Book contents
- Frontmatter
- Contents
- Acknowledgments
- Introduction: MusicalIntersections, Embodiments, and Emplacements
- Part One Landscope and Emotion
- Part Two Memory and Attachment
- 4 Christian Choral Singing in Aboriginal Australia: Gendered Absence, Emotion, and Place
- 5 Transforming the Singing Body: Exploring Musical Narratives of Gender and Place in EastBavaria
- 6 A Place of Her Own: GenderedSinging in Poland's Tatras
- Part Three Nationalism and Indigeneity
- Afterword
- Selected Bibliography
- List of Contributors
- Index
6 - A Place of Her Own: Gendered Singing in Poland's Tatras
from Part Two - Memory and Attachment
Published online by Cambridge University Press: 05 December 2013
- Frontmatter
- Contents
- Acknowledgments
- Introduction: MusicalIntersections, Embodiments, and Emplacements
- Part One Landscope and Emotion
- Part Two Memory and Attachment
- 4 Christian Choral Singing in Aboriginal Australia: Gendered Absence, Emotion, and Place
- 5 Transforming the Singing Body: Exploring Musical Narratives of Gender and Place in EastBavaria
- 6 A Place of Her Own: GenderedSinging in Poland's Tatras
- Part Three Nationalism and Indigeneity
- Afterword
- Selected Bibliography
- List of Contributors
- Index
Summary
Hej kie jo se zaśpiywom,
puscem dolinom głos;
Hej usłysys mnie chłopce,
Ale mnie nie poznos.
[Hey, when I sing,
I'll let go of my voice in the valleys;
Hey, you will hear me, fellow,
but you will not recognize me.]
In this song from southern Poland, the women singing engage in a first-person narrative in which they position themselves discursively within a surrounding mountain landscape of the Tatra Mountains by sending their voices into this land (see fig. 6.1). At the same time, depending on where they are singing, they may or may not actually be placing themselves—through their singing voices—physically into the hills and valleys that this text describes. What is the significance of this song and this singing within the experience of place? What is the relationship between singer, landscape, and song? How is this affected by gender, age, and modernity? This chapter addresses such questions in considering gendered musical performance among the Górale of Podhale, Poland (map 6.1). By locating women's singing within its environment, this chapter aims to show how singing, place, and gendered identity coalesce. It also elaborates on the individual experience of singing by examining one exceptional singer's negotiation of gendered performance practice and her ongoing attachment to the landscape.
- Type
- Chapter
- Information
- Performing Gender, Place, and Emotion in MusicGlobal Perspectives, pp. 127 - 144Publisher: Boydell & BrewerPrint publication year: 2013