Book contents
- Pirandello in Context
- Pirandello in Context
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- Chronology
- List of Cited Titles in Translation and the Original Italian
- Part I Places
- Part II Institutions
- Part III Interlocutors
- Chapter 11 Marta Abba
- Chapter 12 Massimo Bontempelli
- Chapter 13 Gian Francesco Malipiero
- Chapter 14 Georges Pitoëff
- Chapter 15 Max Reinhardt
- Chapter 16 George Bernard Shaw
- Chapter 17 Benedetto Croce and Adriano Tilgher
- Part IV Traditions and Trends, Techniques and Forms
- Part V Culture and Society
- Part VI Reception and Legacy
- Further Reading
- Index
Chapter 16 - George Bernard Shaw
from Part III - Interlocutors
Published online by Cambridge University Press: 14 March 2024
- Pirandello in Context
- Pirandello in Context
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Preface
- Acknowledgments
- Chronology
- List of Cited Titles in Translation and the Original Italian
- Part I Places
- Part II Institutions
- Part III Interlocutors
- Chapter 11 Marta Abba
- Chapter 12 Massimo Bontempelli
- Chapter 13 Gian Francesco Malipiero
- Chapter 14 Georges Pitoëff
- Chapter 15 Max Reinhardt
- Chapter 16 George Bernard Shaw
- Chapter 17 Benedetto Croce and Adriano Tilgher
- Part IV Traditions and Trends, Techniques and Forms
- Part V Culture and Society
- Part VI Reception and Legacy
- Further Reading
- Index
Summary
Luigi Pirandello is not often linked to George Bernard Shaw, although they did communicate through notes on one occasion, with Shaw expressing himself in a mélange of operatic French, German, and Italian, the last of which gave Pirandello much entertainment. Both playwrights admired and liked one another; Shaw praised Six Characters as the most original play he had encountered, while Pirandello greatly admired Saint Joan and wanted Marta Abba to perform the part. The New York Times invited Pirandello to write an essay on Shaw’s play, which Pirandello concluded with the assertion that Saint Joan was “a work of poetry from beginning to end.” Further consideration of how Shaw’s plays related to Pirandello’s reveals that, in spite of Pirandello’s despairing view of the human condition, which Pirandello constantly mocked as futile, one can discover moments of humor that often resemble Shaw’s comedic style.
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- Pirandello in Context , pp. 129 - 135Publisher: Cambridge University PressPrint publication year: 2024