Book contents
- Print and Performance in the 1820s
- Cambridge Studies in Romanticism
- Print and Performance in the 1820s
- Copyright page
- Contents
- Illustrations
- Acknowledgements
- Chapter 1 Introduction: Being There, circa 1824
- Chapter 2 Periodical Performances
- Chapter 3 Mediating Improvisation and Improvising Mediation
- Chapter 4 Personal Identity, Impersonation, and Charles Mathews
- Chapter 5 Theodore Hook’s Sayings and Doings on the Page and the Stage
- Chapter 6 Speculating on Property
- Chapter 7 Scottish Fictions of 1824
- Notes
- Bibliography
- Index
- Cambridge Studies in Romanticism
Illustrations
Published online by Cambridge University Press: 11 March 2020
- Print and Performance in the 1820s
- Cambridge Studies in Romanticism
- Print and Performance in the 1820s
- Copyright page
- Contents
- Illustrations
- Acknowledgements
- Chapter 1 Introduction: Being There, circa 1824
- Chapter 2 Periodical Performances
- Chapter 3 Mediating Improvisation and Improvising Mediation
- Chapter 4 Personal Identity, Impersonation, and Charles Mathews
- Chapter 5 Theodore Hook’s Sayings and Doings on the Page and the Stage
- Chapter 6 Speculating on Property
- Chapter 7 Scottish Fictions of 1824
- Notes
- Bibliography
- Index
- Cambridge Studies in Romanticism
Summary
- Type
- Chapter
- Information
- Print and Performance in the 1820sImprovisation, Speculation, Identity, pp. viiPublisher: Cambridge University PressPrint publication year: 2020