Performing Propaganda: Musical Life and Culture in Paris during the First World War Musical Life and Culture in Paris during the First World War
Book contents
- Frontmatter
- Contents
- List of Illustrations
- List of Tables
- Acknowledgements
- List of Abbreviations
- Introduction
- 1 Musical Institutions on the Home Front
- 2 The Origins of Wartime Musical Propaganda: From the Written Word to Performing Globetrotters
- 3 Saint-Saëns's Germanophilie as a Propaganda Prototype
- 4 Propaganda on the Concert Stage: The Matinées Nationales
- 5 Creativity and Compromise at the Opéra
- 6 Music Publishing and the Édition Française de Musique Classique
- Conclusion
- Bibliography
- Index
- Miscellaneous Endmatter
Book contents
- Frontmatter
- Contents
- List of Illustrations
- List of Tables
- Acknowledgements
- List of Abbreviations
- Introduction
- 1 Musical Institutions on the Home Front
- 2 The Origins of Wartime Musical Propaganda: From the Written Word to Performing Globetrotters
- 3 Saint-Saëns's Germanophilie as a Propaganda Prototype
- 4 Propaganda on the Concert Stage: The Matinées Nationales
- 5 Creativity and Compromise at the Opéra
- 6 Music Publishing and the Édition Française de Musique Classique
- Conclusion
- Bibliography
- Index
- Miscellaneous Endmatter
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- Performing Propaganda: Musical Life and Culture in Paris during the First World WarMusical Life and Culture in Paris during the First World War, pp. viiiPublisher: Boydell & BrewerPrint publication year: 2018