Book contents
- Frontmatter
- Contents
- List of Figures
- Introduction
- 1 The Origins of Scottish Photography: Pioneering Activities in St Andrews and Edinburgh
- 2 David Octavius Hill and Robert Adamson: the ‘Partnership of Genius’ and the First Art Photography
- 3 Photography for the Few: The Activities of the Enthusiastic and Artistic Amateurs
- 4 Photography in Demand: The Work of the Increasing Number of Professional Photographers to Meet Public Demand
- 5 Scots Abroad: The Achievements of Scottish Photographers Around the World
- 6 Tourists and Travellers: Images of Scotland Produced for the Rapidly Growing Tourist Market and Photographs Taken by Visitors
- 7 Recording Social Conditions and Industrial Change: Photographs of what was Being Lost and what was Replacing it
- 8 Photography as Art: Looking at the Images and the Arguments
- 9 Populist Activity and Pictorialism: Popular Involvement with Cheap and Mass Produced Cameras and Photographers with Artistic Aspirations
- 10 Scotland's Enduring Photographic Legacy
- Bibliography
- Acknowledgements
- Index
10 - Scotland's Enduring Photographic Legacy
Published online by Cambridge University Press: 05 August 2013
- Frontmatter
- Contents
- List of Figures
- Introduction
- 1 The Origins of Scottish Photography: Pioneering Activities in St Andrews and Edinburgh
- 2 David Octavius Hill and Robert Adamson: the ‘Partnership of Genius’ and the First Art Photography
- 3 Photography for the Few: The Activities of the Enthusiastic and Artistic Amateurs
- 4 Photography in Demand: The Work of the Increasing Number of Professional Photographers to Meet Public Demand
- 5 Scots Abroad: The Achievements of Scottish Photographers Around the World
- 6 Tourists and Travellers: Images of Scotland Produced for the Rapidly Growing Tourist Market and Photographs Taken by Visitors
- 7 Recording Social Conditions and Industrial Change: Photographs of what was Being Lost and what was Replacing it
- 8 Photography as Art: Looking at the Images and the Arguments
- 9 Populist Activity and Pictorialism: Popular Involvement with Cheap and Mass Produced Cameras and Photographers with Artistic Aspirations
- 10 Scotland's Enduring Photographic Legacy
- Bibliography
- Acknowledgements
- Index
Summary
The photographic exhibition organised by James Craig Annan in Glasgow in 1901 was important for the history of Scottish photography as it looked back at some of Scotland's unrivalled practitioners of photographic art and especially Hill and Adamson. But much still needed to be done by Annan and others so that Scotland's photographic heritage could be understood and appreciated.
Annan had exhibited original prints by Hill and Adamson at the Photography Exhibition in Glasgow in 1901 and he had already exhibited and continued to exhibit his photogravures of their images. He went further and was responsible for the work of Hill and Adamson, and especially their magnificent portrait studies, becoming known ‘to a world that had forgotten them’. The American photographer Albert Stieglitz said that Annan would be remembered for this if nothing else and it was Stieglitz who ensured that the work of Hill and Adamson reached a wider and critically important audience. Between 1903 and 1917 Stieglitz edited the prestigious and influential photographic journal Camera Work and Hill and Adamson photographs appeared in several issues. This was hugely important in getting their work recognised and establishing their international reputation, especially in North America.
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- Chapter
- Information
- The Photography of Victorian Scotland , pp. 186 - 194Publisher: Edinburgh University PressPrint publication year: 2012