge, MA: Harvard University Press, 2000Google Scholar
Erasmus, Desiderius. The Adages of Erasmus. Ed. Barker, William. Toronto: University of Toronto Press, 2001Google Scholar
Foucault, Michel. ‘Preface to Transgression’. In Bouchard, Donald F., ed., Michel Foucault: Language, Counter-Memory, Practice: Selected Essays and Interviews. Trans. Bouchard, Donald F. and Simon, Sherry. Oxford: Blackwell, 1977. 29–52Google Scholar
Freud, Sigmund. Civilization and Its Discontents. 1930. Trans. Strachey, James. In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume 21. London: Vintage, 2001. 57–146Google Scholar
Freud, Sigmund. The Complete Letters of Freud to Wilhelm Fliess 1887–1904. Trans. Strachey, James. 1966. In The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume 42. London: Vintage, 2001Google Scholar
Freud, Sigmund. The Future of an Illusion. 1928. Trans. Strachey, James. The Penguin Freud Library, vol. 12. Reprinting the Standard Edition vol. 21, 1–56. London: Penguin, 1991Google Scholar
Freud, Sigmund. ‘Why War?’. Trans. Strachey, James. The Penguin Freud Library, vol. 12. Reprinting the Standard Edition vol. 21, 1–56, 1928. London: Penguin, 1991Google Scholar
Fulbecke, William. A Booke of Christian Ethicks or Moral Philosophie. London, 1587Google Scholar
Girard, René. Violence and the Sacred. 1972. Trans. Gregory, Patrick. Baltimore: Johns Hopkins University Press, 1977CrossRefGoogle Scholar
Golding, Arthur. Ovid: Metamorphoses. Ed. Forey, Madeleine. London: Penguin, 2002Google Scholar
Gosson, Stephen. Playes confuted in fiue actions prouing that they are not to be suffred in a Christian common weale. London: 1583Google Scholar
Heywood, Thomas. An Apology for Actors by Thomas Heywood, with A Refutation of the Apology for Actors by I. G. Ed. Freeman, Arthur. New York: Garland, 1973Google Scholar
Lacan, Jacques. Desire and Its Interpretation: The Seminar of Jacques Lacan, Book VI. Ed. Miller, Jacques-Alan. Trans. Fink, Bruce. Medford, MA: Polity, 2019Google Scholar
Lacan, Jacques. The Ethics of Psychoanalysis 1959–1960: The Seminar of Jacques Lacan Book VII. Ed. Miller, Jacques-Alain. Trans. Porter, Dennis. New York: Norton, 1992Google Scholar
Lipsius, Justus. Justus Lipsius: On Constancy. Trans. Sir Stradling, John. 1595. Ed. Sellars, John. Exeter: Bristol Phoenix Press, 2006Google Scholar
Machiavelli, Niccolò. The Discourses. Ed and trans. Walker, Leslie J.. 2 vols. London: Routledge & Kegan Paul, 1950Google Scholar
Machiavelli, Niccolò. The Prince. Trans. Bull, George. London: Penguin, 1961Google Scholar
Melanchthon, Philip. Commonplaces: Loci Communes 1521. Ed. and trans. Preus, Christian. St Louis, MO: Concordia, 2014Google Scholar
Milton, John. Milton: Paradise Lost. Ed. Fowler, Alastair. 2nd ed. Harlow: Longman, 1998Google Scholar
Montaigne, Michel De. The Complete Essays. Ed. and trans. Screech, M. A.. London: Penguin, 1987Google Scholar
Montaigne, Michel De. The Essayes or Morall, Politike and Millitarie Discourses of Lo: Michaell de Montaigne. Trans. Florio, John. London, 1603Google Scholar
Murdoch, Iris. Metaphysics as a Guide to Morals. London: Penguin, 1993Google Scholar
Overbury, Thomas. Sir Thomas Overbury his Wife. With additions of new characters, and many other wittie conceits neuer before printed. London, 1615Google Scholar
Peacham, Henry. The Garden of Eloquence (1593). Facsimile reproduction. Ed. Crane, William G.. Gainesville, FL: Scholars Facsimiles and Reprints, 1954Google Scholar
Perkins, William. A Golden Chaine, or The Description of Theologie, containing the order of the causes of Salvation and Damnation, according to Gods worde … London, 1591Google Scholar
Perkins, William. The Whole Treatise of The Cases of Conscience. London, 1602Google Scholar
Plato, . Plato with an English Translation, ii, Theaetetus, Sophist. Trans. Fowler, Harold North. Loeb Classical Library. London: G. P. Putnam’s Sons, 1928Google Scholar
Primaudaye, Pierre de La. The French Academie, Wherin is Discoursed the Institution of Maners, and Whatsoever Els Concerneth the Good and Happie Life of All Estates and Callings. Trans. B[owes], T[homas]. London, 1586Google Scholar
Puttenham, George. The Art of English Poesy: A Critical Edition. Eds. Whigham, Frank and Rebhorn, Wayne A.. Ithaca, NY: Cornell University Press, 2007Google Scholar
Quintilian, . Quintilian III: The Orator’s Education, Books 6–8. Ed. and trans. Russell, Donald A.. The Loeb Classical Library. Cambridge, MA: Harvard University Press, 2001Google Scholar
Rainolds, John. Th’overthrow of stage-playes. London, 1599Google Scholar
Reynolds, John. The Triumphs of Gods Revenge, against the crying, and execrable Sinne of Murther… the First Booke. London, 1621Google Scholar
Shakespeare, William. Shakespeare’s Poems. Eds. Duncan-Jones, Katherine and Woudhuysen, H. R.. London: Thomson Learning, 2007Google Scholar
Sidney, Philip. Sir Philip Sidney: A Critical Edition of the Major Works. Ed. Duncan-Jones, Katherine. Oxford: Oxford University Press, 1986Google Scholar
Spenser, Edmund. The Faerie Queene. Eds. Hamilton, A. C., Yamashita, Hiroshi and Suzuki, Toshiyuki. Longman Annotated English Poets. Harlow: Pearson Education, 2001Google Scholar
Virgil, . Virgil I: Eclogues, Georgics, Aeneid 1–6. Trans. Fairclough, H. R.. Loeb Classical Library. Cambridge, MA: Harvard University Press, 1935Google Scholar
Wilson, Thomas. Thomas Wilson: The Art of Rhetoric (1560). Ed. Medine, Peter E.. University Park: Pennsylvania State University Press, 1994Google Scholar
Wittgenstein, Ludwig, ‘A Lecture on Ethics’. The Philosophical Review 74.1 (1965): 3–12CrossRefGoogle Scholar
Wittgenstein, Ludwig, Tractatus Logico-Philosophicus. 1921. Trans. Pears, D. F. and McGuiness, B. F.. London: Routledge, 1961Google Scholar
Abel, Lionel. Metatheatre: A New View of Dramatic Form. New York: Hill and Wang, 1963Google Scholar
Adams, Barry B. ‘The Audiences of The Spanish Tragedy’. Journal of English and Germanic Philology 68.2 (1969): 221–36Google Scholar
Adams, H. H. ‘Cyril Tourneur on Revenge’. The Journal of English and Germanic Philology 48.1 (1949): 72–87Google Scholar
Aggeler, Geoffrey D. ‘The Eschatological Crux in “The Spanish Tragedy”’. The Journal of English and Germanic Philology 86.3 (1987): 319–31Google Scholar
Aggeler, Geoffrey D. ‘Stoicism and Revenge in Marston’. English Studies 51.6 (1970): 507–17CrossRefGoogle Scholar
Althaus, Paul. The Ethics of Martin Luther. Trans. Schultz, Robert C.. Philadelphia: Fortress Press, 1972Google Scholar
Altman, Joel B. The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama. Berkeley: University of California Press, 1978Google Scholar
Anderson, Judith M. Words That Matter: Linguistic Perception in Renaissance English. Stanford, CA: Stanford University Press, 1996Google Scholar
Ardolino, Frank. ‘The Hangman’s Noose and the Empty Box: Kyd’s Use of Dramatic and Mythological Sources in The Spanish Tragedy (III.iv–vii)’. Renaissance Quarterly 30 (1977): 334–40CrossRefGoogle Scholar
Armand, Louis. ‘The Theatre of Alibis’. Litteraria Pragensia: Studies in Literature and Culture 17.34 (2007): 77–100Google Scholar
Aston, Margaret. England’s Iconoclasts: Laws against Images. Oxford: Clarendon Press, 1988Google Scholar
Auerbach, Eric. Literary Language and Its Public: In Latin Antiquity and in the Middle Ages. Trans. Manheim, Ralph. 1965. Princeton, NJ: Princeton University Press, 1993Google Scholar
Ayres, Philip J. ‘Marston’s Antonio’s Revenge: The Morality of the Revenging Hero’. Studies in English Literature, 1500–1900 12.2 (1972): 359–74CrossRefGoogle Scholar
Baines, Barbara. ‘Kyd’s Silenus Box and the Limits of Perception’. Journal of Medieval and Renaissance Studies 10 (1980): 41–51Google Scholar
Baines, Barbara. Thomas Heywood. Boston: Twayne, 1984Google Scholar
Barish, Jonas. The Antitheatrical Prejudice. Berkeley: University of California Press, 1981Google Scholar
Barish, Jonas. ‘The Spanish Tragedy, or The Pleasures and Perlis of Rhetoric’. In Brown, John Russell and Harris, Bernard, eds., Elizabethan Theatre. Stratford-upon-Avon Studies 9. London: Edward Arnold, 1966. 59–86Google Scholar
Barker, Jessica. Stone Fidelity: Marriage and Emotion in Medieval Tomb Structure. Woodbridge: Boydell & Brewer, 2020Google Scholar
Barzilai, Reut. Venus’s Palace: Shakespeare and the Antitheatricalists. London: Routledge, 2023CrossRefGoogle Scholar
Bate, Jonathan. ‘Enacting Revenge: The Mingled Yarn of Elizabethan Tragedy’. In Cinpoeş, Nicoleta, ed., Doing Kyd: Essays on The Spanish Tragedy. Manchester: Manchester University Press, 2016. 25–42Google Scholar
Bate, Jonathan. The Genius of Shakespeare. London: Picador, 1997Google Scholar
Bate, Jonathan. Shakespeare and Ovid. Oxford: Clarendon Press, 1993, 2001Google Scholar
Bell, Millicent. Shakespeare’s Tragic Skepticism. New Haven, CT: Yale University Press, 2002CrossRefGoogle Scholar
Bement, Peter. ‘The Stoicism of Chapman’s Bussy D’Ambois’. Studies in English Literature, 1500–1900 12.2 (1972): 345–57Google Scholar
Bergson, Allen. ‘The Worldly Stoicism of George Chapman’s The Revenge of Bussy D’Ambois and The Tragedy of Chabot, Admiral of France’. Philological Quarterly 55 (1976): 43–64Google Scholar
Bishop, T. G. Shakespeare and the Theatre of Wonder. Cambridge: Cambridge University Press, 1996CrossRefGoogle Scholar
Blake, Ann. ‘“The Humour of Children”: John Marston’s Plays in the Private Theatres’. Review of English Studies 38.152 (1987): 471–82Google Scholar
Bloom, Gina. ‘“Thy Voice Squeaks”: Listening for Masculinity on the Early Modern Stage’. Renaissance Drama 29 (1998): 39–71CrossRefGoogle Scholar
Bloom, Harold. Hamlet: Poem Unlimited. New York: Riverhead Books, 2003Google Scholar
Bowers, Fredson. Elizabethan Revenge Tragedy, 1587–1642. Princeton, NJ: Princeton University Press, 1940, 1966CrossRefGoogle Scholar
Braden, Gordon. Renaissance Tragedy and the Senecan Tradition: Anger’s Privilege. New Haven, CT: Yale University Press, 1985Google Scholar
Bradshaw, Graham. Shakespeare’s Scepticism. Brighton: Harvester, 1987Google Scholar
Braunmuller, A. R. Natural Fictions: George Chapman’s Major Tragedies. Newark: University of Delaware Press, 1992Google Scholar
Bristol, Michael D. ‘The Customary and the Ethical: Understanding Hamlet’s Bad Habits’. Shakespeare Studies 40 (2012): 70–6Google Scholar
Brooke, Nicholas. Horrid Laughter in Jacobean Tragedy. London: Rowman & Littlefield, 1979Google Scholar
Broude, Ronald. ‘George Chapman’s Stoic-Christian Revenger’. Studies in Philology 70 (1973): 51–61Google Scholar
Broude, Ronald. ‘Revenge and Revenge Tragedy in Renaissance England’. Renaissance Quarterly 28.1 (1975): 38–58CrossRefGoogle Scholar
Brown, John Russell. Shakespeare and the Theatrical Event. London: Palgrave, 2002CrossRefGoogle Scholar
Brown, Vivienne. ‘The Moral Self and Ethic Dialogism: Three Genres’. Philosophy & Rhetoric 28.4 (1995): 276–99Google Scholar
Burch, Debra. ‘The Prejudice against the Theater’. The Journal of Religion and Theater 3.1 (2004): 1–18Google Scholar
Burcher, Richard. ‘Piracy and Parody in Chettle’s Hoffman’. The Ben Jonson Journal 6 (1999): 209–22Google Scholar
Burckhardt, Sigurd. Shakespearean Meanings. Princeton, NJ: Princeton University Press, 1986Google Scholar
Burks, Deborah. Horrid Spectacle: Violation in the Theatre of Early Modern England. Pittsburgh, PA: Duquesne University Press, 2003Google Scholar
Burnett, Anne Pippin. Revenge in Attic and Later Tragedy. Berkeley: University of California Press, 1998CrossRefGoogle Scholar
Calderwood, James L. Shakespearean Metadrama: The Argument of the Play in Titus Andronicus, Love’s Labour’s Lost, Romeo and Juliet, A Midsummer Night’s Dream, and Richard II. Minneapolis: University of Minnesota Press, 1971Google Scholar
Calderwood, James L. To Be and Not Be: Negation and Metadrama in Hamlet. New York: Columbia University Press, 1983CrossRefGoogle Scholar
Campbell, Lily. ‘Theories of Revenge in Renaissance England’. Modern Philology 28.3 (1931): 281–96CrossRefGoogle Scholar
Cartwright, Kent. Theatre and Humanism: English Drama in the Sixteenth Century. Cambridge: Cambridge University Press, 1999CrossRefGoogle Scholar
Cavell, Stanley. Disowning Knowledge: In Seven Plays of Shakespeare. 1987. Rev. ed. Cambridge: Cambridge University Press, 2003CrossRefGoogle Scholar
Cefalu, Paul. Moral Identity in Early Modern English Literature. Cambridge: Cambridge University Press, 2004CrossRefGoogle Scholar
Chabot, Ryan. ‘“Stand you on that?”: The Emptiness of Signification in Thomas Kyd’s The Spanish Tragedy’. Concept 34 (2011): 1–20Google Scholar
Clare, Janet. Revenge Tragedies of the Renaissance. Horndon: Northcote House Publishers, 2006Google Scholar
Clare, Janet. Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre. Cambridge: Cambridge University Press, 2014CrossRefGoogle Scholar
Cole, Douglas. Suffering and Evil in the Plays of Christopher Marlowe. Princeton, NJ: Princeton University Press, 1962Google Scholar
Condon, James J. ‘Setting the Stage for Revenge: Space, Performance, and Power in Early Modern Revenge Tragedy’. Medieval & Renaissance Drama in England 25 (2012): 62–82Google Scholar
Copenhaver, Brian P., and Schmitt, Charles B.. Renaissance Philosophy. Oxford: Oxford University Press, 1992Google Scholar
Craik, Katherine A., and Pollard, Tanya, eds. Shakespearean Sensations: Experiencing Literature in Early Modern England. Cambridge: Cambridge University Press, 2013CrossRefGoogle Scholar
Crosbie, Christopher. ‘Fixing Moderation: Titus Andronicus and the Aristotelian Determination of Value’. Shakespeare Quarterly 58.2 (2007): 147–73CrossRefGoogle Scholar
Cross, Kenneth. Shakespeare’s Noise. Chicago: University of Chicago Press, 2001Google Scholar
Cummings, Brian. The Literary Culture of the Reformation: Grammar and Grace. Oxford: Oxford University Press, 2002CrossRefGoogle Scholar
Cummings, Peter. ‘Hearing in Hamlet: Poisoned Ears and the Psychopathology of Flawed Audition’. Shakespeare Yearbook 1 (1990): 81–92Google Scholar
Cutts, David. ‘Writing and Revenge: The Struggle for Authority in Thomas Kyd’s the Spanish Tragedy’. Explorations in Renaissance Culture 22.1 (1996): 147–60CrossRefGoogle Scholar
Danson, Lawrence N. ‘The Device of Wonder: Titus Andronicus and Revenge Tragedies’. Texas Studies in Literature and Language 16.1 (1974): 27–43Google Scholar
Davis, Tracy C., and Postlewait, Thomas, eds. Theatricality. Cambridge: Cambridge University Press, 2003Google Scholar
Deats, Sara Munson, and Starks, Lisa S.. ‘“So neatly plotted, and so well perform’d”: Villain as Playwright in Marlowe’s The Jew of Malta’. Theatre Journal 44.3 (October 1992): 375–89CrossRefGoogle Scholar
Demers, Patricia. ‘Chapman’s The Revenge of Bussy D’Ambois: Fixity and the Absolute Man’. Renaissance and Reformation 12 (1976): 12–20CrossRefGoogle Scholar
Deng, Stephen. Coinage and State Formation in Early Modern English Literature. London: Palgrave, 2011CrossRefGoogle Scholar
Dessen, Alan C. Elizabethan Stage Conventions and Modern Interpreters. Cambridge: Cambridge University Press, 1984CrossRefGoogle Scholar
Deutermann, Allison K. Listening to Theatrical Form in Early Modern England. Edinburgh: Edinburgh University Press, 2016Google Scholar
Dickson, Vernon Guy. ‘“A pattern, precedent, and lively warrant”: Emulation, Rhetoric, and Cruel Propriety in Titus Andronicus’. Renaissance Quarterly 62.2 (2009): 376–409CrossRefGoogle ScholarPubMed
Diehl, Huston. ‘“Reduce Thy Understanding to Thine Eye”: Seeing and Interpreting in The Atheist’s Tragedy’. Studies in Philology 78.1 (1981): 47–60Google Scholar
Diehl, Huston. Staging Reform, Reforming the Stage: Protestantism and Popular Theatre in Early Modern England. Ithaca, NY: Cornell University Press, 1997CrossRefGoogle Scholar
Dollimore, Jonathan. Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries. 1984, 1989. 3rd ed. Basingstoke: Palgrave Macmillan, 2004Google Scholar
Duffy, Eamon. The Stripping of the Altars: Traditional Religion in England, 1400–1580. New Haven, CT: Yale University Press, 1992Google Scholar
Dunne, Derek. Shakespeare, Revenge Tragedy and Early Modern Law. London: Palgrave, 2016CrossRefGoogle Scholar
Dutton, Elisabeth, Cecrie, Maria Sachiko, and McBain, James. ‘Staging and Filming John Bale’s Three Laws’. Shakespeare Bulletin 32.1 (2014): 65–84CrossRefGoogle Scholar
Eagleton, Terry. Sweet Violence: The Idea of the Tragic. Oxford: Blackwell, 2003Google Scholar
Eden, Kathy. The Renaissance Rediscovery of Intimacy. Chicago: University of Chicago Press, 2012CrossRefGoogle Scholar
Egan, Robert. Drama within Drama: Shakespeare’s Sense of His Art in King Lear, The Winter’s Tale, and The Tempest. New York: Columbia University Press, 1975Google Scholar
Empson, William. ‘Hamlet’. In Pirie, David B., ed., William Empson: Essays on Shakespeare. Cambridge: Cambridge University Press, 1986CrossRefGoogle Scholar
Empson, William. ‘The Spanish Tragedy’. Nimbus 3 (1956): 16–29. Reprinted in Kaufman, R. J., ed., Elizabethan Drama: Modern Essays in Criticism. New York: Oxford University Press, 1961. 60–80Google Scholar
Engle, Lars. ‘Moral Agency in Hamlet’. Shakespeare Studies 40 (2012): 87–97Google Scholar
Erne, Lukas. Beyond The Spanish Tragedy: A Study of the Works of Thomas Kyd. Manchester: Manchester University Press, 2001Google Scholar
Fawcett, Mary Laughlin. ‘Arms/Words/Tears: Language and the Body in Titus Andronicus’. ELH: English Literary History 50.2 (Summer 1983): 261–77CrossRefGoogle Scholar
Ferretti, Alexandra S. ‘“This Place Was Made for Pleasure Not for Death”: Performativity, Language, and Action in “The Spanish Tragedy”’. Early Theatre 16.1 (2013): 31–49CrossRefGoogle Scholar
Fiddes, Paul S. The Creative Suffering of God. Oxford: Clarendon, 1992CrossRefGoogle Scholar
Finkelpearl, Philip J. Court and Country Politics in the Plays of Beaumont and Fletcher. Princeton, NJ: Princeton University Press, 1990CrossRefGoogle Scholar
Flaherty, Jennifer. ‘Violence of Rhetoric: Silencing the Tongue in Kyd and Shakespeare’. Actes des congrès de la Société française Shakespeare 31 (2014): 89–101CrossRefGoogle Scholar
Fransen, Paul. ‘George Chapman’s Learned Drama’. In Hoenselaars, Ton, ed., The Cambridge Companion to Shakespeare and Contemporary Dramatists. Cambridge: Cambridge University Press, 2012. 134–48Google Scholar
Fuzier, Jean. ‘Le déni de justice dans The Spanish Tragedy de Thomas Kyd: Hieronimo, juge et justicier’. In Jones Davies, Marie-Thérèse, ed., Actes du Congrès, 1980, Société Française Shakespeare. Paris: J. Touzot, 1981. 85–97Google Scholar
Gair, W. Reavley. The Children of Paul’s: The Story of a Theatre Company, 1553–1608. Cambridge: Cambridge University Press, 1982Google Scholar
Garber, Marjorie. ‘“Infinite Riches in a Little Room”: Closure and Enclosure in Marlowe’. In Kernan, Alvin and Higonnet, Margaret R., eds., Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson. Baltimore: Johns Hopkins University Press, 1977. 3–29Google Scholar
Garland, Robert. The Greek Way of Death. Ithaca, NY: Cornell University Press, 1985Google Scholar
Geckle, George L. John Marston’s Drama: Themes, Images, Sources. Cranbury, NJ: Associated University Presses, 1980Google Scholar
Ghose, Indira. ‘Laughter and Blasphemy in the Shakespearean Theatre’. Medieval and Renaissance Drama in England 16 (2005): 228–39Google Scholar
Godshalk, W. L. The Marlovian World Picture. The Hague: Mouton, 1974CrossRefGoogle Scholar
Grantley, Darryll, and Roberts, Peter, eds. Christopher Marlowe and English Renaissance Culture. Aldershot: Ashgate, 1996Google Scholar
Greenblatt, Stephen. Hamlet in Purgatory. Princeton, NJ: Princeton University Press, 2001, 2013Google Scholar
Greenblatt, Stephen. Renaissance Self-Fashioning: From More to Shakespeare. Chicago: University of Chicago Press, 1980Google Scholar
Greenblatt, Stephen. Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England. Berkeley: University of California Press, 1988CrossRefGoogle Scholar
Grimmett, Roxanne. ‘“By heaven and hell”: Re-evaluating Representations of Women and the Angel/Whore Dichotomy in Renaissance Revenge Tragedy’. Journal of International Women’s Studies 6.3 (2005): 31–9Google Scholar
Grossman, Marshall, ed. Reading Renaissance Ethics. New York: Routledge, 2007CrossRefGoogle Scholar
Gruber, William E. ‘Building a Scene: The Text and Its Representation in The Atheist’s Tragedy’. Comparative Drama 19.3 (1985): 193–208CrossRefGoogle Scholar
Gurr, Andrew. Playgoing in Shakespeare’s London. Cambridge: Cambridge University Press, 1987Google Scholar
Hallett, Charles A., and Hallett, Elaine S.. The Revenger’s Madness: A Study of Revenge Tragedy Motifs. Lincoln: University of Nebraska Press, 1980Google Scholar
Hamilton, Donna B. ‘The Spanish Tragedy: A Speaking Picture’. English Literary Renaissance 4.2 (1974): 203–17CrossRefGoogle Scholar
Hamlin, William H. Tragedy and Scepticism in Shakespeare’s England. Basingstoke: Palgrave, 2005CrossRefGoogle Scholar
Harris, Jonathan Gil, and Korda, Natasha, eds. Staged Properties of in Early Modern English Drama. Cambridge: Cambridge University Press, 2002Google Scholar
Hattaway, Michael. Elizabethan Popular Theatre: Plays in Performance. London: Routledge, 1982Google Scholar
Hedlin, Kim. ‘Christian Revenge in Chapman’s The Revenge of Bussy D’Ambois’. Renaissance Drama 46.1 (2018): 87–111CrossRefGoogle Scholar
Hill, Tracy. ‘“He hath changed his coppy”: Anti-Theatrical Writing and the Turncoat Player’. Critical Survey 9.3 (1997): 59–77CrossRefGoogle Scholar
Hirschfeld, Heather. ‘“Conceived of young Horatio his son”: The Spanish Tragedy and the Psychotheology of Revenge’. In Cartwright, Kent, ed., A Companion to Tudor Literature. Oxford: Wiley-Blackwell, 2010. 444–58Google Scholar
Hiscock, Andrew. ‘Enclosing “Infinite Riches in a Little Room”: The Question of Cultural Marginality in Marlowe’s The Jew of Malta’. Forum for Modern Language Studies 35.1 (January 1999): 1–22CrossRefGoogle Scholar
Hobgood, Allison P. Passionate Playgoing in Early Modern England. Cambridge: Cambridge University Press, 2014CrossRefGoogle Scholar
Holdsworth, R. V. ‘Middleton and William Perkins: A Biblical Echo in The Revenger’s Tragedy’. Notes & Queries 32.1 (1985): 61–3CrossRefGoogle Scholar
Holdsworth, R. V. Three Jacobean Revenge Tragedies: ‘The Revenger’s Tragedy’, ‘Women Beware Women’, ‘The Changeling’: A Casebook. London: Palgrave, 1990CrossRefGoogle Scholar
Hollander, John. Melodious Guile: Fictive Patterns in Poetic Language. New Haven, CT: Yale University Press, 1988Google Scholar
Holton, Richard. ‘The Act of Choice’. Philosopher’s Imprint 6.3 (2006): 1–15Google Scholar
Hornby, Richard. Drama, Metadrama and Perception. Lewisburg, PA: Bucknell University Press, 1986Google Scholar
Howard, Jean E. The Stage and Social Struggle in Early Modern England. London: Routledge, 1994Google Scholar
Hoxby, Blair. What Was Tragedy? Theory and the Early Modern Canon. Oxford: Oxford University Press, 2015CrossRefGoogle Scholar
Hubert, Judd David. Metatheater: The Example of Shakespeare. Lincoln: University of Nebraska Press, 1991Google Scholar
Hunt, Maurice. ‘Compelling Art in Titus Andronicus’. SEL: Studies in English Literature, 1500–1900 28.2 (Spring 1988): 197–218.Google Scholar
Hunter, G. K. ‘The Theology of Marlowe’s The Jew of Malta’. Journal of the Warburg and Courtauld Institutes 27 (1964): 211–40CrossRefGoogle Scholar
Hutson, Lorna. The Invention of Suspicion: Law and Mimesis in Shakespeare and Renaissance Drama. Oxford: Oxford University Press, 2007CrossRefGoogle Scholar
Hutson, Lorna. ‘Rethinking the “Spectacle of the Scaffold”: Juridical Epistemologies and English Revenge Tragedy’. Representations 89.1 (2005): 30–58CrossRefGoogle Scholar
Hyland, Peter. ‘Theater of Anatomy: The Tragedy of Hoffman’. In Farabee, Darlene, Netzloff, Mark and Ryner, Bradley, eds., Early Modern Drama in Performance: Essays in Honor of Lois Potter. Newark: University of Delaware Press, 2015. 35–46Google Scholar
Ide, Arata. ‘The Jew of Malta and the Diabolic Power of Theatrics in the 1580s’. Studies in English Literature, 1500–1900 46.2 (2006): 257–79Google Scholar
Ide, Richard S. ‘Exploiting the Tradition: The Elizabethan Revenger as Chapman’s “Complete Man”’. Medieval and Renaissance Drama in England 1 (1984): 159–72Google Scholar
Irwin, Terrence. The Development of Ethics: A Historical and Critical Study. 3 vols. Oxford: Oxford University Press, 2007Google Scholar
Jarrett, Joseph. ‘Quantifying Death, Calculating Revenge: Mathematical Justice in Henry Chettle’s Tragedy of Hoffman’. Renaissance Studies 31.4 (2017): 549–68CrossRefGoogle Scholar
Jenkins, Harold. ‘Cyril Tourneur’. The Review of English Studies 17.65 (1941): 21–36CrossRefGoogle Scholar
Jensen, Einher. ‘The Style of the Boy Actors’. Comparative Drama 2.2 (1968): 100–14CrossRefGoogle Scholar
Jonsen, Albert R., and Toulmin, Stephen. The Abuse of Casuistry: A History of Moral Reasoning. Berkeley: University of California Press, 1988CrossRefGoogle Scholar
Jowett, John. ‘Notes on Henry Chettle [Pt 2]’. Review of English Studies 45.180 (1994): 517–22Google Scholar
Kagan, Shelly. The Limits of Morality. Oxford: Clarendon, 1989, 2002Google Scholar
Kastan, David Scott. ‘“His semblable in his mirror”: Hamlet and the Imitation of Revenge’. Shakespeare Studies 19 (1987): 111–24Google Scholar
Kastan, David Scott, and Stallybrass, Peter, eds. Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. London: Routledge, 1991Google Scholar
Kendall, Gillian Murray. ‘“Lend me thy Hand”: Metaphor and Mayhem in Titus Andronicus’. Shakespeare Quarterly 40.3 (Autumn 1989): 299–316CrossRefGoogle Scholar
Kendall, Ritchie D. The Drama of Dissent: The Radical Poetics of Nonconformity, 1380–1590. Chapel Hill: North Carolina University Press, 1986Google Scholar
Kendrick, Matthew. ‘Neostoicism and the Economics of Revenge in Cyril Tourneur’s The Atheist’s Tragedy’. College Literature 41.3 (2014): 7–26CrossRefGoogle Scholar
Kerrigan, John. Revenge Tragedy: Aeschylus to Armageddon. Oxford: Clarendon Press, 1996Google Scholar
Keyishian, Harry. The Shapes of Revenge: Victimization, Vengeance and Vindictiveness in Shakespeare. Atlantic Highlands, NJ: Humanities Press, 1995Google Scholar
Kezar, Dennis. Guilty Creatures: Renaissance Poetry and the Ethics of Authorship. New York: Oxford University Press, 2001CrossRefGoogle Scholar
Kiss, Attila. The Semiotics of Revenge: Subjectivity and Abjection in English Renaissance Tragedy. Szeged: József Attila University, 1995Google Scholar
Kistler, Suzanne. ‘“Strange and Far-Removed Shores”: A Reconsideration of The Revenge of Bussy D’Ambois’. Studies in Philology 77 (1980): 128–44Google Scholar
Kline, Daniel T. ‘The Circulation of the Letter in Kyd’s The Spanish Tragedy’. In Kermode, Lloyd Edward, Scott-Warren, Jason and Van Elk, Martine, eds., Tudor Drama before Shakespeare, 1485–1590. New York: Palgrave Macmillan, 2004. 229–47Google Scholar
Knowles, James. ‘“Infinite Riches in a Little Room”: Marlowe and the Aesthetics of the Closet’. In McMullan, Gordon, ed., Renaissance Configurations: Voices/Bodies/Spaces, 1580–1690. Basingstoke: Macmillan, 1998. 3–21CrossRefGoogle Scholar
Knutson, Roslyn L. ‘Henry Chettle, Workaday Playwright’. Medieval and Renaissance Drama in England 30 (2017): 52–64Google Scholar
Konstan, David. Before Forgiveness: The Origins of a Moral Idea. Cambridge: Cambridge University Press, 2010CrossRefGoogle Scholar
Kraye, Jill, and Saarinen, Risto, eds. Moral Philosophy on the Threshold of Modernity. Dordrecht: Springer, 2005CrossRefGoogle Scholar
Laird, David. ‘Hieronimo’s Dilemma’. Studies in Philology 62.2 (1965): 137–46Google Scholar
Landreth, David. The Face of Mammon: The Matter of Money in English Renaissance Literature. Oxford: Oxford University Press, 2012CrossRefGoogle Scholar
Lanham, Richard A. The Motives of Eloquence: Literary Rhetoric in the Renaissance. New Haven, CT: Yale University Press, 1976Google Scholar
Leech, Clifford. ‘“The Atheist’s Tragedy” as a Dramatic Comment on Chapman’s “Bussy” Plays’. The Journal of English and Germanic Philology 52.4 (1953): 525–40Google Scholar
Leggatt, Alexander. Shakespeare’s Tragedies: Violation and Identity. Cambridge: Cambridge University Press, 2005CrossRefGoogle Scholar
Leggatt, Alexander. ‘The Tragedy of Clermont D’Ambois’. Modern Language Review 77.3 (1982): 524–36CrossRefGoogle Scholar
Leo, Russ. Tragedy as Philosophy in the Reformation World. Oxford: Oxford University Press, 2019CrossRefGoogle Scholar
Levin, Harry. Christopher Marlowe: The Overreacher. London: Faber, 1961Google Scholar
Levin, Harry. The Question of Hamlet. London: Oxford University Press, 1959Google Scholar
Lewis, Rhodri. Hamlet and the Vision of Darkness. Princeton, NJ: Princeton University Press, 2017Google Scholar
Loewenstein, Joseph. ‘Plays Agonistic and Competitive: The Textual Approach to Elsinore’. Renaissance Drama 19 (1988): 63–96CrossRefGoogle Scholar
Long, A. A. Stoic Studies. Cambridge: Cambridge University Press, 1996Google Scholar
Lopez, Jeremy. Theatrical Convention and Audience Response in Early Modern Drama. Cambridge: Cambridge University Press, 2003Google Scholar
Low, Jennifer A., and Myhill, Nova, eds. Imagining the Audience in Early Modern Drama, 1558–1642. New York: Palgrave, 2011CrossRefGoogle Scholar
Lupton, Julia Reinhard. ‘The Jew of Malta’. In Cheney, Patrick, ed., The Cambridge Companion to Christopher Marlowe. Cambridge: Cambridge University Press, 2004. 144–57Google Scholar
MacCulloch, Diarmaid. Tudor Church Militant: Edward VI and the Protestant Reformation. London: Allan Lane, 2000Google Scholar
MacIntyre, Alasdair. A Short History of Ethics. 1967. London: Routledge & Kegan Paul, 1998CrossRefGoogle Scholar
Mack, Peter. Elizabethan Rhetoric: Theory and Practice. Cambridge: Cambridge University Press, 2002CrossRefGoogle Scholar
MacMillan, Scott. ‘The Book of Seneca in The Spanish Tragedy’. Studies in English Literature, 1500–1900 14.2 (1974): 201–8Google Scholar
Madelaine, R. E. R. ‘Boys’ Beards and Balurdo’. Notes & Queries 30.2 (1983): 148CrossRefGoogle Scholar
Margalit, Avishai. The Ethics of Memory. Cambridge, MA: Harvard University Press, 2002CrossRefGoogle Scholar
Maus, Katharine Eisaman. Inwardness and Theater in the English Renaissance. Chicago: University of Chicago Press, 1995Google Scholar
McMillan, Scott. ‘The Revenger’s Tragedy and Its Departures from Hamlet’. Studies in English Literature 24 (1984): 275–91Google Scholar
Mercer, Peter. Hamlet and the Acting of Revenge. London: Palgrave Macmillan, 1987CrossRefGoogle Scholar
Miles, Geoffrey. Shakespeare and the Constant Romans. Oxford: Clarendon Press, 1996CrossRefGoogle Scholar
Minton, Gretchen E., ed. The Revenger’s Tragedy: The State of Play. London: Bloomsbury, 2018CrossRefGoogle Scholar
Miola, Robert S. ‘Titus Andronicus and the Mythos of Shakespeare’s Rome’. Shakespeare Studies 14 (1981): 85–98Google Scholar
Moss, Ann. Printed Commonplace-Books and the Structuring of Renaissance Thought. Oxford: Clarendon Press, 1996CrossRefGoogle Scholar
Mueller, Janel M. The Native Tongue and the Word: Development of English Prose Style, 1380–1580. Chicago: University of Chicago Press, 1984Google Scholar
Mukherji, Subha. Law and Representation in Early Modern Drama. Cambridge: Cambridge University Press, 2006CrossRefGoogle Scholar
Mullaney, Stephen. ‘Mourning and Misogyny: Hamlet, The Revenger’s Tragedy, and the Final Progress of Elizabeth I, 1600–1607’. Shakespeare Quarterly 45.2 (1994): 139–62CrossRefGoogle Scholar
Neely, Carol Thomas. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca, NY: Cornell University Press, 2004CrossRefGoogle Scholar
Neill, Michael. ‘Bastardy, Counterfeiting, and Misogyny in The Revenger’s Tragedy’. Studies in English Literature, 1500–1900 36.2 (1996): 397–416CrossRefGoogle Scholar
Neill, Michael. Issues of Death: Mortality and Identity in English Renaissance Tragedy. Oxford: Clarendon Press, 1997CrossRefGoogle Scholar
Nuttall, A. D. Shakespeare the Thinker. New Haven, CT: Yale University Press, 2007Google Scholar
Nuttall, A. D. Why Does Tragedy Give Pleasure? Oxford: Clarendon Press, 1996Google Scholar
O’Connell, Michael. The Idolatrous Eye: Iconoclasm and Theatre in Early Modern England. Oxford: Oxford University Press, 2000CrossRefGoogle Scholar
Ornstein, Robert. The Moral Vision of Jacobean Tragedy. Madison: University of Wisconsin Press, 1965Google Scholar
Panek, Jennifer. ‘“My Naked Weapon”: Male Anxiety and the Violent Courtship of the Jacobean Stage Widow’. Comparative Drama 34.3 (2000): 321–44CrossRefGoogle Scholar
Parker, John. The Aesthetics of Antichrist: From Christian Drama to Christopher Marlowe. Ithaca, NY: Cornell University Press, 2007Google Scholar
Partee, Charles. Calvin and Classical Philosophy. 1977. Louisville, KY: John Knox Press, 2005Google Scholar
Pascoe, David. ‘Marston’s Childishness’. Medieval and Renaissance Drama in England 9 (1997): 92–111Google Scholar
Pesta, Duke. ‘Articulating Skeletons: Hamlet, Hoffman, and the Anatomical Graveyard’. Cahiers Élisabéthains 69 (2006): 21–39CrossRefGoogle Scholar
Pierce, Robert B. ‘Hamlet and the Problem of Moral Agency’. In Hagberg, Garry L., ed., Fictional Characters, Real Problems: The Search for Ethical Content in Literature. Oxford: Oxford University Press, 2016. 47–55Google Scholar
Pollard, Tanya. Drugs and Theater in Early Modern England. Oxford: Oxford University Press, 2005CrossRefGoogle Scholar
Pollard, Tanya. ed. Shakespeare’s Theater: A Sourcebook. Oxford: Blackwell, 2004CrossRefGoogle Scholar
Prosser, Eleanor. Hamlet and Revenge, 2nd ed. Stanford, CA: Stanford University Press, 1971Google Scholar
Quiring, Björn, ed. ‘If when the world as theatre present …’: Revisions of the Theatrum Mundi Metaphor in Early Modern England. Berlin: De Gruyter, 2014CrossRefGoogle Scholar
Ratliff, John D. ‘Hieronimo Explains Himself’. Studies in Philology 54.2 (1957): 112–18Google Scholar
Rees, Ennis. The Tragedies of George Chapman: Renaissance Ethics in Action. Cambridge, MA: Harvard University Press, 1954Google Scholar
Reisner, Noam. Milton and the Ineffable. Oxford: Oxford University Press, 2009CrossRefGoogle Scholar
Reisner, Noam. ‘The Paradox of Mimesis in Sidney’s Defence of Poesie and Marlowe’s Doctor Faustus’. Cambridge Quarterly 39.4 (2010): 331–49CrossRefGoogle Scholar
Reisner, Noam. ‘The Preacher and Profane Learning’. In McCullough, Peter, Adlington, Hugh and Rhatigan, Emma, eds., The Oxford Handbook of the Early Modern Sermon. Oxford: Oxford University Press, 2011. 72–86Google Scholar
Reisner, Noam. ‘The Theatricalization of Patient Revenge in English Renaissance Tragedy’. Special issue on ‘Elizabethan Drama and Religion’, ed. Cottegnies, Line. Etudes anglaises 72.1 (2019): 393–408CrossRefGoogle Scholar
Ribner, Irving. Jacobean Drama: The Quest for Moral Order. 1962. London: Methuen, 1979Google Scholar
Riggs, David. ‘Marlowe’s Quarrel with God’. In White, Paul Whitefield, ed., Marlowe, History, and Sexuality: New Critical Essays on Christopher Marlowe. New York: AMS Press, 1998. 15–37Google Scholar
Right, William J. Martin Luther’s Understanding of God’s Two Kingdoms: A Response to the Challenge of Skepticism. Grand Rapids, MI: Baker Academic, 2010Google Scholar
Righter, Anne. Shakespeare and the Idea of the Play. London: Chatto & Windus, 1964Google Scholar
Rist, Thomas. Revenge Tragedy and the Drama of Commemoration in Reforming England. Surrey: Ashgate, 2008Google Scholar
Rose, Mark. ‘“Hamlet” and the Shape of Revenge’. English Literary Renaissance 1.2 (Spring 1971): 132–43CrossRefGoogle Scholar
Rozett, Martha Tuck. The Doctrine of Election and the Emergence of Elizabethan Tragedy. Princeton, NJ: Princeton University Press, 1984CrossRefGoogle Scholar
Sacks, Peter. ‘Where Words Prevail Not: Grief, Revenge, and Language in Kyd and Shakespeare’. ELH 49.3 (1982): 576–601CrossRefGoogle Scholar
Sauter, William. The Theatrical Event: Dynamics of Performance and Perception. Ames: University of Iowa Press, 2014Google Scholar
Sawday, Jonathan. The Body Emblazoned: Dissection and the Human Body in Renaissance Culture. London: Routledge, 1995Google Scholar
Schmitt, Charles B., and Skinner, Quentin, eds. The Cambridge History of Renaissance Philosophy. Cambridge: Cambridge University Press, 1988CrossRefGoogle Scholar
Schwartz, Regina M. Sacramental Poetics at the Dawn of Secularism: When God Left the World. Stanford, CA: Stanford University Press, 2008CrossRefGoogle Scholar
Scott, Lindsey. ‘“Groaning Shadows that are Gone”: The Ghosts of Titus Andronicus’. English Studies 96.4 (June 2015): 403–23CrossRefGoogle Scholar
Sellers, John. Stoicism. Berkeley: University of California Press, 2006CrossRefGoogle Scholar
Shapiro, James. ‘“Tragedies Naturally Performed”: Kyd’s Representation of Violence – The Spanish Tragedy (c. 1587)’. In Kastan, David Scott and Stallybrass, Peter, eds., Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama. New York: Routledge, 1991. 99–113Google Scholar
Shapiro, Michael. ‘Children’s Troupes: Dramatic Illusion and Acting Style’. Comparative Drama 3.1 (1969): 42–53CrossRefGoogle Scholar
Shell, Alison. Shakespeare and Religion. London: Bloomsbury, 2015Google Scholar
Shuger, Debora K. Habits of Thought in the English Renaissance: Religion, Politics and the Dominant Culture. Toronto: University of Toronto Press, 1997Google Scholar
Siemon, James R. Shakespearean Iconoclasm. Berkeley: University of California Press, 1985Google Scholar
Simkin, Stevie. Early Modern Tragedy and the Cinema of Violence. London: Palgrave, 2006CrossRefGoogle Scholar
Simkin, Stevie. ed. Revenge Tragedy. Basingstoke: Palgrave, 2001CrossRefGoogle Scholar
Simpson, James. ‘John Bale’s Three Laws’. In Betteridge, Thomas and Walker, Greg, eds., The Oxford Handbook of Tudor Drama. Oxford: Oxford University Press, 2012. 109–22Google Scholar
Simpson, James. Under the Hammer: Iconoclasm in the Anglo-American Tradition. Oxford: Oxford University Press, 2011Google Scholar
Skulsky, Harold. ‘Revenge, Honor, and Conscience in Hamlet’. PMLA 85.1 (1970): 78–87Google Scholar
Slaney, Helen. The Senecan Aesthetic: A Performance History. Oxford: Oxford University Press, 2016Google Scholar
Smith, Emma, and Sullivan, Garrett A. Jr., eds. The Cambridge Companion to Renaissance Tragedy. Cambridge: Cambridge University Press, 2010CrossRefGoogle Scholar
Smith, Molly. ‘The Theater and the Scaffold: Death as Spectacle in The Spanish Tragedy’. Studies in English Literature, 1500–1900 32.2 (Spring 1992): 217–32CrossRefGoogle Scholar
Sofer, Andrew. ‘How to Do Things with Demons: Conjuring Performatives in Doctor Faustus’. Theatre Journal 61.1 (2009): 1–21CrossRefGoogle Scholar
Spencer, T. J. B. ‘Shakespeare and the Roman Elizabethans’. Shakespeare Survey 10 (1957): 27–38Google Scholar
Stachniewski, John. The Persecutory Imagination: English Puritanism and the Literature of Religious Despair. Oxford: Oxford University Press, 1991Google Scholar
Stallybrass, Peter. ‘Reading the Body: The Revenger’s Tragedy and the Jacobean Theater of Consumption’. Renaissance Drama 18 (1987): 121–48CrossRefGoogle Scholar
States, Bert O. The Pleasure of the Play. Ithaca, NY: Cornell University Press, 1994CrossRefGoogle Scholar
Steggle, Matthew. Laughing and Weeping in Early Modern Theatres. Aldershot: Ashgate, 2007Google Scholar
Steiner, George. The Death of Tragedy. London: Faber and Faber, 1961Google Scholar
Strawson, Galen. Freedom and Belief. Oxford: Clarendon, 1986Google Scholar
Swartz, Doug. ‘Profit and Pleasure in Tourneur’s The Atheist’s Tragedy’. Medieval & Renaissance Drama in England 30 (2017): 76–104Google Scholar
Taussig, Michael. Mimesis and Alterity: A Particular History of the Senses. New York: Routledge, 1993Google Scholar
Taylor, A. B., ed. Shakespeare’s Ovid: The Metamorphoses in the Plays and Poems. Cambridge: Cambridge University Press, 2000Google Scholar
Taylor, Quentin. ‘“To Order Well the State”: The Politics of Titus Andronicus’. Interpretation: A Journal of Political Philosophy 32.2 (2005): 125–50Google Scholar
Terry-Fritsch, Allie, and Erin, Felicia, eds. Beholding Violence in Medieval and Early Modern Europe. Farnham: Ashgate, 2012Google Scholar
Thurn, David H. ‘Economic and Ideological Exchange in Marlowe’s “Jew of Malta”’. Theatre Journal 46.2 (1994): 157–70CrossRefGoogle Scholar
Tilmouth, Christopher. Passion’s Triumph over Reason: A History of the Moral Imagination from Spenser to Rochester. Oxford: Oxford University Press, 2007CrossRefGoogle Scholar
Tricomi, Albert H. ‘The Aesthetics of Mutilation in “Titus Andronicus”’. Shakespeare Survey 27 (1974): 11–19CrossRefGoogle Scholar
Tricomi, Albert H. ‘The Dates of the Plays of George Chapman’. English Literary Renaissance 12.2 (1982): 242–66CrossRefGoogle Scholar
Turner, Henry S., ed. Early Modern Theatricality. Oxford: Oxford University Press, 2013CrossRefGoogle Scholar
Tweedie, Eleanor M. ‘“Action Is Eloquence”: The Staging of Thomas Kyd’s Spanish Tragedy’. Studies in English Literature, 1500–1900 16.2 (Spring 1976): 223–39CrossRefGoogle Scholar
Velissariou, Aspasia. ‘Neither a Devil nor a Man: D’Amville in Tourneur’s The Atheist’s Tragedy’. Early Modern Literary Studies 20.2 (2018): 1–20Google Scholar
Waith, Eugene. ‘The Metamorphosis of Violence in Titus Andronicus’. Shakespeare Survey 10 (1957): 39–49Google Scholar
Waldron, Jennifer. Reformation of the Body: Idolatry, Sacrifice, and Early Modern Theatre. New York: Palgrave Macmillan, 2013CrossRefGoogle Scholar
Walsh, Alexander. Hamlet in His Modern Guises. Princeton, NJ: Princeton University Press, 2001CrossRefGoogle Scholar
Walsham, Alexandra. Providence in Early Modern England. Oxford: Oxford University Press, 2001CrossRefGoogle Scholar
Wannenwetsch, Brend. ‘Luther’s Moral Theology’. In McKim, Donald K., ed., The Cambridge Companion to Martin Luther. Cambridge: Cambridge University Press, 2003. 120–35Google Scholar
Waswo, Richard. Language and Meaning in the Renaissance. Princeton, NJ: Princeton University Press, 1987CrossRefGoogle Scholar
Watson, Curtis Brown. Shakespeare and the Renaissance Concept of Honor. Princeton, NJ: Princeton University Press, 1960Google Scholar
Weinandy, Thomas G. Does God Suffer? Notre Dame, IN: University of Notre Dame Press, 2000CrossRefGoogle Scholar
West, Grace Starry. ‘Going by the Book: Classical Allusions in Shakespeare’s Titus Andronicus’. Studies in Philology 79.1 (Winter 1982): 62–77Google Scholar
Westerholm, Stephen. Perspectives Old and New on Paul: The ‘Lutheran’ Paul and His Critics. Grand Rapids, MI: Eerdmans, 2004Google Scholar
Wharton, T. F., ed. The Drama of John Marston: Critical Re-visions. Cambridge: Cambridge University Press, 2000Google Scholar
Whigham, Frank. Seizures of the Will in Early Modern English Drama. Cambridge: Cambridge University Press, 1996CrossRefGoogle Scholar
White, Paul Whitefield. Theatre and Reformation: Protestantism, Patronage, and Playing in Tudor England. Cambridge: Cambridge University Press, 1993Google Scholar
Whitney, Charles. Early Responses to Renaissance Drama. Cambridge: Cambridge University Press, 2006Google Scholar
Wilks, John S. ‘The Discourse of Reason: Justice and the Erroneous Conscience in Hamlet’. Shakespeare Studies 18 (1986): 117–44Google Scholar
Williams, Bernard. Ethics and the Limits of Philosophy. 1985. London: Routledge, 2006CrossRefGoogle Scholar
Woodbridge, Linda. English Revenge Drama: Money, Resistance, Equality. Cambridge: Cambridge University Press, 2010CrossRefGoogle Scholar
Zagzebski, Linda. ‘Morality and Religion’. In Wainright, William J., ed., The Oxford Handbook of Philosophy of Religion. Oxford: Oxford University Press, 2005. 344–65Google Scholar
Zamir, Tzachi. Acts: Theater, Philosophy, and the Performing Self. Ann Arbor: University of Michigan Press, 2014CrossRefGoogle Scholar
Zamir, Tzachi. Double Vision: Moral Philosophy and Shakespearean Drama. Princeton, NJ: Princeton University Press, 2007Google Scholar
Zamir, Tzachi. ed. Shakespeare’s Hamlet: Philosophical Perspectives. Oxford: Oxford University Press, 2018Google Scholar
Zamir, Tzachi. ‘Wooden Subjects’. New Literary History 39.2 (2008): 277–300CrossRefGoogle Scholar
Zimmerman, Susan. The Early Modern Corpse and Shakespeare’s Theatre. Edinburgh: Edinburgh University Press, 2005Google Scholar
Zisser, Shirley. ‘Derrida after Shakespeare: A Lacanian Reading’. The Undecidable Unconscious: A Journal of Deconstruction and Psychoanalysis 7 (2020): 51–82CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Noam Reisner, Tel-Aviv University
  • Book: Performing Ethics in English Revenge Drama
  • Online publication: 09 July 2024
  • Chapter DOI: https://doi.org/10.1017/9781009462488.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Noam Reisner, Tel-Aviv University
  • Book: Performing Ethics in English Revenge Drama
  • Online publication: 09 July 2024
  • Chapter DOI: https://doi.org/10.1017/9781009462488.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Noam Reisner, Tel-Aviv University
  • Book: Performing Ethics in English Revenge Drama
  • Online publication: 09 July 2024
  • Chapter DOI: https://doi.org/10.1017/9781009462488.010
Available formats
×