Book contents
- Race in Irish Literature and Culture
- Cambridge Themes in Irish Literature and Culture
- Race in Irish Literature and Culture
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Editors’ Note
- Introduction
- Chapter 1 “Our Heroic Ancestors”
- Chapter 2 Racializing Irish Historical Consciousness
- Chapter 3 Race, Minstrelsy, and the Irish Stage
- Chapter 4 Race and Irish Women’s Novels in the Long Nineteenth Century
- Chapter 5 Blackface Minstrelsy, Irish Modernism, and the Histories of Irish Whiteness
- Chapter 6 Joyce’s Racial Comedy
- Chapter 7 W. B. Yeats, the Irish Free State, and the Rhetoric of Race Suicide
- Chapter 8 “Ulster’s White Negroes”
- Chapter 9 Learning from Walcott
- Chapter 10 Race, Irishness, and Popular Culture in Australia
- Chapter 11 White Nationalism and Irish America
- Chapter 12 Diasporic Afterlives
- Chapter 13 “Dubh”
- Chapter 14 Split Selves and Double Consciousness in Recent Irish Fiction
- Chapter 15 Race, Place, and the Grounds of Irish Geopolitics
- Select Bibliography
- Index
Chapter 6 - Joyce’s Racial Comedy
Published online by Cambridge University Press: 04 January 2024
- Race in Irish Literature and Culture
- Cambridge Themes in Irish Literature and Culture
- Race in Irish Literature and Culture
- Copyright page
- Dedication
- Contents
- Figures
- Contributors
- Editors’ Note
- Introduction
- Chapter 1 “Our Heroic Ancestors”
- Chapter 2 Racializing Irish Historical Consciousness
- Chapter 3 Race, Minstrelsy, and the Irish Stage
- Chapter 4 Race and Irish Women’s Novels in the Long Nineteenth Century
- Chapter 5 Blackface Minstrelsy, Irish Modernism, and the Histories of Irish Whiteness
- Chapter 6 Joyce’s Racial Comedy
- Chapter 7 W. B. Yeats, the Irish Free State, and the Rhetoric of Race Suicide
- Chapter 8 “Ulster’s White Negroes”
- Chapter 9 Learning from Walcott
- Chapter 10 Race, Irishness, and Popular Culture in Australia
- Chapter 11 White Nationalism and Irish America
- Chapter 12 Diasporic Afterlives
- Chapter 13 “Dubh”
- Chapter 14 Split Selves and Double Consciousness in Recent Irish Fiction
- Chapter 15 Race, Place, and the Grounds of Irish Geopolitics
- Select Bibliography
- Index
Summary
Joyce subjected race to comic treatment without lessening its seriousness. He does this by broadening his perspective and deferring judgment about differences (“prejudice” literally means prejudgment). Human racial competition takes the form of a car race (in “After the Race”) and a horse race (in Ulysses). This play on different meanings of “race” allows Joyce to make fun of racism while simultaneously belittling it. People “pre-judge” the results of racial competition by betting. Racial hatred is no longer comic in Finnegans Wake, where Shem the Penman is excoriated as black, Jewish, and oriental. Joyce exposes the superficiality of race prejudice by suggesting that darkness is internal to everyone, and it can be transformed into a form of communication that is communal instead of being driven by self-interest and greed.
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- Race in Irish Literature and Culture , pp. 121 - 142Publisher: Cambridge University PressPrint publication year: 2024